VINCENTIAN HERITAGE in This Issue VOLUME 35, NUMBER 2
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D 6785 (L) Diary of Gilbert Mcdougall Recording His Observations of the Flora and Fauna Around Yorke Peninsula from 2 January 1886 to 16 October 1887 with an Index
_______________________________________________________________________________________ D 6785 (L) Diary of Gilbert McDougall recording his observations of the flora and fauna around Yorke Peninsula from 2 January 1886 to 16 October 1887 with an index. Transcribed by Judy Fander, Volunteer at the State Library of South Australia, 2012. Dropped out of manuscript: two watercolour drawings of two different unnamed insects on small cards. Now housed separately with the diary. Also one small drawing of a seed found between p173 and 174. On the fly leaf: J C McDougall, c/o National Bank, Adelaide Natural History Notes. 1886 Edithburgh, Y.P. Jan.2. Hunting on the rocks down at Gottschalck’s Jetty, & found several varieties of Cominella,a number of which were feeding on a dead Chiton. Several Dromiae, strange brown hairy crabs having their backs covered by a closely-fitting but unattached zoophyte ore sponge; also a couple of Chitonellus Gunni ( ), a genus of Chitonidae in which the plates are very small & narrow & imbedded at intervals along the cartilaginous back of the mollusc. Received a letter from Pulleine to whom I had sent a specimen of the black-faced Artamus which was so abundant a couple of months ago. It is the Masked Wood Swallow (Artamus personatus), a species of periodical occurrence. I have 3 good skins, & 2 eggs. The nest is si placed in similar situations to those of A. sordidus & the construction is pretty much the same, loose twigs with no lining. The male bird has a rusty red breast & is very un- Page 3. Opposite page 4 Reference date Cyclodus gigas Jan 4. -
Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that. -
The Letters of Vincent Van Gogh
THE LETTERS OF VINCENT VAN GOGH ‘Van Gogh’s letters… are one of the greatest joys of modern literature, not only for the inherent beauty of the prose and the sharpness of the observations but also for their portrait of the artist as a man wholly and selessly devoted to the work he had to set himself to’ - Washington Post ‘Fascinating… letter after letter sizzles with colorful, exacting descriptions … This absorbing collection elaborates yet another side of this beuiling and brilliant artist’ - The New York Times Book Review ‘Ronald de Leeuw’s magnicent achievement here is to make the letters accessible in English to general readers rather than art historians, in a new translation so excellent I found myself reading even the well-known letters as if for the rst time… It will be surprising if a more impressive volume of letters appears this year’ — Observer ‘Any selection of Van Gogh’s letters is bound to be full of marvellous things, and this is no exception’ — Sunday Telegraph ‘With this new translation of Van Gogh’s letters, his literary brilliance and his statement of what amounts to prophetic art theories will remain as a force in literary and art history’ — Philadelphia Inquirer ‘De Leeuw’s collection is likely to remain the denitive volume for many years, both for the excellent selection and for the accurate translation’ - The Times Literary Supplement ‘Vincent’s letters are a journal, a meditative autobiography… You are able to take in Vincent’s extraordinary literary qualities … Unputdownable’ - Daily Telegraph ABOUT THE AUTHOR, EDITOR AND TRANSLATOR VINCENT WILLEM VAN GOGH was born in Holland in 1853. -
FLAME TREE PUBLISHING LTD GIFT ORDER FORM 6 Melbray Mews, Fulham, London SW6 3NS, UK UK Customers Minimum Order £75.00
FLAME TREE PUBLISHING LTD GIFT ORDER FORM 6 Melbray Mews, Fulham, London SW6 3NS, UK UK Customers Minimum Order £75.00. Carriage £7.50 Tel: +44 (0)20 7751 9650 Carriage paid order £100.00 [email protected] Export Customers Minimum Order £300.00. Terms and Conditions apply (see catalogue) FIRM SALE ONLY Account Name: Delivery Address: Telephone: Telephone: Fax: Fax: Contact: Contact: Email: Email: Agent: PO Creation Date: Customer A/C: Delivery date: Customer PO: Standard discount (UK) 49% Standard disc. (Export) 64% Gift Catalogue 2021 ISBN 9781786645029 Use for calculation 49% Order Total: £0.00 Products in Gift Catalogue order Format Status ISBN FT code Title Qty UKRP inc VAT UKRP net CQ Total Unit Cost 1000-piece jigsaws Jan-21 9781839642876 FTJP053 L.S. Lowry: Market Scene, Northern Town, 1939 0 £12.99 £10.83 8 £0.00 £5.52 1000-piece jigsaws Jan-21 9781839642883 FTJP054 Anne Stokes: Wheel of the Year 0 £12.99 £10.83 8 £0.00 £5.52 1000-piece jigsaws Jan-21 9781839642890 FTJP055 Nel Whatmore: Star of the Garden 0 £12.99 £10.83 8 £0.00 £5.52 1000-piece jigsaws Jan-21 9781839642906 FTJP056 Tamara de Lempicka: Tamara in the Green Bugatti, 1929 0 £12.99 £10.83 8 £0.00 £5.52 1000-piece jigsaws Apr-21 9781839644443 FTJP057 National Galleries Scotland: Mabel Royds: Water Lilies 0 £12.99 £10.83 8 £0.00 £5.52 1000-piece jigsaws Apr-21 9781839644467 FTJP059 Utagawa Hiroshige: Plum Garden 0 £12.99 £10.83 8 £0.00 £5.52 1000-piece jigsaws Apr-21 9781839644474 FTJP060 Alice and the Cheshire Cat 0 £12.99 £10.83 8 £0.00 £5.52 1000-piece -
Mary Brackett Willcox Papers MC 10 Finding Aid Prepared by Faith Charlton and Heather Schubert
Mary Brackett Willcox papers MC 10 Finding aid prepared by Faith Charlton and Heather Schubert. Last updated on November 04, 2015. Philadelphia Archdiocesan Historical Research Center ; December 2011 Mary Brackett Willcox papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 7 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................8 Other Finding Aids........................................................................................................................................9 Publication note............................................................................................................................................. 9 Bibliography...................................................................................................................................................9 -
Thermal Sustainability
$UFKLWHFWXUDO Liefooghe, M. 2019. Buildings for Bodies of Work: The Artist Museum After the Death and Return of the Author. Architectural Histories, +LVWRULHV 7(1): 12, pp. 1–13. DOI: https://doi.org/10.5334/ah.296 RESEARCH ARTICLE Buildings for Bodies of Work: The Artist Museum After the Death and Return of the Author Maarten Liefooghe Critiques of the cult of artists, life-and-work narratives, and the authority of authors over the meaning of their works not only unsettle the conventions of literary and art historical studies. They also challenge the importance of the artist museum and its architecture. Adopting Roland Barthes’ discussions of the ‘death’ and ‘return of the author’ of the late 1960s and early 1970s as a critical lens, this article examines how the architecture of artist museums reflects and contributes to the discursive construction of the resilient figure of the artist-author. To do so, the article compares the cultist make-up of the 19th- century Thorvaldsen Museum-Mausoleum (opened in 1848) with the resolutely work-centred museums of Van Gogh (1973) and Roger Raveel (1999). The architecture of the last two examples is significantly different, however. The Van Gogh Museum seemingly negates its monographic orientation, while the Raveel Museum amends a white cube logic with a reserved interpretation of artistic individuality and site-boundedness. Parallel to the institutional interpretation of a museum’s monographic mission, and the curators’ representation of the artist-life-work nexus in exhibitions, architecture is yet another element in a museum’s assemblage of an artist presented as a dead or revived author to its visitors. -
Pca Neighborhood Guide
PCA NEIGHBORHOOD GUIDE 1 INDEX VOCABULARY Useful everyday 4 phrases in French MAPS How to get to campus 5 from the two closest metro stations PHARMACIES A summary of pharmacies in Paris that are open 24/7 or 7 7-8 days a week SUPERMARKETS 8-9 Your guide in the jungle of French supermarkets EATING ORGANIC Where to find natural and 10 organic food in Paris MARKETS 11-13 Which markets to visit for fresh vegetables, fruits and other goods FITNESS & PARKS A selection of gyms to sweat and 14-15 parks to relax CANAL SAINT-MARTIN 16-17 A guide to one of our favorite areas of Paris AROUND SCHOOL Nearby restaurants, 18-23 cafés and bars ARRONDISSEMENTS GUIDE 25-44 Restaurants, bars, galleries and other places worth seeing in each district BANLIEUE GUIDE Places right outside of Paris that are 46-53 worth the trip 3 VOCABULARY USEFUL PHRASES Do you speak English? Do you have. ? Est-ce que vous parlez anglais? Avez-vous…? Could you repeat that, please? Where is. ? Pourriez-vous répéter, s’il vous Où est…? plaît? What street is the....on? Would you help me please? Dans quelle rue se trouve...? Pourriez-vous m’aider? What time does the restaurant Where can I find…? close? Où est-ce que je peux trouver...? À quelle heure le restaurant ferme? How much does . cost? Combien coûte…? Do you have any discounts for students? Where are the bathrooms? Avez-vous une réduction pour les Où sont les toilettes? étudiants? Yes // Oui Train station // Gare No // Non Bank // Banque Thank you // Merci Library // Bibliothèque Excuse me // Excusez-moi Bookstore // Librairie -
Van Gogh Museum Journal 1995
Van Gogh Museum Journal 1995 bron Van Gogh Museum Journal 1995. Waanders, Zwolle 1995 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199501_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 6 Director's Foreword The Van Gogh Museum shortly after its opening in 1973 For those of us who experienced the foundation of the Van Gogh Museum at first hand, it may come as a shock to discover that over 20 years have passed since Her Majesty Queen Juliana officially opened the Museum on 2 June 1973. For a younger generation, it is perhaps surprising to discover that the institution is in fact so young. Indeed, it is remarkable that in such a short period of time the Museum has been able to create its own specific niche in both the Dutch and international art worlds. This first issue of the Van Gogh Museum Journal marks the passage of the Rijksmuseum (National Museum) Vincent van Gogh to its new status as Stichting Van Gogh Museum (Foundation Van Gogh Museum). The publication is designed to both report on the Museum's activities and, more particularly, to be a motor and repository for the scholarship on the work of Van Gogh and aspects of the permanent collection in broader context. Besides articles on individual works or groups of objects from both the Van Gogh Museum's collection and the collection of the Museum Mesdag, the Journal will publish the acquisitions of the previous year. Scholars not only from the Museum but from all over the world are and will be invited to submit their contributions. -
Mons 2015 Fera Fleurir La Jeunesse
TRIMESTRIEL N°27 _ HIVER 2014/15 STARWAW FANNY BOUYAGUI — L’artiste complice de Mons 2015 fera fleurir la jeunesse ÉDITION SPÉCIALE MONS 2015 Évènement culturel de l’année 6,50 € ISSN 2030-6849 www.wawmagazine.be n°27 EDITO Au travers de très nombreuses manifestations, allant d’expositions prestigieuses à des animations de rue, l’équipe de Mons 2015 entend offrir tout au long de l’année du plaisir, de la beauté et de la joie à la population locale et aux visiteurs belges et étrangers, que l’on attend nombreux. La qualité du projet culturel a été validée par les autorités communautaires qui ont décerné à la ville le titre de Capitale européenne de la Culture et a d’ores et déjà été récompensée par l’attribution récente du prix Mélina Mercouri (du nom de l’artiste grecque, Ministre de la Culture de son pays). © DR Mais si les pouvoirs publics (Fédération Wallonie-Bruxelles, Région wallonne, Province du Hainaut, Ville de Mons) ont, en ces temps budgétaire- ment difficiles, alloué au projet d’importants crédits (gérés avec prudence par la Fondation Mons 2015), c’est que ce projet est certes d’abord culturel, mais pas uniquement. Il s’agit d’un investissement dont sont attendues des retombées qui dépasseront de beaucoup la mise initiale. Des retombées financières sont évidentes : des artistes et bien d’autres ressources hu- maines sont mobilisés pour l’occasion dans la région ; des recettes de billetterie et de vente de produits dérivés seront engrangées (l’exposition Van Gogh, par exemple, suscite d’ores et déjà un grand engouement) ; le chiffre d’affaires des cafés, restaurants, hôtels et de l’en- semble des commerces sera incontestablement boosté par l’afflux de visiteurs. -
Inventaire Des Archives De La Direction De La Restauration (1896-2001) IDENTITÉ Pierre De Spiegeler - Philippe Gémis - Michel Weyssow
Inventaire des archives de la direction de la Restauration (1896-2001) IDENTITÉ Pierre De Spiegeler - Philippe Gémis - Michel Weyssow Documentation ARCHIVES RÉGIONALES Inventaires 1 INVENTAIRE DES ARCHIVES - DGATLP 1896 - 2006 3 INVENTAIRE DES ARCHIVES DE LA DIRECTION DE LA RESTAURATION (1896 - 2001) de la direction générale de l’Aménagement du Territoire, du Logement et du Patrimoine, division du Patrimoine (MRW/DGATLP), devenue en 2008 la direction générale opérationnelle de l’Aménagement du Territoire, du Logement, du Patrimoine et de l’Énergie (SPW/DGO 4) 4 ARCHIVES RÉGIONALES Inventaires no 1 SPW/Éditions Secrétariat général / Département de la Communication Direction de l’Identité et des Publications (DIP) Place Joséphine-Charlotte, 2 – 5100 Namur En partenariat et sur l’initiative de la direction de la Documentation et des Archives régionales (DDAR) Éditeur responsable Sylvie Marique Secrétaire générale Supervision Jacques Moisse Inspecteur général Rédaction/recherche documentaire/direction d’ouvrage Philippe Gémis (DDAR) Pierre De Spiegeler (DDAR) Michel Weyssow Ligne éditoriale Jacques Vandenbroucke (DIP) Conception graphique Nathalie Lambrechts (DIP) Impression Direction de l’Édition (DGT) Diffusion SPW - Secrétariat général DIP - DDAR Dépôt légal : D/2016/11802/32 Toute reproduction totale ou partielle nécessite l’autorisation de l’éditeur responsable. Cet inventaire est consultable en ligne sur : www.wallonie.be/fr/publications/inventaire-des-archives-de-la-dgatlp-ndeg1 INVENTAIRE DES ARCHIVES - DGATLP 1896 - 2006 5 TABLE DES MATIERES AVANT-PROPOS 6 DESCRIPTION GÉNÉRALE 8 MRW/DGATLP/200104 . 8 I . IDENTIFICATION . 8 II . HISTOIRE DU PRODUCTEUR ET DES ARCHIVES . 8 III . CONTENU ET STRUCTURE . .9 . IV . CONSULTATION ET UTILISATION . 10. MRW/DGATLP/200406 . 11 I . -
1815, WW1 and WW2
Episode 2 : 1815, WW1 and WW2 ‘The Cockpit of Europe’ is how Belgium has understatement is an inalienable national often been described - the stage upon which characteristic, and fame is by no means a other competing nations have come to fight reliable measure of bravery. out their differences. A crossroads and Here we look at more than 50 such heroes trading hub falling between power blocks, from Brussels and Wallonia, where the Battle Belgium has been the scene of countless of Waterloo took place, and the scene of colossal clashes - Ramillies, Oudenarde, some of the most bitter fighting in the two Jemappes, Waterloo, Ypres, to name but a World Wars - and of some of Belgium’s most few. Ruled successively by the Romans, heroic acts of resistance. Franks, French, Holy Roman Empire, Burgundians, Spanish, Austrians and Dutch, Waterloo, 1815 the idea of an independent Belgium nation only floated into view in the 18th century. The concept of an independent Belgian nation, in the shape that we know it today, It is easy to forget that Belgian people have had little meaning until the 18th century. been living in these lands all the while. The However, the high-handed rule of the Austrian name goes back at least 2,000 years, when Empire provoked a rebellion called the the Belgae people inspired the name of the Brabant Revolution in 1789–90, in which Roman province Gallia Belgica. Julius Caesar independence was proclaimed. It was brutally was in no doubt about their bravery: ‘Of all crushed, and quickly overtaken by events in these people [the Gauls],’ he wrote, ‘the the wake of the French Revolution of 1789. -
Vincent Van Gogh in Arles
VINCENT VAN GOGH IN ARLES “Van Gogh sur la route de Tarascon” Known also as “The painter on his way to work”, July 1888, 48 x 44 cm Formerly in the Kaiser-Friedrich-Museum, Magdeburg, Germany (Destroyed by fire in 1945) https://commons.wikimedia.org/wiki/File:Vincent_Van_Gogh_0013.jpg A Walk-Around of Selected Sites L. M. Boring Membre de l’Association des Artistes Alpicois, Le Pecq 28 February 2019 Vincent Van Gogh arrived in Arles by train on Monday, February 20, 1888, with an idea to found an artist colony in the south “Wishing to see a different light, thinking that looking at nature under a bright sky might give us a better idea of the Japanese way of feeling and drawing. Wishing also to see this stronger sun, because one could not understand Delacroix’s pictures from the point of view of execution and technique without knowing it, and because one feels that the colors of the prism are veiled in the mist of the North.” Oddly and by happenstance, when he arrived, he found the countryside covered in snow, and among his first paintings were soft landscapes of snow covered fields. He found lodging in the Hotel-Restaurant Carrel, but his stay ended badly over a billing dispute after only two months. Vincent signed a lease on May 1st for a small four-room two-story semi-detached house on the Place Lamartine, not far from the train station. Its stucco exterior was bright ochre, and it became known by Van Gogh’s paintings as La Maison Jaune, the Yellow House.