Textile Processing

Total Page:16

File Type:pdf, Size:1020Kb

Textile Processing TEXTILE PROCESSING PREPARED BY SHEEBA.C ASSISTANT PROFESSOR , DEPARTMENT OF COSTUME DESIGN AND FASHION TEXTILE FINISHES Textile finishes refer to a finishing treatment given to a fiber, yarn, fabric either before or after fabrication to improve its physical appearance, functionally, hand , drape, and easy care features. APPLICATION OF TEXTILE FINISHES 1.Water bath finish ▪ It is one of the main application method for year. ▪ Inexpensive, and readily available solvent. ▪ In this method , the chemical was dissolved in water and applied on to the fabric by immersion and squeezing out the extra. APPLICATION OF FINISHES 2.Foam finishes ▪ Foam finishing saves water and energy. ▪ This method utilize foam instead of a liquid to apply the finish. ▪ Foam is made up of a mixture of air and liquid and therefore a small amount of liquid is used and absorbed by the fabric. APPLICATION OF FINISHES 3.Solvent finish ▪ Solvent finishing was developed to reduce water pollution and lower energy costs. ▪ In this process , the finishing chemical is mixed in a solvent. These finishes can be applied in open width or rope form. CLASSIFICATION OF FINISHES Finishes can be classified as based on, • Types of finish: preparatory finishes, aesthetic finishes, and functional finishes • Process of finishing : Chemical finishes and mechanical finishes • Durability of finishes : Permanent finishes, durable finishes, semi-durable finishes and temporary finishes 1.PREPARATORY FINISHES The preparatory finishes are applied to fabrics to make them suitable for dyeing, printing, and further finishing processes. ▪ Desizing: Desizing is a process of removal of sizes starches and other substances applied to the yarns before the process of weaving. PREPARATORY FINISHES ▪ Singing The process of singeing involves the burning of fiber ends projecting from the fabric by using one or more gas flames. This process helps in making the fabric smoother and finer. PREPARATORY FINISHES ▪ Souring Souring is carried out to remove natural or applied impurities from the fabric before further finishing operations and dyeing. The impurities could be in the form of oils, starches, natural waxes, soil, and color tints. PREPARATORY FINISHES ▪ Bleaching Bleaching is carried out to remove the natural color and hydrophobic impurities of the fiber and make it white in color. It is done on fibers, yarns or fabrics. Most bleaches, such as hydrogen peroxide are oxidizing agents and the action is carried out by the active oxygen present in them. PREPARATORY FINISHES ▪ Mercerizing: Cellulosic yarns or fabrics undergo the mercerization treatment to increase their strength, luster, softness and affinity for dyes and water- borne finishes due to swelling of the fibers. PREPARATORY FINISHES ▪ Sizing Sizing finish provides stiffness, weight and body to the fabric. Water-soluble sizing is temporary, while rein-based sizing is permanent. During the process, the fabric is immersed in a mixture of waxes, oils, glycerin and softeners in adequate quantity. Talc, clay or chalk is used to add weight to the fabric. PREPARATORY FINISHES Calendering involves a pressing process in which a fabric is passed between heavy rollers to make it smooth and glossy, it is a mechanical finish and the process is not permanent and needs to be repeated after each laundering. 2.AESTHETIC FINISHES Aesthetic Finishes are applied to fabrics to change their appearance and hand. They create and applied design on the already constructed fabric and are therefore quicker and less expensive to produce than fabrics with structural designs, that is, designs incorporated during fabric construction , such as dobby and jacquard patterns, in woven's and knits. AESTHETIC FINISHES ▪ Luster Finishes Luster finishes are applied to improve the fabric luster. They act by changing the light reflectance of a fabric. These finishes are applied by calendering, in which the fabric passes between two cylinders, which exert pressure to apply the finish. AESTHETIC FINISHES ▪ Moireing The moire effect provides a wood grain or water marked appearance. ▪ Schreinerizing. Schreinerizing provides a sharp line appearance. This process is carried out with a metal roller engraved with very fine 200-500 diagonal lines per inch of the roller. 3.FUNCTIONAL FINISHES Functional finishes given to fabrics to improve their performance in terms of stability , shape, appearance, comfort, resistance to insects and microbes, and safety. a)Comfort Related Finishes Comfort related finishes are given to fabrics to them comfortable to wear. ▪ Water-repellent Finishes : Water-repelling fabrics are resistant to wetting but tend to get wet in excessive water, water repellency is dependent on surface tension and fabric permeability and therefore can be controlled by a combination of right fabric construction and finishing . a)Comfort Related Finishes ▪ Water-repellent Finishes Water-repelling fabrics need to have a very high warp count and should be made of regular yarns. The most common water-repelling chemicals are silicones, as they are durable when combined with durable press finished. These also give the fabric good drape,soft hand and stain resistance. Comfort Related Finishes ▪ Anti- static Finishes Static build up refers to the problem of garments clinging on to the body or to other fabrics. Static build-up also creates problems during production as fabrics cling to the machinery and attract dust and dirt. Anti-static finishes in the form of ammonium compounds are applied to reduce the static build-up on fabrics. These finishes act by improving surface conductivity so that excess electrons move to the atmosphere or ground. b)Safety-Related Finishes Safety-related finishes are applied on fabrics to make the wearer safe as per their usage. There are various types of Safety-related finishes. ▪ Flame –Retarding Finishes Flame-related finishes act by either blocking the flame’s access to fuel and hindering flame propagation or emitting a flame extinguishing gas. They also act by modifying the solids so that the end-products of combustion are not volatile or require excess heat to continue the fire. c)Biological Control Finishes A large number of insects can damage textiles, especially when the fabric is stored in dump and warm conditions. Therefore, the fabrics should always be stored in dry conditions after cleaning. For extra protection, some finishes can be applied to the fabrics. Biological Control Finishes ▪ Anti-Mildew Finishes Both cellulosic and protein fibres are damaged by moulds and mildew. It is best to prevent mildew growth by keeping textiles clean and dry and by regularly sunning and airing them. Electric lights and dehumidifiers can be used in dark and humid places. The finishes in the form of salicylanilide, also known as fungicides are applied to prevent mildew growth. Biological Control Finishes ▪ Anti-Moth Finishes Insects, such as silverfish, crickets and cockroaches, damage textiles, especially the textiles that are soiled. Moths and carpet beetles damage protein fibers. The problem aggravates in heat and moisture. ▪ Insect control finishes, knows as fumigants and insecticides can be used to protect the fabrics. ▪ Other method of insects control storing fabrics in a cold place. Biological Control Finishes Anti-Bacterial Finishes Anti-Bacterial finishes act by inhibiting the growth of bacteria and other odor-causing germs, preventing damage due to sweat, controlling spread of disease, and reducing infection risk after injury. These finishes are also known as antibacterial , antiseptic and germicidal. These finishes are used in hospital linen; contract carpeting, and skin contact clothing. Biological Control Finishes ▪ Anti-Bacterial Finishes The most widely used finish these days is irradiation treatment or sterilization, also known as electron beam sterilization. This treatment is cheaper, simpler, safer and is used for medical products, such as sutures and bandages. The beam can penetrate thermoplastic and foil packaging and therefore the goods can even be treated in the packed state. This process maintains the sterile environment until the package is opened. DYEING Definition: Dyeing is the application of dyes or pigments on textile materials such as fibers, yarns, and fabrics with the goal of achieving color with desired color fastness. TEXTILE DYEING Dye: A dye can generally be described as a colored substance that has an affinity to the substrate to which it is being applied. The dye is usually used as an aqueous solution and may require a mordant to improve the fastness of the dye on the fiber. Pigment: Pigments are the special type of dyeing or printing materials for wet processing technology. Generally pigment is use for printing. Pigments can be define as a water insoluble coloring material mostly mineral origin have been used for coloration of metal, wood, stone and textile materials Difference between Printing and Dyeing Dyeing has no According to localized application. the design printing has localized application of dyes or pigments on the fabric Color is Color is applied in form of solution. applied in form of thick paste. In this In printing process fabric, yarn and fibers are dyed. only fabric are print. liquor ratio is higher. Less liquor ratio here than dyeing application. Thickener is not used here. Thickener is widely used here. Steaming is Steaming is used in the printed fabric for not required on dyed material. fixation. Here, color penetrates throughout the Here, color is applied only in the fabric fabric. surface. less expensive. More expensive. Classification of dye DYES Acid or Anionic Dyes Acid or Anionic dyes have a complete color range and can be used on protein fibers and man- made fibers, such as polyester, modified acrylic and modified rayon. The dyes produce bright colors but have poor fastness to washing and therefore fabrics need to be dry-cleaned. DYES Azoic Dyes Azoic dyes are applied in cold bath with ice, as this helps lower the dye-bath temperature for efficient dyeing. They are also known as ice colors. The dyes have a complete color of bright shades in yellows,reds and blacks. The dyes are cheap and are mainly used for cottons along with limited use on acetate and nylon.
Recommended publications
  • Textile Printing
    TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik.
    [Show full text]
  • Fabricating Carbon Fiber Airframes, Part 2: Finishing
    In This Issue Fabricating Carbon Fiber Airframes, Part 2: Finishing Cover Photo: Lift-off shot by Erin Card at NARAM56 in Pueblo, CO Apogee Components, Inc. — Your Source For Rocket Supplies That Will Take You To The “Peak-of-Flight” 3355 Fillmore Ridge Heights Colorado Springs, Colorado 80907-9024 USA www.ApogeeRockets.com e-mail: [email protected] Phone: 719-535-9335 Fax: 719-534-9050 ISSUE 371 AUGUST 12, 2014 Fabricating Carbon Fiber Airframes Part 2: Finishing By Alex Laraway Congratulations! You’ve moved onto what is frankly the most Start by releasing the lip of the mylar from around one side tedious part of fabricating tubing: getting it to look pretty. of the tube. Once you are finished, use a long dowel to be- One of the reasons carbon fiber is so highly valued is its aes- gin breaking the bond between the mylar and the epoxy on thetic characteristics. For this reason, bare carbon fiber is an the inside of the tube. Ram the dowel to the opposite end of attractive option for the finish on high-end sports cars, bikes, the tube and slowly work it around so that the entire mylar motorcycles and, of course, rockets. Getting a smooth gloss layer is broken out from the epoxy. After this step, the mylar “naked” carbon fiber is tiresome at best, especially starting should slide out with ease! with a peel ply texture. The basic idea is to give it a series of epoxy coats and sand each coat down with a different series of sandpaper grits with each epoxy pass.
    [Show full text]
  • EFFECTS of BIO-FINISHING on COTTON and COTTON/WOOL BLENDED FABRICS by SHRIDHAR CHIKODI, B.Tech. a THESIS in CLOTHING, TEXTILES
    EFFECTS OF BIO-FINISHING ON COTTON AND COTTON/WOOL BLENDED FABRICS by SHRIDHAR CHIKODI, B.Tech. A THESIS IN CLOTHING, TEXTILES, AND MERCHANDISING Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE Approved Accepted May, 1994 fjC fl£1-1 ;q;:; u goS TJ Jh ~t/'li I qq.lf /V/). I U>p·~ © 1994 Shridhar Chikodi ACKNOWLEDGEMENTS In accomplishing this work, there are many people who have inspired my determination. To begin with, I would like to thank my thesis committee chairman, Dr. Samina Khan, for her invaluable guidance and encouragement throughout this project. I am thankful to Dr. Shelley Harp for the consistent support and attention to detail which was invaluable. I extend my sincere thanks to Dr. R.D. Mehta whose research expertise has been crucial to the success of this project. I am also grateful to Dr. Jerry Mason, for his support throughout my stay at Tech. I am indebted to the personnel at International Center for Textile Research and Development and to Mark Grimson at Scanning Electron Microscopy lab, for their contribution to this research. I would like to express my heartfelt thanks to my parents, for their undying love, faith and immeasurable sacrifices they have made on my behalf. I truly owe them everything. A final acknowledgement I extend to my close friend Janie, for her never-ending encouragement, support, and assistance in the past two years. 11 TABLE OF CONTENTS .. ACKNOWLEDGMENTS . ll LIST OF TABLES . vi LIST OF FIGURES . viii CHAPTERS I .
    [Show full text]
  • Sewing with Fleece.Pub
    WELCOME Welcome to the Sewing With Fleece Project! Please read through this guide carefully, as it contains information and suggestions that are important for your project. 4-H Leaders can obtain a Leader Project Guide and further resources from the PEI 4-H Office. Hopefully you, as a member, will “Learn To Do By Doing” through hands-on activities that will encourage learning and enjoyment. If you have any questions, contact your District 4-H Officer or your 4-H project leader. 4-H YEAR COMPLETION You must complete You complete a project by: all of the listed • completing the project Achievement Day requirements aspects in order to • completing a communication project show at Fairs and • completing a community project Exhibitions. • completing an agriculture awareness project • taking part in Achievement Day ACHIEVEMENT DAY REQUIREMENTS - LEVEL 1 Three (3) Samples 15 Small Pillow 10 One Pair of Mittens* 45 A Hat* 30 100 Marks • Patterns for the mittens and hat are included in the Leaders’ Project Manual • Members are encouraged to make a flower pin - this item is optional EXHIBITION REQUIREMENT - LEVEL I Pair of Mittens and Hat ACHIEVEMENT DAY REQUIREMENTS - LEVEL II Three (3) Samples 20 Stuffed Animal Pillow 80 (minimum of 50 cm (20”) in length) 100 Marks EXHIBITION REQUIREMENT - LEVEL II Stuffed Animal Pillow SEWING WITH FLEECE Ages for 4-H members as of January 1st of the 4-H year: Junior: 9-11 years Check out the PEI 4-H Web Site Intermediate: 12-14 years May 2013 Senior: 15-21 years www.pei4h.pe.ca HELPFUL RESOURCES! BE A GOOD SPORT! www.sewing.about.com In the spirit of learn to do by doing, all www.simplicity.com those involved in 4-H are encouraged to www.craftsitedirectory.com/sewing practice good sportsmanship, use www.sewing.lifetips.com common sense at all 4-H activities, and www.kwiksew.com the work in any 4-H project should be www.sewnews.com the member’s own work.
    [Show full text]
  • Digital Textile Printing Opportunities for Sign Companies
    Digital Textile Printing Opportunities for Sign Companies This survey remains the property of the International Sign Association. None of the information contained within can be republished without permission from ISA. PREPARED BY: InfoTrends ISA Whitepaper Digital Textile Printing Opportunities for Sign Companies TABLE OF CONTENTS Introduction ......................................................................................................................................2 Key Highlights ..................................................................................................................................2 Recommendations ...........................................................................................................................2 Soft Signage Applications ...............................................................................................................3 The 2014 Textile Industry ................................................................................................................4 Market Growth in Wide Format Digital Printing ...............................................................................5 Technological Shifts ....................................................................................................................5 Application Trends .......................................................................................................................7 Vendors of Graphic Textile and Decorative Solutions .....................................................................7
    [Show full text]
  • FDM Nylon 12
    FREQUENTLY ASKED QUESTIONS FDM Nylon 12 1. What is nylon? Nylons were the first engineering thermoplastics. They have been around for 85 years and are one of the most widely used materials for traditional thermoplastic manufacturing today. Nylons falls into the polyamide (PA) class of materials. This is a material class that includes both natural substances (silk and wool) and synthetic materials (thermoplastics). All nylon materials are polyamides, but all synthetic polyamides aren’t nylons. Since nylon is such a recognizable material name, on our literature and in conversations, we will use it as the preferred term. 2. What nylon material is Stratasys offering? FDM® Nylon 12™ (unfilled) is the first nylon material that can be 3D printed with fused deposition modeling (FDM) technology. It has been highly demanded by our customers and complements our current FDM materials portfolio. Unique part capabilities and properties include: • Snap-fit and press-fit inserts: tough small clips, bosses, posts and holes • High fatigue resistance: parts exposed to repeat loading cycles, stress and vibration • Good impact strength: parts resistant to shock from being dropped or abrupt forces • Moderate temperate resistance: HDT of up to 82°C (after annealing) • Good chemical resistance: resistant to moderate solvents, alcohols and chemicals Application best fits include: • Panels, covers, housings with snap-fit clips, bosses and other small features • Environmental control ducting and venting • Components of products with high vibration, repetitive stress or fatigue • Drill guides, cutting fixtures and prototypes with friction fit press-in inserts • Prototypes and end-use parts requiring tough bosses or threaded inserts THE 3D PRINTING SOLUTIONS COMPANY™ FREQUENTLY ASKED QUESTIONS FDM Nylon 12 Target industries include: • Automotive: interior panels, environmental control ducting • White goods: panels, covers, vibration resistant components • Home appliance and consumer electronics: covers, panels and facades • Aerospace: tooling, manufacturing aids, jigs and fixtures 3.
    [Show full text]
  • 24. Principles of Wool Fabric Finishing
    24. Principles of Wool Fabric Finishing Mike Pailthorpe Learning objectives On completion of this topic you should be able to: • Outline the use of wool fabric finishing flow charts • Describe the various contaminants that may be present in greige state wool fabrics • Describe the finishing methods employed to remove contaminants from greige state wool fabrics • Describe the various forms of dimensional change that take place in wool fabrics • Outline the finishing methods employed to control the dimensions of wool fabrics • Describe the finishing processes employed to modify handle and appearance of wool fabrics Key terms and concepts Inspection, burling, mending, scouring, crabbing, carbonizing, milling, shrink proofing, bleaching, dyeing, hydroextraction, scutching, drying, conditioning, raising, shearing, singeing, pressing, decatizing, perching. Introduction to the topic The object of wool fabric finishing is to develop the desired properties in woollen and worsted fabrics that meet the specified end use requirements of consumers. Finishing is a sequence of processes that is carried out in a logical order. For example, finishing processes employing aqueous based treatments, also known as wet finishing, are grouped together, the aim being to minimise water consumption and to dry the fabric only once. The so-called dry finishing processes follow after drying. There are four main objectives to be achieved during the finishing of wool fabrics. • The removal, by scouring, of contaminants from the fabric. These contaminants may include lubricants and antistatic agents employed in yarn and fabric production, warp sizes and lubricants, machine oil stains, etc. In some cases the wool fabric may also contain vegetable matter (VM), in which case the process known as carbonising may be used to remove the VM • The development of the required handle, softness, fullness, drape, etc.
    [Show full text]
  • Novel Finished Cotton Knits
    Europaisches Patentamt J European Patent Office @ Publication number: 0 068 748 A1 Office europeen des brevets 1 EUROPEAN PATENT APPLICATION Application number: 82303173.7 @ Int. CI.3: D 06 B 7/08 Date of filing: 17.06.82 ® Priority: 22.06.81 NO 812122 @ Applicant: Norsk Tekstilinstitutt, Lars Hillesgt. 34, N-5000Berger(NO) ® Date of 05.01.83 f Publication application: @ lnventor: jacobsen, Inger Kari, Mollbakken 47, Bulletin oon N-5035 Bergen Sandviken (NO) @ Designated Contracting States: AT BE CHDEFRGB IT @ Representative: Eurolink, Regent House Heaton Lane, LI LU NL SE Stockport, Cheshire, SK4 1 BS (GB) @ Novel finished cotton knits. A finished knitted fabric of cotton or other natural or re- generated cellulosic material which is lustrous, flat and dense and lacks spirality and edge curling, is crease resistant and has in addition good dimensional stability uncharacteristic of mer- cerized fabrics. An apparatus for finishing knitted cotton or other natural or regenerated cellulosic fabric is described, and also a process for finishing such knitted fabric. This invention relates to knitted fabrics of cotton or other natural or regenerated cellulosic fibres, or blends thereof with other fibres. Our Canadian Patent No. 765735 is concerned with an ammonia treatment of such fabrics, and also - and more particularly - of woven fabrics of the same materials, to impart thereto varying degrees of elasticity (stretchiness) and/or crease resistance. The process involves swelling the fibres of the fabric by impregnating it with liquid ammonia and, after a time interval, evaporating the ammonia from the still swelled fibres. As a matter of fact, however, the processes of the aforementioned patent have only ever been used significantly in connection with the treatment of woven fabrics.
    [Show full text]
  • Guide to Improved Shrinkage Performance of Cotton Fabrics
    TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1009 A GUIDE TO IMPROVED SHRINKAGE PERFORMANCE OF COTTON FABRICS This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2004 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION Product specifications of textile and apparel products have always had a profound effect on the thinking and planning of managers in all areas of textile and apparel production. In today’s competitive markets where quality is expected at a low price, apparel companies are demanding low shrinkage from their suppliers to meet the needs of the consumer. In addition to low values, the shrinkage from garment to garment for the same style must be consistent. Traditionally, apparel manufacturers have set rigid specifications for their suppliers that in many cases allow little room for error in processing. In fact, some shrinkage specifications for apparel products may not be attainable at all by the suppliers of that product. In addition, many testing methods have been devised to measure shrinkage. Acceptance, rejection, and discount penalties are dependant on this gathered data. Further, in depth analysis of this data can allow for a better understanding of the causes of inconsistent or high shrinkage. A better understanding can then impact production techniques to make the shrinkage phenomena manageable. Indeed, more realistic specifications for a finished product can then be set for a fabric or garment based on the knowledge learned. This knowledge can also impact other product specifications such as weight and width as well as the determination of garment pattern layouts.
    [Show full text]
  • Textile Coloration and Finishing
    Handbook of Textile Coloration And Finishing Mohammad Shahid Guoqiang Chen Ren-Cheng Tang 2018 Studium Press LLC, U.S.A. Handbook of Textile Coloration And Finishing © 2018 This book contains information obtained from authentic and highly regarded sources. Reprinted material from authentic sources which are acknowledged and indicated. A wide variety of references are listed. Reasonable efforts have been made to publish reliable data and information, but the editors and the publisher cannot assume responsibility for the validity of all materials or for the consequences of their use. All rights are reserved under International and Pan-American Copyright Conventions. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, 1956, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means– electronic, electrical, chemical, mechanical, optical, photocopying, recording or otherwise–without the prior permission of the copyright owner. SERIES ISBN : 1-62699-106-5 Published by: STUDIUM PRESS LLC P.O. Box 722200, Houston, TX 77072 - U.S.A. Tel: (281) 776-8950, Fax: (281) 776-8951 E-mail: [email protected] Website: http://www.studiumpress.in Printed at India About the Editors Dr Mohammad Shahid received the master’s degree in Chemistry from Shibli National College, Azamgarh (India) in 2006 and Ph.D. in Organic Chemistry from the Jamia Millia Islamia, New Delhi (India) in 2014 under the supervision of Dr Faqeer Mohammad. He is now a postdoctoral researcher in Prof. Chen’s research group at College of Textile and Clothing Engineering, Soochow University, China.
    [Show full text]
  • Fleece Sewing.Doc
    CT-MMB.159 Selection & Sewing Tips for Fleece Fabric One of the hottest items to hit the fashion scene in recent seasons has been fleece. What began as a trademarked fabric by Malden Mills in 1979, (Polarfleece®), the word polarfleece has become a household term among sewers. In today=s world, polarfleece fabric is marketed under a number of different trade names including Polarfleece®, Polartec®, Tundra FleeceJ, YukonJ ECO Fleece, and Arctic FleeceJ. Some of these fabrics are actually made all or in part from recycled plastic soda bottles. Regardless of their origins, fleece fabrics are characterized by a deep pile texture, made into a knit fabric structure. Polarfleece may be further defined and described as Aa type of high quality, double-sided, napped polyester fleece.@ Fabric Characteristics There are a number of fleece and fleece-like fabrics on the market. Since 1979, a great deal of research and development has taken place to provide a variety of fleece types and weights. All fleece fabrics have some common characteristics. However, various types may emphasize or focus on certain ones and introduce others. Common properties: ! provides warmth will being extremely lightweight ! has breath ability, allowing body perspiration to escape (wick) to the outside to be evaporated ! maintains insulative/warmth properties even when wet ! completely washable ! machine dryable on low heat; no ironing. Other qualities that are introduced in some brands include antimicrobial finish, non-pilling, fleece that is laminated with a waterproof and windproof breathable lining, thin and thick pile, and a wide variety of surface textures. Some companies actually feature a fashion-apparel fabric line as well as an outdoor-enthusiast line geared toward serious climate considerations.
    [Show full text]
  • Fleece Fabric Is Perfect for Cool Weather and a Staple in Mainstream Fashion
    It’s Sew Easy Series 1700 Show#1710-2 Polar Fleece Jacket with Tailored Details Presented by: Joanne Banko www.letsgosew.com Let’s stay in touch! I’d love to help you make the most of your sewing machine! CLICK HERE to add your name to the letsgosew.com email list and receive timely tips, sewing news, free tutorials, and special updates. You’ll be the first to know about new blog posts and my special preview posts for the online version of It’s Sew Easy TV. Fleece fabric is perfect for cool weather and a staple in mainstream fashion. With a little bit of know how you can turn a fleece jacket into a garment with special details. Let me show you how to incorporate sewing techniques especially suited for fleece. Are you ready? Let’s go sew! 1 Materials and supplies featured in this show: • Featured machine is the Brother Dream Machine 8550D • Jacket constructed from MillYardage Polartec® Classic 200 double velour (Item #7614, Color Nightfall, generously provided by MillYardage LLC.) • Simplicity pattern 1067. • Dritz toggle closure, or toggle buttons and fabric for making loops shown in the show. Small, clear backer buttons are also recommended for use with toggle buttons. • Small curved needle from Dritz Repair needles for sewing on toggle closure. • Water-soluble fibrous mesh stabilizer for pocket technique. • A Walking foot is optional but helpful for sewing hems and topstitching seams, especially those that are cut on the cross grain. • Good quality polyester thread to match fabric. • Ball point pins and a size 14 stretch needle for the sewing machine.
    [Show full text]