DOCSLIB.ORG

Municipal Facilities[PDF,472KB,5Pages]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Municipal Facilities[PDF,472KB,5Pages] HIRO CLUB NEWS ・ EVENTS Facilities <Gardening Lessons> (Address / Telephone / Open Hours / Closed / Cacao Grinding Demonstration / Sunday, Admission Fee / URL) February 10 / Time: TBC Admission is generally allowed up to 30 min. prior How to Grow Omoto (Japanese Sacred Lily) / to closing. Saturday, February 16 / 1:30 pm - 2:30 pm Christmas Roses / February 23 (Sat.) & 24 Hiroshima City Forest Park & (Sun.); March 2 (Sat.) & 3 (Sun.) / 11:00 am – Insectarium noon (10173 Fujigamaru, Fukuda-cho, Higashi-ku 732- Floral Decorations / Sunday, March 3 / 0036 / Forest Park: 899-8241, Insectarium: 899- 11:00 am - noon 1:30 pm - 2:30 pm 8964 / Forest Park: 9:00 am – 4:30 pm; Junior Project / Sunday, March 10 / Insectarium: 9:00 am - 4:30 pm / Closed: Forest 11:00 am - noon 1:30 pm - 2:30 pm Park – Wednesdays; Insectarium – Wednesdays / How to Grow Shiitake (mushrooms) / Admission Fees for the Insectarium: Adults-¥510, Thursday, March 21 / 10:00 am - 3:00 pm / Seniors & high school students-¥170, Junior high The lesson will finish when the wood which & elementary school students-Free (Free the shiitake grows on runs out. admission for high school students on Saturdays Please bring cotton work gloves with you (except on national holidays and during school and wear with appropriate clothing. holidays)) / Forest Park: http://www.daiichibs- shitei.com/forest/ Insectarium: http://www.hiro-kon.jp/) 5-Days Children’s Museum of Culture and Science The Forest Park & Insectarium have been (5-83 Motomachi, Naka-ku 730-0011 / 222-5346 / closed temporarily due to the heavy rain 9:00 am - 5:00 pm / Closed February 4, 12, 13, disaster in western Japan in July. 18 & 25 / Admission fee for planetarium is required (see below). Some Insectarium’s events will be held at 5- / http://www.pyonta.city.hiroshima.jp/) Days Children’s Museum of Culture and Science (please see the Children’s Museum ★ Planetarium ★ event information). Admission Fee for Planetarium: Adults-¥510, Seniors & high school students- ¥250, Junior high & elementary school The Hiroshima Botanical Garden students-Free Free admission for high (3-495 Kurashige, Saeki-ku 731-5156 / 922-3600 / school students on Saturdays (except on most 9:00 am - 4:30 pm / Closed on Fridays / Adults- national holidays and during school holidays). ¥510, Seniors & high school students-¥170, Admission fee for adults is ¥250 on the second Junior high and elementary school students-Free Saturday of every month (except on most (Free admission for high school students on national holidays and during school holidays). Saturdays (except on national holidays and during school holidays)) Planetarium Programs / Adults-¥510, Seniors / http://www.hiroshima-bot.jp/) & high school students-¥250 Africa Pole Pole: Hear African stories of <Exhibitions> Exhibitions will close at 3:30 pm how the sky came to be so bustling, set to on their last day. African music (45 min.) / Until S unday, March 3 Tenji Onshitsu (greenhouse exhibitions) Time Schedule Winter Plants / Until Monday, February 11 Weekdays: 11:00 am Omoto (Japanese Sacred Lily) / Wednesday, Sat., Sun., & national holidays: February 13 – Monday, February 18 10:00 am 3:00 pm Earth Symphony (45 min.) / Until Monday, <Event> July 15 St. Valentine’s Day Festival / Saturday, Time Schedule February 9 – Monday, February 11 Weekday: 2:00 pm Various events such as concerts will be held Sat., Sun. & national holidays: during the period. 11:00 am 2:00 pm Please feel free to contact the International Exchange Lounge at 082-247-9715. E-mail: [email protected] February 2019 公-1 HIRO CLUB NEWS ・ EVENTS 360° Full Dome Show: Dinosaurs (35 min.) / Science Show: Static Electricity / S unday, Until Friday, April 26 / Adults-¥510, Seniors & February 17 / 1:30 pm – 2:00 pm high school students-¥250 3:00 pm – 3:30 pm / 1F, Science Studio / Time Schedule Fee: Free Weekdays: 3:00 pm Sat., Sun. & national holidays: 1:00 pm The events listed below require advance Refretarium: 2018-19 Winter Program / Until applications. Friday, March 15 To APPLY: Send an ofuku-hagaki (return Time Schedule postcard) to the museum, postmarked no later Weekdays: 1:00 pm than each event’s application deadline, with Sat. & national holidays: 4:00 pm the following information: applicants’ names, Admission Fee addresses, a telephone number, school year and High school students and above-¥200 the event name and time of the event you wish This is a program for refreshing your mind to attend. and body during lunch time while watching Science Workshop the starry sky and listening to music. てづく Although the main target of this program is Make Konnyaku / AE 手作 EA りこんにゃく adults, anyone who wishes to rejuvenate (“Tezukuri konnyaku”) / Saturday, February 23 themselves is welcome. / 9:30 am - noon 1:30 pm - 4:00 pm / For Starry Sky Tour: Tonight’s Starry Sky & elementary school students / Fee: ¥400 / Japanese Space Probes / Until Sunday, April Closing date for applications: Saturday, 14 / 4:00 pm - 4:50 pm / Adults-¥510, Seniors February 9 16 people will be selected at & high school students-¥250 random from a list of names for each time slot. けいたい でんわぶんかいきょうしつ Take a Cellphone Apart / AE 携帯 EA 電話 EA 分解 EA E 教室 E A ★ Events ★ けいたい でんわ じぶん て ぶんかい Events co-organized by Children’s Museum ～AE 携帯 EA 電話 EA を AE 自分 EA の AE 手 EA で AE 分解 EA しよう～ and Insectarium (“Keitai denwa bunkai kyoshitsu: keitai denwa wo jibun no tede bunkai shiyou”) / S unday, To uch Insects! / Sunday, February 17 / th March 3 / 10:00 am - noon / For elementary (4 P P 10:00 am - noon 1:00 pm - 3:00 pm / th 3 F, Sousaku-shitsu – 6P P grade) school students and their guardians / Fee: Free / Closing date for applications: Mount a beetle for display / Sunday, March Sunday, February 17 16 people will be 3 / 1:30 pm - 4:00 pm / For elementary (3rd th selected at random from a list of names. – 6 grade) & junior high school students ひこう Elementary school students should be Flight Science : Crow Model Airplane / AE 飛行 EA accompanied by their guardians. / 3 F, かがく がた ひこうき の AE 科学 ③カラスEA AE 型 EA 飛行機 EA (“Hikou no kagaku Sousaku-shitsu : karasu-gata hikouki”) / Sunday, March 10 / To APPLY: Send an ofuku-hagaki (return rd th 1:30 pm – 4:00 pm / For elementary (3 P P – 6P P postcard) to the museum, postmarked by grade) & junior high school students / Fee: ¥400 Sunday, February 17, with the following / Closing date for applications: Sunday, information: applicant’s name, addresses, a February 24 16 people will be selected at telephone number, school year and the event つく ひょうほん random from a list of names. name, 作 EA ってみようカブトムシの A E 標本 E A (“Tsukutte-miyou kabutomushi no hyohon”). Craft Workshops th おとな そうさくきょうしつ The 11P P Hiroshima Children’s Rakugo Stained Glass / AE 大人 EA の AE 創作 EA E 教室 E A ステンドグ (traditional Japanese comic story telling) ラス (“Otona no sousaku kyoushitsu: Stained Performance / Sunday, February 10 / 2:00 pm glass”) / Friday, March 1 / 9:30 am - noon – 4:30 pm Doors will open at 1:45 pm. / 1F, 1:30 pm - 4:00 pm / For high school students Apollo Hall (250 seats) / Free admission and above / Fee: ¥1,500 / Closing date for Craft Workshops / February 3 (Sun.), 9 (Sat.), applications: Friday, February 15 17 (Sun.) & 24 (Sun.) / 1:00 pm – 3:30 pm / 8 people will be selected at random from a For children under elementary school entry list of names for each time slot. st rd age, elementary school students (1P P – 3P P grade) and their guardians / 3F, Kosaku-shitsu (Craft Room) / Fee: ¥30 for materials Each day’s program is different. For more information, please contact the museum. Please feel free to contact the International Exchange Lounge at 082-247-9715. E-mail: [email protected] February 2019 公-2 HIRO CLUB NEWS ・ EVENTS Hiroshima City Asa Zoological Park Picture Book Reading / Sunday, February 17 / (Asa-cho Dobutsuen, Asakita-ku 731-3355 / 838- 11:00 am – 11:30 am / 1F, Tamokuteki Hall / 1111 / 9:00 am - 4:30 pm / Closed on Thursdays Fee: Free / Adults-¥510, Seniors & high school students- Check Your Visual Performance with ¥170, Junior high & elementary school “Drivers’ Vision” / Saturday, February 23 / students-Free / http://www.asazoo.jp/) 10:00 am – noon 1:30 pm – 3:30 pm / 1 F, Entrance Hall / Fee: Free Asa Zoo & “Miyaji-marine” (Miyajima Public Aquarium) Collaboration Event 2018: Stamp Children’s Craft Workshops / Sundays, Rally / Until Sunday, March 31 February 3, 17 & 24 / 1:00 pm – 3:30 pm / For Let’s Learn More about Animals through preschoolers, elementary school students and Manga & a Quiz Rally / Friday, February 1 – their guardians / 1F, Craft Room / Fee: ¥50 Sunday, February 24 A quiz rally will be for materials Participation limited to the held on Sundays, February 10, 17 & 24. The first 100 groups first 1,000 people can participate each day. Craft Workshop for Adults: Tumbling Ladder Animal Capture Training Observation / To y / Friday, February 22 / 10:00 am – 1:00 Monday, February 11 / 2:00 pm You can pm / 1F, Craft Room / For 16 years old and watch training on how to catch an escaped above / Fee: ¥1,000 for materials animal. This will be canceled if it rains. TO APPLY: Send an ofuku-hagaki (return Backyard Guide Tour / Saturdays, February 2, postcard) with the applicant’s name, age, 9, 16 & 23 / 11:00 am (except the 23rd) address, telephone number, event date and おとな こうさくきょうしつ 1:30 pm / Please gather near the entrance the workshop name 大人 EA の AE 工作 EA E 教室 E ：A はし at 9:00 am on each activity day.
Load more

Recommended publications
  • Célia Maki Tomimatsu.Pdf
    PONTIFÍCIA UNIVERSIDADE CATÓLICA DE SÃO PAULO PROGRAMA DE ESTUDOS PÓS-GRADUADOS EM COMUNICAÇÃO E SEMIÓTICA O cinema que convoca os sentidos da vida Uma análise do conceito de Ikigai (razão de viver) na filmografia de Hirokazu Koreeda Tese de Doutorado apresentada à Banca Examinadora da PUC de São Paulo como parte da exigência para a obtenção do título de Doutora em Comunicação e Semiótica. Orientadora: Profa. Dra. Christine Greiner CÉLIA MAKI TOMIMATSU São Paulo 2017 2 Banca Examinadora _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ _______________________________________________________ São Paulo, ______ de _____________________ de 2017. 3 RESUMO O objetivo desta pesquisa é analisar como o cineasta japonês Hirokazu Koreeda transforma o conceito de ikigai （生きがい） em um recurso comunicacional que afeta o público japonês e as plateias internacionais, na medida em que convoca a vida na sua singularidade cotidiana e não necessariamente a partir de grandes acontecimentos. Embora ikigai seja um termo de difícil tradução, tem sido considerado por pesquisadores de áreas diversas como razão de viver. O corpus principal da tese é composto por quatro filmes: A luz da ilusão (1995), Depois da vida (1999), Tão distante (2001) e Seguindo em frente (2008). Em todos eles, há um destaque para os questionamentos sobre a vida, a morte e, sobretudo, a memória como interação humana entre dos personagens. Isso porque, além dos diálogos, o silêncio e as imagens das lembranças expressam a razão de viver de cada um deles. No que se refere ao quadro teórico, relacionamos bibliografias sobre ikigai de Mieko Kamiya (2004a, 2004b) com os escritos do próprio Hirokazu Koreeda (2001, 2004, 2008, 2016a, 2016d), bem como suas entrevistas, nas quais o autor interpreta ikigai de um modo complexo e elucida a sua inserção no cinema japonês contemporâneo.
    [Show full text]
  • Port of Flowers Hanasaku Minato
    Retrospectiva de Keisuke Kinoshita Port of Flowers Hanasaku minato B&W / Standard / 1943 / 82 min / Shochiku Cast: Director: Kinoshita Keisuke Shuzo: Ozawa Eitaro Script: Tsuji Yoshihiro Tomekichi: Uehara Ken Based on a play by: Kikuta Kazuo Okano: HiGashiyama Chieko CinematoGraphy: Kusuda Hiroshi Nobatama: Ryu Chishu Art Director: Motoki Isamu Hayashida: Tono Eijiro Music: Abe Sakari Okuda, villaGe chief: Sakamoto Takeshi Ryoji, his assistant: Hanzawa Yosuke Producer: Endo ShinGo Oharu, Ryoji’s sister: Mito Mitsuko Setsuyo: Maki Fusako Yuki: Murase Sachiko SettinG: A small island in Kyushu in 1941 Synopsis: A patriotic comedy about two con men arrivinG suddenly to work a scam on the inhabitants of a small Japanese island just as the nation beGins its entrance into World War II. The men claim to be the orphan sons of Watase Kenzo, who had come to the island and initiated a project to construct a shipyard 15 years prior. He left with the project half-completed but is remembered with Great fondness by the mayor and the Group of people who hold the most influence on the island, includinG Nobatama who runs the horse and carriaGe shop; Hayashida, the boss of the fishermen; and Okano, the owner of the inn. Okano had once chased Watase all the way to PenanG, still to find her love unrequited. Because of this history, she takes care of the two con men she has just met as if they were her own sons. The more experienced of the two, Shuzo, takes the name Kensuke (Watase), GivinG his partner Tomekichi the name Kenji. They announce their desire to revive the shipyard project, a proposal met with enthusiastic support from all but Hayashida, who is forever concerned with money.
    [Show full text]
  • Kaneto Shindo — 1912- 2012 Luc Chaput
    Document generated on 10/01/2021 8:45 a.m. Séquences La revue de cinéma --> See the erratum for this article Kaneto Shindo — 1912- 2012 Luc Chaput Christopher Nolan Number 279, July–August 2012 URI: https://id.erudit.org/iderudit/66965ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this document Chaput, L. (2012). Kaneto Shindo — 1912- 2012. Séquences, (279), 27–27. Tous droits réservés © La revue Séquences Inc., 2012 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Salut l'artiste | PANORAMIQUE 27 Eugene Polley | 1915-2012 son travail de correspondant de guerre, président du Conseil national polonais Technicien américain, co-inventeur de rend compte de la servitude et de la gran- de la radio-télé. la télécommande pour téléviseur, qui deur militaire dans des conflits perdus ou reçut, avec son collègue Robert Adler de incompris. Il gagna l’Oscar du documen- Amos Vogel | 1921-2012 la compagnie Zenith, un Emmy pour ce taire pour La Section Anderson. Né Amos Vogelbaum, cinéphile et organi- produit maintenant indispensable. sateur américain d’origine autrichienne, fondateur du ciné-club Cinema 16, fonda- Joyce Redman | 1915-2012 teur du département cinéma du Lincoln Comédienne britannique qui gagna l’Oscar Center, cofondateur et premier program- de l’actrice de soutien pour Othello, mais qui mateur du New York Film Festival.
    [Show full text]
  • The Undead Subject of Lost Decade Japanese Horror Cinema a Thesis
    The Undead Subject of Lost Decade Japanese Horror Cinema A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Jordan G. Parrish August 2017 © 2017 Jordan G. Parrish. All Rights Reserved. 2 This thesis titled The Undead Subject of Lost Decade Japanese Horror Cinema by JORDAN G. PARRISH has been approved for the Film Division and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Studies Matthew R. Shaftel Dean, College of Fine Arts 3 Abstract PARRISH, JORDAN G., M.A., August 2017, Film Studies The Undead Subject of Lost Decade Japanese Horror Cinema Director of Thesis: Ofer Eliaz This thesis argues that Japanese Horror films released around the turn of the twenty- first century define a new mode of subjectivity: “undead subjectivity.” Exploring the implications of this concept, this study locates the undead subject’s origins within a Japanese recession, decimated social conditions, and a period outside of historical progression known as the “Lost Decade.” It suggests that the form and content of “J- Horror” films reveal a problematic visual structure haunting the nation in relation to the gaze of a structural father figure. In doing so, this thesis purports that these films interrogate psychoanalytic concepts such as the gaze, the big Other, and the death drive. This study posits themes, philosophies, and formal elements within J-Horror films that place the undead subject within a worldly depiction of the afterlife, the films repeatedly ending on an image of an emptied-out Japan invisible to the big Other’s gaze.
    [Show full text]
  • Cineclubuned 24.Pdf
    Asociación Cultural UNED SORIA Presidente Saturio Ugarte Martínez Vicepresidente Carmelo García Sánchez Secretario José Jiménez Sanz Tesorero Cristina Granado Bombín Vocales Mª Desirée Moreno Pérez Anselmo García Martín Jesús Labanda Izquierdo Dario García Palacios Coordinador Carmelo García Sánchez 24 Secciones Pantalla Grande Curso Programación y Textos Roberto González Miguel (RGM) 2017.2018 José María Arroyo Oliveros (JMA) Julián de la Llana del Río (JLLR) Ángel García Romero (AGR) Miradas de Cine Programación y Textos Roberto González Miguel (RGM) José María Arroyo Oliveros (JMA) Edita Soria de Cine Asociación Cultural UNED. Soria Selección y Textos Julián de la Llana del Río (JLLR) D.L. So-159/1994 Cineclub UNED c/ San Juan de Rabanera, 1. 42002 Soria. t. 975 224 411 f. 975 224 491 Colaboradores [email protected] www.cineclubuned.es Colaboración especial Susana Soria Ramas Pedro E. Delgado Cavilla © Fotografías: Alberto Caballero García Cabeceras: Unsplash (diferentes autores) Peliculas: Distribuidoras Producción Audiovisual Visorvideo. Victor Cid (www.visorvideo.tv) Diseño Gráfico/Maqueta Roberto Peña (www.elprincipiokiss.es) Impresión Arte Print Otras colaboraciones José Reyes Salas de proyección Centro Cultural Palacio de la Audiencia (Plaza Mayor) Casa de la Tierra- UNED. (c/ San Juan de Rabanera, 1). 24 OCTUBRE NOVIEMBRE DICIEMBRE ENERO i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do i Lu Ma M Ju Vi Sa Do 01 01 02 03 04 05 01 02 03 01 02 03 04 05 06 07 02 03 04 05 06 07 08 06 07 08 09 10 11 12 04 05 06 07
    [Show full text]
  • Programmation Septembre 2020
    Une sélection du meilleur du cinéma de patrimoine par Carlotta Films ! PROGRAMMATION SEPTEMBRE 2020 MIKIO NARUSE RÉALISATEUR DU MOIS 4 fi lms majeurs AU GRÉ DU COURANT (1956) QUAND UNE FEMME MONTE L’ESCALIER (1960) UNE FEMME DANS LA TOURMENTE (1964) NUAGES ÉPARS (1967) UNE FAMILLE DÉVOYÉE ÉVÉNEMENT SPÉCIAL : AVANT-PREMIÈRE EXCEPTIONNELLE un fi lm de Masayuki Suo (1984) - EXCLUSIVITÉ LE VIDÉO CLUB CARLOTTA FILMS (Int. -16 ans) - THE ENDLESS SUMMER DÉJÀ CULTE un fi lm de Bruce Brown (1966) THE EXTERMINATOR (LE DROIT DE TUER) DÉJÀ CULTE un fi lm de James Glickenhaus (1980) A FULLER LIFE DÉCOUVERTES & RARETÉS un fi lm de Samantha Fuller (2013) LE COUSIN JULES DÉCOUVERTES & RARETÉS un fi lm de Dominique Benicheti (1973) LE MONDE SUR LE FIL LE FILM FLEUVE un fi lm de Rainer Werner Fassbinder (1973) LEVIDEOCLUB.CARLOTTAFILMS.COM CARLOTTA FILMS 5-7, imp. Carrière-Mainguet 75011 Paris Tél. : 01 42 24 10 86 LE RÉALISATEUR DU MOIS MIKIO NARUSE DÉCOUVREZ 4 MAGNIFIQUES PORTRAITS DE FEMME PAR L’UN DES PLUS GRANDS CINÉASTES JAPONAIS AU GRÉ DU COURANT QUAND UNE FEMME MONTE L’ESCALIER UNE FEMME DANS LA TOURMENTE NUAGES ÉPARS Longtemps méconnue en Occident, l’œuvre de Mikio Naruse est aujourd’hui élevée au même rang que celle de ses compatriotes Mizoguchi, Ozu et Kurosawa. À partir des années 1950, il se spécialise dans le shomin geki, genre qui vise à dépeindre le quotidien des gens de la classe moyenne. Son œuvre à la fois poétique et réaliste, pleinement ancrée dans son temps, donne à voir de magnifiques portraits de femmes, portés par les plus grandes actrices du cinéma nippon comme Hideko Takamine, sa muse, ou Yoko Tsukasa.
    [Show full text]
  • 1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, A
    1. Title: 13 Tzameti ISBN: 5060018488721 Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men. 2. Title: 12 Angry Men ISBN: 5050070005172 Adapted from Reginald Rose's television play, this film marked the directorial debut of Sidney Lumet. At the end of a murder trial in New York City, the 12 jurors retire to consider their verdict. The man in the dock is a young Puerto Rican accused of killing his father, and eleven of the jurors do not hesitate in finding him guilty. However, one of the jurors (Henry Fonda), reluctant to send the youngster to his death without any debate, returns a vote of not guilty. From this single event, the jurors begin to re-evaluate the case, as they look at the murder - and themselves - in a fresh light. 3. Title: 12:08 East of Bucharest ISBN: n/a 12:08pm on the 22 December 1989 was the exact time of Ceausescu's fall from power in Romania. Sixteen years on, a provincial TV talk show decides to commemorate the event by asking local heroes to reminisce about their own contributions to the revolution. But securing suitable guests proves an unexpected challenge and the producer is left with two less than ideal participants - a drink addled history teacher and a retired and lonely sometime-Santa Claus grateful for the company.
    [Show full text]
  • The Bombay the Terrorist Ti Koun .
    644 CHAPTER 26 Beyond the Industrialized West 26.1 0 The Bandit Queen: Phoolan 26.1 1 Bombay's vision of a united India: as the parents are reunited with their Devi protects her wounded lover. children, hands drop weapons and stretch out in friendship. critical cinema. "In India, there is no salvation outside Yet local audiences remained loyal to the national the commercial cinema." 1 Also pursuing this path was product-which was now incorporating more sexuality Mani Rathnam, a Tamil filmmakerwho found great suc­ along with MTV dance styles (e.g., Trimurti, 1995). Juras­ cess with Nayakan ("Hero," 1986), an adaptation of The sic Park was unable to trump another 1994 release, the Godfather. Rathnam's Bombay (1994) denounces the traditional romantic comedy-drama Hum Aapke Hain bloody religious strife of the early 1990s. A Hindu jour­ Koun ... ! ("Who Am I to You? "). Filled with sparkling nalist marries a Muslim woman, and the couple and their studio-shot dance numbers (Color Plate 26.5), it became children are thrust into the middle of anti-Muslim riot­ the most popular filmof the decade. Even after restric­ ing. Bombay neighborhoods are spectacularly re-created tions were lifted, American imports claimed no more than in a Madras studio, riot scenes are shot and edited for 10 percent of the box office. In a country where nearly visceral force, hand-held cameras race through the half the population earned only a dollar a day, admission streets, and children watch as people trapped in cars are to a local filmran only about fifty cents while Hollywood burned alive.
    [Show full text]
  • Louxor Palais Du Cinéma Semaine Du 26 Août Au 1 Septembre 2020
    Louxor Palais du cinéma Semaine du 26 août au 1 septembre 2020 Chien Pourri, la vie à Paris ! EN AVANT-PREMIÈRE Durée : 1:00 Genre : Animation Réalisé par Davy Durand, Vincent Patar, Stéphane Aubier MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 26 août 27 août 28 août 29 août 30 août 31 août 1 sept 11h00 - VF Dans un jardin qu'on dirait éternel Durée : 1:40 Genre : Comédie dramatique Réalisé par Tatsushi Omori Avec Kiki Kirin, Haru Kuroki, Mikako Tabe, Mayu Harada, Saya Kawamura MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 26 août 27 août 28 août 29 août 30 août 31 août 1 sept 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 16h10 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 19h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO 21h30 - VO Tenet Durée : 2:30 Genre : Action, science-fiction Réalisé par Christopher Nolan Avec John David Washington, Robert Pattinson, Elizabeth Debicki, Aaron Taylor-johnson, Himesh Patel MERCREDI JEUDI VENDREDI SAMEDI DIMANCHE LUNDI MARDI 26 août 27 août 28 août 29 août 30 août 31 août 1 sept 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 11h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 14h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 17h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO 20h00 - VO Les horaires sont susceptibles de changer, n'hésitez pas à venir vérifier sur le site avant votre séance.
    [Show full text]
  • Godzilla and the Japanese After World War II: from a Scapegoat of the Americans to a Saviour of the Japanese
    Godzilla and the Japanese after World War II: From a scapegoat of the Americans to a saviour of the Japanese Yoshiko Ikeda Ritsumeikan University Abstract. This paper examines how five Godzilla films illuminate the complicated relationship between Japan and the United States over the use of nuclear weapons. The United States dropped the first atomic bombs on Japan and created the first nuclear monster film, The Beast from 20,000 Fathoms (1953), which inspired the Godzilla series. The popularity of these Godzilla films derives from skilfully grappling with the political, social and cultural problems created by the use of nuclear weapons and science/technology, both inside Japan and in relations between Japan and the United States. This paper takes a historical perspective and shows how the Godzilla characters reflect these attitudes across time, moving from a scapegoat for the Americans to a saviour of the Japanese. Gojira (Godzilla) series An ancient monster, deformed by a series of nuclear bomb tests and expelled from his natural habitat, lands in Tokyo and starts destroying Japanese cities. Given the name Godzilla, he destroys these symbols of civilisation as if seeking revenge on humankind for creating such technology. Gojira,1 produced and released by Toho Studio, was a breakthrough hit in Japan in 1954.2 It was followed by 29 Japanese sequels and two American versions of the Japanese films, Godzilla, King of the Monsters (1956) and Godzilla 1985: The Legend is Reborn (1984). Gojira was Japan’s first export film and the series appealed to both Japanese and foreign audiences. Over the past 50 years, Godzilla has transformed in shape and character, playing various roles in the stories.
    [Show full text]
  • Cinestar IMAX® Ab 10:00 Uhr Vorverkaufsgebühr Von € 2,00 Erhältlich
    Donnerstag, 11.2. Freitag, 12.2. Samstag, 13.2. Sonntag, 14.2. Montag, 15.2. BACK TO THE ZOO Dieter Kosslick, Festivaldirektor in Kino ist wieder auferstanden, der legendäre Zoo Palast. E Dem schlafenden Riesen im Westen der Stadt wurde denk- malgerecht neues Leben eingehaucht. Dank der Investoren und vor allem des Denkmalschutzes strahlt der große Saal in neuem und altem Glanz. Auch der wunderschöne rosarote Vorhang hängt an der alten Stelle. Ein veritables Statement für die Zukunft ©Marc Ohrem Leclef Ohrem ©Marc des Kinos, nicht nur für den Zoo Palast. Von 1957 bis 1999 war der „Zoo“ Premierenkino der Berlinale: 123 Goldene, 268 Silberne und 8 Bronzene Bären wurden hier überreicht. Stars wie Dustin Hoffman, Sophia Loren, Gregory Peck oder Billy Wilder zeigten hier ihre Filme. Jetzt wird er wieder Spielort für die Sektionen Berlinale Special, Generation, Panorama, Forum, Berlinale Shorts und NATIVe. Auch der stetig wachsende European Film Market nutzt die neuen Kinosäle, und die Deutsche Filmakademie wird hier eine neue Heimat für ihre LOLA-Vorführungen finden. Also – im Westen was Neues. Und schön ist: Die alten Treffpunkte sind noch da. Das sind die Paris Bar, das Florian am Savignyplatz, das Palace Hotel, das Kempinski, das Crowne INHALT Plaza und das Ellington in der Nürnberger Straße. Auch der Kur fürsten damm strahlt in Kartenvorverkauf ________________ 4 neuem Glanz und gegenüber das neue Waldorf Astoria. Kartenpreise ____________________ 5 Und wenn wir schon in den Westen schwenken: Neben dem „Zoo“ präsentieren traditio- nell auch der Delphi Filmpalast und das filmkunst 66 weiteres Berlinale-Programm. Kinoadressen ____________________ 5 Einem Meister des sozialkritischen Films, Ken Loach, gebührt der diesjährige „Goldene Information & Service ______________ 6 Ehrenbär“.
    [Show full text]
  • EL INTENDENTE SANSHO (V.O.S.) Martes, 5 De Junio, 18:00 Horas
    ELEGÍA DE NANIWA (v.o.s) Martes, 17 de abril, 18:00 horas SINOPSIS FICHA TÉCNICA Ayako es una joven operadora telefónica Titulo Naniwa erejî prometida a su compañero Susumu, quien Genero Drama observa impasible el acoso que sufre la joven por Nacionalidad Japón parte de su jefe Asai. Tras enfrentarse a su padre Idioma original Japonés por una deuda que podría hundir a la familia, Duración 69 minutos Ayako se encuentra en la calle sin saber dónde Año de producción 1936 acudir. Llevada por la desesperación, la joven Dirección Kenji Mizoguchi acepta ser acogida por Asai como amante, Productor Masaichi Nagata enfrentándose a la humillación y el rechazo de su Guión Kenji Mizoguchi familia... Tadashi Fujiwara Yoshikata Yoda Basado en el relato “Mieko” de Saburo Okada Música Kôichi Takagi Fotografía bl. y n. Minoru Miki FICHA ARTíSTICA Ayako Murai Isuzu Yamada Susumu Nishimura Kensaku Hara Sonosuke Asai Benkei Shiganoya Junzo Murai Seiichi Takegawa Sachiko Murai Chiyoko Okura Hiroshi Murai Shinpachiro Asaka Sumiko Asai Yôko Umemura CRÍTICA “El primer filme sonoro del imprescindible Kenji Mizoguchi anuncia su madurez como cineasta, ya que tras 54 títulos mudos de temática melodramática y folletinesca éste decantó su obra hacia el realismo y la denuncia social. Elegía de Naniwa, que junto a Las hermanas Gion conforman un osado díptico que se acerca desde una óptica netamente feminista a la situación de la mujer en la patriarcal sociedad japonesa, narra el drama personal de Ayako, una joven telefonista que para sufragar las deudas contraídas por su padre se ve obligada a convertirse en la querida de un acaudalado empresario.
    [Show full text]