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ISSUE 2 - APRIL 2012 WWW.LATINLOVER.US THE ULTIMATE LATIN LOVER MEET JONATHAN BARBIERI A TASTE OF MEXICO ROAM THE STREETS OF MEXICO CITY THROUGH CHEF FROM VENEZUELA WITH LOVE: JULIAN CARACAS MEDINA’S AREPA BAR FAVORITE RECIPE RIVIERA MAYA: SALUD! WHERE THE PAST LIVES @AMARU: IN THE PRESENT THE FIRST PISCO BAR IN NEW YORK DIVEDIVE INTOINTO THETHE HIDDENHIDDEN ISLAND OF HOLBOX Tourism Board COVER PHOTO Rustic bright-colored fishing village of Holbox. Photo by Melissa Franchy CONTENT: A TASTE OF MEXICO p12 p40 p48 p58 p88 PLACE OF DEPARTURE RIVIERA MAYA: WHERE HOLBOX-MEXICO: MADE IN MEXICO: THE ULTIMATE Story by THE PAST LIVES IN THE THE DOMINO EFFECT EMBARK ON AN LATIN LOVER Margarita Larios PRESENT Story by IMAGINARY TRIP TO Story by Story by Melissa Franchy MEXICO CITY THROUGH R.E. Toledo Jessica Solt CHEF JULIAN MEDINA’S FAVORITE RECIPE Interview by Margarita Larios CARNITAS DE LECHON By chef Julian Medina www. toloachenyc.com POSTER DESIGN BY LAS HERMANAS IGLESIAS “As some of our work has explored the idea of mash-ups or fusions, we also thought it would be interesting to think about overlaps in the cuisine and what Norwegian-Dominican fusion food might taste like...” CONTENT p9 p16 p24 CONTRIBUTORS: FEATURED BAR: ABUELA’S RECIPE: MEET THE TEAM AMARU PISCO BAR TRINA BARDUSCO, Story by SHARES HER ABUELA’S Benny Chueca RECIPE Photos by Juan Ayora p32 p76 p80 FEATURED RESTAURANT: DISCOVER PRIORAT’S FEATURED ARTIST: CARACAS AREPA BAR WINE LAS HERMANAS IGLESIAS Story by Story by Interview by Brian Waniewski Alexandre Surralles Laura González CONTRIBUTORS MICHAEL BERMAN PHOTOGRAPHER Michael Berman is a food-focused photographer and writer whose work has appeared in the New York Daily News, The New York Times, and the Edible magazines of Manhattan, Brooklyn, and Queens; as well as in advertisements and materials for PNC Bank, Peter Luger Restaurant, and Pio Pio restaurants. His photography can be seen at www.msbphotography.com. His food blog is www.pizzacentric.com. TERRITORIES FOR OUR MAPS BENNY CHUECA WRITER Benny Chueca is a Peruvian journalist currently based in New York City, where he completed an MFA The images of Mexico, lindo y querido, are so many that everyone has program in Creative Writing in Spanish at New York University. He reports for newspapers and magazines in Founding Editor-in-Chief his or her own beliefs and personal maps about this ancient and big his country and is also finishing his first novel. Set in Lima, Peru, it follows two teenagers who are squandering Chris Yong-García country. But “the map is not the territory,” observed Alfred Korzybski, their chances to make a future for themselves while trying to have some fun during the violent final years of to caution us that an abstraction drawn from our beliefs is not the thing the 1980s. He also teaches Spanish in prestigious New York institutions, such as NYU, Cervantes Institute and Queen Sophia Institute. Associate Editors itself. Through the pages of our second issue, Latin Lover has created a Melissa Franchy territory for various food & travel maps of Mexico. Suzanne Oboler PAKO DOMINGUEZ Brian Waniewski PHOTOGRAPHER We explore Mexico from the hidden treasures of Holbox Island to the Pako Dominguez is an experienced photographer who takes enormous pleasure in being part of your special Riviera Maya and Oaxaca, with a photo-stop in today’s Tenochtitlan day. He will document your exceptional moments with candid, lively, artfully-crafted photographs. Pako Consulting Editors and then back to New York, where chef Julian Medina introduces us has photographed weddings and events internationally and offers excellent, personalized services in English, Jorge Ochoa to his favorite recipe, tacos de suadero, a knockout version of a Mexico Spanish or French. www.phototeka.net Camila Valdeavellano City street-food classic. Art Direction & Graphic Design MELISSA FRANCHY Eyestorm Design Studio We also bring you a portrait of the talented American-Dominican- WANDERLUSTER Norwegian Hermanas Iglesias, a grandma’s delicious coconut risotto Melissa Franchy is a photographer, traveler, foodie, scuba diver and art lover, who is passionate about exploring recipe, authentic Venezuelan arepas in Manhattan and more. While the world broadly and authentically. Her travel research has taken her from swimming with whale sharks Producers drawing your own maps, you can taste a Catalonian Priorat or surrender in Holbox, Mexico to learning how to cook Vietnamese food on an authentic junk boat over Halong Bay, Melissa Franchy your soul to a Pierde Almas. Vietnam to camping in carpet tents on the Moroccan desert tasting tagine made by her nomadic Berber hosts. Chris Yong-García Born in Peru, Melissa moved to NYC 12 years ago. She has studied International Business and Photography. Her love for food, travel and global culture drives her to always crave her next travel adventure. Translation Buen viaje! Melissa Franchy Margarita Larios LAURA GONZÁLES WRITER Laura was born and raised in San Juan, Puerto Rico, and moved to the cold American northeast in 2007. Based in New York City, she is a contributing writer for several arts publications, specializing in contemporary art, artists and events. As a cataloguer at Phillips de Pury & Company, she oversees the production of the auction catalogues for contemporary and Latin American sales. CHRIS YONG-GARCÍA FOUNDING EDITOR-IN-CHIEF MARGARITA LARIOS WRITER Margarita Larios was born and grew up in Mexico City. She received her bachelor´s degree in Latin American Literature from the Universidad Iberoamericana and collaborated as a copy editor for several magazines published by Editorial Expansión. She currently lives in New York, where she recently graduated from NYU´s MFA in Creative Writing in Spanish and, among other projects, is working on her first novel. LATIN LOVER Food & Travel Magazine is a publication of Garcia Media LLC, 629 West 135th Street, # 65 New York, NY 10031. © Copyright 2012 Garcia Media LLC and the individual contributors. Issue #2 is a limited edition publication with no commercial value printed by Citygraphics, New York, NY. 8 9 CONTRIBUTORS CONTRIBUTORS SUZANNE OBOLER CAMILA VALDEAVELLANO EDITOR VISUAL ARTIST Suzanne Oboler is Professor of Latin American and Latina/o Studies at John Jay College, of the City Born in Lima in 1973, Camila has a degree in Interior Architecture & Object Design at École Camondo in University of New York. She is Founding Editor of the academic journal, Latino Studies. Her research centers Paris. She has created set designs for dance, theatre and film productions; illustrated publications, and designed on human rights with a focus on Latino immigrant incarceration, and on race, immigration and belonging commercial and industrial products. Memorias de Salmo Trutta (2007), her first stop-motion animation film, in the Americas. She is the author of Ethnic Labels, Latino Lives: Identity and the Politics of (Re)Presentation co-directed in NY with Cayetana Carrion, was exhibited in diverse international film festivals and has won in the United States; editor of Latinos and Citizenship: The Dilemma of Belonging and Behind Bars: Latino/as two awards in Peru. Currently, she is living in Rio de Janeiro with her husband and daughter. and Prison in the United States; and co-editor of Neither Enemies nor Friends: Latinos, Blacks, Afro-Latinos. She is also co-editor in chief of The Oxford Encyclopedia of Latino/as in the United States(4 volumes) and of the forthcoming 2-volume, Oxford Encyclopedia of Latinos and Latinas in Contemporary Politics, Law and Social Movements. NEAL PATRICK PHOTOGRAPHER JORGE OCHOA Neal Patrick is from the mid-west and raised in Minnesota not far from where Bob Dylan was born. Traveling PHOTOGRAPHER and music brought Neal Patrick to the camera. Moving to NYC after a science degree in photography at After working as a Photojournalist in newspapers and magazines in Perú for 10 years, Jorge moved to New Daytona Beach, Florida in 2000, Neal has been photographing in Strawberry Fields and had his first exhibit York to study Photography at the International Center of Photography. He then worked as a master color in London at Intoxica Gallery in 2004. More recently, he has traveled extensively in India over the past five printer for top fashion photographers. Today, Jorge is a freelance portrait photographer and is developing years and plans on publishing his first book. personal art photography projects. He’s also learning Digital Design to complement his skills as an image- maker. BRIAN WANIEWSKI MIOZOTIS PUMAROL WRITER ILLUSTRATOR Brian Waniewski is a poet, futurist and management and marketing consultant. He is cofounder and Miozotis Pumarol is a Jill of all trades having worked in mediums such as fashion design, illustration, styling, managing partner of the global future forecasting firm, Popular Operations, where he helps top organizations jewelry making, photography and film production. A native New Yorker, she is a first-generation American identify emerging opportunities, develop new visions and strategize to create new possibilities within existing from a Dominican family. She is a proud advocate of uptown, Spanish rock and sensuality. Harnessing a structures. He also serves as managing director at the Institute of Play, a New York-based non-profit innovating passion for the aesthetics of desire, her work always comes across as beautiful and alluring. The underground at the intersection of games and learning. Brian studied history and literature in the US and Berlin and is culture of urban Hispanics has been a defining influence, implementing itself as a controlled chaos that can currently on a crash course in Latin culture thanks to his Brazilian-Peruvian wife and baby daughter. be seen in a lot of her work. Miozotis is also known artistically as miopuma, but most of her friends call her mio. Presently working on personal projects, and is residing happily in the hills with her lover and two dogs.
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    D.R. © 2011 Universidad Nacional Autónoma de México Ciudad Universitaria, Delegación Coyoacán, C.P. 04510 México, Distrito Federal Museo Experimental El Eco www.eleco.unam.mx Queda prohibida la reproducción parcial o total por cualquier medio de la presente obra, sin contar previamente con la autorización escrita del titular de los derechos patrimoniales. Los editores han hecho su mejor esfuerzo para localizar a los dueños de los derechos de cada obra. Todos los derechos reservados./No part of this book may be reproduced in any form, except where permitted by the intelectual property rights holders and the publishers. The editors have strongly tried to find the rights holders of each work of art here published. All rights reserved. Primera edición/First Edition Ciudad de México, 2011 16 de junio 2011 Impreso y hecho en México/Printed and bound in Mexico ISBN 978-607-02-2426-3 MANIFIESTO DE LA ARQUITECTURA EMOCIONAL MATHIAS GOERITZ 1953 El nuevo “museo experimental”: EL ECO, en la ciudad de México, empieza sus actividades, es decir sus ex- perimentos, con la obra arquitectónica de su propio edificio. Esta obra fue comprendida como ejemplo de una arquitectura cuya principal función es LA EMOCIÓN. El arte en general, y naturalmente también la arquitectura, es un reflejo del estado espiritual del hombre en su tiempo. Pero existe la impresión de que el arquitecto moderno, individualizado e intelectual, está exagerando a veces —quizá por haber perdido el contacto estrecho con la comunidad—, al querer destacar demasiado la parte racional de la arquitectura. El resultado es que el hombre del siglo XX se siente aplastado por tanto “funcionalismo”, por tanta lógica y utilidad dentro de la arquitectura moderna.
  • Tlatelolco 1968 Massacre and Poetic Debates on the History of Violence

    Tlatelolco 1968 Massacre and Poetic Debates on the History of Violence

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Bedfordshire Repository Between the Stone and the Mirror: Tlatelolco 1968 Massacre and Poetic Debates on the History of Violence Victoria Carpenter, York St John University, UK On 2 October 1968, ten days before the Olympic Games began in Mexico, a student demonstration in the Plaza of Three Cultures in the Tlatelolco district of the capital was attacked by the army, paramilitary squads and police. Many were killed, including residents of the apartment blocks in the square. The massacre soon became the subject of many debates, studies, and literary works, whose aim is to keep the event alive in the collective memory and to tell “the truth” about what happened that night. The first poetic responses to the massacre told the story of the Spanish Conquest of the Aztec empire as a metaphor or the Tlatelolco massacre. We shall explore these texts to determine whether the parallels drawn between the Tlatelolco 1968 massacre and the pivotal events in Mexican history reveal the habitual or affective nature of “2 de octubre.” The analysis is based on the theory of posthegemony with a particular focus on the notions of affect and habit, exploring these in the context of Maurice Halbwachs’s theory of collective memory. The essay focuses on the hitherto unexplored theoretical perspective of the posthegemonic nature of a violent event’s symbolic value. 2 1968 was a year of worldwide turmoil and Mexico was no exception. In preparation for the Olympic Games (opening on 12 October in the capital), Mexico found itself amidst student protests and strikes by teachers, university professors, doctors and railroad workers.