DOCSLIB.ORG

Or Later, but Before 1650] 687X868mm. Copper Engraving On

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

60 Willem Janszoon BLAEU (1571-1638). Pascaarte van alle de Zécuften van EUROPA. Nieulycx befchreven door Willem Ianfs. Blaw. Men vintfe te coop tot Amsterdam, Op't Water inde vergulde Sonnewÿser. [Amsterdam, 1621 or later, but before 1650] 687x868mm. Copper engraving on parchment, coloured by a contemporary hand. Cropped, as usual, on the neat line, to the right cut about 5mm into the printed area. The imprint is on places somewhat weaker and /or ink has been faded out. One small hole (1,7x1,4cm.) in lower part, inland of Russia. As often, the parchment is wavy, with light water staining, usual staining and surface dust. First state of two. The title and imprint appear in a cartouche, crowned by the printer's mark of Willem Jansz Blaeu [INDEFESSVS AGENDO], at the center of the lower border. Scale cartouches appear in four corners of the chart, and richly decorated coats of arms have been engraved in the interior. The chart is oriented to the west. It shows the seacoasts of Europe from Novaya Zemlya and the Gulf of Sydra in the east, and the Azores and the west coast of Greenland in the west. In the north the chart extends to the northern coast of Spitsbergen, and in the south to the Canary Islands. The eastern part of the Mediterranean id included in the North African interior. The chart is printed on parchment and coloured by a contemporary hand. The colours red and green and blue still present, other colours faded. An intriguing line in green colour, 34 cm long and about 3mm bold is running offshore the Norwegian coast all the way south of Greenland, and closely following Tara Polar Arctic Circle ! Blaeu's chart greatly influenced other Amsterdam publisher's. Anthonie Jacobsz, for example, published an extremely accurate copy about 1650, Justus Danckerts even included Blaeu's printer’s mark, while the chart published by Blaeu's grandchildren Willem, Pieter and Joan, also strongly resembles it. A second state of the map was published by Pieter Goos, with an updated address "By Pieter Goos Op't Water". Goos was active at this address from 1650-66 and the present map must have been published in between 1621 and 1650. Eight other complete copies on parchment and one on paper of the first state are located by prof. Schilder. (Schilder, Monumenta Cartographica Neerlandica, IV, 45.1 ) In France only the BNF processes a complete copy on parchment and one fragment of this chart. This chart was unknown to Wieder (1925- 1933) and Keunig (1973). Interestingly, Johannes Vermeer used this chart (or the state by Goos) on his painting The geographer ( 1669) now in Städel Museum, Frankfurt, Germany. The ratio is not the same and a compass rose has been added in the Atlantic Ocean, however it is clear he was inspired by this chart. Wall maps where popular decorations to be found in the homes of wealthy 17 th century merchants. Ref. Schilder, Monumenta Cartographica Neerlandica, IV, 45.1.; Denucé (1927) p.8; Catalogue des cartes nautiques (1963) p.313: Stopp & Langel (1974) p.33 and Tafel VI, Schilder (1976c) p.18 en fig 7. 50 000 / 60 000 Important Dutch Sea Atlases offered for sale Friday 16 and Saturday 17 July 2010 CITADELLE VAUBAN – BELLE-ÎLE-EN-MER An introduction to the lots 60, 62, 63, 64, 71 Dutch Maritime Cartography The Golden Age of Dutch Maritime Cartography that was inaugurated by Lucas Janszoon Waghenaer (1586) found its fullest expression during the seventeenth century with the production of atlases in Amsterdam by Willem Blaeu (1627), Pieter Goos (16662) and Van Keulen’s (c.1700). This auction offers excellent representative copies of all of these sea atlases, originating from the collection of the Musée de la Citadelle Vauban . Extended with a most important English sea atlas by Samuel Thornton (1711) and a magnificent chart on parchment of Europe by Willem Blaeu (1621-1650). Descriptions made by Béatrice Loeb-Larocque (expert en atlas & cartes géographiques anciennes). In the first navigational books we find only directions for navigation in the North Sea, off the French coast and in the Baltic. Waghenaer's Spieghel der Zeevaerdt of 1584 perfects these sailing directions, adds for the first time charts to them and extends them to the Canary Islands and to the coasts of England, Norway and Russia. Waghenaer lived in Enkhuizen, a fishing-port that enjoyed enormous economic growth in his lifetime. He started his carrier as a seafaring pilot until 1579 when he started preparing his chart-book. Life was expensive at that time and his large family of eight children was a burden. The cutting of the plates cost Waghenaer a great deal of money and he was constantly seeking loans and having to accept small jobs. His friend and counsellor François Maelson probably put him in touch with the Leyden printer Plantijn, in the introduction to the second part of the Spieghel der Zeevaerdt, Waghenaer calls Maelson, 'the man who stood at my side with regards to this work both in words and in deed'. In the spring of 1583, the first part of the Spieghel der Zeevaerdt went to press in Plantijn's recently established printing house in Leiden. With Baptist and Johannes van Deutecum's fine copper engravings this was a handsome edition, worthy of the name of Plantijn. On 23 December 1583 a copy was delivered to Abraham Ortelius. Another splendidly bound copy was presented to Prince William of Orange. The first part of the Spieghel der Zeevaerdt was first printed in 1583 and reprinted four times in the first two years. The second volume was first printed in 1585. The first Latin edition was published in 1586. A French edition appeared in 1590. After 1591, when Cornelis Claesz. from Amsterdam had taken over the privilege, the Spieghel der Zeevaerdt no longer sold very well. Waghenaers Spieghel surpassed his original intentions and was too big and too expensive for the ordinary seaman. (In 1584 the first volume of the Spieghel der Zeevaerdt was sold for 4 guilders. The Theatrum by Ortelius was sold for 12 guilders, which is proportional, because it contained three times s many maps.) Lucas Janszoon Waghenaer, he revised and corrected the old sailing directions, re-calculated the astronomical tables and set a new standard for future sea atlases. 62 WAGHENAER, Lucas Janszoon. (c. 1534 - c. 1606) (Speculum nauticum). (Lugduni Batavorum Excudebat typis Plantinianus Franciscus Raphelengius, pro Ioannis Aurigario, 1586). FIRST EDITION IN LATIN of this landmark contribution to the science of navigation. 2 parts in one volume. Folio, contemp. gilt-stamped brown calf binding, raised gilt spine. First part starting with the title page of the second part. Dedication leaf to Queen Elizabeth and the “Ad lectorem” are missing as often is the case for this edition, according to Koeman. 36 pages of text, including 3 full-page illustrations; including Organum Uranicum,(p.17) with volvelle and scale pointer (with small tear in volvelle, 1/4 of the volvelle missing, paper carefully re-inforced and redrawn). The first 10 text pages , and some of the last pages have light browing and are washed, with marginal paper restorations. The map of Europe remargined, newly mounted, and with tear of 20cm. in center fold, which can easily be restored. Binding with some smaller restorations. The blank begin and end papers are replaced. The 45 double-page charts show shorelines and landmarks along the coasts from Cadiz into the Baltic and the east coasts of England and Scotland. The copper plates are signed by the master engravers Baptist and Johannes van Deutecum. This is the first Latin edition of the first and second parts of the Spieghel, printed at the Plantijn press by Fransiscus Raphelengius, Chr. Plantijn's son-in-law. It was translated into Latin by Martin Everart. The first part contains 22 charts. Chart [23] in the 1584 edition appears here as chart [1] of the second part, where the charts have signatures in Roman numerals. The chart of Europe is state (a), the other charts are in state (b), with small alterations and often Waghenaer's name omitted. Chart 19 in the second part appears for the first time. The second part is dedicated to King Frederick II of Denmark and Norway. Our copy corresponds with Koeman's description Atlantes Neerlandici, vol.IV, Wag 5A. The extremely decorative gilt-stamped binding and rich colouring of the charts indicates that the atlas was likely a Plantijn's deluxe publisher copy. E. Cockx-Indestege & Jan Storm van Leeuwen are showing in their publication "Blind bestempeld en rijk verguld; boekbanden uit zes eeuwen in het Museum Plantijn-Moretus. (Antwerpen 2005) on page 129 a misal (Missale Romanum…Antwerpen, Plantijn 1586) with the same corner decoration and central decorarion as this Waghenaer atlas. On page 131 we find the same center decoration at (Officium b. maria Virginis… Antwerpen 1591). A splendidly bound copy was presented by Waghenaer in December 1583 to Prince William of Orange (now in Utrecht University Library) . Binding Lot 62 in Piasa auction of 16 July 2010. Binding of copy presented to William of Orange, in 1583, now in Utrecht University Library. The Netherlands Reference: Koeman, Atlantes Neerlandici, vol.IV; Phillips 3980 (lacking prelims); Scheepvaert Museum p. 44 (lacking one prelim). Eva G.R. Taylor, Lucas Janszoon Waghenaer: a sixteenth century marine cartographer. 60 000 / 80 000 Willem Janszoon Blaeu does not owe his reputation as the great innovator of Dutch marine cartography to his Licht der Zeevaert (1608) alone, but no less so to his Zeespiegel, first published in 1623, which can likewise be regarded as a new concept in the category of pilot books.
Recommended publications
  • Catalogue Summer 2012

    Catalogue Summer 2012

    JONATHAN POTTER ANTIQUE MAPS CATALOGUE SUMMER 2012 INTRODUCTION 2012 was always going to be an exciting year in London and Britain with the long- anticipated Queen’s Jubilee celebrations and the holding of the Olympic Games. To add to this, Jonathan Potter Ltd has moved to new gallery premises in Marylebone, one of the most pleasant parts of central London. After nearly 35 years in Mayfair, the move north of Oxford Street seemed a huge step to take, but is only a few minutes’ walk from Bond Street. 52a George Street is set in an attractive area of good hotels and restaurants, fine Georgian residential properties and interesting retail outlets. Come and visit us. Our summer catalogue features a fascinating mixture of over 100 interesting, rare and decorative maps covering a period of almost five hundred years. From the fifteenth century incunable woodcut map of the ancient world from Schedels’ ‘Chronicarum...’ to decorative 1960s maps of the French wine regions, the range of maps available to collectors and enthusiasts whether for study or just decoration is apparent. Although the majority of maps fall within the ‘traditional’ definition of antique, we have included a number of twentieth and late ninteenth century publications – a significant period in history and cartography which we find fascinating and in which we are seeing a growing level of interest and appreciation. AN ILLUSTRATED SELECTION OF ANTIQUE MAPS, ATLASES, CHARTS AND PLANS AVAILABLE FROM We hope you find the catalogue interesting and please, if you don’t find what you are looking for, ask us - we have many, many more maps in stock, on our website and in the JONATHAN POTTER LIMITED gallery.
  • Press Release

    Press Release

    Press Release The Night Sky in the Age of Vermeer: The Astronomer in Context August 8, 2009 through January 10, 2010 Gallery 344 MINNEAPOLIS, JULY 27, 2009 To coincide with the Minneapolis Institute of Arts’ (MIA) exhibition “The Louvre and the Masterpiece” this fall, the museum is mounting a related exhibition that focuses on the Louvre show’s painting, The Astronomer (1668), by Johannes Vermeer (1632–1675). “The Night Sky in the Age of Vermeer: The Astronomer in Context,” on view August 8, 2009, through January 10, 2010, will bring visitors into the scientific and cultural world of 17th-century astronomy through an examination of the prints, books, scientific instruments, and other objects Vermeer depicted in his intriguing and beautiful masterpiece. It is fitting that the museum is presenting an exhibition on this topic, as 2009 is the International Year of Astronomy (IYA), designated by the United Nations, UNESCO, and the International Astronomical Union, to help the citizens of the world rediscover and reflect on Johannes Vermeer, Dutch, 1632–75, The Astronomer, 1668, oil on canvas, Musée du Louvre, the 400 years of changing perspectives Department of Paintings, RF 1983-28, Photo: Erich Lessing/Art Resource, NY about the universe since Galileo first Image files of these artworks and others featured in the exhibition are available. used the telescope to study the skies. Visit the MIA Press Room to log in for access. “The Night Sky” will be presented in one gallery, creating an intimate environment filled with objects similar to those shown in Vermeer’s painting. Drawing mainly on the MIA’s strong collection of large, hand-colored prints, the exhibition presents a range of interpretations of the cosmos.
  • Asian Cities Depicted by European Painters ― Clues from a Japanese Folding Screen

    Asian Cities Depicted by European Painters ― Clues from a Japanese Folding Screen

    113 Asian Cities Depicted by European Painters ― Clues from a Japanese Folding Screen Junko NINAGAWA ヨーロッパ人が描いたアジアの諸 都市 ―日本の萬国図屏風を手がかりに 蜷 川 順 子 東京の三の丸尚蔵館が所蔵する八曲一双の萬国図屏風には、制作当時の日本に知られ ていた最新の世界のイメージが描かれている。その主要な源泉は1609年のいわゆるブラ ウ=カエリウスの地図だと考えられるが、タイトルに名前のあるブラウ（1571‒1638）が1606 年に制作し1607年に出版したメルカトール図法による世界地図が、本件と深くかかわって いる。この地図は、その正確さ、地理的情報の新しさ、装飾の美しさなどの点で評判が 高く、これを借用したり模倣したりする他の地図制作者も少なくなかった。カエリウス（1571 ‒c. 1646）もそうした業者のひとりで、1609年に上述のブラウの世界地図を正確に模倣し たブラウ = カエリウスの地図を出版した。 カトリック圏のポルトガル人やスペイン人は、プロテスタント圏の都市アムステルダムで活 躍していたブラウの地図をその市場で購入することもできたが、カトリック圏の都市アント ウェルペンの出身であるカエリウスの方が接触しやすかったものと思われる。おそらくは 彼らの要請により、自身も優れた地図制作者であったカエリウスが1606/07年のブラウの 世界地図を正確に模倣し、そのことによる業務上の係争を避けるために、制作後ただち に同市から出帆する船の積荷に加えさせたのであろう。 ポルトガル人がこの地図を日本にもたらし、そのモチーフを使った屏風の制作に関わっ たことは明らかである。都市図のもっとも大きい区画をポルトガルの地図が占め、1606/07 年のオランダの地図にはなかったカトリックの聖都ローマの都市図が上段の中心付近に置 かれている。ポルトガル領内の第二の都市インドのゴアが、地図の装飾の配置から考えて ほぼ中心にあるのは、インドを天竺として重視した仏教徒にアピールするためであろうか。 こうすることで、日本におけるポルトガル人の存在を認めるよう日本の権力者に促す意図が あったのかもしれない。ここではさらに、制作に関わったと思われる日本人画家の関心な どを、アジアの都市図の描き方を手がかりに論じた。 114 A Japanese folding screen illustrated with twenty-eight cityscapes and portraits of eight sovereigns of the world [Fig. 1], the pair to a left-hand one depicting a world map and people of diff erent nations [Fig. 2], preserved in the Sannomaru Shōzōkan, or the Museum of the Imperial Collections, Tokyo, is widely recognized as one of the earliest world imageries known to Japan at that time 1）. It is said to have been a tribute pre- Fig. 1 Map of Famous Cities [Bankoku e-zu]（Right Screen） Momoyama period（the late 16th‒the early 17th
  • Interiors and Interiority in Vermeer: Empiricism, Subjectivity, Modernism

    Interiors and Interiority in Vermeer: Empiricism, Subjectivity, Modernism

    ARTICLE Received 20 Feb 2017 | Accepted 11 May 2017 | Published 12 Jul 2017 DOI: 10.1057/palcomms.2017.68 OPEN Interiors and interiority in Vermeer: empiricism, subjectivity, modernism Benjamin Binstock1 ABSTRACT Johannes Vermeer may well be the foremost painter of interiors and interiority in the history of art, yet we have not necessarily understood his achievement in either domain, or their relation within his complex development. This essay explains how Vermeer based his interiors on rooms in his house and used his family members as models, combining empiricism and subjectivity. Vermeer was exceptionally self-conscious and sophisticated about his artistic task, which we are still laboring to understand and articulate. He eschewed anecdotal narratives and presented his models as models in “studio” settings, in paintings about paintings, or art about art, a form of modernism. In contrast to the prevailing con- ception in scholarship of Dutch Golden Age paintings as providing didactic or moralizing messages for their pre-modern audiences, we glimpse in Vermeer’s paintings an anticipation of our own modern understanding of art. This article is published as part of a collection on interiorities. 1 School of History and Social Sciences, Cooper Union, New York, NY, USA Correspondence: (e-mail: [email protected]) PALGRAVE COMMUNICATIONS | 3:17068 | DOI: 10.1057/palcomms.2017.68 | www.palgrave-journals.com/palcomms 1 ARTICLE PALGRAVE COMMUNICATIONS | DOI: 10.1057/palcomms.2017.68 ‘All the beautifully furnished rooms, carefully designed within his complex development. This essay explains how interiors, everything so controlled; There wasn’t any room Vermeer based his interiors on rooms in his house and his for any real feelings between any of us’.
  • The History of Cartography, Volume 3

    The History of Cartography, Volume 3

    THE HISTORY OF CARTOGRAPHY VOLUME THREE Volume Three Editorial Advisors Denis E. Cosgrove Richard Helgerson Catherine Delano-Smith Christian Jacob Felipe Fernández-Armesto Richard L. Kagan Paula Findlen Martin Kemp Patrick Gautier Dalché Chandra Mukerji Anthony Grafton Günter Schilder Stephen Greenblatt Sarah Tyacke Glyndwr Williams The History of Cartography J. B. Harley and David Woodward, Founding Editors 1 Cartography in Prehistoric, Ancient, and Medieval Europe and the Mediterranean 2.1 Cartography in the Traditional Islamic and South Asian Societies 2.2 Cartography in the Traditional East and Southeast Asian Societies 2.3 Cartography in the Traditional African, American, Arctic, Australian, and Pacific Societies 3 Cartography in the European Renaissance 4 Cartography in the European Enlightenment 5 Cartography in the Nineteenth Century 6 Cartography in the Twentieth Century THE HISTORY OF CARTOGRAPHY VOLUME THREE Cartography in the European Renaissance PART 1 Edited by DAVID WOODWARD THE UNIVERSITY OF CHICAGO PRESS • CHICAGO & LONDON David Woodward was the Arthur H. Robinson Professor Emeritus of Geography at the University of Wisconsin–Madison. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2007 by the University of Chicago All rights reserved. Published 2007 Printed in the United States of America 1615141312111009080712345 Set ISBN-10: 0-226-90732-5 (cloth) ISBN-13: 978-0-226-90732-1 (cloth) Part 1 ISBN-10: 0-226-90733-3 (cloth) ISBN-13: 978-0-226-90733-8 (cloth) Part 2 ISBN-10: 0-226-90734-1 (cloth) ISBN-13: 978-0-226-90734-5 (cloth) Editorial work on The History of Cartography is supported in part by grants from the Division of Preservation and Access of the National Endowment for the Humanities and the Geography and Regional Science Program and Science and Society Program of the National Science Foundation, independent federal agencies.
  • Xviith CENTURY

    Xviith CENTURY

    1596. — Bear Island (Beeren Eylandt — Björnöja) is discovered by Barentz who killed a white bear there. Visited in 1603 by Stephen Bennett who called it Cherk IsL after his employer Sir F. Cherie, of the Russian Company. Scoresby visited it in 1822. It was surveyed in 1898 by A. G. Nathorst’s Swedish Arctic expedition. N 1596. — On June 17, W. Barentz and the Dutch, expedition in search of a N.-E. passage, sights West Spitzbergen. He called Groeten Inwick what is now Ice fjord (Hudson’s Great indraught in 1607) a name which was given to it by Poole in 1610. Barentz thought that Spitzbergen was part of Greenland. Barentz also discovered Prince Charles Foreland which he took to be an island and which was called Black point Isle by Poole in 1610. It was in 1612 that English Whalers named it after Prince Charles, son of James VI of Scotland, who became Charles I later. In 1607-1610, following the reports made by Hudson, of the Muscovy Company, a whaling industry was established in Spitzbergen. The scientific exploration of Spitz­ bergen has been going on ever since 1773, which was the year of Captain Phipps’s British expedition in which Horatio Nelson, took part. Explored by Sir Martin 丨Cònway.in 1896. By the Prince of Monaco and Doctor W. S. Bruce in 1906. By the Scottish Spitzbergen Syndicate of Edinburgh in 1920 and by the Universities of Oxford and Cambridge. 1598. ~• The Dutch admiral Jacob Cornel is van Necq, commanding the “ Mauritius” takes possession of Mauritius and pursues his voyage of Dutch colonisation to the Moluccas (Amboina) then to Te mate in 1601 with the “ Amsterdam ” and “ Utrecht ”，whilst the Hispano-Portuguese had settled at Tidor.
  • Ortelius's Typus Orbis Terrarum (1570)

    Ortelius's Typus Orbis Terrarum (1570)

    Ortelius’s Typus Orbis Terrarum (1570) by Giorgio Mangani (Ancona, Italy) Paper presented at the 18th International Conference for the History of Cartography (Athens, 11-16th July 1999), in the "Theory Session", with Lucia Nuti (University of Pisa), Peter van der Krogt (University of Uthercht), Kess Zandvliet (Rijksmuseum, Amsterdam), presided by Dennis Reinhartz (University of Texas at Arlington). I tried to examine this map according to my recent studies dedicated to Abraham Ortelius,1 trying to verify the deep meaning that it could have in his work of geographer and intellectual, committed in a rather wide religious and political programme. Ortelius was considered, in the scientific and intellectual background of the XVIth century Low Countries, as a model of great morals in fact, he was one of the most famous personalities of Northern Europe; he was a scholar, a collector, a mystic, a publisher, a maps and books dealer and he was endowed with a particular charisma, which seems to have influenced the work of one of the best artist of the time, Pieter Bruegel the Elder. Dealing with the deep meaning of Ortelius’ atlas, I tried some other time to prove that the Theatrum, beyond its function of geographical documentation and succesfull publishing product, aimed at a political and theological project which Ortelius shared with the background of the Familist clandestine sect of Antwerp (the Family of Love). In short, the fundamentals of the familist thought focused on three main points: a) an accentuated sensibility towards a mysticism close to the so called devotio moderna, that is to say an inner spirituality searching for a direct relation with God.
  • Recent Publications 1984 — 2017 Issues 1 — 100

    Recent Publications 1984 — 2017 Issues 1 — 100

    RECENT PUBLICATIONS 1984 — 2017 ISSUES 1 — 100 Recent Publications is a compendium of books and articles on cartography and cartographic subjects that is included in almost every issue of The Portolan. It was compiled by the dedi- cated work of Eric Wolf from 1984-2007 and Joel Kovarsky from 2007-2017. The worldwide cartographic community thanks them greatly. Recent Publications is a resource for anyone interested in the subject matter. Given the dates of original publication, some of the materi- als cited may or may not be currently available. The information provided in this document starts with Portolan issue number 100 and pro- gresses to issue number 1 (in backwards order of publication, i.e. most recent first). To search for a name or a topic or a specific issue, type Ctrl-F for a Windows based device (Command-F for an Apple based device) which will open a small window. Then type in your search query. For a specific issue, type in the symbol # before the number, and for issues 1— 9, insert a zero before the digit. For a specific year, instead of typing in that year, type in a Portolan issue in that year (a more efficient approach). The next page provides a listing of the Portolan issues and their dates of publication. PORTOLAN ISSUE NUMBERS AND PUBLICATIONS DATES Issue # Publication Date Issue # Publication Date 100 Winter 2017 050 Spring 2001 099 Fall 2017 049 Winter 2000-2001 098 Spring 2017 048 Fall 2000 097 Winter 2016 047 Srping 2000 096 Fall 2016 046 Winter 1999-2000 095 Spring 2016 045 Fall 1999 094 Winter 2015 044 Spring
  • Gising Dead-Reckoning; Historic Maritime Maps in GIS Menne KOSIAN

    Gising Dead-Reckoning; Historic Maritime Maps in GIS Menne KOSIAN

    13 th International Congress „Cultural Heritage and New Technologies“ Vienna, 2008 GISing dead-reckoning; historic maritime maps in GIS Menne KOSIAN Abstract: The Dutch mapmakers of the 16th and 17th century were famous for their accurate and highly detailed maps. Several atlases were produced and were the pride and joy of many a captain, whether Dutch, English, French, fighting or merchant navy. For modern eyes, these maps often seem warped and inaccurate; besides, in those times it still was impossible to accurately determine ones longitude, so how could these maps be accurate at all? But since these maps were actually used to navigate on, and (most of) the ships actually made it to their destination and back, the information on the maps should have been accurate enough. Using old navigational techniques and principles it is possible to place these maps, and the wealth of information depicted on them, in a modern GIS. That way these old basic-data not only provides us with an insight in the development of our rich maritime landscape over the centuries, but also gives an almost personal insight in the mind of the captains using them and the command structure of the fleets dominating the high seas. Keywords: historic Dutch maritime maps, georeferencing historic data, maritime archaeology Introduction The Dutch maps from the 16th and 17th centuries were famous for their accuracy and detail level. These charts were also very popular with seafarers, both in the Netherlands, as in other seafaring nations of that time. Many of those charts had, in addition to the editions for actual navigational use also editions for presentation, often beautifully coloured and bound together into atlases.
  • Development and Achievements of Dutch Northern and Arctic Cartography

    Development and Achievements of Dutch Northern and Arctic Cartography

    ARCTIC’ VOL. 37, NO. 4 (DECEMBER 1984) P. 493.514 Development and Achievements of Dutch Northern and Arctic Cartography. in the Sixteenth and Seventeenth :Centuries GUNTER. SCHILDER* ther north, as far as the Shetlands the Faroes, in line with INTRODUCTION and the expansion of the Dutch .fishing and trading areas. The During the sixteenth and .seventeenth. centuries, the Dutch Thresmr contains a number of coastal viewsfrom the voyage made. a vital contribution to. the mapphg of the northern and around the North Capeas far as ‘‘Wardhuys”. Although there arctic regions, and their caPtographic work piayed a decisive is no mapofthis region, there is.a map of the coasts of Karelia part in expanding. the ,geographical .knowledgeof that time. and Russia to the east of the White Sea asfar as the Pechora, Amsterdam became the centre.of international map production accompanied by a text with instructionsfor navigation as far as and the map trade. Its Cartographers and publishers acquired Vaygach and Novaya Zemlya (Waghenaer, 1592:fo101-105). their knowledge partly from the results of expeditions fitted A coastal view.of the latter is also given.s The fact that Wag- out by theirfellow countrymen and, partlyfrom foreign henaer had access to original sources is shown by the inclusion voyages of discovery. This paper will describe the growing- in the Thresoor of the only known accountof Olivier Brunel’s Dutch..awarenessof .the northern and arctic regions. stage by voyage to-NovayaZemlya in 1584 (Waghenaer, ‘1592:P104).6 stage and region by region, with the aid of Dutch. maps. Anotherimportant document is WillemBiuentsz’s map of northern Scandinavia, which extends as faras the entrance to THE PROGRESS OF DUTCH KNOWLEDGE IN THE NORTH .the White Sea, and shows.al1 the reefs and shallows(Fig.
  • Snake in the Clouds: a New Nearby Dwarf Galaxy in the Magellanic Bridge ∗ Sergey E

    Snake in the Clouds: a New Nearby Dwarf Galaxy in the Magellanic Bridge ∗ Sergey E

    MNRAS 000, 1{21 (2018) Preprint 19 April 2018 Compiled using MNRAS LATEX style file v3.0 Snake in the Clouds: A new nearby dwarf galaxy in the Magellanic bridge ∗ Sergey E. Koposov,1;2 Matthew G. Walker,1 Vasily Belokurov,2;3 Andrew R. Casey,4;5 Alex Geringer-Sameth,y6 Dougal Mackey,7 Gary Da Costa,7 Denis Erkal8, Prashin Jethwa9, Mario Mateo,10, Edward W. Olszewski11 and John I. Bailey III12 1McWilliams Center for Cosmology, Carnegie Mellon University, 5000 Forbes Ave, 15213, USA 2Institute of Astronomy, University of Cambridge, Madingley road, CB3 0HA, UK 3Center for Computational Astrophysics, Flatiron Institute, 162 5th Avenue, New York, NY 10010, USA 4School of Physics and Astronomy, Monash University, Clayton 3800, Victoria, Australia 5Faculty of Information Technology, Monash University, Clayton 3800, Victoria, Australia 6Astrophysics Group, Physics Department, Imperial College London, Prince Consort Rd, London SW7 2AZ, UK 7Research School of Astronomy and Astrophysics, Australian National University, Canberra, ACT 2611, Australia 8Department of Physics, University of Surrey, Guildford, GU2 7XH, UK 9European Southern Observatory, Karl-Schwarzschild-Str. 2, 85748 Garching, Germany 10Department of Astronomy, University of Michigan, 311 West Hall, 1085 S University Avenue, Ann Arbor, MI 48109, USA 11Steward Observatory, The University of Arizona, 933 N. Cherry Avenue., Tucson, AZ 85721, USA 12Leiden Observatory, Leiden University, Niels Bohrweg 2, 2333 CA Leiden, The Netherlands Accepted XXX. Received YYY; in original form ZZZ ABSTRACT We report the discovery of a nearby dwarf galaxy in the constellation of Hydrus, between the Large and the Small Magellanic Clouds. Hydrus 1 is a mildy elliptical ultra-faint system with luminosity MV 4:7 and size 50 pc, located 28 kpc from the Sun and 24 kpc from the LMC.
  • DALMI WORKING PAPERS on ART & MARKETS the Artistic Migration

    DALMI WORKING PAPERS on ART & MARKETS the Artistic Migration

    DALMI Working Paper No. 15231 DALMI WORKING PAPERS ON ART & MARKETS The Artistic Migration Between Mechelen and Delft (1550–1625) Fiene Leunissen Working Paper no. 15231 https://www.dukedalmi.org/wp-content/uploads/15231-Working-Paper.pdf DUKE ART, LAW & MARKETS INITIATIVE 114 S. Buchanan Blvd. Campus Box 90766 Durham, NC 27708 May 2015 DALMI working papers are circulated for discussion and comment purposes. They have not been peer-reviewed. © 2015 by Fiene Leunissen. All rights reserved. Leunissen May 2015 DALMI Working Paper No. 15231 The Artistic Migration Between Mechelen and Delft (1550–1625) Fiene Leunissen DALMI Working Paper No. 15231 May 2015 ABSTRACT Mechelen (Malines) is a small city in present-day Belgium, positioned between Antwerp and Brussels, along the river the Dijle. While most people today have never heard anything about this city or its history, this small town was once one of the most important cities in the Low Countries. It was also hub for the production of watercolor paintings. During the religious turmoil in the second half of the 16th century a large portion of artists fled the city to find a better life in other European cities. One of these places was Delft, were a group of 24 Mechelen artists settled. In this paper we look at the lives of these artists to better understand the knowledge circulation between the north and the south at the turn of the 17th century. Keywords: Art Markets, Mechelen, Delft, Seventeenth Century JEL: Z11 Leunissen May 2015 DALMI Working Paper No. 15231 Leunissen May 2015 DALMI Working Paper No.