EFFECTS of BIO-FINISHING on COTTON and COTTON/WOOL BLENDED FABRICS by SHRIDHAR CHIKODI, B.Tech. a THESIS in CLOTHING, TEXTILES

Total Page:16

File Type:pdf, Size:1020Kb

EFFECTS of BIO-FINISHING on COTTON and COTTON/WOOL BLENDED FABRICS by SHRIDHAR CHIKODI, B.Tech. a THESIS in CLOTHING, TEXTILES EFFECTS OF BIO-FINISHING ON COTTON AND COTTON/WOOL BLENDED FABRICS by SHRIDHAR CHIKODI, B.Tech. A THESIS IN CLOTHING, TEXTILES, AND MERCHANDISING Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF SCIENCE Approved Accepted May, 1994 fjC fl£1-1 ;q;:; u goS TJ Jh ~t/'li I qq.lf /V/). I U>p·~ © 1994 Shridhar Chikodi ACKNOWLEDGEMENTS In accomplishing this work, there are many people who have inspired my determination. To begin with, I would like to thank my thesis committee chairman, Dr. Samina Khan, for her invaluable guidance and encouragement throughout this project. I am thankful to Dr. Shelley Harp for the consistent support and attention to detail which was invaluable. I extend my sincere thanks to Dr. R.D. Mehta whose research expertise has been crucial to the success of this project. I am also grateful to Dr. Jerry Mason, for his support throughout my stay at Tech. I am indebted to the personnel at International Center for Textile Research and Development and to Mark Grimson at Scanning Electron Microscopy lab, for their contribution to this research. I would like to express my heartfelt thanks to my parents, for their undying love, faith and immeasurable sacrifices they have made on my behalf. I truly owe them everything. A final acknowledgement I extend to my close friend Janie, for her never-ending encouragement, support, and assistance in the past two years. 11 TABLE OF CONTENTS .. ACKNOWLEDGMENTS . ll LIST OF TABLES . vi LIST OF FIGURES . viii CHAPTERS I . INTRODUCTION 1 Statement of Problem . 2 Purpose of the Study . 3 Assumptions 4 Hypotheses . 5 Limitations 5 Definition of Terms 6 II. REVIEW OF RELATED LITERATURE . 10 Structural Properties of Cotton Fibers . 12 Structural Properties of Wool Fibers . 16 A Review of Cellulase and Protease Enzymes . 21 Cellulase Enzymes . 21 Protease Enzymes . 23 Summary . 23 III. METHODOLOGY 25 Description of the Experimental Fabrics . 25 Fabric Development Procedure . 25 Warp and Filling Yarn Production . 27 Fabric Construction . 2 7 Enzyme Treatment on Experimental Fabrics . • 2 8 Application of Cellulase Enzymes . 28 iii Application of Protease Enzymes . • 2 9 Physical Tests . 2 9 Test for Breaking Strength . 31 Test for Abrasion Resistance . 3 3 Test for Dimensional Stability to Laundering . 33 Test for Fabric Stiffness . 33 Test for Wrinkle Recovery . 34 Test for Pilling Resistance . 34 Fabric Hand . 34 Scanning Electron Microscope . 35 Analysis of Data . • • • 3 6 IV. ANALYSIS OF DATA . 37 Description of Sample . 3 7 Analysis of Hypotheses . • • 3 8 Hypothesis 1.a • • • 3 9 Hypothesis 1.b . 43 Hypothesis 1.c . 52 Hypothesis 1.d . 60 Hypothesis 1.e . 64 Hypothesis 2 . 70 Scanning Electron Micrograph Results of Surface Appearance . 77 Hypothesis 3 . 82 Summary of Data Analyses . 85 V. SUMMARY, FINDINGS, CONCLUSIONS AND RECOMMENDATIONS . 89 Summary of the Study . 90 Discussion of Findings and Conclusions . 91 iv Hypothesis l.a . 91 Hypothesis l.b . 92 Hypothesis l.c . • 92 Hypothesis l.d . 93 Hypothesis l.e . 93 Hypothesis 2 . 94 Hypothesis 3 . 94 Recommendations for Further Research . • 93 REFERENCES . 96 APPENDIX: WEIGHT LOSS TEST RESULTS . • 9 9 v LIST OF TABLES 3.1 Physical Properties of the Experimental Fibers and Fabrics . 26 3.2 Description of Physical Tests . 30 3.3 Rating Scale Score Sheet . • • 3 2 4.1 Means and Standard Deviations of Breaking Strength (lbs) in Warp and Filling Directions . 4 0 4.2 Percentage Strength Loss After Enzyme Treatments .. 41 4.3 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Breaking Strength in Warp Direction . 44 4.4 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Breaking Strength in Filling Direction . 45 4.5 Means and Standard Deviations of Abrasion Resistance (cycles) in Warp and Filling Directions . 47 4.6 Percentage Loss in Abrasion Resistance After Enzyme Treatments . 48 4.7 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Abrasion Resistance in Warp Direction . 50 4.8 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Abrasion Resistance in Filling Direction . 51 4.9 Means and Standard Deviations of Dimensional Stability (inches) in Warp Direction . 53 4.10 Percentage Shrinkage in Warp Direction After Enzyme Treatments . 54 4.11 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Dimensional Stability in Warp Direction with 3% Treatment . 58 4.12 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Dimensional Stability in Warp Direction with 5% Treatment . 59 . Vl 4.13 Means and Standard Deviations of Fabric Stiffness in Warp and Filling Directions . 61 4.14 Overall Flexural Rigidity After Enzyme Treatments . 62 4.15 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Fabric Stiffness in Warp Direction . 65 4.16 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Fabric Stiffness in Filling Direction . 66 4.17 Means and Standard Deviations of Wrinkle Recovery (degrees) in Warp and Filling Directions . 67 4.18 Wrinkle Recovery in Degrees in Warp and Filling Directions After Enzyme Treatments . 68 4.19 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Wrinkle Recovery in Warp Direction . 71 4.20 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Wrinkle Recovery in Filling Direction . 72 4.21 Means and Standard Deviations of Pilling Resistance 74 4.22 Interjudge Reliability of Pilling Ratings (Pearson Correlation Coefficients) . 76 4.23 One-Way ANOVA and Tukey's Studentized Range Test Results--Influence of Fiber Content on Pilling Resistance . 81 4.24 Mean and Standard Deviations of Fabric Hand .. 83 4.25 Interjudge Reliability of Fabric Hand Evaluation (Pearson Correlation Coefficients) . 84 4.26 One-Way ANOVA and Tukey's Studentized Range Test Results--Subjective Evaluation of Fabric Hand . 86 A.1 Percentage Weight Loss After Enzyme Treatments . 101 .. Vl.l. LIST OF FIGURES 2.1 Chemical Structure of Cellulose . 15 2.2 Chemical Reaction of Enzyme on Cellulose . 17 2.3 Chemical Structure of Wool . • • . 2 0 3.1 Rating scale Score Sheet . 32 4.1 Percentage Strength Loss . 42 4.2 Percentage Loss in Abrasion Resistance . 4 9 4.3 Percentage Shrinkage After One Wash . 55 4.4 Percentage Shrinkage After Five Washes . • 56 4.5 Fabric Stiffness . 63 4.6 Wrinkle Recovery in Degrees . 69 4.7 Pilling Resistance ................. 75 4.8 SEM's of 100% Cotton Fabrics . 78 4.9 SEM's of 90/10 Cotton/Wool Fabrics . 79 4.10 SEM's of 70/30 Cotton/Wool Fabrics ....... 80 A.1 Percentage Weight Loss After Enzyme Treatments 102 viii CHAPTER I INTRODUCTION Enzymes or bio-catalysts have been utilized on a large scale for more than 75 years in medical investigation-to supplement the body digestive system, in food processing to enrich grains and cereals, in wine production to ferment grapes and in the domestic detergency area to improve overall cleaning performance by leaving fabrics smoother, with decreased ability to trap dirt. Since the beginning of the 20th century, enzymes have been used in textile desizing. However, the concept of treating fabrics produced from low-grade fibers with enzymes (also known as hie­ polishing or bio-finishing) to improve surface properties was first developed in Japan in 1989. The main objective of bio-finishing is to create a fabric from low-grade fibers with smooth appearance and improved softness without the use of conventional chemicals which result in toxic effluent (Garrett & Cedroni, 1990). Recent technical applications of enzymes have revealed that it is possible to remove substances such as pectin, hemicellulose, lignin, seed husks, vegetable matters, skin grease, suint and skin residue that accompany natural fibers (Hemmpel, 1991). Cotton and wool fibers are made up of fibers, some of which protrude. These loose fibers which tend to protrude 1 2 from yarn surface are responsible for the formation of "fuzz." Conventionally, the protruding fibers are removed either by burning off by flame or by infrared radiation or by passing over hot copper plates. These conventional treatments bring about a temporary change to the fabric surface. However, treatment with cellulase and protease enzymes degrades the protruding fibers permanently, giving a smoother fiber surface, which result in a simultaneous improvement of hand and luster (Schubel, 1990; Hemmpel, 1991) . Cellulase and protease enzyme treatments avoid the high alkaline pollution caused by chemicals during cotton and wool scouring processes, which otherwise would pose a high environmental risk (Hemmpel, 1990). Consequently, it is possible to permanently finish a low-grade inexpensive fabric to look and feel like a top quality fabric in a more environmentally friendly way. At this point in time, no research has been undertaken in the United States, with respect to treating cotton/wool blended fabrics with enzymes. Therefore, the void in this area of textile development serves as a basis for the present study. Statement of Problem Modification of textile materials in an environmentally safe way is of paramount certain in an increasingly technological based textile industry. Bio-finishing is one 3 such technological advancement where by means of enzymatic treatment, scouring a major textile finishing process is avoided, thus eliminating the high alkaline pollution. Research on hie-finishing 100% cotton fabrics has been reported; however, no published research exists concerning the effects of enzyme treatment on cotton/wool blended fabrics. It is expected that the study undertaken here will make a genuine contribution to the existing body of knowledge in textile finishing.
Recommended publications
  • Textile Printing
    TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1004 TEXTILE PRINTING This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2003 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION The desire of adding color and design to textile materials is almost as old as mankind. Early civilizations used color and design to distinguish themselves and to set themselves apart from others. Textile printing is the most important and versatile of the techniques used to add design, color, and specialty to textile fabrics. It can be thought of as the coloring technique that combines art, engineering, and dyeing technology to produce textile product images that had previously only existed in the imagination of the textile designer. Textile printing can realistically be considered localized dyeing. In ancient times, man sought these designs and images mainly for clothing or apparel, but in today’s marketplace, textile printing is important for upholstery, domestics (sheets, towels, draperies), floor coverings, and numerous other uses. The exact origin of textile printing is difficult to determine. However, a number of early civilizations developed various techniques for imparting color and design to textile garments. Batik is a modern art form for developing unique dyed patterns on textile fabrics very similar to textile printing. Batik is characterized by unique patterns and color combinations as well as the appearance of fracture lines due to the cracking of the wax during the dyeing process. Batik is derived from the Japanese term, “Ambatik,” which means “dabbing,” “writing,” or “drawing.” In Egypt, records from 23-79 AD describe a hot wax technique similar to batik.
    [Show full text]
  • Fabricating Carbon Fiber Airframes, Part 2: Finishing
    In This Issue Fabricating Carbon Fiber Airframes, Part 2: Finishing Cover Photo: Lift-off shot by Erin Card at NARAM56 in Pueblo, CO Apogee Components, Inc. — Your Source For Rocket Supplies That Will Take You To The “Peak-of-Flight” 3355 Fillmore Ridge Heights Colorado Springs, Colorado 80907-9024 USA www.ApogeeRockets.com e-mail: [email protected] Phone: 719-535-9335 Fax: 719-534-9050 ISSUE 371 AUGUST 12, 2014 Fabricating Carbon Fiber Airframes Part 2: Finishing By Alex Laraway Congratulations! You’ve moved onto what is frankly the most Start by releasing the lip of the mylar from around one side tedious part of fabricating tubing: getting it to look pretty. of the tube. Once you are finished, use a long dowel to be- One of the reasons carbon fiber is so highly valued is its aes- gin breaking the bond between the mylar and the epoxy on thetic characteristics. For this reason, bare carbon fiber is an the inside of the tube. Ram the dowel to the opposite end of attractive option for the finish on high-end sports cars, bikes, the tube and slowly work it around so that the entire mylar motorcycles and, of course, rockets. Getting a smooth gloss layer is broken out from the epoxy. After this step, the mylar “naked” carbon fiber is tiresome at best, especially starting should slide out with ease! with a peel ply texture. The basic idea is to give it a series of epoxy coats and sand each coat down with a different series of sandpaper grits with each epoxy pass.
    [Show full text]
  • Sewing with Fleece.Pub
    WELCOME Welcome to the Sewing With Fleece Project! Please read through this guide carefully, as it contains information and suggestions that are important for your project. 4-H Leaders can obtain a Leader Project Guide and further resources from the PEI 4-H Office. Hopefully you, as a member, will “Learn To Do By Doing” through hands-on activities that will encourage learning and enjoyment. If you have any questions, contact your District 4-H Officer or your 4-H project leader. 4-H YEAR COMPLETION You must complete You complete a project by: all of the listed • completing the project Achievement Day requirements aspects in order to • completing a communication project show at Fairs and • completing a community project Exhibitions. • completing an agriculture awareness project • taking part in Achievement Day ACHIEVEMENT DAY REQUIREMENTS - LEVEL 1 Three (3) Samples 15 Small Pillow 10 One Pair of Mittens* 45 A Hat* 30 100 Marks • Patterns for the mittens and hat are included in the Leaders’ Project Manual • Members are encouraged to make a flower pin - this item is optional EXHIBITION REQUIREMENT - LEVEL I Pair of Mittens and Hat ACHIEVEMENT DAY REQUIREMENTS - LEVEL II Three (3) Samples 20 Stuffed Animal Pillow 80 (minimum of 50 cm (20”) in length) 100 Marks EXHIBITION REQUIREMENT - LEVEL II Stuffed Animal Pillow SEWING WITH FLEECE Ages for 4-H members as of January 1st of the 4-H year: Junior: 9-11 years Check out the PEI 4-H Web Site Intermediate: 12-14 years May 2013 Senior: 15-21 years www.pei4h.pe.ca HELPFUL RESOURCES! BE A GOOD SPORT! www.sewing.about.com In the spirit of learn to do by doing, all www.simplicity.com those involved in 4-H are encouraged to www.craftsitedirectory.com/sewing practice good sportsmanship, use www.sewing.lifetips.com common sense at all 4-H activities, and www.kwiksew.com the work in any 4-H project should be www.sewnews.com the member’s own work.
    [Show full text]
  • Digital Textile Printing Opportunities for Sign Companies
    Digital Textile Printing Opportunities for Sign Companies This survey remains the property of the International Sign Association. None of the information contained within can be republished without permission from ISA. PREPARED BY: InfoTrends ISA Whitepaper Digital Textile Printing Opportunities for Sign Companies TABLE OF CONTENTS Introduction ......................................................................................................................................2 Key Highlights ..................................................................................................................................2 Recommendations ...........................................................................................................................2 Soft Signage Applications ...............................................................................................................3 The 2014 Textile Industry ................................................................................................................4 Market Growth in Wide Format Digital Printing ...............................................................................5 Technological Shifts ....................................................................................................................5 Application Trends .......................................................................................................................7 Vendors of Graphic Textile and Decorative Solutions .....................................................................7
    [Show full text]
  • FDM Nylon 12
    FREQUENTLY ASKED QUESTIONS FDM Nylon 12 1. What is nylon? Nylons were the first engineering thermoplastics. They have been around for 85 years and are one of the most widely used materials for traditional thermoplastic manufacturing today. Nylons falls into the polyamide (PA) class of materials. This is a material class that includes both natural substances (silk and wool) and synthetic materials (thermoplastics). All nylon materials are polyamides, but all synthetic polyamides aren’t nylons. Since nylon is such a recognizable material name, on our literature and in conversations, we will use it as the preferred term. 2. What nylon material is Stratasys offering? FDM® Nylon 12™ (unfilled) is the first nylon material that can be 3D printed with fused deposition modeling (FDM) technology. It has been highly demanded by our customers and complements our current FDM materials portfolio. Unique part capabilities and properties include: • Snap-fit and press-fit inserts: tough small clips, bosses, posts and holes • High fatigue resistance: parts exposed to repeat loading cycles, stress and vibration • Good impact strength: parts resistant to shock from being dropped or abrupt forces • Moderate temperate resistance: HDT of up to 82°C (after annealing) • Good chemical resistance: resistant to moderate solvents, alcohols and chemicals Application best fits include: • Panels, covers, housings with snap-fit clips, bosses and other small features • Environmental control ducting and venting • Components of products with high vibration, repetitive stress or fatigue • Drill guides, cutting fixtures and prototypes with friction fit press-in inserts • Prototypes and end-use parts requiring tough bosses or threaded inserts THE 3D PRINTING SOLUTIONS COMPANY™ FREQUENTLY ASKED QUESTIONS FDM Nylon 12 Target industries include: • Automotive: interior panels, environmental control ducting • White goods: panels, covers, vibration resistant components • Home appliance and consumer electronics: covers, panels and facades • Aerospace: tooling, manufacturing aids, jigs and fixtures 3.
    [Show full text]
  • 24. Principles of Wool Fabric Finishing
    24. Principles of Wool Fabric Finishing Mike Pailthorpe Learning objectives On completion of this topic you should be able to: • Outline the use of wool fabric finishing flow charts • Describe the various contaminants that may be present in greige state wool fabrics • Describe the finishing methods employed to remove contaminants from greige state wool fabrics • Describe the various forms of dimensional change that take place in wool fabrics • Outline the finishing methods employed to control the dimensions of wool fabrics • Describe the finishing processes employed to modify handle and appearance of wool fabrics Key terms and concepts Inspection, burling, mending, scouring, crabbing, carbonizing, milling, shrink proofing, bleaching, dyeing, hydroextraction, scutching, drying, conditioning, raising, shearing, singeing, pressing, decatizing, perching. Introduction to the topic The object of wool fabric finishing is to develop the desired properties in woollen and worsted fabrics that meet the specified end use requirements of consumers. Finishing is a sequence of processes that is carried out in a logical order. For example, finishing processes employing aqueous based treatments, also known as wet finishing, are grouped together, the aim being to minimise water consumption and to dry the fabric only once. The so-called dry finishing processes follow after drying. There are four main objectives to be achieved during the finishing of wool fabrics. • The removal, by scouring, of contaminants from the fabric. These contaminants may include lubricants and antistatic agents employed in yarn and fabric production, warp sizes and lubricants, machine oil stains, etc. In some cases the wool fabric may also contain vegetable matter (VM), in which case the process known as carbonising may be used to remove the VM • The development of the required handle, softness, fullness, drape, etc.
    [Show full text]
  • Novel Finished Cotton Knits
    Europaisches Patentamt J European Patent Office @ Publication number: 0 068 748 A1 Office europeen des brevets 1 EUROPEAN PATENT APPLICATION Application number: 82303173.7 @ Int. CI.3: D 06 B 7/08 Date of filing: 17.06.82 ® Priority: 22.06.81 NO 812122 @ Applicant: Norsk Tekstilinstitutt, Lars Hillesgt. 34, N-5000Berger(NO) ® Date of 05.01.83 f Publication application: @ lnventor: jacobsen, Inger Kari, Mollbakken 47, Bulletin oon N-5035 Bergen Sandviken (NO) @ Designated Contracting States: AT BE CHDEFRGB IT @ Representative: Eurolink, Regent House Heaton Lane, LI LU NL SE Stockport, Cheshire, SK4 1 BS (GB) @ Novel finished cotton knits. A finished knitted fabric of cotton or other natural or re- generated cellulosic material which is lustrous, flat and dense and lacks spirality and edge curling, is crease resistant and has in addition good dimensional stability uncharacteristic of mer- cerized fabrics. An apparatus for finishing knitted cotton or other natural or regenerated cellulosic fabric is described, and also a process for finishing such knitted fabric. This invention relates to knitted fabrics of cotton or other natural or regenerated cellulosic fibres, or blends thereof with other fibres. Our Canadian Patent No. 765735 is concerned with an ammonia treatment of such fabrics, and also - and more particularly - of woven fabrics of the same materials, to impart thereto varying degrees of elasticity (stretchiness) and/or crease resistance. The process involves swelling the fibres of the fabric by impregnating it with liquid ammonia and, after a time interval, evaporating the ammonia from the still swelled fibres. As a matter of fact, however, the processes of the aforementioned patent have only ever been used significantly in connection with the treatment of woven fabrics.
    [Show full text]
  • Guide to Improved Shrinkage Performance of Cotton Fabrics
    TECHNICAL BULLETIN 6399 Weston Parkway, Cary, North Carolina, 27513 • Telephone (919) 678-2220 ISP 1009 A GUIDE TO IMPROVED SHRINKAGE PERFORMANCE OF COTTON FABRICS This report is sponsored by the Importer Support Program and written to address the technical needs of product sourcers. © 2004 Cotton Incorporated. All rights reserved; America’s Cotton Producers and Importers. INTRODUCTION Product specifications of textile and apparel products have always had a profound effect on the thinking and planning of managers in all areas of textile and apparel production. In today’s competitive markets where quality is expected at a low price, apparel companies are demanding low shrinkage from their suppliers to meet the needs of the consumer. In addition to low values, the shrinkage from garment to garment for the same style must be consistent. Traditionally, apparel manufacturers have set rigid specifications for their suppliers that in many cases allow little room for error in processing. In fact, some shrinkage specifications for apparel products may not be attainable at all by the suppliers of that product. In addition, many testing methods have been devised to measure shrinkage. Acceptance, rejection, and discount penalties are dependant on this gathered data. Further, in depth analysis of this data can allow for a better understanding of the causes of inconsistent or high shrinkage. A better understanding can then impact production techniques to make the shrinkage phenomena manageable. Indeed, more realistic specifications for a finished product can then be set for a fabric or garment based on the knowledge learned. This knowledge can also impact other product specifications such as weight and width as well as the determination of garment pattern layouts.
    [Show full text]
  • Textile Coloration and Finishing
    Handbook of Textile Coloration And Finishing Mohammad Shahid Guoqiang Chen Ren-Cheng Tang 2018 Studium Press LLC, U.S.A. Handbook of Textile Coloration And Finishing © 2018 This book contains information obtained from authentic and highly regarded sources. Reprinted material from authentic sources which are acknowledged and indicated. A wide variety of references are listed. Reasonable efforts have been made to publish reliable data and information, but the editors and the publisher cannot assume responsibility for the validity of all materials or for the consequences of their use. All rights are reserved under International and Pan-American Copyright Conventions. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, 1956, no part of this publication may be reproduced, stored in a retrieval system or transmitted, in any form or by any means– electronic, electrical, chemical, mechanical, optical, photocopying, recording or otherwise–without the prior permission of the copyright owner. SERIES ISBN : 1-62699-106-5 Published by: STUDIUM PRESS LLC P.O. Box 722200, Houston, TX 77072 - U.S.A. Tel: (281) 776-8950, Fax: (281) 776-8951 E-mail: [email protected] Website: http://www.studiumpress.in Printed at India About the Editors Dr Mohammad Shahid received the master’s degree in Chemistry from Shibli National College, Azamgarh (India) in 2006 and Ph.D. in Organic Chemistry from the Jamia Millia Islamia, New Delhi (India) in 2014 under the supervision of Dr Faqeer Mohammad. He is now a postdoctoral researcher in Prof. Chen’s research group at College of Textile and Clothing Engineering, Soochow University, China.
    [Show full text]
  • Fleece Sewing.Doc
    CT-MMB.159 Selection & Sewing Tips for Fleece Fabric One of the hottest items to hit the fashion scene in recent seasons has been fleece. What began as a trademarked fabric by Malden Mills in 1979, (Polarfleece®), the word polarfleece has become a household term among sewers. In today=s world, polarfleece fabric is marketed under a number of different trade names including Polarfleece®, Polartec®, Tundra FleeceJ, YukonJ ECO Fleece, and Arctic FleeceJ. Some of these fabrics are actually made all or in part from recycled plastic soda bottles. Regardless of their origins, fleece fabrics are characterized by a deep pile texture, made into a knit fabric structure. Polarfleece may be further defined and described as Aa type of high quality, double-sided, napped polyester fleece.@ Fabric Characteristics There are a number of fleece and fleece-like fabrics on the market. Since 1979, a great deal of research and development has taken place to provide a variety of fleece types and weights. All fleece fabrics have some common characteristics. However, various types may emphasize or focus on certain ones and introduce others. Common properties: ! provides warmth will being extremely lightweight ! has breath ability, allowing body perspiration to escape (wick) to the outside to be evaporated ! maintains insulative/warmth properties even when wet ! completely washable ! machine dryable on low heat; no ironing. Other qualities that are introduced in some brands include antimicrobial finish, non-pilling, fleece that is laminated with a waterproof and windproof breathable lining, thin and thick pile, and a wide variety of surface textures. Some companies actually feature a fashion-apparel fabric line as well as an outdoor-enthusiast line geared toward serious climate considerations.
    [Show full text]
  • Fleece Fabric Is Perfect for Cool Weather and a Staple in Mainstream Fashion
    It’s Sew Easy Series 1700 Show#1710-2 Polar Fleece Jacket with Tailored Details Presented by: Joanne Banko www.letsgosew.com Let’s stay in touch! I’d love to help you make the most of your sewing machine! CLICK HERE to add your name to the letsgosew.com email list and receive timely tips, sewing news, free tutorials, and special updates. You’ll be the first to know about new blog posts and my special preview posts for the online version of It’s Sew Easy TV. Fleece fabric is perfect for cool weather and a staple in mainstream fashion. With a little bit of know how you can turn a fleece jacket into a garment with special details. Let me show you how to incorporate sewing techniques especially suited for fleece. Are you ready? Let’s go sew! 1 Materials and supplies featured in this show: • Featured machine is the Brother Dream Machine 8550D • Jacket constructed from MillYardage Polartec® Classic 200 double velour (Item #7614, Color Nightfall, generously provided by MillYardage LLC.) • Simplicity pattern 1067. • Dritz toggle closure, or toggle buttons and fabric for making loops shown in the show. Small, clear backer buttons are also recommended for use with toggle buttons. • Small curved needle from Dritz Repair needles for sewing on toggle closure. • Water-soluble fibrous mesh stabilizer for pocket technique. • A Walking foot is optional but helpful for sewing hems and topstitching seams, especially those that are cut on the cross grain. • Good quality polyester thread to match fabric. • Ball point pins and a size 14 stretch needle for the sewing machine.
    [Show full text]
  • Sewing with Rayon Batiks Tips for Rayon
    LIGHT FONT MEDIUM FONT Sewing with Rayon Batiks by Amy Barickman Rayon fabric is actually made from cellulose (usually from wood pulp), making it a semisynthetic fiber. This means it has properties of both natural and synthetic fibers. It is smooth and slippery like nylon, but feels more naturalby Am wheny Barickman worn. This makes rayon batiks perfect for sewing garments for all seasons. Batik fabric is made by creating a dye resistant area on fabric using wax. This stops the dye from penetrating an area of the fabric leaving it blank. This can be done multiple times over with different wax layers to create layered and complex fabric designs. Tips for Rayon Washing Sewing • Wash fabric before cutting as the fabric may shrink. • We suggest using a new, sharp, size 70 needle is • You may want to serge or zig-zag your edges before perfect for sewing this fabric. washing to prevent raveling. • Test your tension on a fabric scrap before starting • Wash the fabric in cold water either on gentle or on on your project, as tension issues will be very apparent the rinse and spin cycle for your machine. in this fabric’s drape. • Shake out wrinkles before Line drying, or tumble dry • You may choose to serge or zig zag to finish edges. low according to the manufacturers instructions. French seams and flat felled seams are another option. • Pin more than you think you will need, the fabric is very slippery and it can shift very easily. Cutting • It is not necessary but a walking foot is helpful as it • Iron fabric before cutting.
    [Show full text]