DOCSLIB.ORG

Pressekonferenz Zum Programm Der 64. Internationalen Filmfestspiele Berlin

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pressekonferenz Zum Programm Der 64. Internationalen Filmfestspiele Berlin Pressekonferenz zum Programm der 64. Internationalen Filmfestspiele Berlin 28. Januar 2014 um 11 Uhr Ablauf 10 Uhr Einlass 11 Uhr Beginn Begrüßung Berlinale-Direktor Dieter Kosslick stellt das Programm vor Fragen der Presse an das Podium Podiumsteilnehmer Dieter Kosslick / Festivaldirektor Wieland Speck / Panorama Christoph Terhechte / Forum Maryanne Redpath / Generation Linda Söffker / Perspektive Deutsches Kino Rainer Rother / Retrospektive Moderation: Thomas Hailer / Programm Manager Berlinale 64. Internationale Filmfestspiele Berlin Seite 2 von 109 64. Internationale Filmfestspiele Berlin Material zur Pressekonferenz > Grußwort Dieter Kosslick .........................................................................................................5 > Wettbewerb ..................................................................................................................................7 > Berlinale Special ..........................................................................................................................9 > Die Internationale Jury .......................................................................................................... 11 > Hommage und Goldener Ehrenbär für Ken Loach ...................................................... 15 > Berlinale Kamera 2014: Ehrung für Karl Baumgartner ................................................ 18 > Gäste von Wettbewerb und Berlinale Special ............................................................... 20 > Preis Bester Erstlingsfilm ....................................................................................................... 24 > Berlinale Shorts......................................................................................................................... 26 > Panorama ................................................................................................................................... 30 > Forum........................................................................................................................................... 36 > Forum Expanded ..................................................................................................................... 42 > Generation ................................................................................................................................. 46 > Perspektive Deutsches Kino ................................................................................................ 52 > Kulinarisches Kino - „We like it hot... und lassen nichts anbrennen“ ................... 56 > NATIVe - A Journey into Indigenous Cinema ................................................................ 60 > „Berlinale Goes Kiez“ - Das Kino als Ort der kulturellen Nahversorgung ............ 62 > Retrospektive: Aesthetics of Shadow. Lighting Styles 1915–1950 ....................... 64 > Berlinale Talents – "Ready to Play? Breaking the Rules" ........................................... 68 > World Cinema Fund (WCF) und World Cinema Fund Day ........................................ 72 > Berlinale Residency ................................................................................................................. 76 > Wortveranstaltungen ............................................................................................................. 78 > European Film Market ............................................................................................................ 80 > Berlinale Co-Production Market ......................................................................................... 82 > German Cinema - LOLA@Berlinale .................................................................................... 86 > Dokumentarfilm bei der Berlinale 2014 .......................................................................... 88 > Service ......................................................................................................................................... 96 > Statistik der Berlinale 2014 – Stand 26.1.2014 .............................................................. 98 > Die Partner der Berlinale 2014 .......................................................................................... 102 Seite 3 von 109 64. Internationale Filmfestspiele Berlin Seite 4 von 109 64. Internationale Filmfestspiele Berlin Grußwort Dieter Kosslick Ein Kino ist wieder auferstanden, der legendäre Zoo Palast. Dem schlafenden Riesen im Westen der Stadt wurde denkmalgerecht neues Leben eingehaucht. Von 1957 bis 1999 war der „Zoo“ Premierenkino der Berlinale: Stars wie Dustin Hoffman, Sophia Loren, Gregory Peck oder Billy Wilder zeigten hier ihre Filme. Jetzt wird er wieder Spielort der Berlinale. Einem Meister des sozialkritischen Films, Ken Loach, gebührt der diesjährige Goldene Ehrenbär. Mit einer Hommage zeichnen wir das filmische Lebenswerk des Regisseurs nach, der mit Empathie, Kritik und Humor dem europäischen Film ein soziales Gewissen gegeben hat. Und der Teddy Award gönnt sich die ganz große Oper: Die Verleihung des queeren Filmpreises findet erstmals in der Komischen Oper statt. Mit Wes Andersons Grand Budapest Hotel wird die 64. Berlinale mit einem Film voller visueller Pracht starten. Die Geschichte schlägt einen großen Bogen von der Zeit um 1914 bis zum Auftritt der Nazis 1933. Nur zwölf Jahre später lag die Welt in Schutt und Asche. Aber nicht alles wurde zerstört. Die unvorstellbaren Mengen von Kunst und Wertgegenständen, die von den Nazis geraubt worden sind, wurden dann von den „Monuments Men“ aufgespürt. Im gleichnamigen Film ist George Clooney, der auch Regie führte, einer von ihnen. Kaum war der Film in Babelsberg, im Harz und in Sachsen-Anhalt abgedreht, fanden Steuerfahnder mehr als 1.000 verschollen geglaubte Kunstwerke in der Wohnung eines Nachkommen des damaligen Kunsthändlers Gurlitt. So aktuell kann Kino sein. Mit über 400 Filmen, zehn Sektionen und fast 500.000 Kinobesuchen ist die Berlinale das inzwischen größte Publikumsfilmfestival der Welt. Klingt gut. Ist gut. Herzlich willkommen bei der 64. Berlinale. Ihr Dieter Kosslick Festivaldirektor Seite 5 von 109 64. Internationale Filmfestspiele Berlin Seite 6 von 109 64. Internationale Filmfestspiele Berlin Wettbewerb Das Wettbewerbsprogramm umfasst 23 Filme, von denen 20 um den Goldenen und die Silbernen Bären konkurrieren werden. 21 Länder sind vertreten, 18 Weltpremieren werden zu sehen sein, darunter drei Debütfilme. Die Preisverleihung findet am Samstag, dem 15. Februar 2014 im Berlinale Palast statt. Als Abschlussfilm wird der Gewinner des Goldenen Bären gezeigt. Filme im Wettbewerb '71 von Yann Demange mit Jack O'Connell, Sean Harris, Richard Dormer, Paul Anderson. Großbritannien. Debütfilm. WP Aimer, boire et chanter (Life of Riley) von Alain Resnais mit Sabine Azéma, Sandrine Kiberlain, Caroline Silhol, André Dussollier, Hippolyte Girardot, Michel Vuillermoz. Frankreich. WP Aloft von Claudia Llosa mit Jennifer Connelly, Cillian Murphy, Mélanie Laurent, Oona Chaplin, William Shimell, Zen McGrath. Spanien/Kanada/Frankreich. WP Bai Ri Yan Huo (Black Coal, Thin Ice) von Yinan Diao mit Fan Liao, Lun Mei Gwei, Xuebing Wang. Volksrepublik China/Hongkong, China. WP Boyhood von Richard Linklater mit Patricia Arquette, Ethan Hawke, Ellar Coltrane, Lorelei Linklater. USA. IP Chiisai Ouchi (The Little House) von Yoji Yamada mit Takako Matsu, Haru Kuroki, Hidetaka Yoshioka, Satoshi Tsumabuki, Chieko Baisho, Takataro Kataoka. Japan. IP Die geliebten Schwestern (Beloved Sisters) von Dominik Graf mit Hannah Herzsprung, Florian Stetter, Henriette Confurius, Claudia Messner, Ronald Zehrfeld. Deutschland/Österreich. WP The Grand Budapest Hotel von Wes Anderson mit Ralph Fiennes, Tony Revolori, F. Murray Abraham, Mathieu Amalric, Adrien Brody. Großbritannien/Deutschland. WP Historia del miedo (History of Fear) von Benjamin Naishtat mit Jonathan Da Rosa, César Bordón, Mara Bestelli, Claudia Cantero, Mirella Pascual, Francisco Lumerman, Tatiana Giménez. Argentinien/Uruguay/Deutschland/Frankreich. Debütfilm. WP Jack von Edward Berger mit Ivo Pietzker, Georg Arms, Luise Heyer, Vincent Redetzki, Jacob Matschenz, Nele Mueller-Stöfen. Deutschland. WP Kraftidioten (In Order of Disappearance) von Hans Petter Moland mit Stellan Skarsgård, Bruno Ganz, Pål Sverre Hagen, Birgitte Hjort Sørensen, Anders Baasmo Christiansen, Gard B. Eidsvold. Norwegen/Schweden/Dänemark. WP Kreuzweg (Stations of the Cross) von Dietrich Brüggemann mit Lea van Acken, Franziska Weisz, Florian Stetter. Deutschland/Frankreich. WP Macondo von Sudabeh Mortezai mit Ramasan Minkailov, Aslan Elbiev, Kheda Gazieva. Österreich. Debütfilm. WP Praia do Futuro von Karim Aïnouz mit Wagner Moura, Clemens Schick, Jesuita Barbosa. Brasilien/Deutschland. WP La tercera orilla (The Third Side of the River) von Celina Murga mit Alian Devetac, Daniel Veronese, Gaby Ferrero, Irina Wetzel. Argentinien/Deutschland/Niederlande. WP To mikro psari (Stratos) von Yannis Economides mit Vangelis Mourikis, Vicky Papadopoulou, Petros Zervos, Veronica Naujoks. Griechenland/Deutschland/Zypern. WP Seite 7 von 109 64. Internationale Filmfestspiele Berlin Tui Na (Blind Massage) von Lou Ye mit Xiaodong Guo, Hao Qin, Lei Zhang. Volksrepublik China/Frankreich. WP La voie de l'ennemi (Two Men in Town) von Rachid Bouchareb mit Forest Whitaker, Harvey Keitel, Brenda Blethyn, Luis Guzmán, Dolores Heredia. Frankreich/Algerien/USA/Belgien. WP Wu Ren Qu (No Man's Land) von Ning Hao mit Xu Zheng, Yu Nan, Huang Bo, Dou Bujie. Volksrepublik China. IP Zwischen Welten (Inbetween Worlds)
Load more

Recommended publications
  • World Cinema Amsterd Am 2
    WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival.
    [Show full text]
  • Festival/Tokyo Press Release
    Festival Outline Name Festival/Tokyo 09 spring Time・Venues Feb 26 (Thu) – Mar 29 (Sun), 2009 Tokyo Metropolitan Art Space Medium Hall, Small Hall 1&2 Owlspot Theater (Toshima Performing Arts Center) Nishi-Sugamo Arts Factory, and others Program 14 performances presented by Festival/Tokyo 5 performances co-presented by Festival/Tokyo Festival/Tokyo Projects (Symposium/Station/Crew) Organized by Tokyo Metropolitan Government Tokyo Metropolitan Foundation for History and Culture Festival/Tokyo Executive Committee Toshima City, Toshima Future Culture Foundation, Arts Network Japan (NPO-ANJ) Co-organized by Japanese Centre of International Theatre Institute (ITI/UNESCO) Co-produced by The Japan Foundation Sponsored by Asahi Breweries, Ltd., Shiseido Co., Ltd. Supported by Asahi Beer Arts Foundation Endorsed by Ministry of Foreign Affairs, GEIDANKYO, Association of Japanese Theatre Companies Co-operated by The Tokyo Chamber of Commerce and Industry Toshima, Toshima City Shopping Street Federation, Toshima City Federation, Toshima City Tourism Association, Toshima Industry Association, Toshima Corporation Association Co-operated by Poster Hari’s Company Supported by the Agency for Cultural Affairs Government of Japan Related projects Tokyo Performing Arts Market 2009 2 Introduction Stimulated by the distinctive power of the performing arts and the abundant imagination of the artists, Tokyo Metropolitan Government and the Tokyo Metropolitan Foundation for History and Culture launches a new performing arts festival, the Festival/Tokyo, together with the Festival/Tokyo Executive Committee (Toshima City, Toshima Future Cultural Foundation and NPO Arts Network Japan), as part of the Tokyo Culture Creation Project, a platform for strong communication and “real” experiences. The first Festival/Tokyo will be held from February 26 to March 29 in three main venues in the Ikebukuro and Toshima area, namely the Tokyo Metropolitan Art Space, Owlspot Theater and the Nishi-Sugamo Art Factory.
    [Show full text]
  • A Survey of Shakespearean Performances in Japan from 2001-2010
    A Survey of Shakespearean Performances in Japan from 2001-2010 Kosai Ishihara Osamu Hirokawa 1. An Overview of Shakespearean Performance in Japan We are going to survey the performances on Shakespeare in this century. The Shakespeare Institute of Komazawa University has been compiling data on Shakespeare in Japan. We would like to exhibit how widely Shakespeare has been appreciated by people in and around Tokyo on the evidence of the performance records for the ten years from 2001 to 2010, based mainly upon the data of Nihon Sheikusupia Soran ( A General Survey of Shakespeare in Japan), composed by Takashi Sasaki, a member of The Komazawa University Shakespeare Institute. *(Table 1) The annual number of performances in the 1980s came to around 20-30 but increased to about 60-70 in the 1990s. The peak year of the 1990s was 1991, when the Fifth World Shakespeare Congress was held in Tokyo; in the autumn the Japan Festival of Great Britain was held in Great Britain. A total of 93 plays was performed that year. As the graph above shows, the lower rate of the early 2000s peaked again in 2002. In the recent years more than 100 Shakespearean productions have been staged. The fi gures include all performances, varying － 1 － Kosai Ishihara, Osamu Hirokawa from small amateur groups to large professional companies, from authentic British productions to traditional Japanese productions. Most of the plays staged in Japan are performed in Japanese, sometimes highly adapted. Once Shakespeare’s plays are translated into Japanese they are no longer strictly Shakespearean, since the structural differences between English and Japanese detract from his beautiful rhyme, accent, rhythm and imagery.
    [Show full text]
  • Cineclubuned 24.Pdf
    Asociación Cultural UNED SORIA Presidente Saturio Ugarte Martínez Vicepresidente Carmelo García Sánchez Secretario José Jiménez Sanz Tesorero Cristina Granado Bombín Vocales Mª Desirée Moreno Pérez Anselmo García Martín Jesús Labanda Izquierdo Dario García Palacios Coordinador Carmelo García Sánchez 24 Secciones Pantalla Grande Curso Programación y Textos Roberto González Miguel (RGM) 2017.2018 José María Arroyo Oliveros (JMA) Julián de la Llana del Río (JLLR) Ángel García Romero (AGR) Miradas de Cine Programación y Textos Roberto González Miguel (RGM) José María Arroyo Oliveros (JMA) Edita Soria de Cine Asociación Cultural UNED. Soria Selección y Textos Julián de la Llana del Río (JLLR) D.L. So-159/1994 Cineclub UNED c/ San Juan de Rabanera, 1. 42002 Soria. t. 975 224 411 f. 975 224 491 Colaboradores [email protected] www.cineclubuned.es Colaboración especial Susana Soria Ramas Pedro E. Delgado Cavilla © Fotografías: Alberto Caballero García Cabeceras: Unsplash (diferentes autores) Peliculas: Distribuidoras Producción Audiovisual Visorvideo. Victor Cid (www.visorvideo.tv) Diseño Gráfico/Maqueta Roberto Peña (www.elprincipiokiss.es) Impresión Arte Print Otras colaboraciones José Reyes Salas de proyección Centro Cultural Palacio de la Audiencia (Plaza Mayor) Casa de la Tierra- UNED. (c/ San Juan de Rabanera, 1). 24 OCTUBRE NOVIEMBRE DICIEMBRE ENERO i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do 01 01 02 03 04 05 01 02 03 01 02 03 04 05 06 07 02 03 04 05 06 07 08 06 07 08 09 10 11 12 04 05 06 07
    [Show full text]
  • Berlinale 2008
    Berlinale 2008 By Ron Holloway Spring 2008 Issue of KINEMA 58th BERLINALE 2008 Box Office Bonanza Will it ever end? During his seven years as Berlinale director, Dieter Kosslick’s festival tenure is annually boosted by success at the box office. Following the close of the 58th Berlin International Film Festival (7-17 February 2008), bonanza statistics were promptly released to the press. The 58th Berlinale recorded an overall audience of 430,000, of which some 230,000 purchased tickets, thus exceeding last year’s record by more than 6,000. The number of visiting film professionals (exhibitors, sales agents, industry representatives) increased to 20,000 from 125 countries, topping last year’s total of 19,155. The number of accredited journalists rose to 4,105. The sum of public screenings also rose to 1,256, compared with 934 screenings in 2007. Only the number of films participating in this year’s official programs dipped in comparison tolast year - down from 396 to 383 - but even this adjustment apparently made some Berlinale entries all the more attractive. The buzz at the Berlinale? Of particular interest were the ”EFM Industry Debates” held in the Marriott Hotel for three days in the middle of the festival. A hundred participants registered for the panel discussions on the challenges and opportunities of ”Digital Film Distribution” in the not too distant future. Another press headliner was a calculation on the ”monetary worth” of this year’s Berlinale, reckoned at circa €17.2m, or around US$ 26m. The sum includes the input by the German government (country, state, city), estimated at € 6.2m, or approximately US$ 9.3m.
    [Show full text]
  • Product Guide
    AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver
    [Show full text]
  • European Shooting
    1 european shooting presented by °efp stars european film promotion at the berlin international film festival youth. 3 ambition. europe! passion. films. Belgium Georgia Germany Hungary Italy Matteo Irakli Franz Réka Matilda talent. Simoni Kvirikadze Rogowski Tenki De Angelis The Netherlands Norway Sweden Switzerland United Kingdom Jonas Eili Alba Luna Michaela spirit. Smulders Harboe August Wedler Coel °efp european film promotion Feb 16 – 20 2018 presenting european shooting stars 2018 °efp 5 european shooting stars 2018 Harald Fuhr Harald © 7 welcome 8 about european shooting stars 12 international casting directors network 16 the jury 2018 Miriam Karlkvist, Italian Shooting Star 2014 21 european shooting stars 2018 – artist profiles 22 belgium matteo simoni 24 georgia irakli kvirikadze 26 germany franz rogowski 28 hungary réka tenki 30 italy matilda de angelis Programme of the 32 the netherlands jonas smulders 34 norway eili harboe European Union 36 sweden alba august 38 switzerland luna wedler Creative Europe 40 united kingdom michaela coel Support Programme for Europe’s Cultural and Creative Sectors 2014 – 2020 46 about european film promotion www.ec.europa.eu/culture/ 56 imprint creative-europe 57 thank you youth. welcome 7 ambition. passion. It gives us great pleasure, on behalf of EFP’s members, to introduce you to this year’s European Shooting Stars – an extraordinary group of ten up-and-coming actors selected by an international jury for this honour. With laser focus and unshakeable passion – a combination EFP President of hard work and innate talent – EFP’s Shooting Martin Schweighofer Stars are poised to make their mark on the international stage.
    [Show full text]
  • Movie Museum AUGUST 2015 COMING ATTRACTIONS
    Movie Museum AUGUST 2015 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! Hawaii Premiere! ANTHONY ZIMMER FAR FROM THE EDO CASTLE HUGH AND HEKE ABOUT HER BROTHER (2005-France) MADDING CROWD REBELLION (2010-New Zealand) (2010-Japan) French w/Eng subtitles ws (2015-UK/US) in widescreen in English, in widescreen Japanese w/Eng subtitles ws aka Edo-jo tairan with Sayuri Yoshinaga. with Sophie Marceau, with Carey Mulligan (1991-Japan) Directed by Reston Griffiths. Director: Yôji Yamada. Yvan Attal. 11:00am, 3:45 & 5:45pm Japanese w/Eng subtitles, ws 12:00 & 6:15pm 11:00am, 2:45 & 6:30pm 11:30am, 3:00 & 6:30pm ---------------------------------- with Hiroki Matsukata. --------------------------------- ---------------------------------- ---------------------------------- Hawaii Premiere! 11:00am, 3:30 & 8:00pm FAR FROM THE Hawaii Premiere! Hawaii Premiere! DREAMS FOR SALE ---------------------------------- MADDING CROWD HUGH AND HEKE PEACE aka Yume uru futari DREAMS FOR SALE (2015-UK/US) (2010-US/Japan/South Korea) (2010-New Zealand) (2012-Japan) aka Yume uru futari in widescreen Japanese w/Eng subtitles, ws in English, in widescreen Japanese w/Eng subtitles, ws (2012-Japan) Carey Mulligan, Matthias A highly original doc about Directed by Reston Griffiths. Sadao Abe, Takako Matsu Japanese w/Eng subtitles, ws Schoenaerts, Michael Sheen. people, cats and society. 1:15, 4:45 & 8:15pm 1:15 & 8:00pm 6 7 1:00 & 5:30pm 8 1:45, 4:00 & 8:00pm 9 1:15, 5:00 & 8:45pm 10 Hawaii Premiere! 2 Hawaii Premieres! Hawaii Premiere! Hawaii Premiere! 5 FLIGHTS UP A LA MALA LOL (Laughing Out Loud) PEACE (2014-US) LOL (Laughing Out Loud) (2015-Mexico) (2008-France) (2010-US/Japan/South Korea) in widescreen (2008-France) Spanish w/Eng subtitles, ws French w/Eng subtitles, ws Japanese w/Eng subtitles, ws Diane Keaton, Morgan French w/Eng subtitles, ws Director: Pedro Pablo Ibarra with Sophie Marceau, A highly original doc about Freeman, Cynthia Nixon.
    [Show full text]
  • Cinestar IMAX® Ab 10:00 Uhr Vorverkaufsgebühr Von € 2,00 Erhältlich
    Donnerstag, 11.2. Freitag, 12.2. Samstag, 13.2. Sonntag, 14.2. Montag, 15.2. BACK TO THE ZOO Dieter Kosslick, Festivaldirektor in Kino ist wieder auferstanden, der legendäre Zoo Palast. E Dem schlafenden Riesen im Westen der Stadt wurde denk- malgerecht neues Leben eingehaucht. Dank der Investoren und vor allem des Denkmalschutzes strahlt der große Saal in neuem und altem Glanz. Auch der wunderschöne rosarote Vorhang hängt an der alten Stelle. Ein veritables Statement für die Zukunft ©Marc Ohrem Leclef Ohrem ©Marc des Kinos, nicht nur für den Zoo Palast. Von 1957 bis 1999 war der „Zoo“ Premierenkino der Berlinale: 123 Goldene, 268 Silberne und 8 Bronzene Bären wurden hier überreicht. Stars wie Dustin Hoffman, Sophia Loren, Gregory Peck oder Billy Wilder zeigten hier ihre Filme. Jetzt wird er wieder Spielort für die Sektionen Berlinale Special, Generation, Panorama, Forum, Berlinale Shorts und NATIVe. Auch der stetig wachsende European Film Market nutzt die neuen Kinosäle, und die Deutsche Filmakademie wird hier eine neue Heimat für ihre LOLA-Vorführungen finden. Also – im Westen was Neues. Und schön ist: Die alten Treffpunkte sind noch da. Das sind die Paris Bar, das Florian am Savignyplatz, das Palace Hotel, das Kempinski, das Crowne INHALT Plaza und das Ellington in der Nürnberger Straße. Auch der Kur fürsten damm strahlt in Kartenvorverkauf ________________ 4 neuem Glanz und gegenüber das neue Waldorf Astoria. Kartenpreise ____________________ 5 Und wenn wir schon in den Westen schwenken: Neben dem „Zoo“ präsentieren traditio- nell auch der Delphi Filmpalast und das filmkunst 66 weiteres Berlinale-Programm. Kinoadressen ____________________ 5 Einem Meister des sozialkritischen Films, Ken Loach, gebührt der diesjährige „Goldene Information & Service ______________ 6 Ehrenbär“.
    [Show full text]
  • Productlistings
    02-05 Berlin listings_lg_edit c:L02THR_Fri020510_EW 2/4/10 11:55 AM Page L-2 NuImage/Millennium Films’ “The Mechanic” ProductListi ngs On Offer: THE BOXER (U.S.A./ On Offer: THE BAIT (U.S.A./Poland; 27 FILMS PRODUCTION LISTINGS NOTE Germany; action-adventure) Director: thriller) Director: Dariusz Zawislak; cast: Phone: 49-30-847-116-60 Thomas Jahn; cast: Stacy Keach, Joshua Faye Dyaway, Sonia Bohosiewicz. (90 On Offer: FRANCUSKI (Germany/ Dallas. (90 mins.; screening; debuting) mins.; screening; debuting) Listings represent product Austria/Poland; drama) Director: Goran THE LOST SAMARITAN (U.S.A./ THE MAGIC STONE (family) Director: on offer by companies that Rebic; cast: Samuel Finzi, Lars Rudolph. Germany; action-adventure) Director: Jowita Gondek; cast: Faye Dunaway, submitted titles to (development; presales; debuting) Thomas Jahn; cast: Ian Somerhalder, Majka Jezowska. (postproduction; prod - MR. LU’S BLUES (Germany/Sweden/ THR.com/listings. Ruta Gedmintas. (90 mins.; screener uct reel/trailer; debuting) China; romance) Director: Maria Von Submissions were limited cassette/DVD; debuting) Heland (development; presales; debuting) to two of the following: AFFINITY INTL. attending executives, 6 SALES ADRIANA CHIESA Berlin Office: Ritz Carlton Suite 550 ENTERPRISES Office Phone: 49-03-033-777-56 projects and cast members Berlin Office: Marriott Hotel, 1st Floor, Berlin Office: MGB 135 Attending: Bill Lischak, COO; Brian per project. Participating Office #100 Office Phone: 49-30-22000-1127 Office Phone: 49-03-024-649-7400 O’shea, president, worldwide distribution companies may have Attending: Mar Abadin, head of sales; Attending: Adriana Chiesa Di Palma, Phone: 310-652-0999 additional films on offer. Marina Fuentes, partner president; Rossella Gori, head of interna - On Offer: FROM PRADA TO NADA Phone: -34-91-636-10-54 tional sales (U.S.A.; romance) Director: Angel Gracia; On Offer: THE DANCER & THE THIEF Phone: -39-06-808-6052 cast: Adriana Barraza, Camilla Belle.
    [Show full text]
  • For Your Cultural Life in Hiroshima
    For your cultural life in Hiroshima かき氷 Kakigôri (shaved ice) Ice was once a rare commodity in summer, only available to the aristocracy who could pay for its transport from northern mountain areas. Japanese travelers overseas in the late 19th century discovered ice cream. It was not long before it became possible to produce ice and one of today’s favorite Japanese summer treats – kakigôri, shaved ice. Wherever you go in Japan in summer, you will see small red, white and blue flags bearing the character for ‘ice’ (氷). This may mean that ice-cream is on sale, but there will almost certainly be kakigôri. You will find it at convenience stores (sometimes ready packed), on beaches, and at festivals, and many people make their own at home. It’s very simple dish. Ice is finely shaved using either an old-style hand-cranked machine, rather like a meat mincer, or an electric ice-shaver. Sweet syrup is added to the small mountain of shavings, and it’s eaten with a spoon. Popular flavors include strawberry, melon, grape, lemon, ‘blue Hawaii’, and matcha (green tea). The syrup gradually soaks into shavings as they melt, leaving sweet iced water by the end. Tsubu-an azuki paste from the large kintoki-azuki bean is also sometimes added to make uji-kintoki, with a sprinkling of matcha powder. Condensed milk or ice cream can also be added. (Abstracted from 『ニッポン 風物詩』 p. 199, IBC パブリッシング) Kakigôri used to be a common summer treats which could be prepared cheaply and easily. Recently, however, various types of kakigôri have appeared such as kakigôri which is made with natural ice, Taiwanese- style kakigôri and Korean-style kakigôri, called “patpingsu”.
    [Show full text]
  • 50 Anni Di Cinema. Decenni E Attori Di Culto 12 Settembre - 29 Ottobre 2013 Proiezioni Ore 17.00 E 19.30 Istituto Giapponese Di Cultura - Via A
    50 anni di cinema. Decenni e attori di culto 12 settembre - 29 ottobre 2013 Proiezioni ore 17.00 e 19.30 Istituto Giapponese di Cultura - Via A. Gramsci, 74 - 00197 Roma ingresso libero Dopo la rassegna 50 anni di cinema. Decenni e registi di culto (10 gennaio-19 febbraio 2013) – pre-evento in occasione del 50esimo anniversario di fondazione dell’Istituto Giapponese di Cultura - una nuova retrospettiva con un focus sugli attori più noti del panorama cinematografico giapponese aprirà il calendario degli eventi autunnali. Ogni decennio, dagli anni ’50 fino ai 2000, sarà idealmente rappresentato da tre attori scelti tra i più conosciuti e amati dal pubblico giapponese, che hanno dato voce e volto ai protagonisti di storie dirette con passione e straordinario talento da cineasti la cui fama ha varcato i confini nazionali. Quindici pellicole, quindici attori e attrici indimenticabili: l’affascinante Hideko Takamine, Toshiro Mifune, interprete di tanti film di Kurosawa, Tatsuya Nakadai, Ken Takakura, Ken Ogata, Koichi Sato e tanti altri ancora, fino ai conosciutissimi Rie Miyazawa e Ken COMUNICATO STAMPA Watanabe. Tutti nuovamente protagonisti non solo delle storie raccontate sul grande schermo, ma di una storia universale, quella del cinema. SINOSSI FILM Giovedì 12 settembre ore 17.00 e Lunedì 21 ottobre ore 20.00 HOROKI (Drifting, 1962, B/N, 123’, 35mm ©Toho Co., Ltd.) di Mikio Naruse Sottotitoli in inglese Interpreti Hideko Takamine (Fumiko Hayashi), Kinuyo Tanaka (sua madre Kishi), Akira Takarada (il poeta Mitsugu Fukuchi), Noboru Nakaya (il drammaturgo Haruhiko Date), Yunosuke Ito (il poeta Goro Shirasaka) Nel primo periodo Showa, Fumiko Hayashi e sua madre si sostentano facendo le venditrici ambulanti.
    [Show full text]