The Concise Focal Encyclopedia of Photography

Total Page:16

File Type:pdf, Size:1020Kb

The Concise Focal Encyclopedia of Photography The Concise Focal Encyclopedia of Photography Prelims-K80998.indd i 6/20/07 6:14:35 PM This page intentionally left blank The Concise Focal Encyclopedia of Photography From the First Photo on Paper to the Digital Revolution MICHAEL R. PERES, MARK OSTERMAN, GRANT B. R OMER, NANCY M. STUART , Ph.D., J. TOMAS LOPEZ AMSTERDAM • BOSTON • HEIDELBERG • LONDON NEW YORK • O XFORD • PARIS • S AN DIEGO SAN FRANCISCO • S INGAPORE • S YDNEY • TOKYO Focal Press is an imprint of Else vier Prelims-K80998.indd iii 6/20/07 6:14:37 PM Acquisitions Editor : Diane Heppner Publishing Ser vices Manager : George Mor rison Senior Project Manager : Brandy Lilly Associate Acquisitions Editor : Valerie Gear y Assistant Editor : Doug Shults Marketing Manager : Christine Degon V eroulis Cover Design: Alisa Andreola Interior Design: Alisa Andreola Focal Press is an imprint of Else vier 30 Cor porate Drive, Suite 400, Burlington, MA 01803, USA Linacre House, Jordan Hill, Oxford O X2 8DP, UK Copyright © 2008, Else vier Inc. All rights reser ved. No par t of this publication ma y be reproduced, stored in a retrie val system, or transmitted in an y form or by any means, electronic, mechanical, photocop ying, recording, or otherwise, without the prior written per mission of the publisher . Permissions ma y be sought directly from Else vier’s Science & T echnology Rights Department in Oxford, UK: phone: ( ϩ44) 1865 843830, fax: ( ϩ44) 1865 853333, E-mail: per missions@else vier.com. You may also complete your request on-line via the Else vier homepage (http://else vier.com), by selecting “Suppor t & Contact” then “Cop yright and Permission” and then “Obtaining P ermissions. ” Recognizing the impor tance of preser ving what has been written, Else vier prints its books on acid-free paper whene ver possible. Library of Congress Cataloging-in-Publication Data Application submitted British Library Cataloguing-in-Publication Data A catalogue record for this book is a vailable from the British Librar y. ISBN: 978-0-240-80998-4 For information on all F ocal Press publications visit our w ebsite at www .books.else vier.com 07 08 09 10 11 5 4 3 2 1 Printed in China Prelims-K80998.indd iv 6/20/07 6:14:37 PM Contents Contributors vii Photography Programs in the 20th Photographers and Image Century Museums, Galleries, and Contributors ix Collections 94 About the Editor s xv Lynne Bentley-Kemp Acknowledgments xvii Introduction xix Photographic Higher Education in the United States 100 Nancy M. Stuart History and Evolution of Photography 1 Photographic Workshops: A Changing Mark Osterman and Grant B. Romer Educational Practice 107 Christopher Burnett Contemporar y Thoughts on the Histor y of Photograph y 3 Magazines: The Photographer s’ Press Grant B. Romer in the United States and Great Britain During the Transition Decade of the The Technical Evolution of 1960s 116 Photography in the 19th Centur y 5 David Brittain Mark Osterman Histories, Theories, Criticism 123 Introduction to the Biographies of Gary Sampson Selected Inno vators of Photographic Technology 17 African Americans as Photographer s Grant B. Romer and Photographic Subjects 132 David C. Hart Selected Photographs from the 19th Centur y 33 Biographies of Selected Photographer s Mark Osterman from the 20th Centur y 139 Robert Hirsch, Ken White, and Garie Waltzer Major Themes and Photographer s of the 20th Centur y 57 Nancy M. Stuart Contemporary Issues 209 J. Tomas Lopez Photography in the 20th Centur y 59 Nancy M. Stuart A Different Set of Questions for a New Age 211 Photography, Fine Ar t Photography, and J. Tomas Lopez the Visual Ar ts: 1900–2001 61 Saul Ostrow Academic and P edagogical Issues: Photography and Society in the 20th The Impact of Digital Imaging on Century 71 Photographic Education 213 Gretchen Garner Margaret P. Evans Photography and Desire: F ashion, Ethical Photojour nalism: Its Authenticity Glamour, and Pornography 84 and Impact 220 Bruce Checefsky John Kaplan v Prelims-K80998.indd v 6/20/07 6:14:37 PM vi Contents The Future of Publishing 228 Types of Studios 259 Millard Schisler Joseph DeMaio 100 Years from Now . 232 Photographic V irtual Reality 261 Daniel Burge John (Craig) Freeman Perception, Evidence, Truth, Potlatch, Auction, and the In-betw een: and Seeing 239 Digital Ar t and Digital Audiences 266 Richard Zakia A. D. Coleman The Photo Mar ketplace and The Pressure to Sta y Current 271 Contemporar y Image Mak ers 250 Barry Haynes Daile Kaplan Science as Ar t 282 The Photographic Studio of the 21st Michael R. Peres and David Malin Century 253 Doug Manchee Index 289 Prelims-K80998.indd vi 6/20/07 6:14:38 PM Contributors Lynne Bentley-Kemp, Ph.D. David C. Har t, Ph.D. Head of Photography Assistant Professor Florida Keys Community College Cleveland Institute of Art Key West, Florida, USA Cleveland, Ohio, USA David Brittain Barry Haynes AHRC Research Fellow Photographic Author Manchester Metropolitan University Gibsons, British Columbia, Canada Manchester, London, United Kingdom www.barryhaynes.com Daniel Burge Robert Hirsch Research Scientist Light Research Image Permanence Institute Buffalo, New York USA Rochester Institute of Technology www.lightresearch.net Rochester, New York, USA Christopher Bur nett Daile Kaplan Director Vice-President and Director of Photographs Visual Studies Workshop Swann Galleries, Inc. Rochester, New York, USA New York, New York, USA http://vsw.org John Kaplan Bruce Checefsk y Professor Director College of Journalism and Communications Reinberger Galleries University of Florida The Cleveland Institute of Art Gainesville, Florida, USA Cleveland, Ohio, USA www.johnkaplan.com A. D. Coleman J. Tomas Lopez Independent Photography Critic, Historian, Professor and Curator Art and Art History Staten Island, New York, USA University of Miami http://photocritic.com Coral Gables, Florida, USA Margaret P. Evans Associate Professor David Malin Astronomer/Photographic Scientist Communication/Journalism Department Anglo-Australian Observatory Shippensburg University Sydney, New South Wales, Australia Shippensburg, Pennsylvania, USA Adjunct Professor of Scientifi c Photography John (Craig) F reeman RMIT University Associate Professor Melbourne, Victoria, Australia Emerson College Boston, Massachusetts, USA Doug Manchee Associate Professor Gretchen Gar ner School of Photographic Arts and Sciences Photographic Author and Scholar Rochester Institute of Technology Columbus, Ohio, USA Rochester, New York, USA vii Prelims-K80998.indd vii 6/20/07 6:14:38 PM viii Contributor s Mark Oster man Millard Schisler Process Historian School of Print Media George Eastman House International Rochester Institute of Technology Museum of Photography Rochester, New York, USA Rochester, New York, USA Nancy M. Stuar t, Ph.D. Saul Ostrow Executive Vice President and Provost Associate Professor The Cleveland Institute of Art Chair, Visual Arts and Technologies Cleveland, Ohio, USA Head of Painting Garie Waltzer The Cleveland Institute of Art Photographer and Consultant Cleveland, Ohio, USA Photography Program Coordinator (Retired) Editor, Critical Voices in Art, Culture, and Cuyahoga Community College Theory Cleveland, Ohio, USA Routledge, United Kingdom Ken White Michael Peres Associate Professor Professor Fine Art Photography Biomedical Photographic Communications School of Photographic Arts and Sciences School of Photographic Arts and Sciences Rochester Institute of Technology Rochester Institute of Technology Rochester , New York, USA Rochester, New York, USA Richard Zakia, Ph.D. Grant B. Romer Professor Emeritus Director of Conservation School of Photographic Arts and Sciences George Eastman House International Rochester Institute of Technology Museum of Photography Rochester, New York, USA Rochester, New York, USA Gary Sampson, Ph.D. Associate Professor Liberal Arts Associate Dean Graduate Studies The Cleveland Institute of Art Cleveland, Ohio, USA Th e following individuals prepared entries for the 1969 edition of the Focal Encyclopedia of Photography Desk Edition or the Focal Encyclopedia of Photography, 3rd Edition, which have been reproduced in this Edition. Mary Street Alinder H. Har ting Arthur Chevalier C.H. Oakden R. Colson M. von Rohr Joseph DeMaio M.E. and K.R. Sw an J.C. Gregor y Prelims-K80998.indd viii 6/20/07 6:14:38 PM Photographers and Image Contributors Berenice Abbott Abraham Bogardus Miriam and Ira D. Wallach Division of Arts George Eastman House Collection New York Pubic Library Rochester, New York, USA New York, New York, USA Mathew Brady Ansel Adams George Eastman House Collection Ansel Adams Publishing Rights Trust Rochester, New York, USA Mill Valley, California, USA Adolphe Braun Robert Adams George Eastman House Collection George Eastman House Collection Rochester, New York, USA Rochester, New York, USA Anne W. Brigman Raymond K. Albright George Eastman House Collection George Eastman House Collection Rochester, New York, USA Rochester, New York, USA Gordon P. Brown Imaging Consultant Thomas Annan Rochester, New York, USA George Eastman House Collection Rochester, New York, USA Nancy Burson George Eastman House Collection Frederick Scott Archer Rochester, New York, USA George Eastman House Collection Rochester, New York, USA Julia Margaret Cameron George Eastman House Collection Eugéne Atget Rochester, New York, USA George Eastman House Collection Rochester, New York, USA Lewis Car roll George Eastman House Collection Anna Atkins Rochester, New York, USA Spencer Collection New York Pubic Library Charles Che valier New York, New York, USA George Eastman House Collection
Recommended publications
  • This Constitution: a Bicentennial Chronicle, Nos. 14-18
    DOCUMENT RESUME ED 300 290 SO 019 380 AUTHOR Mann, Shelia, Ed. TITLE This Constitution: A Bicentennial Chronicle, Nos. 14-18. INSTITUTION American Historical Association, Washington, D.C.; American Political Science Association, Washington, D.C.; Project '87, Washington, DC. SPONS AGENCY National Endowment for the Humanities (NFAH), Washington, D.C. PUB DATE 87 NOTE 321p.; For related document, see ED 282 814. Some photographs may not reproduce clearly. AVAILABLE FROMProject '87, 1527 New Hampshire Ave., N.W., Washington, DC 20036 nos. 13-17 $4.00 each, no. 18 $6.00). PUB TYPE Collected Works - Serials (022) -- Historical Materials (060) -- Guides - Classroom Use - Guides (For Teachers) (052) JOURNAL CIT This Constitution; n14-17 Spr Sum Win Fall 1987 n18 Spr-Sum 1988 EDRS PRICE MFO1 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Class Activities; *Constitutional History; *Constitutional Law; History Instruction; Instructioral Materials; Lesson Plans; Primary Sources; Resource Materials; Secondary Education; Social Studies; United States Government (Course); *United States History IDENTIFIERS *Bicentennial; *United States Constitution ABSTRACT Each issue in this bicentennial series features articles on selected U.S. Constitution topics, along with a section on primary documents and lesson plans or class activities. Issue 14 features: (1) "The Political Economy of tne Constitution" (K. Dolbeare; L. Medcalf); (2) "ANew Historical Whooper': Creating the Art of the Constitutional Sesquicentennial" (K. Marling); (3) "The Founding Fathers and the Right to Bear Arms: To Keep the People Duly Armed" (R. Shalhope); and (4)"The Founding Fathers and the Right to Bear Arms: A Well-Regulated Militia" (L. Cress). Selected articles from issue 15 include: (1) "The Origins of the Constitution" (G.
    [Show full text]
  • SP18 Experimental Photography AS
    Studio Art Course Santa Reparata International School of Art Course Syllabus Semester: Spring 2018 Course Title: Experimental Photography Course Number: Art 315 Credits: 3, Contact Hours: 90 1. COURSE DESCRIPTION Designed for students who show evidence of a strong foundation in black and white dark- room practices. The course will examine a variety of techniques that include Polaroid trans- fer, Cyanotypes, Tonning, Liquid emulsion and Digital painting. Students will experiment with image manipulation on different supports including 3-D. Class time will include visits to mu- seums, field trips, technical demonstrations, darkroom work, individual and group critiques. 2. CONTENT INTRODUCTION Designed for advanced independent students wishing to add the element of experimentation to their work in photography. This course is designed to expand the student’s photographic vocabulary, to encourage experimentation, utilizing a variety of materials and techniques, and push the boundaries of what makes a photograph. In technical terms the class will be concentrated primarily with the experimentation of alter- native techniques and the development of a personal portfolio. Class time will include slide presentations on work by a wide variety of photographers, past and present, to help clarify project goals and possible approaches as well as to inspire students in their own work. During class time there will be technical demonstrations, critiques and photo-shooting field trips. 3. PREREQUISITES Black & White Photography II or equivalent. All students must have a SLR camera that permits manual adjustment of shutter speeds and apertures. All students are required to purchase photographic paper. It is recommended to bring all lenses, tripods and other equipment that belongs to your camera.
    [Show full text]
  • Kodak Dealer News
    Please pass this Dealer News on to your staff to read Kodak Dealer News January/February , 1970 . lfe Save~~ save yourlife incolorr-·--- . in pictures_.•• wifha on, fllm ~­ in color orblack & white ~ Can,eta ••save your life on Kodacolor Filnt'' e Thank you! Twonew films for advanced Our sincere thanks to all of you who took time off Kodak Instamatic Cameras to complete and return to us the questionnaire on 1970! our Christmas Advertising Display material. To widen the scope of picture taking with certain Generally it would seem that we are on the right Kodak lnstamatic cameras two new films have re­ There 's always something special about the start sure - 1970 is going to be a bumper year for the track and the material was well displayed. We feel cently been introduced. They are TRI-X 126-12 of a new decade. It 's rather exciting looking ahead things that matter to you and to us - Kodak sure that those of you using the display right up exposure film for black-and-white photography and wondering what the next ten years will bring . Cameras and Kodak Film . to Christmas are pleased with the results. We trust under adverse or available light situations and Ektachrome High Speed film-EH 126-20 exposure Looking back to 1960, how many of us would have As you will read elsewhere in Dealer News, we are you have followed up by displaying the Holiday Film Showcard to obtain your share of the extra film for making color slides under similar con­ forecast the tremendous impact of the Kodak ln­ conducting one of the biggest advertising cam­ ditions.
    [Show full text]
  • Science Fiction and the Black Political Imagination A
    UNIVERSITY OF CALIFORNIA RIVERSIDE On Queens and Monsters: Science Fiction and the Black Political Imagination A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies by Jalondra Alicia Davis September 2017 Dissertation Committee: Dr. Jayna Brown, Chairperson Dr. Jodi Kim Dr. Erica Edwards Copyright by Jalondra Alicia Davis 2017 The Dissertation of Jalondra Alicia Davis is approved: Committee Chairperson University of California, Riverside Acknowledgments I would like to thank my committee chair, Jayna Brown for your time, support, and careful readings of my writing for these past four years. I would like to thank past and current committee members Jodi Kim, Eric Edwards, Dylan Rodriguez and Ashon Crawley for your thoughtful comments and questions as I made my way through this project. Thank you to the ETST comrades who so generously gave your food, showers, and couches during my years of commuting. Great thanks to all of the faculty, students, and staff at California State University, Dominguez Hills and University of California, Riverside who have offered me your brilliance, humor, advice, and friendship. Special thanks also to off-campus mentors and my Black Women Write group members, who each held me up through this more times than you know. Thank you to my family, who supported me, believed in me, and helped make my doctorate possible even when you didn’t quite understand my work. Within my family I include my dearest friends—you know who you are. A special thanks to my little sister Tiffany Aliyah, who cared for my child like he was your own so often over the past two years.
    [Show full text]
  • Awarded Action Grants Fiscal Year 2021, Q1
    Awarded Action Grants Fiscal Year 2021, Q1 Total Awarded: $159,692 Capital Region Thomas Cole National Historic Site, $5,000 Full House: Illuminating Underrepresented Voices The TCNHS will launch three interpretive tours that encourage group discussion and bring to light underrepresented voices in this nation’s history by illuminating the diverse residents of the historic property. Schenectady County Historical Society, $5,000 Fashion and Identity: Redesigning Historic Dress at SCHS An exhibition by SCHS, in partnership with SUNY Oneonta Fashion & Textile students, will explore the historic importance of women’s fashion in the expression of cultural values and identity, and examine how those ideals have changed over time. Electronic Body Arts, $2,500 50 years of Creativity and Community: eba- Electronic Body Arts. The eba exhibition will highlight how a small arts organization impacted life in the city of Albany over the past 50 years. The exhibition will showcase the performing arts, social interactions, community building, and socio-economic impact of eba. Colonie Senior Service Centers, $5,000 Let's Have a Conversation - Older Women Leading Extraordinary Lives An oral history of the Village of Hamilton, NY, told through stories told by residents about the streets on which they live. Central New York Arts at the Palace, $5,000 Street by Street: A Village as Remembered by Storytellers An oral history of the Village of Hamilton, NY, told through stories told by residents about the streets on which they live. 1 Finger Lakes Friends of Ganondagan $5,000 Haudenosaunee Film Festival The Haudenosaunee Film Festival provides Haudenosaunee filmmakers a culturally significant venue to share reflections of the Haudenosaunee experience engaging both Indigenous and non-Native audiences and will include Q&As and a Youth Workshop.
    [Show full text]
  • Photofinishing Prices 08-01-19 X CUSTOMER 08-03-19.Pub
    Miscellaneous Film Processing Services (Page 1 of 2) August 1, 2019 110 & 126 Develop, Scan & Print (C-41) Seattle Filmworks 35mm Processing Service Time: 10 Lab Days Matte or Glossy finish prints. Process: ECN-II or SFW-XL. Service Time: up to 2 weeks. C-41 process. Prints, if requested, on Kodak Royal paper. Applicable Films: Seattle Filmworks; Signature Color; Scanning the negatives is required prior to making prints. Eastman 5247 or 5294; Kodak Vision 2 or Vision 3 500T / We develop your cartridge of negatives ($4.90), scan the 5218 or 7218. visible images ($1.58 per negative), and, if requested, make prints ($0.20 per print). Scans are written to CD (no charge). Choose Matte or Glossy, 4x6 or 3½x5. Kodak Royal Paper. 110 film makes 4x5" prints. 126 film makes 4x4" prints. Default service is 4x6 Matte prints (if you don’t specify). Minimum charge : $12.00 Develop Only service Minimum Charge : $4.90 Develop Only service (blank film) ECN-II Develop & Print 4x6 or 3½x5 Identical 110 & 126 C-41 Develop Negatives & Scan to CD First Set 2nd Set Develop Develop & 20 or 24 Exposure ....................... 22.95 .................... 6.00 & Scan Scan & Print 36 Exposure ................................ 26.95 .................... 9.00 12 Exposure ................................ 23.86 .................. 26.26 Scan ECN-II process film to CD: 24 Exposure ................................ 42.82 .................. 47.62 Discount for unscannable negs ….1.58 each 1Reprint 2Enlargement Discount for prints not made from blank images ..........20 each Quality Quality Scanning Price per Roll CD CD Scans & Prints from Old 110 & 126 Negs with Develop & Print ..........
    [Show full text]
  • Wolcott-CT-2
    Copyright by CLP Research Partial Genealogy of the Wolcotts, Part II Henry Wolcott I Main Political Affiliation: (of Connecticut) (1578-1655) 1763-83 Whig Revolutionary (Emigrated from Gaulden Manor, Tolland, Somerset, 1789-1823 Federalist England to Massachusetts, 1630) (moved to Connecticut, 1636); (CT general court, 1639); (CT gov council, 1643-55) 1824-33 National Republican = Elizabeth Saunders 1834-53 Whig (1589-1655) 1854- Republican 1600 Henry Wolcott II George Wolcott I Anna Wolcott Simon Wolcott 5 Others (1610-80) (1612-62) (1620-1701) (1624-87) (CT house of del, 1660) (Windsor constable) = Matthew Griswold = Martha Pitkin (CT house of mag, 1662) See Treat of CT = Elizabeth Treat (1618-98) (1639-1719) (1627-1705) Genealogy See Griswold of CT See Pitkin of CT SEE WOLCOTT OF CT Genealogy Genealogy GENEALOGY Part II Part I PART I 4 Children 1650 Henry Wolcott I William Wolcott I Gen. Roger Wolcott 7 Others (1670-1747) (1676-1749) (1679-1767) (CT gen ct, 1709); (Windsor CT justice, 1711); (CT gov council, 1714) SEE WOLCOTT = Abiah Hawley (1690-1716) (CT judge, 1721-31); (CT supreme court, 1732-49; chief justice, 1741-49) OF CT (Governor of Connecticut, 1750-54) GENEALOGY See Hawley of CT = Sarah Drake PART III Genealogy (1679-1747) 1700 4 Others William Wolcott II Dr. Alexander Wolcott Gen. Erastus Wolcott Ursula Wolcott 12 Others Gen. Oliver Wolcott I (1711-99) (1711-95 (1722-93) (1724-88) (1726-97) = Abigail Abbot Lydia Atwater = = Mary Richards (CT gen ct, 1760-70s; speaker) = Matthew Griswold (Litchfield co. CT sheriff, 1751)
    [Show full text]
  • Supreme Court Appointments After the Thomas Nomination: Reforming the Confirmation Process
    Journal of Civil Rights and Economic Development Volume 7 Issue 1 Volume 7, Fall 1991, Issue 1 Article 26 Supreme Court Appointments After the Thomas Nomination: Reforming the Confirmation Process Joseph Faria David Markey Follow this and additional works at: https://scholarship.law.stjohns.edu/jcred This Note is brought to you for free and open access by the Journals at St. John's Law Scholarship Repository. It has been accepted for inclusion in Journal of Civil Rights and Economic Development by an authorized editor of St. John's Law Scholarship Repository. For more information, please contact [email protected]. SUPREME COURT APPOINTMENTS AFTER THE THOMAS NOMINATION: REFORMING THE CONFIRMATION PROCESS The Judicial Appointments Clause of Article II of the Federal Constitution establishes that the President "shall nominate, and by and with the Advice and Consent of the Senate, shall appoint .... Judges of the supreme Court .... .' This language has been variously interpreted over time.2 Champions of a strong ex- U.S. CONST. art. 11, § 2, cl.2. This clause provides in its entirety: He Ithe Presidenti shall have Power, by and with the Advice and Consent of the Senate, to make Treaties, provided two thirds of the Senators present concur; and he shall nominate, and by and with the Advice and Consent of the Senate, shall appoint Ambassadors, other public Ministers and Consuls, Judges of the supreme Court, and all other Officers of the United States, whose Appointments are not herein otherwise provided for, and which shall be established by Law: but the Con- gress may by law vest the Appointment of such inferior Officers, as they think proper, in the President alone, in the Courts of Law, or in the Heads of the department.
    [Show full text]
  • NATHAN LYONS: Final Chapter
    NATHAN LYONS: Final Chapter March 27 - April 2, 2017 Reception: Friday March 31, 7-10pm Affirmation Arts 523 W 37th Street In honor of the renowned photographer, educator, lecturer, author, and curator Nathan Lyons, Bruce Silverstein is pleased to present, in association with Affirmation Arts, Nathan Lyons: Final Chapter. This exhibition marks the first occasion that this legendary artist’s color photographs will be seen by the public. It represents the fifth and final installment of a photographic opus spanning five decades, illustrating the artist’s intention of creating and transmitting a unique visual language through photography. This exclusive first look will be a prelude to his upcoming exhibition at the George Eastman Museum in 2019. Nearly 50 years have passed since the publication of his seminal book, Notations in Passing (1971), born out of his larger, extraordinary body of work bearing the same title. The images comprising this now-iconic compilation would be the artist’s first series of ‘snapshots’. This series sought to document the American ethos of 1962-1974 through the ubiquitous vernacular elements dispersed throughout the suburban landscape. Lyons would often focus on specific advertisements, posters, signage, drawings, and graffiti–lending a voice to the otherwise fading, forgotten script. Notations in Passing was also groundbreaking in its introduction of the artist's keen interest in photographic sequencing, often laying out seemingly disparate images in pairs, allowing a range of meaning to emerge through such juxtaposition. The snapshot, not as product but as process. Unpretentious and yet important, aspiring to nothing but a notation in passing. Things as they are, or what we make of them? In attempting to let objects be, objects and object spaces, to form simultaneously a neutral yet actively observational position, to combine ‘non-photographs’ as photographs.
    [Show full text]
  • 2014-2015 Impact Report
    IMPACT REPORT 2014-2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION ABOUT THE IWMF Our mission is to unleash the potential of women journalists as champions of press freedom to transform the global news media. Our vision is for women journalists worldwide to be fully supported, protected, recognized and rewarded for their vital contributions at all levels of the news media. As a result, consumers will increase their demand for news with a diversity of voices, stories and perspectives as a cornerstone of democracy and free expression. Photo: IWMF Fellow Sonia Paul Reporting in Uganda 2 IWMF IMPACT REPORT 2014/2015 INTERNATIONAL WOMEN’S MEDIA FOUNDATION IWMF BOARD OF DIRECTORS Linda Mason, Co-Chair CBS News (retired) Dear Friends, Alexandra Trower, Co-Chair We are honored to lead the IWMF Board of Directors during this amazing period of growth and renewal for our The Estée Lauder Companies, Inc. Cindi Leive, Co-Vice Chair organization. This expansion is occurring at a time when journalists, under fire and threats in many parts of the Glamour world, need us most. We’re helping in myriad ways, including providing security training for reporting in conflict Bryan Monroe, Co-Vice Chair zones, conducting multifaceted initiatives in Africa and Latin America, and funding individual reporting projects Temple University that are being communicated through the full spectrum of media. Eric Harris, Treasurer Cheddar We couldn’t be more proud of how the IWMF has prioritized smart and strategic growth to maximize our award George A. Lehner, Legal Counsel and fellowship opportunities for women journalists. Through training, support, and opportunities like the Courage Pepper Hamilton LLP in Journalism Awards, the IWMF celebrates the perseverance and commitment of female journalists worldwide.
    [Show full text]
  • George Eastman Museum Annual Report 2016
    George Eastman Museum Annual Report 2016 Contents Exhibitions 2 Traveling Exhibitions 3 Film Series at the Dryden Theatre 4 Programs & Events 5 Online 7 Education 8 The L. Jeffrey Selznick School of Film Preservation 8 Photographic Preservation & Collections Management 9 Photography Workshops 10 Loans 11 Objects Loaned for Exhibitions 11 Film Screenings 15 Acquisitions 17 Gifts to the Collections 17 Photography 17 Moving Image 22 Technology 23 George Eastman Legacy 24 Purchases for the Collections 29 Photography 29 Technology 30 Conservation & Preservation 31 Conservation 31 Photography 31 Moving Image 36 Technology 36 George Eastman Legacy 36 Richard & Ronay Menschel Library 36 Preservation 37 Moving Image 37 Financial 38 Treasurer’s Report 38 Fundraising 40 Members 40 Corporate Members 43 Matching Gift Companies 43 Annual Campaign 43 Designated Giving 45 Honor & Memorial Gifts 46 Planned Giving 46 Trustees, Advisors & Staff 47 Board of Trustees 47 George Eastman Museum Staff 48 George Eastman Museum, 900 East Avenue, Rochester, NY 14607 Exhibitions Exhibitions on view in the museum’s galleries during 2016. Alvin Langdon Coburn Sight Reading: ONGOING Curated by Pamela G. Roberts and organized for Photography and the Legible World From the Camera Obscura to the the George Eastman Museum by Lisa Hostetler, Curated by Lisa Hostetler, Curator in Charge, Revolutionary Kodak Curator in Charge, Department of Photography Department of Photography, and Joel Smith, Curated by Todd Gustavson, Curator, Technology Main Galleries Richard L. Menschel
    [Show full text]
  • Contemporary Nostalgia
    Contemporary Nostalgia Edited by Niklas Salmose Printed Edition of the Special Issue Published in Humanities www.mdpi.com/journal/humanities Contemporary Nostalgia Contemporary Nostalgia Special Issue Editor Niklas Salmose MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Niklas Salmose Linnaeus University Sweden Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Humanities (ISSN 2076-0787) from 2018 to 2019 (available at: https://www.mdpi.com/journal/ humanities/special issues/Contemporary Nostalgia). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-556-0 (Pbk) ISBN 978-3-03921-557-7 (PDF) Cover image courtesy of Wikimedia user jarekt. Retrieved from https://commons.wikimedia.org/ wiki/File:Cass Scenic Railroad State Park - Shay 11 - 05.jpg. c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND. Contents About the Special Issue Editor ...................................... vii Niklas Salmose Nostalgia Makes Us All Tick: A Special Issue on Contemporary Nostalgia Reprinted from: Humanities 2019, 8, 144, doi:10.3390/h8030144 ...................
    [Show full text]