1 “I Refuse to Be Rampioned”: Huxley, D. H. Lawrence, and Point Counter
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Angels and Daemons Aspects of the Mans Point Counter Point
Eger Journal of English Studies XII (2012) 21 29 Angels and Daemons Aspects of the Mans Point Counter Point Angelika Reichmann Among the continental writers who had a profound impact on major figures of English Modernism, the Russian classic F. M. Dostoevsky ranks highly. As - starting in 1912 (cf. Kaye 1 7). He was a presence few writers of the time could escape Katherine Mansfield and John Middleton Murry were no exception. The latter published his monograph entitled Fyodor Dostoevsky: A Critical Study in 1916, and, parallel with that major novels (Mansfield 63 5) an experience that would stay with her until the 1919 article of the Athenaeum she compares the London literary scene to the -writers declaring Kaye 19). Indeed, as a fascinating episode of those times illustrates, Russianness or Dos Boxing Day, 1916, saw the acting out of a half- - Mansfield and her husband featured (Alpers 227). It is in this context that I would like to discuss a most curious phenomenon: Aldous Huxley, in 1916 an ardent participant not only in this Dostoevskian play -like admiration associated with Murry, launched, in his 1928 Point Counter Point, a harsh attack against his fellow writer -turning exploitation of his de idolisation of his dead wife. In my analysis I will argue that this specific feature aesthetics, but it gains such prominence because Murry/Burlap is an Point Counter Point. It is 22 Angelika Reichmann i.e. spiritual quest as a solution for the dilemmas of modern consciousness summed up for Huxley at the time in 1920s and his representation as a Dostoevskian figure. -
Fictional Versions of the Myth of Jesus
FICTIONAL VERSIONS OF THE MYTH OF JESUS IN THE MODERN PERIOD by SYLVIA PERRY B.A. (Hons. English), University of British Columbia, 1969 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of ENGLISH We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1974 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver V6T1W5, Canada Date ii ABSTRACT For a brief period in the history of Western literature, liberated, yet disturbed, by the decline in faith, some important writers sought to "improve" upon the myth of Jesus by re-constructing his historical life in imaginative presentations of various types. This paper is concerned with such works of fiction and prose drama, not poetry, poetic drama, or conventional biography. Ernest Renan's Life of Jesus, published in 1863, provided the impetus for fictional versions of the life by such writers of the early modern period as George Moore and Bernard Shaw; Moore's The Brook Kerith was a major influence on the writers of the next generation, including D.H. -
Point Counter Point"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1940 Aldous Huxley's use of music in "Point Counter Point" Bennett Brudevold The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Brudevold, Bennett, "Aldous Huxley's use of music in "Point Counter Point"" (1940). Graduate Student Theses, Dissertations, & Professional Papers. 1499. https://scholarworks.umt.edu/etd/1499 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A1D005 HUXLEY'S USE OF MUSIC IB F o m r c o i m m by Bennett BruAevold Presented in P&rtlel Fulfillment of the Requirement for the Degree of Master of Arte State University of Montana 1940 Approveds û&^'rman of Ëxaminl]^^ ttee W- Sfiairraan’ of Graduate Ccmmlttee UMI Number; EP35823 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation RMishing UMI EP35823 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author. -
Letters of Lawrence
“A NEW CONTINENT OF THE SOUL”: D. H. LAWRENCE, PORTHCOTHAN AND THE NECESSARY FICTION OF CORNWALL ANDREW HARRISON My subject here is Lawrence’s responsiveness to Cornwall, primarily during the two months he spent living in J. D. Beresford’s large holiday house in Porthcothan, near Padstow, from 30 December 1915 to 28 February 1916, before he left for the Tinner’s Arms in Zennor and then settled at Higher Tregerthen. Lawrence secured the house at Porthcothan with the help of John Middleton Murry, who had stayed in it for a short time in the early autumn of 1914. On 19 December 1915 Murry spoke to Beresford about the possibility of lending it to his penurious friend. Beresford, who had recently expressed willingness to support a protest over the prosecution of The Rainbow, readily agreed.1 A week and a half later, on Wednesday 29 December, Lawrence travelled south from his sister Ada’s house in Ripley, breaking the journey with an overnight stay in London at the home of David and Edith Eder. He set out in a characteristically assertive and upbeat New Year mood. It was to be “the first move to Florida” (2L 491), leaving behind war-time London and their rented flat in Hampstead and striking out for the realisation of the Rananim dream he had created in Buckinghamshire exactly one year earlier. Excerpts from three short letters which Lawrence wrote shortly after his arrival in Porthcothan on 30 December capture his determinedly optimistic and forward-looking mood: Here already one feels a good peace and a good silence, and a freedom to love and to create a new life. -
Humanities Course Descriptions
HUMANITIES COURSE DESCRIPTIONS HUM 150: SPECIAL TOPIC ‐ CHINESE LANGUAGE AND CULTURE (4) This course provides basic language knowledge for everyday situations and builds a solid foundation for further studies in Chinese. Students will learn Pinyin for speaking and simplified characters for reading and writing. Aspects of Chinese culture will be discussed. No subsequence offered. Open to first‐year students. HUM 150: SPECIAL TOPIC – THE IRISH RENAISSANCE (4) The Irish Renaissance, which revived ancient Irish folklore, legends, and traditions in literary works, emerged during the late 19th‐ and early 20thcenturies. This literary and political movement produced some of the most important literature of the modern era, including the poetry and plays of Yeats, the dramas of J. M. Synge and Sean O'Casey, and the novels of James Joyce. Also listed as ENG 150. No prerequisite. HUM 197F: FIRST‐YEAR SEMINAR ‐ HEROES: TYPES AND ARCHETYPES (4) Who’s a hero? What makes a hero? Is there a difference between a hero and a heroine? Throughout history, cultures have produced (or fabricated) heroes who become models of behavior and projections of a society’s hopes and anxieties. This seminar involves the study of various heroes and heroines (both real and imagined), trying to find out why they are considered heroic and what they tell us about the cultures that revered them. We’ll look at some of the earliest heroes—Joshua and Gilgamesh—and study the classic heroes like Achilles, Antigone, Aeneas, evaluating the way their character and characteristics find a home in Western culture from King Lear to Frankenstein to Mrs. -
Pledging Peace in Aldous Huxley's Eyeless in Gaza
Whitworth Digital Commons Whitworth University English Faculty Scholarship English 2012 Pledging Peace in Aldous Huxley’s Eyeless in Gaza Charles Andrews Whitworth University, [email protected] Follow this and additional works at: http://digitalcommons.whitworth.edu/englishfaculty Part of the English Language and Literature Commons Recommended Citation Andrews, Charles. "Pledging Peace in Aldous Huxley’s Eyeless in Gaza." The Space Between: Literature and Culture, 1914-1945 8.1 (2012): 104-25. This Article is brought to you for free and open access by the English at Whitworth University. It has been accepted for inclusion in English Faculty Scholarship by an authorized administrator of Whitworth University. 109 Pledging Peace in Aldous Huxley’s Eyeless in Gaza Charles Andrews Whitworth University Nineteen thirty-six was a pivotal year for Aldous Huxley. Much of his en- ergy prior to this year was spent writing the satirical novels upon which his reputation still rests, including Crome Yellow (1921), Point Counter Point (1928), and Brave New World (1932). Huxley produced many of his nearly fifty books under contractual obligations to write two or even three books per year, a pace that seemed to cause him little concern. Yet Eyeless in Gaza, his under-read masterpiece, took four years to complete. Begun in 1932, published in 1936, Eyeless is in most ways typical of Huxley’s fiction—eru- dite, philosophical, and semi-autobiographical. His title alludes to Milton’s Samson Agonistes, and his characters each take competing positions on the issues most important to Huxley and his cohort of artists and intellectuals: human relations, mystical spirituality, and radical politics. -
Brave New World: a Unit Plan
BRAVE NEW WORLD: A UNIT PLAN Second Edition Based on the book by Aldous Huxley Written by Mary B. Collins Teacher's Pet Publications, Inc. 11504 Hammock Point Berlin, Maryland 21811 Copyright Teacher's Pet Publications, Inc. 1996, 1999 This LitPlan for Aldous Huxley’s Brave New World has been brought to you by Teacher’s Pet Publications, Inc. Copyright Teacher’s Pet Publications 1999 11504 Hammock Point Berlin MD 21811 Only the student materials in this unit plan such as worksheets, study questions, assignment sheets, and tests may be reproduced multiple times for use in the purchaser’s classroom. For any additional copyright questions, contact Teacher’s Pet Publications. 410-641-3437 www.tpet.com [email protected] TABLE OF CONTENTS - Brave New World Introduction 5 Unit Objectives 8 Reading Assignment Sheet 9 Unit Outline 10 Study Questions (Short Answer) 12 Quiz/Study Questions (Multiple Choice) 18 Pre-reading Vocabulary Worksheets 31 Lesson One (Introductory Lesson) 45 Nonfiction Assignment Sheet 49 Oral Reading Evaluation Form 48 Writing Assignment 1 58 Writing Assignment 2 64 Writing Assignment 3 67 Writing Evaluation Form 68 Vocabulary Review Activities 59 Extra Writing Assignments/Discussion ?s 61 Unit Review Activities 70 Unit Tests 72 Unit Resource Materials 100 Vocabulary Resource Materials 111 3 A FEW NOTES ABOUT THE AUTHOR Aldous Huxley HUXLEY, ALDOUS (1894-1963) Aldous Huxley was born on July 26, 1894 in Godalming, England to a well-educated, prominent family. He went to a preparatory school for his basic education, and then later earned his degree from Balliol College in Oxford. At a young age he contracted an eye disease which left his vision severely impaired. -
FRIEDA LAWRENCE and HER CIRCLE Also by Harry T
FRIEDA LAWRENCE AND HER CIRCLE Also by Harry T. Moore THE PRIEST OF LOVE: A LIFE OF D. H. LAWRENCE THE COLLECTED LETTERS OF D. H. LAWRENCE (editor) HENRY JAMES AND HIS WORLD (with F. W. Roberts) E. M. FORSTER THE WORLD OF LAWRENCE DURRELL (editor) SELECTED LETTERS OF RAINER MARIA RILKE (editor) Frieda Lawrence, by the late Charles McKinley FRIEDA LAWRENCE AND HER CIRCLE Letters from, to and about Frieda Lawrence edited by Harry T. Moore and Dale B. Montague ©Harry T. Moore and Dale B. Montague 1981 Softcover reprint of the hardcover 1st edition 1981 978·0·333·27600·6 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1981 fly THE MACMILLAN PRESS LTD London and Basingstoke Companies and representatives throughout the world ISBN 978-1-349-05036-9 ISBN 978-1-349-05034-5 (eBook) DOI 10.1007/978-1-349-05034-5 Contents Frieda Lawrence frontispiec~ Acknowledgements VI Introduction Vll 1. Letters between Frieda Lawrence and Edward W. Titus 1 2. Letters between Frieda Lawrence and Caresse Crosby 38 3. Letters from Frieda Lawrence and Ada Lawrence Clarke to Martha Gordon Crotch 42 4. Letters from Angelo Ravagli to Martha Gordon Crotch 71 5. Letters between Frieda Lawrence and Richard Aldington 73 Epilogue 138 Index 140 v Acknowledgements Our first acknowledgement must go to Mr Gerald Pollinger, Director of Laurence Pollinger Ltd, which deals with matters concerned with the Lawrence Estate. When Mr Pollinger iearned of the existence of the letters included in this volume, he suggested that they be prepared for publication. -
An Exploration of Female and Male Homosocial Bonds in DH Lawrence's
Student ID: 200614777 ENGL3318: Final Year Project 2014/15 Dr Fiona Becket An exploration of female and male homosocial bonds in D. H. Lawrence’s ‘serious English novels’ ENGL 3318: Final Year Project Tutor: Dr Fiona Becket Student ID: 200614777 1 Student ID: 200614777 ENGL3318: Final Year Project 2014/15 Dr Fiona Becket Introduction………………………………………………………………… 3 I. Female Homosociality in The Rainbow………………………… 4 II. Female Homosociality in Women in Love……………………… 9 III. Male Homosociality in Women in Love………………………… 15 IV. Male Homosociality in Aaron’s Rod……………………………. 20 Conclusion………………………………………………………………….. 25 Bibliography………………………………………………………………… 26 2 Student ID: 200614777 ENGL3318: Final Year Project 2014/15 Dr Fiona Becket Introduction To focus exclusively on homosocial relationships, ‘the social bonds between persons of the same sex’, may seem like an odd choice when studying a writer like D. H. Lawrence.1 Lawrence himself stated that ‘The great relationship, for humanity, will always be the relation between man and woman. The relation between man and man, woman and woman, parent and child, will always be subsidiary.’2 His attitude towards sex, gender and the nature and importance of homosocial relationships, however, were subject to many changes throughout his career. These changes, I argue, are most visible in three closely related novels written across a seven-year span. The first is the female-focused narrative of The Rainbow, banned for obscenity upon publication due to its protagonist’s lesbian affair.3 The second is its sequel, Women in Love, best-known for the ambiguous relationship between its male protagonists, but whose female relationships are also worth studying. The last novel is Aaron’s Rod, a text in which the titular protagonist relinquishes his ties to his family and country and explores the possibilities of bonds with other men. -
This Is Your Hour, and the Power of Darkness
Introduction: ‘Th is is your hour’ Th en Jesus said unto the chief priests, and captains of the temple, and the elders, which were come to him, Be ye come out, as against a thief, with swords and staves? When I was daily with you in the temple, ye stretched forth no hands against me: but this is your hour, and the power of darkness. Luke 22:52– 3 In the foreboding political atmosphere of late 1930s Europe, several Christian activists and thinkers came together in a British- based, inter- nationally connected circle to try to understand – and resist – the apparent cultural disintegration of western society and the rise of totalitarianism. Th roughout the Second World War and its aftermath the group’s members analysed the world’s ills and off ered guidelines for post- war ‘reconstruc- tion’. Convinced that the crises of the age resulted from Christianity’s decline, they sought its ‘revolutionary’ restoration to dominance in British, European and western culture: in short, a ‘Christian society’. While there was no contemporary label for their eff orts as a whole, some of which remained out of the public eye, I call them ‘the Oldham group’, after their organiser, the missionary and ecumenist Joseph H. Oldham. Active between 1937 and 1949, the Oldham group grew out of the inter- war ecumenical movement and consisted of church- affi liated organisations, an informal discussion group (‘the Moot’) and publication projects, notably the Christian News- Letter . It was substantially Anglican with signifi cant free church (i.e. non- Anglican Protestant) membership; denominational perspectives, however, remained secondary in a search for shared, ‘Christian’ principles. -
Edinburgh Research Explorer
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Edinburgh Research Explorer Edinburgh Research Explorer The potential for civility Citation for published version: Kelly, T 2017, 'The potential for civility: Labour and love among British pacifists in the Second World War', Anthropological Theory, pp. 1-19. https://doi.org/10.1177/1463499617744475 Digital Object Identifier (DOI): 10.1177/1463499617744475 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Anthropological Theory General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 11. May. 2020 The Potential for Civility: Labour and Love Among British Pacifists in the Second World War Part of special issue on “Civility”, forthcoming Anthropological Theory Tobias Kelly University of Edinburgh [email protected] October 2017 Abstract Is civility an end in itself, or simply a means to other ends? The relationship between means and ends marks theoretical debates about the meanings and implications of civility. This article addresses how these tensions played out in the context of the particular forms of civility promoted by pacifists in Second World War Britain. -
The Humanism of George Orwell
THE HUMANISM OF GEORGE ORWELL APPROVED: ets^L Major Professor 3 (\ A svi JLGtCx, Minor(Professor irector of the DeparttffeprfT'oi History- Dean of the Graduate School />/A*' , Hale, Jeffrey Lee , The Humanism of George Orwell* Master of Arts (History), December, 1971, 107 pp., bibliography, 19 titles. This paper argues that George Orwell was a myth maker in the twentieth century, an age of existential perplexities. Orwell recognized that man is innately "patriotic," that the will-to-believe is part of his nature, but that the excesses of scientific analysis have disrupted the absolutes of belief. Through the Organic Metaphor, Orwell attempted to reconstruct man's faith into an aesthetic, and consequently moral, sensi- bility. Proposing to balance, and not replace, the Mechanistic Metaphor of industrial society, Orwell sought human progress along aesthetic lines, "Socialism" was his political expres- sion of the Organic Metaphor: both advocated universal integ- rity in time and space. The sources are all primary. All of Orwell's novels were used, in addition to three essay collections: Collected Essays; The Orwell Reader; and The Collected Essays, Journalism and Letters of George Orwell, Sonia Orwell and Ian Angus, editors, four volumes„ Orwell's essays and book reviews contain his best social criticisms. There are six chapters. The first chapter is the intro- duction, which includes a biographical sketch of Orwell, defi- nitions of the Organic and Mechanistic Metaphors, and a comment on the bibliography. The second chapter examines the oppression of the common man by monopolistic capitalism in colonial Burma and depression-ridden Europe, and Orwell's socialist advoca- tions.