Marcel Proust
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Sharma 958..960
Copyright #ERS Journals Ltd 2000 Eur Respir J 2000; 15: 958±960 European Respiratory Journal Printed in UK ± all rights reserved ISSN 0903-1936 HISTORICAL NOTE Marcel Proust (1871±1922): reassessment of his asthma and other maladies O.P. Sharma Marcel Proust (1871±1922): reassessment of his asthma and other maladies. O.P. Sharma. Correspondence: O.P. Sharma, USC #ERS Journals Ltd 2000. School of Medicine, LAC+USC Medical ABSTRACT: Marcel Proust endured severe allergies and bronchial asthma from Centre, 1200 N. State St., Room 11-900, early childhood. Those who suffer from the frightening and recurrent pangs of asthma Los Angeles, CA 90033, USA. Fax: 323 2262738 often become dependent on their parents particularly mother; Proust was no exception. In his time asthma was poorly understood by physicians who considered Received: December 21 1999 the illness to be a type of hysteria. Decades later, we now understand that the severe, Accepted after revision January 17 2000 poorly controlled, suffocating episodes of asthma were responsible for the complex persona that Marcel Proust had assumed. Eur Respir J 2000; 15: 958±960. Adrien Proust was a famous clinician and epidemiol- the night. Proust never could master the unpredictability of ogist. He was Chef de Clinique at the Hospital de la Charite asthma exacerbations. He was forced to lead a life of ex- and a consultant at Parvis Notre-Dame and Hotel-Dieu clusion avoiding all contacts with natural and man made France. Despite a busy clinical practice he devoted much agents that provoked asthma. of his time to studying the epidemiology of cholera and Not only did Proust suffer from severe bronchospasms bubonic plague. -
Anna De Noailles (1876-1933) Marie-Lise Allard
Document generated on 09/28/2021 1 a.m. Nuit blanche, le magazine du livre Anna de Noailles (1876-1933) Marie-Lise Allard Réjean Ducharme Number 124, Fall 2011 URI: https://id.erudit.org/iderudit/65130ac See table of contents Publisher(s) Nuit blanche, le magazine du livre ISSN 0823-2490 (print) 1923-3191 (digital) Explore this journal Cite this article Allard, M.-L. (2011). Anna de Noailles (1876-1933). Nuit blanche, le magazine du livre, (124), 72–76. Tous droits réservés © Nuit blanche, le magazine du livre, 2011 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ NB_No124_P1_a_P80.qxd:*NB_103_P1 à P72_final_v2.1.qxd 25/09/11 23:41 Page 72 Anna de Noailles Par Marie-Lise Allard* La vie d’Anna de Noailles ressemble à un conte de fées qui commencerait Par Anna de Noailles « il était une fois… » est effectivement une princesse, merveilleux. Dès lors, Amphion a toujours symbolisé d’ascendance roumaine par son père et l’éden terrestre : « Oui, ce fut là le paradis2 ». Par turque par sa mère, qui vit le jour à conséquent, la nature devint l’un des thèmes de C’ Paris le 15 novembre 1876. -
Portraits De Médecins 5/02/10 18:26 Page 429
Portraits de médecins 5/02/10 18:26 Page 429 Portraits de médecins Le passé retrouvé * par André-Julien FABRE ** S’il faut en croire Pline l’Ancien, le portrait est né à Corinthe où un potier, ayant observé sa fille traçant l’ombre d’un amoureux sur une muraille, en pérennisa l’image en la reportant sur l’argile. En fait, l’origine du portrait est probablement monétaire : la représentation figurée d’un personnage illustre sur des monnaies apparaît dès le Vème siècle av. J.-C en Perse, mais les empereurs romains ont tous veillé à laisser d’eux, qu’il s’agisse d’aureus ou de simples deniers, une image impérissable. Dès le Moyen Âge, le portrait rendait hommage aux souverains, aux prêtres ou aux guerriers, mais les méde- cins de même que les banquiers, les négociants et les artistes eux-mêmes, étaient le plus souvent portraitisés en personnages anonymes, effacés derrière leur fonction. À partir du XVIème siècle, le portrait de médecin va connaître un développement spectaculaire. Avec l’avènement de la photographie, le portrait traditionnel va se faire plus rare et après le XXème siècle, ne subsisteront que les commandes académiques. Le nombre de por- traits de médecins que nous ont laissés les siècles passés est considérable. Nous avons largement utilisé le très riche fonds iconographique (tableaux, caricatures, héliographies ou photographies) de la Bibliothèque de l’Académie nationale de médecine et nous tenons à remercier tout particulièrement Mme Laurence Camous, directeur de cette bibliothèque, pour l’aide qu’elle a bien voulu nous apporter. Un crédit tout particulier ira à la Bibliothèque interuniversitaire de médecine et à sa photothèque disponible sur son site internet. -
Marcel Proust Time Regained
Marcel Proust Time Regained CLASSIC Read by Neville Jason FICTION MODERN CLASSICS NA322012D REMEMBRANCE OF THINGS PAST • XII 1 At Tansonville with Gilberte 7:37 2 Saint-Loup insisted I should remain… 6:15 3 Years in a sanatorium with a visit to Paris in 1914 4:32 4 At dinner time the restaurants were full… 2:55 5 Occasional meetings with Baron de Charlus 6:19 6 A return to the sanatorium 3:37 7 On my second return to Paris – another letter 3:55 8 A visit from Robert de Saint-Loup 3:18 9 Thinking about Saint-Loup’s visit 7:01 10 A further vendetta against Baron de Charlus 7:49 11 The views of Baron de Charlus 5:24 12 The destruction of men and the effect of the War 6:36 13 The aeroplanes passing through the night sky 7:46 14 Among abandoned, derelict houses,… 4:14 15 Entrance to the house followed by a sailor 2:01 16 A shocking discovery 6:22 17 ‘I implore you, mercy, mercy, have pity’ 2:49 18 A croix-de-guerre had been found on the floor 10:27 19 News of the death of Robert de Saint 10:56 20 Back to another sanatorium 2:44 21 I ordered a carriage to take me to the party 6:43 22 I got down from the carriage again 2:00 2 23 I stumble on some uneven paving stones 4:13 24 I entered the Guermantes’s mansion 3:55 25 I forced myself to try and see clearly 8:52 26 Fragments of existence removed from time 3:27 27 As I entered the Prince de Guermantes’s library 4:02 28 Real life… which has been uncovered… 5:59 29 At this moment, the butler arrived… 6:56 30 The Duchesse de Guermantes: 4:23 31 Old age, the meaning of death 8:03 32 Odette – looking -
Writing and Modernity: Colette's Feminist Fiction. Lezlie Hart Stivale Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1991 Writing and Modernity: Colette's Feminist Fiction. Lezlie Hart Stivale Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Stivale, Lezlie Hart, "Writing and Modernity: Colette's Feminist Fiction." (1991). LSU Historical Dissertations and Theses. 5211. https://digitalcommons.lsu.edu/gradschool_disstheses/5211 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Bales 1970 1802768.Pdf
MARCEL PROUST AND REYNALDO HAHN II . \,_,1f' ,( Richard M~ Bales B.A. University of 11 Exeter, 1969 Submitted to the Department of ·French and Italian and the Faculty of the Graduate School of the University of Kansas in partial fulfillment of the . requirements for the degree of Master of Arts. Redacted Signature / ---instr.uct~-in_:_c arge V__/~-~ . /_CA .. __ . - /'1 _- -- .,, .' Redacted Signature rr the ./I.apartment 0 • R00105 7190b ] .,; ACKNOWLEDGMENT. I wish to express my sincerest thanks to Professor J. Theodore Johnson, Jr. for his kind help.in the preparation of this thesis, and especially for his having allowed me ready access ·to his vast Proustian bibliography and library. April 30, 1970. TABLE OF CONTENTS. Introduction •..•...............................•. 1 Chapter I: The Historical Picture ••••••••••••••• 6 Chapter II: Hahn in Proust•a Works ••••••••••••• 24 Chapter III: Proust's Correspondence with Hahn. 33 Chapter IV: Music for Proust ••••••••••••••••••• 5o Chapter V: :Music for Hahn.. • • • • • • • • • • • • • • • • • • • 61• Conclusion •••••••••••••••••••••••••••••••••••••• 76 Appendix I: Hahn's Life and Works •••••••••••••• Bo App~ndix II: Index to the more important com- posers (other than Hahn) in the Proust/ Hahn Correspondence •••••••••••••••••••••••• 83 Selective Bibliography••••••••••·••••••••••••••• 84 INTRODUCTION. The question of Proust and music .is a large one, for here, more than with perhaps any other author, the subject is particularly pregnant. Not only is there extended dis- cussion of music in Proust's works, but also the fictional Vinteuil in A la recherche du temps perdu is elevated to the rank .of an artistic "hero," a ."phare" in the Baudelairian sense. It is no accident that Vinteuil 1 s music is more of a revelation for the narrator than the works-of Bergotte the writer or Elstir the painter, for Proust virtually raised music to the highest art-foz,n, or, rather, it is th~ art-form which came closest to his own idea of "essence," the medium by.which souls can communicate. -
The Lady in Pink: Dress and the Enigma of Gendered Space in Marcel Proust's Fiction"
Studies in 20th & 21st Century Literature Volume 29 Issue 2 Article 9 6-1-2005 "The Lady in Pink: Dress and the Enigma of Gendered Space in Marcel Proust's Fiction" Eva Maria Stadler Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Stadler, Eva Maria (2005) ""The Lady in Pink: Dress and the Enigma of Gendered Space in Marcel Proust's Fiction" ," Studies in 20th & 21st Century Literature: Vol. 29: Iss. 2, Article 9. https://doi.org/10.4148/ 2334-4415.1608 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. "The Lady in Pink: Dress and the Enigma of Gendered Space in Marcel Proust's Fiction" Abstract A study of the role of clothing as central to issues of characterization, description and historical reference in Marcel Proust's A la recherche du temps perdu. Focus on Odette de Crécy, one of the central characters in the novel, a courtesan who becomes the wife of Charles Swann but who first captivates the narrator's imagination when, as a child, he briefly sees her as a "Lady in Pink." Odette's role as a fashionable woman, as one of the best-dressed women in Parisian society, gives unity to her character. -
Catalog Cu Rezumatele Lucrarilor Inscrise La Simpozionul International UNIVERSUL STIINTELOR
1 Institu ţii implicate în organizare Universitatea „Al. I. Cuza” din Ia şi ● Facultatea de Economie şi Administrarea Afacerilor ● Facultatea de Fizic ă Universitatea de Stat din Moldova ● Facultatea de Drept Universitatea de Studii Politice și Economice Europene ”Constantin Stere” din Republica Moldova ● Facultatea de Drept Asocia ţia Cultural – Ştiin ţific ă „Vasile Pogor” din Ia şi 2 Simpozionul Interna țional “UNIVERSUL ŞTIIN ŢELOR” – Edi ția a V-a din 7 septembrie 2014 FACULTATEA DE ECONOMIE Ş I ADMINISTRAREA AFACERILOR 1 Prof. Univ. Dr. Dinu AIRINEI Decan al Facult ăţ ii de Economie şi Administrarea Afacerilor Mesajul Decanului Facultatea de Economie şi Administrarea Afacerilor din cadrul Universit ăţ ii „Al. I. Cuza” din Ia şi este una din cele mai dinamice facult ăţ i, din punctul de vedere al programelor educa ţionale, al num ărului de studen ţi, al perfec ţion ării cadrelor didactice şi al moderniz ării spa ţiilor de înv ăţă mânt. De şi facultatea apare în structura Universit ăţ ii „Al. I. Cuza” în 1962, tradi ţia înv ăţă mântului economic la nivel academic a început la Ia şi în 1843, odat ă cu primul curs de economie politic ă predat de Ion Ghica la Academia Mih ăilean ă. Înfiin ţarea, în 1962, a Facult ăţ ii de Ştiin ţe Economice sub auspiciile Universit ăţ ii „Al. I. Cuza” din Ia şi a marcat începuturile consacr ării „ şcolii ie şene de economie”. Dup ă 1990, programele educa ţionale şi structura facult ăţ ii au fost integral reformulate bazându-se pe urm ătoarele direc ţii prioritare: - recuperarea veritabilelor principii prin restructurarea planurilor de înv ăţă mânt, - restructurarea activit ăţ ii didactice şi de cercetare ştiin ţific ă, accentuându-se deopotriv ă importan ţa form ării spiritului critic, a gândirii creative şi formarea de competen ţe profesionale la studen ţi, - sincronizarea activit ăţ ii de educa ţie şi de cercetare din facultate cu cea din şcolile occidentale similare prin dezvoltarea unor programe de cooperare interna ţional ă. -
Time Regained Proust, Marcel (Translator: Stephen Hudson)
Time Regained Proust, Marcel (Translator: Stephen Hudson) Published: 1931 Type(s): Novels, Romance Source: http://gutenberg.net.au 1 About Proust: Proust was born in Auteuil (the southern sector of Paris's then-rustic 16th arrondissement) at the home of his great-uncle, two months after the Treaty of Frankfurt formally ended the Franco-Prussian War. His birth took place during the violence that surrounded the suppression of the Paris Commune, and his childhood corresponds with the consolida- tion of the French Third Republic. Much of Remembrance of Things Past concerns the vast changes, most particularly the decline of the aristo- cracy and the rise of the middle classes, that occurred in France during the Third Republic and the fin de siècle. Proust's father, Achille Adrien Proust, was a famous doctor and epidemiologist, responsible for study- ing and attempting to remedy the causes and movements of cholera through Europe and Asia; he was the author of many articles and books on medicine and hygiene. Proust's mother, Jeanne Clémence Weil, was the daughter of a rich and cultured Jewish family. Her father was a banker. She was highly literate and well-read. Her letters demonstrate a well-developed sense of humour, and her command of English was suf- ficient for her to provide the necessary impetus to her son's later at- tempts to translate John Ruskin. By the age of nine, Proust had had his first serious asthma attack, and thereafter he was considered by himself, his family and his friends as a sickly child. Proust spent long holidays in the village of Illiers. -
Proust Booklet
Neville Jason NON- The Life FICTION and Work of BIOGRAPHY Marcel Proust Read by Neville Jason NA325212D 1 Reynaldo Hahn sings Offrande, 1909 8:00 2 Three fictional creative artists: 6:52 3 Proust’s episodes of ‘involuntary memory’ 3:53 4 The Franco-Prussian War 2:06 5 The birth of Marcel Proust, 10 January 1871 6:30 6 The goodnight kiss 11:47 7 Military service 5:50 8 The first short story 4:30 9 Influential drawing rooms 3:49 10 Comte Robert de Montesquiou-Fezensac 8:08 11 Reynaldo Hahn 13:43 12 Lucien Daudet 2:05 13 The Dreyfus Case 2:16 14 The Dreyfus Case (cont.) 3:53 15 Pleasures and Days 6:31 16 Jean Santeuil, the early, autobiographical novel 6:34 17 Anna de Noailles 3:30 18 Marcel Proust and John Ruskin 7:55 19 More work: Ruskin’s The Bible of Amiens 5:01 20 The move to 102 Boulevard Haussmann 5:12 2 21 Time Lost, Time Regained, involuntary memory 5:35 22 Alfred Agostinelli 7:36 23 Sergei Diaghilev, Jean Cocteau, Pablo Picasso 9:20 24 Looking for a publisher 8:23 25 The manuscript is delivered to Grasset 4:47 26 Proust and Agostinelli 4:47 27 Proust and Agostinelli (cont.) 1:27 28 The publication of Swann’s Way 9:57 29 The First World War begins, 3 August 1914 7:50 30 The year of 1915 7:56 31 The poet Paul Morand 3:07 32 Proust begins to go out again into the world 4:58 33 Proust changes publishers 6:00 34 The Armistice 2:34 35 Within a Budding Grove published in 1919, 6:22 36 The meeting with James Joyce 2:15 37 Proust and Music 6:30 38 The Guermantes Way Part II 4:09 39 Colette remembers 1:22 40 People and characters 7:47 41 Worsening health and death 7:07 Total time: 3:58:18 3 Neville Jason The Life and Work of Marcel Proust Few authors have attracted as many masterpiece, Remembrance of Things Past. -
Historia De La Urolog.A.Qxd
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/237841677 Libro 'Historia de la Urología'. 2006 Data · June 2013 CITATIONS READS 0 2,303 1 author: Julio Potenziani National Society of History of Medicine of Venezuela 77 PUBLICATIONS 26 CITATIONS SEE PROFILE All content following this page was uploaded by Julio Potenziani on 03 June 2014. The user has requested enhancement of the downloaded file. Historia de la Urolog a.qxd 23/03/2006 01:17 p.m. Page 1 Historia de la Urolog a.qxd 23/03/2006 01:17 p.m. Page 2 Portada: Dibujos anatómicos de Leonardo da Vinci (1452-1510), Dibujo del coito, vías urinarias superiores, vías urinarias pelvianas con sus anexos. "En virtud de lo dispuesto en el artículo 23 de la Resolución Mediante la cual se dictan las Normas para la Promoción y Publicidad de Medicamentos dictadas por el Ministerio de Salud y Desarrollo Social, AstraZeneca informa que solamente ha aportado su patrocinio económico para la publicación final de la presente obra. Todos los aspectos relativos a la compilación y análisis de información, redacción de la obra y afines han sido realizados exclusivamente por el autor de la obra de manera independiente y sin ningún tipo de participación por parte de AstraZeneca en la misma. AstraZeneca no se hace responsable de la veracidad o exactitud de la información contenida en la obra así como de las opiniones contenidas en la misma." No está permitida la reproducción total o parcial de este libro, ni su tratamiento o procesamiento informático, ni la transmisión de ninguna forma o por cualquier medio, ya sea electrónico, mecánico, por fotocopia, por registro u otros métodos, así como la distribución de ejemplares mediante alquiler o préstamos públicos, sin el permiso previo y por escrito de los titulares del Copyright Derechos Reservados. -
Marcel Proust: Angled Or “L” Shape) from Notebooks and Recycled Galley Proofs of the “Original” Second Volume Dating Newspaper Clipping, Signed
Exhibition Items The two plates on display, which belong to the opening episode of A l’ombre des jeunes filles en fleurs, illustrate Proust’s writing method. The first one is a galley proof sheet dated 13 June 1914, which Proust Case 1: corrected and to which he pasted significant additions. A missing text block may have been cut and M. Proust. Les plaisirs et les jours. Paris : Calmann-Lévy, 1896. Q. 845P94 OP transposed elsewhere, or discarded. The second plate is a “mosaic” or “patchwork” of multiple printed and M. Proust. Les plaisirs et les jours. “Dîner en ville.” Ms. fragment, 1895. Lefebvre 77. handwritten fragments which were assembled by an employee at the NRF in order to prepare and fix the “Le Banquet.” [Carte de rédacteur.] 1892. Lefebvre 101. correct text sequence for the printer. There is no trace of a later intervention by Proust on this plate. The Case 2: materials come from different sources: handwritten pages and marginal additions (recognizable by their M. Proust. “Un dimanche au Conservatoire.” Le Gaulois, 14 janvier 1895. Marcel Proust: angled or “L” shape) from notebooks and recycled galley proofs of the “original” second volume dating Newspaper clipping, signed. Uncataloged. back to the fall of 1913 and the spring of 1914. M. Proust. “Un dimanche au Conservatoire.” Ms fragment, 1895. Lefebvre 100-3. M. Proust. [Jean Santeuil passage.] “Henri de Réveillon.” Ms. fragment, Du côté de chez Swann received some favorable reviews and publishers who had turned it down offered to [1896-7] Lefebvre 100-5a. Writing Without End publish the remaining parts.