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Pet Shop Boys Discography (The Complete Singles Collection) Mp3, Flac, Wma
Pet Shop Boys Discography (The Complete Singles Collection) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Discography (The Complete Singles Collection) Country: UK Released: 1991 Style: Synth-pop MP3 version RAR size: 1810 mb FLAC version RAR size: 1420 mb WMA version RAR size: 1355 mb Rating: 4.5 Votes: 255 Other Formats: VOC VQF AU WAV MIDI DMF DTS Tracklist Hide Credits West End Girls 1 4:00 Engineer – David JacobProducer – Stephen HagueWritten-By – Tennant / Lowe Love Comes Quickly 2 4:18 Engineer – David JacobProducer – Stephen HagueWritten-By – Hague*, Tennant / Lowe Opportunities (Let's Make Lots Of Money) Producer [Additional Production], Remix – Stephen HagueProducer [New York Overdubs] – 3 3:38 Ron Dean MillerProducer [Original Recording] – J.J. Jeczalik, Nicholas FroomeWritten-By – Tennant / Lowe Suburbia 4 4:04 Producer, Engineer – Julian MendelsohnWritten-By – Tennant / Lowe It's A Sin 5 Mixed By, Producer [Additional] – Stephen HagueProducer, Engineer – Julian 5:01 MendelsohnWritten-By – Tennant / Lowe What Have I Done To Deserve This? 6 Engineer – David JacobMixed By – Julian MendelsohnProducer – Stephen HagueVocals – 4:20 Dusty SpringfieldWritten-By – Willis*, Tennant / Lowe Rent 7 Mixed By – Stephen HagueProducer, Engineer – Julian MendelsohnWritten-By – Tennant / 3:33 Lowe Always On My Mind 8 Producer – Julian Mendelsohn, Pet Shop BoysProducer [Original Track] – David 3:54 JacobWritten-By – Christopher*, James*, Thompson* Heart 9 Engineer – Tony PhillipsProducer – Andy Richards, Pet Shop BoysWritten-By -
Kinotayo-2010
PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ». -
Divx Na Cd Strona 1
Divx na cd 0000 0000 Original title/Tytul oryginalny 0000 Polish CD//Subt/Nap title/Tytul polski isy 10ThingsIHateAboutYou(1999) Zakochana zlosnica 1/pl 1492: Conquest of Paradise (AKA 1492: Odkrycie raju / 1492: Christophe1492:Wyprawa Colomb do / raju1492: La conquête du paradis / 1492: La conquista del paraíso) (1992) 2 Fast 2 Furious (2003) Za szybcy za wsciekli 1/pl 2046(2004) 2046 . 2/pl 21Grams (2003) 21 Gram 2/pl 25th Hour(2002) 25 godzina 2/pl 3000Miles toGraceland(2001) 3000 mil do Graceland 1/pl 50FirstDates(2004) 50 pierwszych randek 1/pl 54(1998) Klub 54 AboutSchmidt(2002) About Schmidt 2/pl Abrelosojos(AKA Open Your Eyes) (1997) Otworz oczy 1/pl Adaptation (2002) Adaptacja 2/pl Alfie(2004) Alfie 2/pl Ali(2001) Ali Alien3 (1992) Obcy 3 AlienResurrection (1997) 4 Obcy 4 – Przebudzenie Obcy 2 – Decydujace Aliens (1986) 2 starcie Alienvs. Predator(AKA Alienversus Predator/ AvP) (2004) Obcy Kontra Predator Amelia/ Fabuleux destin d'Amélie Poulain, Le (AKA Amelie from AmeliaMontmartre / Amelie of Montmartre / Fabelhafte Welt der Amelie, Die / Fabulous Destiny of Amelie Poulain / Amelie) (2001) AmericanBeauty(1999) American Beauty AmericanPsycho(2000) American Psycho Anaconda(1997) Anakonda AngelHeart (1987) Harry Angel AngerManagement(2003) Dwoch gniewnych ludzi Animal Farm (1999) Folwark zwierzecy Animatrix, The(2003) Animatrix AntwoneFisher(2002) Antwone Fisher Apocalypse Now(AKA Apocalypse Now: Redux(2001)) (1979) DirApokalipsa cut Aragami(2003) Aragami Atame(AKA Tie Me Up! Tie Me Down!) (1990) Zwiaz mnie Avalanche(AKA Nature -
Kaneto Shindo — 1912- 2012 Luc Chaput
Document generated on 10/01/2021 8:45 a.m. Séquences La revue de cinéma --> See the erratum for this article Kaneto Shindo — 1912- 2012 Luc Chaput Christopher Nolan Number 279, July–August 2012 URI: https://id.erudit.org/iderudit/66965ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this document Chaput, L. (2012). Kaneto Shindo — 1912- 2012. Séquences, (279), 27–27. Tous droits réservés © La revue Séquences Inc., 2012 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Salut l'artiste | PANORAMIQUE 27 Eugene Polley | 1915-2012 son travail de correspondant de guerre, président du Conseil national polonais Technicien américain, co-inventeur de rend compte de la servitude et de la gran- de la radio-télé. la télécommande pour téléviseur, qui deur militaire dans des conflits perdus ou reçut, avec son collègue Robert Adler de incompris. Il gagna l’Oscar du documen- Amos Vogel | 1921-2012 la compagnie Zenith, un Emmy pour ce taire pour La Section Anderson. Né Amos Vogelbaum, cinéphile et organi- produit maintenant indispensable. sateur américain d’origine autrichienne, fondateur du ciné-club Cinema 16, fonda- Joyce Redman | 1915-2012 teur du département cinéma du Lincoln Comédienne britannique qui gagna l’Oscar Center, cofondateur et premier program- de l’actrice de soutien pour Othello, mais qui mateur du New York Film Festival. -
The Monster-Child in Japanese Horror Film of the Lost Decade, Jessica
The Asian Conference on Film and Documentary 2013 Official Conference Proceedings Osaka, Japan “Our Fear Has Taken on a Life of its Own”: The Monster-Child in Japanese Horror Film of The Lost Decade, Jessica Balanzategui University of Melbourne, Australia 0168 The Asian Conference on Film and Documentary 2013 Official Conference Proceedings 2013 Abstract The monstrous child of Japanese horror film has become perhaps the most transnationally recognisable and influential horror trope of the past decade following the release of “Ring” (Hideo Nakata, 1999), Japan’s most commercially successful horror film. Through an analysis of “Ring”, “The Grudge” (Takashi Shimizu, 2002), “Dark Water” (Nakata, 2002), and “One Missed Call” (Takashi Miike, 2003), I argue that the monstrous children central to J-horror film of the millenial transition function as anomalies within the symbolic framework of Japan’s national identity. These films were released in the aftermath of the collapse of Japan’s bubble economy in the early 1990s — a period known in Japan as ‘The Lost Decade’— and also at the liminal juncture represented by the turn of the millennium. At this cultural moment when the unity of national meaning seems to waver, the monstrous child embodies the threat of symbolic collapse. In alignment with Noël Carroll’s definition of the monster, these children are categorically interstitial and formless: Sadako, Toshio, Mitsuko and Mimiko invoke the wholesale destruction of the boundaries which separate victim/villain, past/present and corporeal/spectral. Through their disturbance to ontological categories, these children function as monstrous incarnations of the Lacanian gaze. As opposed to allowing the viewer a sense of illusory mastery, the J- horror monster-child figures a disruption to the spectator’s sense of power over the films’ diegetic worlds. -
The Undead Subject of Lost Decade Japanese Horror Cinema a Thesis
The Undead Subject of Lost Decade Japanese Horror Cinema A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Jordan G. Parrish August 2017 © 2017 Jordan G. Parrish. All Rights Reserved. 2 This thesis titled The Undead Subject of Lost Decade Japanese Horror Cinema by JORDAN G. PARRISH has been approved for the Film Division and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Studies Matthew R. Shaftel Dean, College of Fine Arts 3 Abstract PARRISH, JORDAN G., M.A., August 2017, Film Studies The Undead Subject of Lost Decade Japanese Horror Cinema Director of Thesis: Ofer Eliaz This thesis argues that Japanese Horror films released around the turn of the twenty- first century define a new mode of subjectivity: “undead subjectivity.” Exploring the implications of this concept, this study locates the undead subject’s origins within a Japanese recession, decimated social conditions, and a period outside of historical progression known as the “Lost Decade.” It suggests that the form and content of “J- Horror” films reveal a problematic visual structure haunting the nation in relation to the gaze of a structural father figure. In doing so, this thesis purports that these films interrogate psychoanalytic concepts such as the gaze, the big Other, and the death drive. This study posits themes, philosophies, and formal elements within J-Horror films that place the undead subject within a worldly depiction of the afterlife, the films repeatedly ending on an image of an emptied-out Japan invisible to the big Other’s gaze. -
Slap Magazine: Issue 67 (March 2017)
Issue 67 Mar2017 FREE Lamb & Flag The Tything, Worcester, WR1 1JL Fantastic Food, Superior Craft Ales Cocktails & Exceptional Guinness... Folk Music, Poetry Conkers! Local Cider, Backgammon, Tradition We Have It All!! Fresh, Homemade, Authentic Italian Cuisine Thurs - Sun Cocktail Master Class! Open 7 Days - Parties & Functions Catered For [email protected] Tel: 01905 729415 www.twocraftybrewers.co.uk Well February shot by in the blink of an eye and here we are again! Welcome to the March edition of Slap. I was hoping to say ‘Spring is in the air’ but I’ve just seen the weather forecast and it’s far from Spring-like. It really feels like it’s been a long winter of discontent with news of more venue closures almost weekly. The latest to go at the end of February was the Pig and Drum in Worcester which has been prominent on the local music seen for a few years now. Thanks to the efforts of landlady Rachel Cale bands from out of town loved playing there. We don’t yet know the long term fate of the Boar’s Mar 2017 Head in Kidderminster since Sid & Sandra announced they’re moving on in the summer, But I don’t think it’ll be the last to go. With business rates rises due very soon and so many people feeling the pinch, these places are really suffering. There are SLAP MAGAZINE rumours of other venues around the counties who may also be Unit 3a, Lowesmoor Wharf, shutting their doors soon. And It’s not just the music scene that Worcester WR1 2RS suffers either, many of these spaces are now multi functional art Telephone: 01905 26660 spaces as well as platforms for comedy, spoken word and poetry. -
April 2019 Vol
BUSINESS & COMMERCIAL AVIATION PILOT REPORT: GLOBAL 7500 CABIN APRIL 2019 $10.00 www.bcadigital.com Business & Commercial Aviation PILOT REPORT OZONE WORK/LIFE BALANCE APRIL 2019 VOL. 115 NO. 4 Global 7500 A bespoke, personal flying flagship without equal ALSO IN THIS ISSUE Bad Ideas Distracted, Disoriented and Wrongly Determined Balancing Work and Life in Business Aviation Cabin Ozone Digital Edition Copyright Notice The content contained in this digital edition (“Digital Material”), as well as its selection and arrangement, is owned by Informa. and its affiliated companies, licensors, and suppliers, and is protected by their respective copyright, trademark and other proprietary rights. Upon payment of the subscription price, if applicable, you are hereby authorized to view, download, copy, and print Digital Material solely for your own personal, non-commercial use, provided that by doing any of the foregoing, you acknowledge that (i) you do not and will not acquire any ownership rights of any kind in the Digital Material or any portion thereof, (ii) you must preserve all copyright and other proprietary notices included in any downloaded Digital Material, and (iii) you must comply in all respects with the use restrictions set forth below and in the Informa Privacy Policy and the Informa Terms of Use (the “Use Restrictions”), each of which is hereby incorporated by reference. Any use not in accordance with, and any failure to comply fully with, the Use Restrictions is expressly prohibited by law, and may result in severe civil and criminal penalties. Violators will be prosecuted to the maximum possible extent. You may not modify, publish, license, transmit (including by way of email, facsimile or other electronic means), transfer, sell, reproduce (including by copying or posting on any network computer), create derivative works from, display, store, or in any way exploit, broadcast, disseminate or distribute, in any format or media of any kind, any of the Digital Material, in whole or in part, without the express prior written consent of Informa. -
Bibliographie Der Filmmusik: Ergänzungen II (2014–2020)
Repositorium für die Medienwissenschaft Hans Jürgen Wulff; Ludger Kaczmarek Bibliographie der Filmmusik: Ergänzungen II (2014– 2020) 2020 https://doi.org/10.25969/mediarep/14981 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen; Kaczmarek, Ludger: Bibliographie der Filmmusik: Ergänzungen II (2014–2020). Westerkappeln: DerWulff.de 2020 (Medienwissenschaft: Berichte und Papiere 197). DOI: https://doi.org/10.25969/mediarep/14981. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0197_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 197, 2020: Filmmusik: Ergänzungen II (2014–2020). Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0197_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: 19.10.2020. Bibliographie der Filmmusik: Ergänzungen II (2014–2020) Zusammengestell !on "ans #$ %ul& und 'udger (aczmarek Mit der folgenden Bibliographie stellen wir unseren Leser_innen die zweite Fortschrei- bung der „Bibliographie der Filmmusik“ vor die wir !""# in Medienwissenschaft: Berichte und Papiere $#% !""#& 'rgänzung )* +,% !"+-. begr/ndet haben. 1owohl dieser s2noptische 3berblick wie auch diverse Bibliographien und Filmographien zu 1pezialproblemen der Filmmusikforschung zeigen, wie zentral das Feld inzwischen als 4eildisziplin der Musik- wissenscha5 am 6ande der Medienwissenschaft mit 3bergängen in ein eigenes Feld der Sound Studies geworden ist. -
Gene Dinovi's Jazz Concert
Gene DiNovi’s Jazz Concert : The Nikkei Suite ジーン・ディノヴィ ジャズコンサート「日系組曲」 Rakugo Movie Night “Talk Talk Talk” 落語映画「しゃべれども しゃべれども」 May 2008 2008年5月 Vol.34 Issue 5 1 features 2007-2008 JCCC Board of Directors President Martin Kobayashi VP – Expansion Gary Kawaguchi VP – Management Ann Ashley 日 2 Gene DiNovi Japanese Suite VP – Legacy Arthur Ito VP – Heritage Ken Noma VP – Marketing/Membership Dereck Oikawa 3 Movie Night "Talk Talk Talk" Special Ambassador Sid Ikeda 系 Secretary/VP- Projects Sharon Marubashi 5 Nostalgia Night Treasurer Sri Kugan Past President Steve Oikawa 文 Executive Director James Heron 6 Upcoming Events Directors-at-large Wai Chak Donna Davis Glen Inamoto 化 7-8 Community News Ojan Jamkhou Jane Liu 11 JCCCニュース Yuki Nakamura 会 Lorene Nagata Russell Onizuka 12 日系コミュニティーニュース Tak Yoshida Advisors Miki Kobayashi 館 Mickey Matsubayashi Fred Sasaki CALENDAR OF EVENTS Connie Sugiyama 役 MAY/JUNE/JULY 2008 May JCCC Staff 員 James Heron Thu 1 Bakumatsu Exhibit opening Executive Director Fri 2 Bazaar Prep [email protected] 416-441-2345 ext.224 及 Kathy Tazumi Sat 3 Bazaar Accounting/General Administration Manager Thu 8 Origami Workshop [email protected] 416-441-2345 ext.229 び Sat 10 Karate Tournament Christine Takasaki Community Events/Volunteer Coordinator Thu 15 Masako Goto Pottery Exhibit opening [email protected] 416-441-2345 ext.221 ス Sat 17 Karaoke Club Haruko Ishihara Community Rentals Mon 19 JCCC CLOSED (Victoria Day) [email protected] 416-441-2345 ext.228 タ Wed 21 Manju Workshop Christine Seki Corporate Rentals/Programming and -
The Bombay the Terrorist Ti Koun .
644 CHAPTER 26 Beyond the Industrialized West 26.1 0 The Bandit Queen: Phoolan 26.1 1 Bombay's vision of a united India: as the parents are reunited with their Devi protects her wounded lover. children, hands drop weapons and stretch out in friendship. critical cinema. "In India, there is no salvation outside Yet local audiences remained loyal to the national the commercial cinema." 1 Also pursuing this path was product-which was now incorporating more sexuality Mani Rathnam, a Tamil filmmakerwho found great suc along with MTV dance styles (e.g., Trimurti, 1995). Juras cess with Nayakan ("Hero," 1986), an adaptation of The sic Park was unable to trump another 1994 release, the Godfather. Rathnam's Bombay (1994) denounces the traditional romantic comedy-drama Hum Aapke Hain bloody religious strife of the early 1990s. A Hindu jour Koun ... ! ("Who Am I to You? "). Filled with sparkling nalist marries a Muslim woman, and the couple and their studio-shot dance numbers (Color Plate 26.5), it became children are thrust into the middle of anti-Muslim riot the most popular filmof the decade. Even after restric ing. Bombay neighborhoods are spectacularly re-created tions were lifted, American imports claimed no more than in a Madras studio, riot scenes are shot and edited for 10 percent of the box office. In a country where nearly visceral force, hand-held cameras race through the half the population earned only a dollar a day, admission streets, and children watch as people trapped in cars are to a local filmran only about fifty cents while Hollywood burned alive. -
Hauntology Beyond the Cinema: the Technological Uncanny 66 Closings 78 5
Information manycinemas 03: dread, ghost, specter and possession ISSN 2192-9181 Impressum manycinemas editor(s): Michael Christopher, Helen Christopher contact: Matt. Kreuz Str. 10, 56626 Andernach [email protected] on web: www.manycinemas.org Copyright Copyright for articles published in this journal is retained by the authors, with first publication rights granted to the journal. The authors are free to re - publish their text elsewhere, but they should mention manycinemas as the first me- dia which has published their article. According to §51 Nr. 2 UrhG, (BGH, Urt. v. 20.12.2007, Aktz.: I ZR 42/05 – TV Total) German law, the quotation of pictures in academic works are allowed if text and screenshot are in connectivity and remain unchanged. Open Access manycinemas provides open access to its content on the principle that mak - ing research freely available to the public supports a greater global exchange of knowledge. Front: Screenshot The cabinet of Caligari Contents Editorial 4 Helen Staufer and Michael Christopher Magical thrilling spooky moments in cinema. An Introduction 6 Brenda S. Gardenour Left Behind. Child Ghosts, The Dreaded Past, and Reconciliation in Rinne, Dek Hor, and El Orfanato 10 Cen Cheng No Dread for Disasters. Aftershock and the Plasticity of Chinese Life 26 Swantje Buddensiek When the Shit Starts Flying: Literary ghosts in Michael Raeburn's film Triomf 40 Carmela Garritano Blood Money, Big Men and Zombies: Understanding Africa’s Occult Narratives in the Context of Neoliberal Capitalism 50 Carrie Clanton Hauntology Beyond the Cinema: The Technological Uncanny 66 Closings 78 5 Editorial Sorry Sorry Sorry! We apologize for the late publishing of our third issue.