“Ravan” of the Ramayana Since Its Creation Till Now
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Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Pathanamthitta
Census of India 2011 KERALA PART XII-A SERIES-33 DISTRICT CENSUS HANDBOOK PATHANAMTHITTA VILLAGE AND TOWN DIRECTORY DIRECTORATE OF CENSUS OPERATIONS KERALA 2 CENSUS OF INDIA 2011 KERALA SERIES-33 PART XII-A DISTRICT CENSUS HANDBOOK Village and Town Directory PATHANAMTHITTA Directorate of Census Operations, Kerala 3 MOTIF Sabarimala Sree Dharma Sastha Temple A well known pilgrim centre of Kerala, Sabarimala lies in this district at a distance of 191 km. from Thiruvananthapuram and 210 km. away from Cochin. The holy shrine dedicated to Lord Ayyappa is situated 914 metres above sea level amidst dense forests in the rugged terrains of the Western Ghats. Lord Ayyappa is looked upon as the guardian of mountains and there are several shrines dedicated to him all along the Western Ghats. The festivals here are the Mandala Pooja, Makara Vilakku (December/January) and Vishu Kani (April). The temple is also open for pooja on the first 5 days of every Malayalam month. The vehicles go only up to Pampa and the temple, which is situated 5 km away from Pampa, can be reached only by trekking. During the festival period there are frequent buses to this place from Kochi, Thiruvananthapuram and Kottayam. 4 CONTENTS Pages 1. Foreword 7 2. Preface 9 3. Acknowledgements 11 4. History and scope of the District Census Handbook 13 5. Brief history of the district 15 6. Analytical Note 17 Village and Town Directory 105 Brief Note on Village and Town Directory 7. Section I - Village Directory (a) List of Villages merged in towns and outgrowths at 2011 Census (b) -
720P Dual Audio Movies Love Guru
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Cultural Mooring in Amish Tripathi's Raavan: Enemy of Aryavarta
INFOKARA RESEARCH ISSN NO: 1021-9056 Cultural Mooring in Amish Tripathi’s Raavan: Enemy of Aryavarta Kavitha Vishnu Sankari.K M.Phil Scholar, PG and Research Department V.O. Chidambaram College Thoothukudi. Affiliated to Manonmaniam Sundaranar University, Tirunelveli Tamilnadu, India. [email protected] Abstract Modern Indian writers had started to review and retell the mythical stories in different perspectives. Amish Tripathi is one among those authors of the new era. His contribution to mythology gave him an outstanding place in Indian English Literature. His books are famous for combining myths with fiction and for creating a new world for the same. In Raavan: Enemy of Aryavarta, the third book of the Ram Chandra Series; has cultural moorings such as code of conduct, traditions, customs and religious practices, lifestyle, music, ethics of war, festivals, languages. Though India has its cultural variations based on regional, linguistics its basic culture is bound to Hindu civilisation. This paper explores the ancientness and mythopoeic facets embedded in the book. Keywords: cultural moorings, ancientness, mythopoeic facets,mythology,cultural history. Volume 8 Issue 11 2019 156 http://infokara.com/ INFOKARA RESEARCH ISSN NO: 1021-9056 Indian writing in English has an independent status in the realm of World literature. Indian novels dealt with wide range of themes and continue to reflect traditional social values and even Indian history through the depiction of life. Over the last few years, mythological fiction has gained vast grounds in India. A number of Indian writers such as Amish Tripathi, Anuja Chandra Mouli, Kavita Kane, Chitra Banerjee Divakaruni, Devdutt Pattanaik, and Anand Neelakandan proved to be the most outstanding authors who have brought a massive change in mythological platform. -
School of Journalism and Mass Communication
SCHOOL OF JOURNALISM AND MASS COMMUNICATION L.N.C.T UNIVERSITY BHOPAL MJMC- IV Semester Syllabus/Scheme S. No SUBJECTS THEORY PRACTICAL INTERNAL Film Studies 1. 80 20 (MJMC 401) Environment Journalism 2. 80 20 (MJMC 402) New Media & Digital 3. Journalism 80 20 (MJMC 403) Research Methodology 4. 80 20 (MJMC 404) Project-Viva 5. 100 (MJMC 405) L NCT UNIVERSITY, BHOPAL Programme: MJMC Semester – IV Session – Name of Paper Paper Code Theory FILM STUDIES MJMC 401 L T EST CAT Total 3 1 80 20 100 S. No Units / Topic Hours/Week Introduction to Film Journalism History of Film Journalism 1 Development of Film Journalism in India 4 hrs/week Major/Prominent Critiques Relationship between Cinema & Society Various forms of Cinema Development of Cinema Brief History of World Cinema-Pre Cinema Machines,Silent Era to 4 hrs/week 2 Early Talkies,Big Studios(Paramount,Disney,Warnes Bros,2Oth Century Fox), Changes occurred in Cinema Early Indian Cinema-Heeralal Sen, Dhundi Ji Phalke, Ardeshi Irani, Silent, Primitive & Pioneers, Reference Film-Raja Harishchandra & Alam Ara Emergence of Film Studio-New Theatres, Bombay Talkies, Imperial Theatre, R. K Studio Art Cinema of India-Bhuvan Shome, Uski Roti, Mirch Masala, Neecha Nagar, Mother India, Pather Panchali, Do Bigha Zameen Cinema in Digital Era-Changes of theme in Cinema, Reference Film, Raavan, Krish 3 & Baahubali Understanding Cinema Understanding Cinema/Genres of Film, Cultural Significance in relation to 3 4 hrs/week Film, Film Screening Story Telling Techniques of Cinema-Elements of Story -
Research Article
z Available online at http://www.journalcra.com INTERNATIONAL JOURNAL OF CURRENT RESEARCH International Journal of Current Research Vol. 7, Issue, 09, pp.19964-19969, September, 2015 ISSN: 0975-833X RESEARCH ARTICLE SANJEEVANI AND BISHALYAKARANI PLANTS-MYTH OR REAL ! *,1Swapan Kr Ghosh and 2Pradip Kr Sur 1Department of Botany, Molecular Mycopathology Lab., Ramakrishna Mission Vivekananda Centenary College, Rahara, Kolkata 700118, India 2Associate Professor in Zoology (Retd) A-9 /45, Kalyani-741235, Nadia, WB, India ARTICLE INFO ABSTRACT Article History: The use of plants to cure human diseases has been coming from ancient cultures, medicine Received 05th June, 2015 practitioners used the extracts from plant to soothe and relieve aches and pains. Medicinal plants, and Received in revised form plant products are known to ‘Ayurveda’ in India since long times. In the very beginnings of Botany, 21st July, 2015 doctors in both Europe and America researched herbs in their quest to cure diseases. Many of the Accepted 07th August, 2015 plants that were discovered by ancient civilizations are still in use today. About three quarters of the Published online 16th September, 2015 world populations relies mainly on plants and plant extracts for health cure. It is true that many species of flora and fauna exhibit medicinal properties but amongst the most talked about are Key words: Sanjeevani ("restores life") and Bishalyakarani ("arrow remover"). In the Ramayana epic, the Hanuman went to search these magical plants in Dunagiri by getting advice of Sushena. Since Ayurveda, beginning of human culture, people have been talking about the magical effects of these plants. Now Sanjeevani, scientists are searching these two plants in Himalayan mountains for the medical benefits in human Bishalyakarani. -
Satsang Sandesh a Monthly News Magazine Of
Satsang Sandesh A monthly news magazine of India Temple Association, Inc. Hindu Temple, 25 E. Taunton Ave, Berlin, NJ 08009 SOUTH JERSEY ♦ DELAWARE ♦ PENNSYLVANIA (Non-Profit Tax Exempt Organization, Tax ID # 22-2192491) Vol. 45 No. 1 Phone: (855) MYMANDIR (855-696-2634) www.indiatemple.org MAY 2014 Religious Calendar Upcoming Programs in May May 1 Thursday Shri Parshuram Jayanti Dr. Ram Kamaldasji sermon on "SUNDERKAAND" From Ramayana May 2 Friday Monday, April 28 to Friday, May 2, 7pm-8:30pm; Saturday May 3, 10:30- Akha Trij/Akshya Tritiya 12pm, followed by mahaprasad May 3 Saturday Bal Vihar and Yuva Dar- Bal Vihar and Yuva Darshan Annual Day shan Annual Day Saturday May 3, 10am at Thomas E. Harrington Middle School May 4 Sunday Shri Aadya Shank- Asian Indian Professional’s Medical Education Meeting on Sunday, May 11 racharya / Shri Ramanu- at ICC jacharya Jayanti May 10 Saturday Shri Buddha Jayanti / Purnima / Satyanarayan Katha Mohini Ekadashi Wednesday May 14 at 6 pm followed by mahaprasad May 14 Wednesday Shri Buddha Jayanti / Sundarkand Paath Purnima / Satyanarayan Saturday May 17 at 10 am followed by mahaprasad Katha May 24 Saturday Ghulam Ali Concert (Shaam-e-Gazzal with the king of Gazzal) on Friday, Apara Ekadashi May 30 at ICC Monthly Activities ITA Seva Samiti walks with American Cancer Society in the Relay for Life Smt. Kshama Raghuveer of Marlton at Cherokee High School (707) 332-3400 Saturday May 31 from 2pm-Midnight May 2, Friday Vishnu Sahasranama Special Prayers Parayanam ITA has a program whereby you can have prayers performed on your behalf every May 14, Wednesday year on a special day in your life by pledging $301. -
A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise En Scene Analysis of Selected Movies
Annals of R.S.C.B., ISSN:1583-6258, Vol. 25, Issue 6, 2021, Pages. 9599 - 9606 Received 25 April 2021; Accepted 08 May 2021. A Study on Visual Story Telling Techniques of Maniratnam Movies: Cinematography and Mise en scene Analysis of Selected Movies 1 2 Mena M, Varun Prabha T 1Post Graduate Student, MA JMC,Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India 2Assistant Professor, Dept.of Visual Media and Communication,Amrita School of Arts and Sciences,Amrita VishwaVidyapeetham, Kochi, India Abstract Visually representing a story is an art. Mastering that art and capturing human minds into the soul of the characters of the film and mirroring the very own society was part of Mani Ratnam’s life for the past three decades. This research paper points towards some of the techniques employed and experiments conducted in visual storytellingin his various projects by using Miseen scene elements and cinematography in beautiful ways. In Roja what he Sasnthosh Sivan and Mani Ratnam experimented was painting the reflectors green, to look the grass greener than it actually is. In Thapalathy, Mani ratnam projected a yellowish light, like an aura into the protagonist which symbolizes his history and background. In Bombay, he throughout kept a blue tone in order to gives an element of mystery in the film. In Raavanan, he played with shades and light and that too in two different ways at the beginning and at the end of the films. In Alaipayuthe he presented the story more through the movements of camera and through micro expressions and symbolizations.Theglobalization and evolution of Indian Cinematography can be traced out through the works of Mani Ratnam. -
Coalition Between Politics & Entertainment in Hindi Films: A
Journal of Education & Social Policy Vol. 1 No. 1; June 2014 Coalition between Politics & Entertainment in Hindi Films: A Discourse Analysis Dr. C. M. Vinaya Kumar Assistant Professor & Head Department of Journalism and Mass Communication Krishna University Machilipatnam-521 001 91-9985085530 Romesh Chaturvedi Sr. Lecturer Amity School of Communication Amity University, Lucknow Campus Uttar Pradesh, 91-9721964685 India Shruti Mehrotra Sr. Lecturer Amity School of Communication Amity University, Lucknow Campus Uttar Pradesh, India 91-9451177264 Abstract The study attempts to explore dynamics of political discourse as reflected in Hindi films. Political messages in most Hindi films are concealed within entertainment. Films use thrilling & entertaining plots mixed with political content in order to convey their messages to the public. Films not only reflect reality but also construct the political ideology. The public is generally unaware of the extent to which they are being influenced, managed and conditioned by the political discourses in Hindi films. This study attempts to conduct the discourse analysis on the Hindi film “Chakravyuh” to find how politics and entertainment are merged together to influence public opinion. The film is based on the dark, largely-unexposed world of the Naxalites fighting for their land and dignity. Discourse analysis of the film will help in exploring how an entertaining film can carry a meaningful message. For over 40 years in India, since the emergence of the Naxalite rebellion, cinema has drawn inspiration from the rupture caused by this iconic movement in Indian political history. Hindi films seem to have woken up to Naxalism, or Maoism, as it is more commonly known today. -
The Ramayana by R.K. Narayan
Table of Contents About the Author Title Page Copyright Page Introduction Dedication Chapter 1 - RAMA’S INITIATION Chapter 2 - THE WEDDING Chapter 3 - TWO PROMISES REVIVED Chapter 4 - ENCOUNTERS IN EXILE Chapter 5 - THE GRAND TORMENTOR Chapter 6 - VALI Chapter 7 - WHEN THE RAINS CEASE Chapter 8 - MEMENTO FROM RAMA Chapter 9 - RAVANA IN COUNCIL Chapter 10 - ACROSS THE OCEAN Chapter 11 - THE SIEGE OF LANKA Chapter 12 - RAMA AND RAVANA IN BATTLE Chapter 13 - INTERLUDE Chapter 14 - THE CORONATION Epilogue Glossary THE RAMAYANA R. K. NARAYAN was born on October 10, 1906, in Madras, South India, and educated there and at Maharaja’s College in Mysore. His first novel, Swami and Friends (1935), and its successor, The Bachelor of Arts (1937), are both set in the fictional territory of Malgudi, of which John Updike wrote, “Few writers since Dickens can match the effect of colorful teeming that Narayan’s fictional city of Malgudi conveys; its population is as sharply chiseled as a temple frieze, and as endless, with always, one feels, more characters round the corner.” Narayan wrote many more novels set in Malgudi, including The English Teacher (1945), The Financial Expert (1952), and The Guide (1958), which won him the Sahitya Akademi (India’s National Academy of Letters) Award, his country’s highest honor. His collections of short fiction include A Horse and Two Goats, Malgudi Days, and Under the Banyan Tree. Graham Greene, Narayan’s friend and literary champion, said, “He has offered me a second home. Without him I could never have known what it is like to be Indian.” Narayan’s fiction earned him comparisons to the work of writers including Anton Chekhov, William Faulkner, O. -
Ramlila of Ramnagar: an Introduction
Ramlila of Ramnagar: An Introduction Richard Schechner, Texts, Oppositions, and the Ganga River The subject of Ramlila, even Ram nagar Ramlila alone, is vast ... It touches on several texts: Ramayana of Valmiki, never uttered, but present all the same in the very fibre of Rama's story; Tulsidasa's Ramcharitmanas chanted in its entirety from before the start of the performance of Ramlila to its end. I mean that the Ramayanis spend ten days before the first lila up on the covered roof of the small 'tiring house-green room next to the square where on the twenty-ninth day of the performance Bharata Milapa will take place; there on that roof the Ramayanis chant the start of the Ramcharitmanas, from its first word till the granting of Ravana's boon : "Hear me, Lord of the World (Brahma). 1 would die at the hand of none save man or monkey." Shades of Macbeth's meeting with the witches: "For none of woman born shall harm Macbeth." Ravana, like Macbeth, is too proud. Nothing of this until the granting of Ravana's boon is heard by the Maharaja of Benares, or by the faithful daily audience called nemi-s, nor by the hundreds of sadhu-s who stream into Ramnagar for Ramlila summoned by Rama and by the Maharaja's generosity in offering sadhu-s dharamshala-s for rest and rations for the belly. The "sadhu rations" are by far the largest single expense in the Ramnagar Ramlila budget- Rs. 18,000 in 1976. Only the Ramayanis hear the start of the Ramcharitmanas- they and scholars whose job it is to "do and hear and see everything." But this, we soon discovered, is impossible: too many things happen simultaneously, scattered out across Ramnagar. -
The Past; Preparing for the Future
Vol. 5 No. 08 New York August 2020 Sanya Madalsa Malhotra Sharma breakout Angel face with talent a spunky spirit Janhvi Priyanka Kapoor Abhishek chopra Jonas Navigating troubled Desi girl turns Bollywood Bachchan global icon Learning thefrom past Volume 5 - August 2020 Inside Copyright 2020 Bollywood Insider 50 Dhaval Roy Deepali Singh 56 18 www.instagram.com/BollywoodInsiderNY/ Scoops 12 SRK’s plastic act 40 leaves fans curious “I had a deeper connection with Kangana’s grading Exclusives Sushant” system returns to bite 50 Sanjana Sanghi 64 her Learning from past; preparing for future 06 Abhishek Bachchan “I feel like a newcomer” 56 Sushmita Sen From desi girl to a truly global icon 12 Priyanka Chopra Jonas Perspective Angel face with spunky spirit happy 18 Madalsa Sharma 32 Patriotic Films independence day “I couldn’t talk in front of Vidya Balan” 26 Sanya Malhotra 62 Actors on OTT 15TH AUGUST The privileged one 41 44 Janhvi Kapoor PREVIOUS ISSUES FOR ADVERTISEMENT July June May (516) 680-8037 [email protected] CLICK For FREE Subscription Bollywood Insider August 2020 LOWER YOUR PROPERTY TAXES Our fee 40 35%; others charge 50% NO REDUCTION NO FEE A. SINGH, Hicksville sign up for 2021 Serving Homeowners in Nassau County Varinder K Bhalla PropertyTax Former Commissioner, Nassau County ReductionGuru Assessment Review Commission CALL or whatsApp [email protected] 3 Patriotic Fervor Of Bollywood Stars iti Sunshine Bhalla, a young TV host in Williams during 2008 to 2011. In 2012, Shah New York, anchored India Independence Rukh Khan, Anushka Sharma and Sanjay Dutt R Day celebrations which were televised appeared on her show and shared their patriotic in India and 23 countries in Europe.