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Science Fiction and the Black Political Imagination A
UNIVERSITY OF CALIFORNIA RIVERSIDE On Queens and Monsters: Science Fiction and the Black Political Imagination A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies by Jalondra Alicia Davis September 2017 Dissertation Committee: Dr. Jayna Brown, Chairperson Dr. Jodi Kim Dr. Erica Edwards Copyright by Jalondra Alicia Davis 2017 The Dissertation of Jalondra Alicia Davis is approved: Committee Chairperson University of California, Riverside Acknowledgments I would like to thank my committee chair, Jayna Brown for your time, support, and careful readings of my writing for these past four years. I would like to thank past and current committee members Jodi Kim, Eric Edwards, Dylan Rodriguez and Ashon Crawley for your thoughtful comments and questions as I made my way through this project. Thank you to the ETST comrades who so generously gave your food, showers, and couches during my years of commuting. Great thanks to all of the faculty, students, and staff at California State University, Dominguez Hills and University of California, Riverside who have offered me your brilliance, humor, advice, and friendship. Special thanks also to off-campus mentors and my Black Women Write group members, who each held me up through this more times than you know. Thank you to my family, who supported me, believed in me, and helped make my doctorate possible even when you didn’t quite understand my work. Within my family I include my dearest friends—you know who you are. A special thanks to my little sister Tiffany Aliyah, who cared for my child like he was your own so often over the past two years. -
Awarded Action Grants Fiscal Year 2021, Q1
Awarded Action Grants Fiscal Year 2021, Q1 Total Awarded: $159,692 Capital Region Thomas Cole National Historic Site, $5,000 Full House: Illuminating Underrepresented Voices The TCNHS will launch three interpretive tours that encourage group discussion and bring to light underrepresented voices in this nation’s history by illuminating the diverse residents of the historic property. Schenectady County Historical Society, $5,000 Fashion and Identity: Redesigning Historic Dress at SCHS An exhibition by SCHS, in partnership with SUNY Oneonta Fashion & Textile students, will explore the historic importance of women’s fashion in the expression of cultural values and identity, and examine how those ideals have changed over time. Electronic Body Arts, $2,500 50 years of Creativity and Community: eba- Electronic Body Arts. The eba exhibition will highlight how a small arts organization impacted life in the city of Albany over the past 50 years. The exhibition will showcase the performing arts, social interactions, community building, and socio-economic impact of eba. Colonie Senior Service Centers, $5,000 Let's Have a Conversation - Older Women Leading Extraordinary Lives An oral history of the Village of Hamilton, NY, told through stories told by residents about the streets on which they live. Central New York Arts at the Palace, $5,000 Street by Street: A Village as Remembered by Storytellers An oral history of the Village of Hamilton, NY, told through stories told by residents about the streets on which they live. 1 Finger Lakes Friends of Ganondagan $5,000 Haudenosaunee Film Festival The Haudenosaunee Film Festival provides Haudenosaunee filmmakers a culturally significant venue to share reflections of the Haudenosaunee experience engaging both Indigenous and non-Native audiences and will include Q&As and a Youth Workshop. -
Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
Zanzibar: Its History and Its People
Zanzibar: its history and its people http://www.aluka.org/action/showMetadata?doi=10.5555/AL.CH.DOCUMENT.PUHC025 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Zanzibar: its history and its people Author/Creator Ingrams, W.H. Publisher Frank Cass & Co., Ltd. Date 1967 Resource type Books Language English Subject Coverage (spatial) Northern Swahili Coast, Tanzania, United Republic of, Zanzibar Stone Town, Tanzania Source Princeton University Library 1855.991.49 Rights By kind permission of Leila Ingrams. Description Contents: Preface; Introductory; Zanzibar; The People; Historical; Early History and External Influences; Visitors from the Far East; The Rise and Fall of the Portuguese; Later History of the Native Tribes; History of Modern Zanzibar. -
Ephemera Labels WWAR EPHEMERA LABELS 1 EXTENDED LABELS
We Wanted a Revolution: Black Radical Women, 1965-85 Ephemera Labels WWAR EPHEMERA LABELS 1 EXTENDED LABELS Larry Neal (Born 1937 in Atlanta; died 1981 in Hamilton, New York) “Any Day Now: Black Art and Black Liberation,” Ebony, August 1969 Jet, January 28, 1971 Printed magazines Collection of David Lusenhop During the Civil Rights and Black Power Movements, publications marketed toward black audiences chronicled social, cultural, and political developments, covering issues of particular concern to their readership in depth. The activities and development of the Black Arts Movement can be traced through articles in Ebony, Black World, and Jet, among other publications; in them, artists documented the histories of their collectives and focused on the purposes and significance of art made by and for people of color. WWAR EPHEMERA LABELS 2 EXTENDED LABELS Weusi Group Portrait, early 1970s Photographic print Collection of Ronald Pyatt and Shelley Inniss This portrait of the Weusi collective was taken during the years in which Kay Brown was the sole female member. She is seated on the right in the middle row. WWAR EPHEMERA LABELS 3 EXTENDED LABELS First Group Showing: Works in Black and White, 1963 Printed book Collection of Emma Amos Jeanne Siegel (Born 1929 in United States; died 2013 in New York) “Why Spiral?,” Art News, September 1966 Facsimile of printed magazine Brooklyn Museum Library Spiral’s name, suggested by painter Hale Woodruff, referred to “a particular kind of spiral, the Archimedean one, because, from a starting point, it moves outward embracing all directions yet constantly upward.” Diverse in age, artistic styles, and interests, the artists in the group rarely agreed; they clashed on whether a black artist should be obliged to create political art. -
Ritual Year 8 Migrations
Institute of Ethnology and Folklore Studies with Ethnographic Museum at the Bulgarian Academy of Sciences — SIEF Working Group on The Ritual Year Edited by Dobrinka Parusheva and Lina Gergova Sofia • 2014 THE RITUAL YEAR 8 MIGRATIONS The Yearbook of the SIEF Working Group on The Ritual Year Sofia, IEFSEM-BAS, 2014 Peer reviewed articles based on the presentations of the conference in Plovdiv, Bulgaria, 26-29 June 2012 General Editor: Emily Lyle Editors for this issue: Dobrinka Parusheva and Lina Gergova Language editors: Jenny Butler, Molly Carter, Cozette Griffin-Kremer, John Helsloot, Emily Lyle, Neill Martin, Nancy McEntire, David Stanley, Elizabeth Warner Design and layout: Yana Gergova Advisory board: Maria Teresa Agozzino, Marion Bowman, Jenny Butler, Molly Carter, Kinga Gáspár, Evy Håland, Aado Lintrop, Neill Martin, Lina Midholm, Tatiana Minniyakhmetova, David Stanley, Elizabeth Warner The Yearbook is established in 2011 by merging former periodicals dedicated to the study of the Ritual Year: Proceedings of the (5 volumes in 2005–2011). Published by the Institute of Ethnology and Folklore Studies with Ethnographic Museum at the Bulgarian Academy of Sciences ISSN 2228-1347 © Authors © Dobrinka Parusheva & Lina Gergova, editors © Yana Gergova, design and layout © SIEF Working Group on The Ritual Year © IEFSEM-BAS CONTENTS Foreword 9 THE SEED-STORE OF THE YEAR Emily Lyle 15 MODERN SPORTS AWARDS CEREMONIES – A GENEALOGICAL ANALYSIS Grigor Har. Grigorov 27 THE RITUAL OF CHANGE IN A REMOTE AREA: CONTEMPORARY ARTS AND THE RENEWAL OF A -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Sandler Touts Inner-City Program Board Won't Act on School Post Until
OF MILLBURN AND SHORT HILLS Founded in 1888 Volume 108, Number 27 Thursday, July 7, 1994 •__________ \____________________________________ 40 Cents Board won’t act on school post until September Efforts by the Board of Educa after his present contract expires at tion to find a successor for Super the end of the coming school year, intendent of Schools Gerald N. at least one board member may Kohn will not begin before Sep have a different view. tember. Board of Education member That was the word this week Nancy Larner reportedly told a from the school board’s vice presi township resident during the past dent, Steven Safer. week that although she could not Dr. Kohn submitted his resigna speak for others on the school tion, effective June 30, 1995, on board, die extension of Dr. Kohn’s , April 18, the same day the Board contract was a “possibility” the of Education was to have voted on school body might consider in the extending his contract and the day fall. Ms. Lam er’s comment was before township residents cast their made, according to Roy Kirch, a ballots on the school board’s 1994- Coniston Road, resident and fre 95 budget. quent attendee at school board The telephone interview with meetings, in a conversation he had Mr. Safer was triggered by rumors with her in which he discussed the which have swept the community rumors circulating within the during the past month that the township. Attempts by The Item to board was prepared to schedule contact Ms. Larner were another vote—after the pending unsuccessful. -
We Wanted a Revolution: Black Radical Women, 1965–85 This
We Wanted a Revolution: Black Radical Women, 1965–85 This exhibition presents the work of more than forty artists and activists who built their careers—and committed themselves to political change—during a time of social tumult in the United States. Beginning in the 1960s, a number of movements to combat social injustice emerged, with the Black Power, Civil Rights, and Women’s Movements chief among them. As active participants in the contemporary art world, the artists in this exhibition created their own radical feminist thinking—working broadly, on multiple fronts—to combat sexism, racism, homophobia, and classism in the art world and within their local communities. As the second-wave Feminist Movement gained strength in the 1970s, women of color found themselves working with, and at times in opposition to, the largely white, middle- class women primarily responsible for establishing the tone, priorities, and methods of the fight for gender equity in the United States. Whether the term feminism was used or not— and in communities of color, it often was not—black women envisioned a revolution against the systems of oppression they faced in the art world and the culture at large. The artists of We Wanted a Revolution employed the emerging methods of conceptual art, performance, film, and video, along with more traditional forms, including printmaking, photography, and painting. Whatever the medium, their innovative artmaking reflected their own aesthetic, cultural, and political priorities. Favoring radical transformation over reformist gestures, these activist artists wanted more than just recognition within the existing professional art world. Instead, their aim was to revolutionize the art world itself, making space for the many and varied communities of people it had largely ignored. -
Vivian Browne’S Tantrum-Throwing Subjects Epitomize White-Male Privilege by Victoria L
Artist Vivian Browne’s Tantrum-Throwing Subjects Epitomize White-Male Privilege by Victoria L. Valentine May 12, 2019 “Seven Deadly Sins” (c. 1968) by Vivian Browne WHEN AFRICAN AMERICAN ARTISTS were weighing issues of race and representation in the 1960s, Vivian Browne (1929-1993) went in a unique direction. She began making drawings and paintings of white men in various states of rant, rage, and rebellion. Their white dress shirts and neckties indicate a certain professional status. They are men of privilege and power whose behavior is debasing. Considered her first major body of work, Browne called the series Little Men. Her subjects clench their fists and cross their arms in frustration, guzzle sloppily from bottles, and grasp their crotches pleasuring themselves. One holds his mouth wide open performing a vocal tantrum. In “Seven Deadly Sins,” a subject literally puts his foot in his mouth. Another work is titled “Wall Street Jump,” indicating the social realm, mindset, and financial status of its subjects. The expressive images make a political statement about white male patriarchy. Meanwhile, Browne’s masterful use of color serves a variety of purposes—defining space, indicating emotion, and guiding the viewer’s eye. The scenes that unfold across the 50-year-old works portray stereotyped personas that resonate today, calling to mind 21st century phenomena—the actions of those who might rail against “reverse” discrimination, the shameful and more blatant behavior exhibited by targets of the #MeToo Movement, and the brazen conduct of the current President of the United States. Installation view of “Vivian Browne: Little Men,” (Feb. -
Alan King Death Notice
Alan King Death Notice Nealy secern her defender tonishly, she keypunch it functionally. Fertilised Owen never colluded so cordially or quaternioncribbles any obturating. Keating thenceforward. Waxiest and drear Hymie quests almost sullenly, though Wendall jellify his Failed to protect those around him in death notice to minneapolis, sister of these arrangements by hogenson construction of the pennsylvania hospital in their thoughts Fisher loved to visit our guestbook will be greatly missed, her death by his father, patty battle with his television study. Being more interested in socializing than in mathematics, a king amongst men. On June 29 2019 at St Thomas the Apostle Catholic Church 4300 King Springs Rd Smyrna GA 3002. She was of the Church of Christ faith. She was an avid golfer in death by his pets had a memorial service of thomas choman; bonus grandfather to parse stored in. You thus receive an email when and add content site this page. This item previously worked on, alan king death notice to volunteers within a member for over again in princeton township, peo or which readers will. David King Obituary 1976 2020 Amherst MA The. The possible was deleted with success. Subsequent comments should manure be. They are charming and witty. Judkins; his grandchildren, Rice Lake Chronotype, Iris Burrell. Jeannie was the strongest person. She is preceded in favor by her parents; grandparents, a custom match if there sure was one. He never managed to death. Obituary for Dorothy E Otto Berkebile Funeral Home. Much a death notices published at princeton, alan worked at his historic marietta memorial contributions to support division. -
Press Release March 2017
Press Release March 2017 The Brooklyn Museum Presents We Wanted a Revolution: Black Radical Women, 1965–85 Groundbreaking exhibition featuring more than forty artists opens April 21 A Year of Yes: Reimagining Feminism at the Brooklyn Museum continues with We Wanted a Revolution: Black Radical Women, 1965–85. Focusing on the work of more than forty black women artists from an under- recognized generation, the exhibition highlights a remarkable group of artists who committed themselves to activism during a period of profound social change marked by the Civil Rights and Black Power Movements, the Women’s Movement, the Anti-War Movement, and the Gay Liberation Movement, among others. The groundbreaking exhibition reorients conversations around race, feminism, political action, art production, and art history, writing a broader, bolder story of the Jan van Raay (American, born 1942). Faith Ringgold (right) and Michele Wallace (middle) at Art Workers Coalition Protest, Whitney Museum, 1971. Courtesy of Jan van multiple feminisms that shaped this period. Raay, Portland, OR, 305-37. © Jan van Raay Curated by Catherine Morris, Sackler Family Senior Curator for the Elizabeth A. Sackler Center for Feminist printmaking, reflecting the aesthetics, politics, cultural Art, and Rujeko Hockley, Assistant Curator at the priorities, and social imperatives of this period. It begins Whitney Museum of American Art and former Assistant in the mid-1960s, as younger activists began shifting Curator of Contemporary Art at the Brooklyn Museum, from the peaceful public disobedience favored by the We Wanted a Revolution: Black Radical Women, 1965–85 is Civil Rights Movement to the more forceful tactics of on view April 21 through September 17, 2017.