Awarded Action Grants Fiscal Year 2021, Q1
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Science Fiction and the Black Political Imagination A
UNIVERSITY OF CALIFORNIA RIVERSIDE On Queens and Monsters: Science Fiction and the Black Political Imagination A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies by Jalondra Alicia Davis September 2017 Dissertation Committee: Dr. Jayna Brown, Chairperson Dr. Jodi Kim Dr. Erica Edwards Copyright by Jalondra Alicia Davis 2017 The Dissertation of Jalondra Alicia Davis is approved: Committee Chairperson University of California, Riverside Acknowledgments I would like to thank my committee chair, Jayna Brown for your time, support, and careful readings of my writing for these past four years. I would like to thank past and current committee members Jodi Kim, Eric Edwards, Dylan Rodriguez and Ashon Crawley for your thoughtful comments and questions as I made my way through this project. Thank you to the ETST comrades who so generously gave your food, showers, and couches during my years of commuting. Great thanks to all of the faculty, students, and staff at California State University, Dominguez Hills and University of California, Riverside who have offered me your brilliance, humor, advice, and friendship. Special thanks also to off-campus mentors and my Black Women Write group members, who each held me up through this more times than you know. Thank you to my family, who supported me, believed in me, and helped make my doctorate possible even when you didn’t quite understand my work. Within my family I include my dearest friends—you know who you are. A special thanks to my little sister Tiffany Aliyah, who cared for my child like he was your own so often over the past two years. -
CARNIVAL and OTHER SEASONAL FESTIVALS in the West Indies, USA and Britain
CORE Metadata, citation and similar papers at core.ac.uk Provided by SAS-SPACE CARNIVAL AND OTHER SEASONAL FESTIVALS in the West Indies, U.S.A. and Britain: a selected bibliographical index by John Cowley First published as: Bibliographies in Ethnic Relations No. 10, Centre for Research in Ethnic Relations, September 1991, University of Warwick, Coventry, CV4 7AL John Cowley has published many articles on blues and black music. He produced the Flyright- Matchbox series of LPs and is a contributor to the Blackwell Guide To Blues Records, and Black Music In Britain (both edited by Paul Oliver). He has produced two LPs of black music recorded in Britain in the 1950s, issued by New Cross Records. More recently, with Dick Spottswood, he has compiled and produced two LPs devoted to early recordings of Trinidad Carnival music, issued by Matchbox Records. His ‗West Indian Gramophone Records in Britain: 1927-1950‘ was published by the Centre for Research in Ethnic Relations. ‗Music and Migration,‘ his doctorate thesis at the University of Warwick, explores aspects of black music in the English-speaking Caribbean before the Independence of Jamaica and Trinidad. (This selected bibliographical index was compiled originally as an Appendix to the thesis.) Contents Introduction 4 Acknowledgements 7 How to use this index 8 Bibliographical index 9 Bibliography 24 Introduction The study of the place of festivals in the black diaspora to the New World has received increased attention in recent years. Investigations range from comparative studies to discussions of one particular festival at one particular location. It is generally assumed that there are links between some, if not all, of these events. -
All Responses Must Be No Later Than May 30Th Pentecost Sunday May 24
ST. VINCENT DE PAUL EUCHARTSTIC MINISTRY 8 St. Vincent De Paul Camp The Eucharistic Ministry of St. Charles Borromeo/ Chapel of the Putnam, NY Resurrection will have its Second Annual Corpus Christi Prayer Boys age 6-13 Girls Age 6-12 Service and Luncheon on Parents and Children are asked to attend Saturday, June 6, 2015 10:00AM-2:00PM Church of St. Charles Borromeo and Chapel of the Resurrection 211 West 141 Street, New York, New York 10030 276 West 151 Street, New York, New York 10039 MOTHER’S DAY NOVENA & MASSES 212 -281-2100 Fax 212- 862-1881 212 -281-2100 Fax 212 -862-1881 Donations: In Honor Of: Camp Meeting Kathleen Henry Genova Rivera Pentecost Sunday th June 4 2015 @ 6:30 PM May 24, 2015 Kennedy Center In Memory Of: 34 West 134th St th + Liz Garcia (Between 5 Ave and Lenox Ave.) In Residence +Quisqrella Ortiz Reverend Gregory C. Chisholm, SJ. NY, NY 10037 Pastor ~ email address: [email protected] 212 862-6401 Reverend Marcel Amadi +Virginia Riley Monsignor John Meehan Reverend Thomas Mestriparampil Deacon Rodney A. Beckford PINKSTER WEEK CELEBRATION Deacon Miguel Granda Deacon Kenneth Radcliffe Pinkster Week Celebration, the oldest African-American Holiday! THE WORD OF THE LORD Visiting Clergy Monday, May 25, Memorial Day, at Grant’s Tomb from 12 -4 PM, 122nd & Riverside Drive celebrating Acts of the Apostles 2 : 1-11 Reverend James Goode, OFM the Black regiments from New York that fought in the Civil War in remembrance of the ending of Reverend Emmanuel Okpalauwaekwe Psalm 104: 1, 24, 29-30, 31, 34 that conflict 150 years ago. -
Day of Pentecost
Festival &eucharist baptism day of Pentecost trinity church in the city ofboston Welcome to Trinity Church Whether you have worshiped here for years or are visiting our Episcopal Church for the first time, we are glad you are with us. We invite all to enter fully into worship and to explore the variety of learning, small group, and service opportunities that are part of our life together. To learn more, visit trinitychurchboston.org and click on New to Trinity, or contact Mark Kharas, at [email protected], 617-536-0944 x360. Prelude Nun butten weir den Heileigen Geist Dietrich Buxtehude (1637-1707) Word of God Please stand and join in singing all hymns. Hymn in Procession 225 Hail thee, festival day! (Salve festa dies) Baptismal Acclamation Alleluia. Christ is risen. The Lord is risen indeed. Alleluia. There is one Body and one Spirit; There is one hope in God’s call to us; One Lord, one Faith, one Baptism; One God and Father of all. Collect of the Day Remain standing. The Lord be with you. And also with you. Let us pray. Almighty God, on this day you opened the way of eternal life to every race and nation by the promised gift of your Holy Spirit: Shed abroad this gift throughout the world by the preaching of the Gospel, that it may reach to the ends of the earth; through Jesus Christ our Lord, who lives and reigns with you, in the unity of the Holy Spirit, one God, for ever and ever. Amen. First Reading Be seated. -
Ephemera Labels WWAR EPHEMERA LABELS 1 EXTENDED LABELS
We Wanted a Revolution: Black Radical Women, 1965-85 Ephemera Labels WWAR EPHEMERA LABELS 1 EXTENDED LABELS Larry Neal (Born 1937 in Atlanta; died 1981 in Hamilton, New York) “Any Day Now: Black Art and Black Liberation,” Ebony, August 1969 Jet, January 28, 1971 Printed magazines Collection of David Lusenhop During the Civil Rights and Black Power Movements, publications marketed toward black audiences chronicled social, cultural, and political developments, covering issues of particular concern to their readership in depth. The activities and development of the Black Arts Movement can be traced through articles in Ebony, Black World, and Jet, among other publications; in them, artists documented the histories of their collectives and focused on the purposes and significance of art made by and for people of color. WWAR EPHEMERA LABELS 2 EXTENDED LABELS Weusi Group Portrait, early 1970s Photographic print Collection of Ronald Pyatt and Shelley Inniss This portrait of the Weusi collective was taken during the years in which Kay Brown was the sole female member. She is seated on the right in the middle row. WWAR EPHEMERA LABELS 3 EXTENDED LABELS First Group Showing: Works in Black and White, 1963 Printed book Collection of Emma Amos Jeanne Siegel (Born 1929 in United States; died 2013 in New York) “Why Spiral?,” Art News, September 1966 Facsimile of printed magazine Brooklyn Museum Library Spiral’s name, suggested by painter Hale Woodruff, referred to “a particular kind of spiral, the Archimedean one, because, from a starting point, it moves outward embracing all directions yet constantly upward.” Diverse in age, artistic styles, and interests, the artists in the group rarely agreed; they clashed on whether a black artist should be obliged to create political art. -
Life at Maripaston
LIFE AT MARIPASTON JOHANNES KING and NOAH AD RAl VERHANDELINGEN VAN HET KONINKLIJK INSTITUUT VOOR TAAL-, LAND- EN VOLKENKUNDE 64 JOHANNES KING LIFE AT MARIPASTON edited hy H. F. DE ZIEL THE HAGUE - MARTINUS NIJHOFF 1973 Published trom a manuscript by the Matuari Bush Negro Johannes King, edited by H. F. de Ziel under the super vision ot J. Voorhoeve. The translation ot the Introduction and Summary trom Dutch into English was made by Miss M. J. L. van Yperen. Grants trom the Suriname Government and Sticusa made the edition and translation possible. J.S.B.N.90.247.1527X PREFACE The Matuari Bush Negro Johannes King (ca. 1830-1898) taught himself to read and write at an advanced age. Throughout his life he was fascinated by the possibilities of bridging with the written word the gap with later generations. He particularly wanted to see two of his works published: his 'Book of Horrors' (containing accounts of his dreams and visions, among other subjects), and the present book, which we have given the title 'Life at Maripaston'. King wanted to explain to later generations what was at the root of the problems between him and his elder brother, chief Noah Adrai, representatives respectively of the church and the state at the village level. King wanted to justify his life in the eyes of the church and of his own tribesmen. The book constitutes, therefore, an important contribution to the church history of Surinam, but at the same time offers interesting insights into the life of the Bush Negro communities in Surinam. -
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture
Representations of Blackface and Minstrelsy in Twenty- First Century Popular Culture Jack HARBORD School of Arts and Media University of Salford, Salford, UK Submitted in Partial Fulfilment of the Requirements of the Degree of Doctor of Philosophy, June 2015 Table of Contents List of Figures iii Acknowledgements vii Abstract viii Introduction 1 1. Literature Review of Minstrelsy Studies 7 2. Terminology and Key Concepts 20 3. Source Materials 27 4. Methodology 39 5. Showing Blackface 5.1. Introduction 58 5. 2. Change the Joke: Blackface in Satire, Parody, and Irony 59 5. 3. Killing Blackface: Violence, Death, and Injury 95 5. 4. Showing Process: Burnt Cork Ritual, Application, and Removal 106 5. 5. Framing Blackface: Mise-en-Abyme and Critical Distance 134 5. 6. When Private goes Public: Blackface in Social Contexts 144 6. Talking Blackface 6. 1. Introduction 158 6. 2. The Discourse of Blackface Equivalency 161 6. 3. A Case Study in Blackface Equivalency: Iggy Azalea 187 6. 4. Blackface Equivalency in Non-African American Cultural Contexts 194 6. 5. Minstrel Show Rap: Three Case Studies 207 i Conclusions: Findings in Contemporary Context 230 References 242 ii List of Figures Figure 1 – Downey Jr. playing Lazarus playing Osiris 30 Figure 2 – Blackface characters in Mantan: The New Millennium Minstrel Show 64 Figure 3 – Mantan: Cotton plantation/watermelon patch 64 Figure 4 – Mantan: chicken coup 64 Figure 5 – Pierre Delacroix surrounded by African American caricature memorabilia 65 Figure 6 – Silverman and Eugene on return to café in ‘Face -
The History of Photography: the Research Library of the Mack Lee
THE HISTORY OF PHOTOGRAPHY The Research Library of the Mack Lee Gallery 2,633 titles in circa 3,140 volumes Lee Gallery Photography Research Library Comprising over 3,100 volumes of monographs, exhibition catalogues and periodicals, the Lee Gallery Photography Research Library provides an overview of the history of photography, with a focus on the nineteenth century, in particular on the first three decades after the invention photography. Strengths of the Lee Library include American, British, and French photography and photographers. The publications on French 19th- century material (numbering well over 100), include many uncommon specialized catalogues from French regional museums and galleries, on the major photographers of the time, such as Eugène Atget, Daguerre, Gustave Le Gray, Charles Marville, Félix Nadar, Charles Nègre, and others. In addition, it is noteworthy that the library includes many small exhibition catalogues, which are often the only publication on specific photographers’ work, providing invaluable research material. The major developments and evolutions in the history of photography are covered, including numerous titles on the pioneers of photography and photographic processes such as daguerreotypes, calotypes, and the invention of negative-positive photography. The Lee Gallery Library has great depth in the Pictorialist Photography aesthetic movement, the Photo- Secession and the circle of Alfred Stieglitz, as evidenced by the numerous titles on American photography of the early 20th-century. This is supplemented by concentrations of books on the photography of the American Civil War and the exploration of the American West. Photojournalism is also well represented, from war documentary to Farm Security Administration and LIFE photography. -
Circle of Remembrance: Memorial to the Enslaved of African Ancestry” April 16, 2021
Village of Irvington RFQ Design Professional for a Memorial Space “Circle of Remembrance: Memorial to the Enslaved of African Ancestry” April 16, 2021 1. PROJECT OVERVIEW The Village of Irvington is soliciting Statements of Qualifications from design firms for work associated with the Village of Irvington project. The goals of the project are: To design a space for contemplation, reflection, remembrance and learning about the enslaved of African ancestry who lived and died here To design a space for public use on Village property To design a sitting area within the space for small groups (adults or children) to engage in an organized learning experience, or for individuals, couples or small groups to use for personal contemplation To include in the design supporting informational signage and/or engraved textual information for those who visit the location (texts may be both historic and poetic) To include near the space, wayfinding signage To consider including in the design, features of “circle” and ways to convey “reflection” Illustrative Example: The core element would be a circular stone bench, perhaps 15 feet in diameter, located in the widest area of the triangular park (the north end). This bench might have one or two openings in it to allow easy egress (so, two semi-circles). The circular space in the middle of the benches would hold engraved remembrance text. This central area might be raised as a table-like feature, or could be left at grade. (If raised, this area would be potentially useful flat surface for teachers and students.) Existing walls could be enhanced or raised where necessary, and informational signage and a map could be mounted on the wall if appropriate. -
We Wanted a Revolution: Black Radical Women, 1965–85 This
We Wanted a Revolution: Black Radical Women, 1965–85 This exhibition presents the work of more than forty artists and activists who built their careers—and committed themselves to political change—during a time of social tumult in the United States. Beginning in the 1960s, a number of movements to combat social injustice emerged, with the Black Power, Civil Rights, and Women’s Movements chief among them. As active participants in the contemporary art world, the artists in this exhibition created their own radical feminist thinking—working broadly, on multiple fronts—to combat sexism, racism, homophobia, and classism in the art world and within their local communities. As the second-wave Feminist Movement gained strength in the 1970s, women of color found themselves working with, and at times in opposition to, the largely white, middle- class women primarily responsible for establishing the tone, priorities, and methods of the fight for gender equity in the United States. Whether the term feminism was used or not— and in communities of color, it often was not—black women envisioned a revolution against the systems of oppression they faced in the art world and the culture at large. The artists of We Wanted a Revolution employed the emerging methods of conceptual art, performance, film, and video, along with more traditional forms, including printmaking, photography, and painting. Whatever the medium, their innovative artmaking reflected their own aesthetic, cultural, and political priorities. Favoring radical transformation over reformist gestures, these activist artists wanted more than just recognition within the existing professional art world. Instead, their aim was to revolutionize the art world itself, making space for the many and varied communities of people it had largely ignored. -
Vivian Browne’S Tantrum-Throwing Subjects Epitomize White-Male Privilege by Victoria L
Artist Vivian Browne’s Tantrum-Throwing Subjects Epitomize White-Male Privilege by Victoria L. Valentine May 12, 2019 “Seven Deadly Sins” (c. 1968) by Vivian Browne WHEN AFRICAN AMERICAN ARTISTS were weighing issues of race and representation in the 1960s, Vivian Browne (1929-1993) went in a unique direction. She began making drawings and paintings of white men in various states of rant, rage, and rebellion. Their white dress shirts and neckties indicate a certain professional status. They are men of privilege and power whose behavior is debasing. Considered her first major body of work, Browne called the series Little Men. Her subjects clench their fists and cross their arms in frustration, guzzle sloppily from bottles, and grasp their crotches pleasuring themselves. One holds his mouth wide open performing a vocal tantrum. In “Seven Deadly Sins,” a subject literally puts his foot in his mouth. Another work is titled “Wall Street Jump,” indicating the social realm, mindset, and financial status of its subjects. The expressive images make a political statement about white male patriarchy. Meanwhile, Browne’s masterful use of color serves a variety of purposes—defining space, indicating emotion, and guiding the viewer’s eye. The scenes that unfold across the 50-year-old works portray stereotyped personas that resonate today, calling to mind 21st century phenomena—the actions of those who might rail against “reverse” discrimination, the shameful and more blatant behavior exhibited by targets of the #MeToo Movement, and the brazen conduct of the current President of the United States. Installation view of “Vivian Browne: Little Men,” (Feb. -
THE HUDSON RIVER VALLEY REVIEW a Journal of Regional Studies
SPRING 2018 THE HUDSON RIVER VALLEY REVIEW A Journal of Regional Studies The Hudson River Valley Institute at Marist College is supported by a major grant from the National Endowment for the Humanities. This issue of The Hudson River Valley Review has been generously underwritten by the following: Peter Bienstock THE POUGHKEEpsIE GRAND HOTEL SHAWANGUNK VALLEY AND CONFERENCE CENTER …centrally located in the Historic Hudson Valley CONSERVANCY midway between NYC and Albany… Conservation • Preservation • Education www.pokgrand.com From the Editors Welcome to our bigger, and more expansive, issue of The Hudson River Valley Review. As well as the enlarged format, we’ve widened the publication’s scope to accommodate more than 300 years of history. And while the topics covered in this issue might be broadly familiar, each essay offers details that reveal refreshing new insight. While the origins and evolution of Pinkster may be debatable, its celebration in seventeenth-century New Netherland offered an opportunity for residents—including enslaved African Americans—to relax, enjoy and express themselves. In the years leading up to the American Revolution, a French emigrant farmer drafted chapters of a book describing his new home in Orange County. These now-classic recollections would not be published until after he had been accused of disloyalty and chased out of the country. His eventual return—and the story of his trials and travels—is the stuff of cinema. In the early nineteenth century, another globetrotting writer, Washington Irving, helped to mold the young nation with his fiction and biographies. But the story of Irving’s own life is best conveyed at Sunnyside, his Westchester home, now preserved as a museum.