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Catalogue Summer 2012
JONATHAN POTTER ANTIQUE MAPS CATALOGUE SUMMER 2012 INTRODUCTION 2012 was always going to be an exciting year in London and Britain with the long- anticipated Queen’s Jubilee celebrations and the holding of the Olympic Games. To add to this, Jonathan Potter Ltd has moved to new gallery premises in Marylebone, one of the most pleasant parts of central London. After nearly 35 years in Mayfair, the move north of Oxford Street seemed a huge step to take, but is only a few minutes’ walk from Bond Street. 52a George Street is set in an attractive area of good hotels and restaurants, fine Georgian residential properties and interesting retail outlets. Come and visit us. Our summer catalogue features a fascinating mixture of over 100 interesting, rare and decorative maps covering a period of almost five hundred years. From the fifteenth century incunable woodcut map of the ancient world from Schedels’ ‘Chronicarum...’ to decorative 1960s maps of the French wine regions, the range of maps available to collectors and enthusiasts whether for study or just decoration is apparent. Although the majority of maps fall within the ‘traditional’ definition of antique, we have included a number of twentieth and late ninteenth century publications – a significant period in history and cartography which we find fascinating and in which we are seeing a growing level of interest and appreciation. AN ILLUSTRATED SELECTION OF ANTIQUE MAPS, ATLASES, CHARTS AND PLANS AVAILABLE FROM We hope you find the catalogue interesting and please, if you don’t find what you are looking for, ask us - we have many, many more maps in stock, on our website and in the JONATHAN POTTER LIMITED gallery. -
Or Later, but Before 1650] 687X868mm. Copper Engraving On
60 Willem Janszoon BLAEU (1571-1638). Pascaarte van alle de Zécuften van EUROPA. Nieulycx befchreven door Willem Ianfs. Blaw. Men vintfe te coop tot Amsterdam, Op't Water inde vergulde Sonnewÿser. [Amsterdam, 1621 or later, but before 1650] 687x868mm. Copper engraving on parchment, coloured by a contemporary hand. Cropped, as usual, on the neat line, to the right cut about 5mm into the printed area. The imprint is on places somewhat weaker and /or ink has been faded out. One small hole (1,7x1,4cm.) in lower part, inland of Russia. As often, the parchment is wavy, with light water staining, usual staining and surface dust. First state of two. The title and imprint appear in a cartouche, crowned by the printer's mark of Willem Jansz Blaeu [INDEFESSVS AGENDO], at the center of the lower border. Scale cartouches appear in four corners of the chart, and richly decorated coats of arms have been engraved in the interior. The chart is oriented to the west. It shows the seacoasts of Europe from Novaya Zemlya and the Gulf of Sydra in the east, and the Azores and the west coast of Greenland in the west. In the north the chart extends to the northern coast of Spitsbergen, and in the south to the Canary Islands. The eastern part of the Mediterranean id included in the North African interior. The chart is printed on parchment and coloured by a contemporary hand. The colours red and green and blue still present, other colours faded. An intriguing line in green colour, 34 cm long and about 3mm bold is running offshore the Norwegian coast all the way south of Greenland, and closely following Tara Polar Arctic Circle ! Blaeu's chart greatly influenced other Amsterdam publisher's. -
Chartmaking in England and Its Context, 1500–1660
58 • Chartmaking in England and Its Context, 1500 –1660 Sarah Tyacke Introduction was necessary to challenge the Dutch carrying trade. In this transitional period, charts were an additional tool for The introduction of chartmaking was part of the profes- the navigator, who continued to use his own experience, sionalization of English navigation in this period, but the written notes, rutters, and human pilots when he could making of charts did not emerge inevitably. Mariners dis- acquire them, sometimes by force. Where the navigators trusted them, and their reluctance to use charts at all, of could not obtain up-to-date or even basic chart informa- any sort, continued until at least the 1580s. Before the tion from foreign sources, they had to make charts them- 1530s, chartmaking in any sense does not seem to have selves. Consequently, by the 1590s, a number of ship- been practiced by the English, or indeed the Scots, Irish, masters and other practitioners had begun to make and or Welsh.1 At that time, however, coastal views and plans sell hand-drawn charts in London. in connection with the defense of the country began to be In this chapter the focus is on charts as artifacts and made and, at the same time, measured land surveys were not on navigational methods and instruments.4 We are introduced into England by the Italians and others.2 This lack of domestic production does not mean that charts I acknowledge the assistance of Catherine Delano-Smith, Francis Her- and other navigational aids were unknown, but that they bert, Tony Campbell, Andrew Cook, and Peter Barber, who have kindly commented on the text and provided references and corrections. -
The History of Cartography, Volume 3
THE HISTORY OF CARTOGRAPHY VOLUME THREE Volume Three Editorial Advisors Denis E. Cosgrove Richard Helgerson Catherine Delano-Smith Christian Jacob Felipe Fernández-Armesto Richard L. Kagan Paula Findlen Martin Kemp Patrick Gautier Dalché Chandra Mukerji Anthony Grafton Günter Schilder Stephen Greenblatt Sarah Tyacke Glyndwr Williams The History of Cartography J. B. Harley and David Woodward, Founding Editors 1 Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean 2.1 Cartography in the Traditional Islamic and South Asian Societies 2.2 Cartography in the Traditional East and Southeast Asian Societies 2.3 Cartography in the Traditional African, American, Arctic, Australian, and Pacific Societies 3 Cartography in the European Renaissance 4 Cartography in the European Enlightenment 5 Cartography in the Nineteenth Century 6 Cartography in the Twentieth Century THE HISTORY OF CARTOGRAPHY VOLUME THREE Cartography in the European Renaissance PART 1 Edited by DAVID WOODWARD THE UNIVERSITY OF CHICAGO PRESS • CHICAGO & LONDON David Woodward was the Arthur H. Robinson Professor Emeritus of Geography at the University of Wisconsin–Madison. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2007 by the University of Chicago All rights reserved. Published 2007 Printed in the United States of America 1615141312111009080712345 Set ISBN-10: 0-226-90732-5 (cloth) ISBN-13: 978-0-226-90732-1 (cloth) Part 1 ISBN-10: 0-226-90733-3 (cloth) ISBN-13: 978-0-226-90733-8 (cloth) Part 2 ISBN-10: 0-226-90734-1 (cloth) ISBN-13: 978-0-226-90734-5 (cloth) Editorial work on The History of Cartography is supported in part by grants from the Division of Preservation and Access of the National Endowment for the Humanities and the Geography and Regional Science Program and Science and Society Program of the National Science Foundation, independent federal agencies. -
List 3-2016 Accademia Della Crusca – Aldine Device 1) [BARDI, Giovanni (1534-1612)]
LIST 3-2016 ACCADEMIA DELLA CRUSCA – ALDINE DEVICE 1) [BARDI, Giovanni (1534-1612)]. Ristretto delle grandeze di Roma al tempo della Repub. e de gl’Imperadori. Tratto con breve e distinto modo dal Lipsio e altri autori antichi. Dell’Incruscato Academico della Crusca. Trattato utile e dilettevole a tutti li studiosi delle cose antiche de’ Romani. Posto in luce per Gio. Agnolo Ruffinelli. Roma, Bartolomeo Bonfadino [for Giovanni Angelo Ruffinelli], 1600. 8vo (155x98 mm); later cardboards; (16), 124, (2) pp. Lacking the last blank leaf. On the front pastedown and flyleaf engraved bookplates of Francesco Ricciardi de Vernaccia, Baron Landau, and G. Lizzani. On the title-page stamp of the Galletti Library, manuscript ownership’s in- scription (“Fran.co Casti”) at the bottom and manuscript initials “CR” on top. Ruffinelli’s device on the title-page. Some foxing and browning, but a good copy. FIRST AND ONLY EDITION of this guide of ancient Rome, mainly based on Iustus Lispius. The book was edited by Giovanni Angelo Ruffinelli and by him dedicated to Agostino Pallavicino. Ruff- inelli, who commissioned his editions to the main Roman typographers of the time, used as device the Aldine anchor and dolphin without the motto (cf. Il libro italiano del Cinquec- ento: produzione e commercio. Catalogo della mostra Biblioteca Nazionale Centrale, Roma 20 ottobre - 16 dicembre 1989, Rome, 1989, p. 119). Giovanni Maria Bardi, Count of Vernio, here dis- guised under the name of ‘Incruscato’, as he was called in the Accademia della Crusca, was born into a noble and rich family. He undertook the military career, participating to the war of Siena (1553-54), the defense of Malta against the Turks (1565) and the expedition against the Turks in Hun- gary (1594). -
La Circunnavegacion De Magallanes-Elcano, 1519-1522 ¿Una Aventura Iberica O Un Viaje De Ciencia?
REVISTA MUNDO INVESTIGACIÓN (2018), Núm.3, Vol 2. ISSN: 2530-0466 www.mundoinvestigacion.es LA CIRCUNNAVEGACION DE MAGALLANES-ELCANO, 1519-1522 ¿UNA AVENTURA IBERICA O UN VIAJE DE CIENCIA? MAGALLANES-ELCANO´S CIRCUMNAVIGATION, 1519-1522, AN IBERIAN ADVENTURE OR A SCIENCE TRIP? Antonio Sánchez Profesor del Departamento de Historia Moderna de la Universidad Autónoma de MadriD RESUMEN: En en quinto centenario de la primera vuelta al mundo, este artículo es una aproximación a la verdadera dimensión de este viaje, fuera de tópicos. El viaje buscaba una nueva ruta comercial con Oriente, pero fue también, y sobre todo, un viaje de ciencia y tecnología desde el mismo día de su preparación. PALABRAS CLAVE: Magallanes, Elcano, circunnavegación. ABSTRACT: In the fifth centenary of the first round the world, this article is an approximation to the true dimension of this trip, away from clichés. The trip was looking for a new commercial route with Orient, but it was also, and above all, a trip of science and technology from the same day of its preparation. KEYWORDS: Magallanes, Elcano, circumnavigation. REVISTA MUNDO INVESTIGACIÓN (2018), Núm. 3, Vol.2. El próximo año se conmemora el quinto centenario y españoles, para revisar si efectivamente un evento de la célebre expedición de Magallanes-Elcano, que tan en apariencia determinante como este tuvo algún partió de Sanlúcar de Barrameda el 20 de valor en la conformación de la Europa moderna. ¿Se septiembre de 1519 hacia poniente rumbo a las Islas trata tan sólo de celebrar un viaje de carácter Molucas con cinco naves, y que regresaría casi tres diplomático y comercial? ¿Se trata de celebrar la años después, el 6 de septiembre de 1522, por el capacidad y habilidades de portugueses y españoles levante con una sola embarcación, la nao Victoria. -
A Construçao Do Conhecimento
MAPAS E ICONOGRAFIA DOS SÉCS. XVI E XVII 1369 [1] [2] [3] [4] [5] [6] [7] [8] [9] [10] [11] [12] [13] [14] [15] [16] [17] [18] [19] [20] [21] [22] Apêndices A armada de António de Abreu reconhece as ilhas de Amboino e Banda, 1511 Francisco Serrão reconhece Ternate (Molucas do Norte), 1511 Primeiras missões portuguesas ao Sião e a Pegu, 1. Cronologias 1511-1512 Jorge Álvares atinge o estuário do “rio das Pérolas” a bordo de um junco chinês, Junho I. Cronologia essencial da corrida de 1513 dos europeus para o Extremo Vasco Núñez de Balboa chega ao Oceano Oriente, 1474-1641 Pacífico, Setembro de 1513 As acções associadas de modo directo à Os portugueses reconhecem as costas do China a sombreado. Guangdong, 1514 Afonso de Albuquerque impõe a soberania Paolo Toscanelli propõe a Portugal plano para portuguesa em Ormuz e domina o Golfo atingir o Japão e a China pelo Ocidente, 1574 Pérsico, 1515 Diogo Cão navega para além do cabo de Santa Os portugueses começam a frequentar Solor e Maria (13º 23’ lat. S) e crê encontrar-se às Timor, 1515 portas do Índico, 1482-1484 Missão de Fernão Peres de Andrade a Pêro da Covilhã parte para a Índia via Cantão, levando a embaixada de Tomé Pires Alexandria para saber das rotas e locais de à China, 1517 comércio do Índico, 1487 Fracasso da embaixada de Tomé Pires; os Bartolomeu Dias dobra o cabo da Boa portugueses são proibidos de frequentar os Esperança, 1488 portos chineses; estabelecimento do comércio Cristóvão Colombo atinge as Antilhas e crê luso ilícito no Fujian e Zhejiang, 1521 encontrar-se nos confins -
Antiquariat Daša Pahor
Milano Map MOSTRA DEL LIBRO Fair E DELLA STAMPA ANTICA CARTA ANTICA a MILANO CATALOGO Antiquariat Daša Pahor Milano - 27 febbraio 2016 Antiquariat Daša Pahor Jakob-Klar-Straße 12 80796 München, Germania Tel: +49 89 27372352 - Fax: +49 89 27372352 [email protected] - www.pahor.de SPAIN - BALEARIC ISLANDS / FINE POLISH PRINTING: KRÓTKIE ALE FUNDAMENTALNE OPISANIE BALEARYJSKICH I PYTHYUZYJSKICH WYSP MAJORCA, MINORCA, IVICA I FORMENTERA Z DOWODNIEYSZYCH I NOWSZYCH RELACYI ZEBRANE I DO DRUKOWANIA Z NIEMIECKIEGO. Extremely rare – a lovely gem that represents the first detailed description of the Balearic Islands in Polish, issued in the wake of the Fall of Minorca (1756), by the Jesuit Press of Warsaw, including a fine sheet of maps engraved by Bartłomiej Strachowski. Author: JESUIT PRESS, WARSAW [DRUKARNIA JEZUICKA, WARSZAWA]. Place and Year: Warsaw: [Jesuit Press], 1756. Technique: Code: 63305 Octavo (17.5 x 11 cm / 6.9 x 4.3 inches): 8, 72, 1 folding plate of maps (30 x 45.5 cm / 11.8 x 17.9 inches) – Collation Complete, bound in contemporary half calf with marbled boards (Very Good, internally bright and clean, main title with paper in blank space below text carved out and replaced with a patch (an old alteration) in order to supposedly remove stamp, just grazing a few letters but otherwise no loss, map with excellent original hand colour with one small tear with old repairs at hinge just entering image, binding with some splitting at head and tail and minor shelf wear but overall good and firm). 2.800 EUR CHRISTIAAN HUYGENS: C. HUYGENS. Author: After Bartholomeus van der Helst (circa 1613 - 1670) ?. -
Biblioteca.Txt 50 De Ani De La Apariția Operei Lui V.I
Biblioteca.txt 50 De Ani De La Apariția Operei Lui V.I. Lenin „Materialism Și Empiriocriticism”. Edited by C.I Gulian. București: Academiei RPR, 1960. 150 De Ani De Lectură Publică. Biblioteca... Edited by Silviu Borș. Sibiu: Armanis, 2011. 1948: Marea Dramă a României. Edited by Ioan Păuc Otiman. București: Academia Română, 2013. Abbrüche Und Aufbrüche. Die Rumäniendeutschen ... Sibiu: Honterus, 2014. Academia Artelor Tradiționale Din România. Edited by Corneliu Bucur. Sibiu: Astra Museum, 2008. Academia Română 1866-2016. Edited by Ionel-Valentin Vlad. București: Academia Română, 2016. Academia Română Și Casa Regală a României. București: Academia Română, 2013. Academia Română. Filiala Cluj-Napoca. Cercetarea ... Cluj-Napoca: Mega, 2016. Activitatea Științifică a Institutului De Istorie „G. Barițiu”. Edited by Nicolae Edroiu. București: Enciclopedică, 2011. Acțiunea „Recuperarea”. Securitatea Și Emigrarea ... București: Ed. Enciclopedică, 2011. Alltag Und Materielle Kultur Im Mittelalaterichen Ungarn. Edited by András Kubiny. Krems: Gesellschaft zur Erforschung der materiellen Kultur des Mittelalters, 1991. Am Kreuzweg Der Geschichte: Mühlbach Im Unterwald. Siebenbürgen. Edited by Gerhard M. Wagner. Moosburg a.d. Isar: HOG Mühlbach, 2014. The Ambiguous Nation Case Studies From... München: Oldenbourg, 2013. Amintirile Colonelului Lăcusteanu ... București: Polirom, 2015. Analele Academiei Rsr. Seria a Iv-A. București, 1982. Ancient Linear Fortifications on the Lower Danube ... Edited by Valeriu Sîrbu. Cluj-Napoca: Mega, 2015. Anfänge Des Städtewesens an Schelde, Maas Und Rhein Bis Zum Jahre 1000. Edited by Adriaan Verhulst. Köln, Wien: Böhlau, 1996. Antidoron. Centenarul Acad. Emil Condurachi (1912-2012). Edited Page 1 Biblioteca.txt by Zoe Petre. București: Academia Română, 2012. Antologie De Filosofie Românească. Edited by Mircea Mâciu. 3 vols. -
Artist & Empire Room 1 Mapping and Marking Large Print Guide
Artist & Empire 25 November 2015 – 10 April 2016 Room 1 Mapping and Marking Large Print Guide Please return after use Introduction At its height the British Empire was the largest empire in history and the most influential global power. Originating with a few overseas possessions and trading posts, it grew to encompass dominions, colonies and protectorates ruled or administered by the United Kingdom. In 1922 the Empire covered almost a quarter of the world’s total land area; by the end of the century it had diminished to just a few overseas territories. During this contraction, ‘Empire’ became a highly provocative term. Its history of war, conquest and appropriation is difficult, even painful, to address but its legacy is everywhere: not just in public monuments, but in social structures, culture and in the fault lines of contemporary global politics. Artist and Empire looks at the British Empire through the prism of art and explores some of the ways in which Empire has shaped practices and themes in British art from the early colonial period to the present day. Focusing on works in British collections by a diverse range of artists from across the world, the exhibition illustrates the complicated histories embodied by objects, inviting us to consider how their status and meaning change over time. In reflecting imperial narratives and post-colonial re-evaluations, it foregrounds the peoples, dramas and tragedies of Empire and their resonance in art today. 1 1 Mapping and Marking Charting, mapping and surveying oceans, coasts, land and resources were essential tools of Empire. Part of a wider gathering of information by the West about the world, they defined sea and trade routes, and identified territory to be claimed and colonised. -
Mapmaking in England, Ca. 1470–1650
54 • Mapmaking in England, ca. 1470 –1650 Peter Barber The English Heritage to vey, eds., Local Maps and Plans from Medieval England (Oxford: 1525 Clarendon Press, 1986); Mapmaker’s Art for Edward Lyman, The Map- world maps maker’s Art: Essays on the History of Maps (London: Batchworth Press, 1953); Monarchs, Ministers, and Maps for David Buisseret, ed., Mon- archs, Ministers, and Maps: The Emergence of Cartography as a Tool There is little evidence of a significant cartographic pres- of Government in Early Modern Europe (Chicago: University of Chi- ence in late fifteenth-century England in terms of most cago Press, 1992); Rural Images for David Buisseret, ed., Rural Images: modern indices, such as an extensive familiarity with and Estate Maps in the Old and New Worlds (Chicago: University of Chi- use of maps on the part of its citizenry, a widespread use cago Press, 1996); Tales from the Map Room for Peter Barber and of maps for administration and in the transaction of busi- Christopher Board, eds., Tales from the Map Room: Fact and Fiction about Maps and Their Makers (London: BBC Books, 1993); and TNA ness, the domestic production of printed maps, and an ac- for The National Archives of the UK, Kew (formerly the Public Record 1 tive market in them. Although the first map to be printed Office). in England, a T-O map illustrating William Caxton’s 1. This notion is challenged in Catherine Delano-Smith and R. J. P. Myrrour of the Worlde of 1481, appeared at a relatively Kain, English Maps: A History (London: British Library, 1999), 28–29, early date, no further map, other than one illustrating a who state that “certainly by the late fourteenth century, or at the latest by the early fifteenth century, the practical use of maps was diffusing 1489 reprint of Caxton’s text, was to be printed for sev- into society at large,” but the scarcity of surviving maps of any descrip- 2 eral decades. -
Front Matter
Cambridge University Press 0521024552 - Innocence Abroad: The Dutch Imagination and the New World, 1570-1670 Benjamin Schmidt Frontmatter More information INNOCENCE ABROAD The Dutch Imagination and the New World, 1570–1670 Innocence Abroad explores the process of encounter that took place be- tween the Netherlands and the New World in the sixteenth and seven- teenth centuries. The “discovery” of America coincided with the foun- dation of the Dutch Republic, a correspondence of much significance for the Netherlands. From the opening of their revolt against Habsburg Spain through the climax of their Golden Age, the Dutch looked to America – in political pamphlets and patriotic histories, epic poetry and allegorical prints, landscape painting and decorative maps – for a means of articulating a new national identity. This book demonstrates how the image of America that was fashioned in the Netherlands, and especially the twin themes of “innocence” and “tyranny,” became integrally asso- ciated in Dutch minds with evolving political, moral, and economic agendas. It investigates the energetic Dutch response to the New World while examining, more generally, the operation of geographic discourse and colonial ideology within the culture of the Dutch Golden Age. Benjamin Schmidt is Assistant Professor of History at the University of Washington. He has received fellowships from the National Endow- ment for the Humanities and the Woodrow Wilson Foundation. His many publications on early modern European cultural history and At- lantic world history