III Conference Brochure Mexico City 2014
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Gallery of Mexican Art
V oices ofMerico /January • March, 1995 41 Gallery of Mexican Art n the early the 1930s, Carolina and Inés Amor decided to give Mexico City an indispensable tool for promoting the fine arts in whatI was, at that time, an unusual way. They created a space where artists not only showed their art, but could also sell directly to people who liked their work. It was a place which gave Mexico City a modem, cosmopolitan air, offering domestic and international collectors the work of Mexico's artistic vanguard. The Gallery of Mexican Art was founded in 1935 by Carolina Amor, who worked for the publicity department at the Palace of Fine Arts before opening the gallery. That job had allowed her to form close ties with the artists of the day and to learn about their needs. In an interview, "Carito" —as she was called by her friends— recalled a statement by the then director of the Palace of Fine Arts, dismissing young artists who did not follow prevailing trends: "Experimental theater is a diversion for a small minority, chamber music a product of the court and easel painting a decoration for the salons of the rich." At that point Carolina felt her work in that institution had come to an end, and she decided to resign. She decided to open a gallery, based on a broader vision, in the basement of her own house, which her father had used as his studio. At that time, the concept of the gallery per se did not exist. The only thing approaching it was Alberto Misrachi's bookstore, which had an The gallery has a beautiful patio. -
THE REBOZO Marta Turok [email protected]
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2016 SOME NATIONAL GOODS IN 1871: THE REBOZO Marta Turok [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Turok, Marta, "SOME NATIONAL GOODS IN 1871: THE REBOZO" (2016). Textile Society of America Symposium Proceedings. 993. http://digitalcommons.unl.edu/tsaconf/993 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Crosscurrents: Land, Labor, and the Port. Textile Society of America’s 15th Biennial Symposium. Savannah, GA, October 19-23, 2016. 511 SOME NATIONAL GOODS IN 1871: THE REBOZO1 Marta Turok [email protected], [email protected] The history of rebozos and jaspe (ikat) in Mexico still presents many enigmas and fertile field for research. Public and private collections in Mexican and foreign museums preserve a variety of rebozos from the mid-18th through the 20th centuries. However, it has been complicated to correlate these extant pieces with exact places of production and dates. Other sources such as written accounts and images focus mostly on their social uses, sometimes places of production or sale are merely mentioned yet techniques and designs are the information least dealt with. -
The Mexican General Officer Corps in the US
University of New Mexico UNM Digital Repository Latin American Studies ETDs Electronic Theses and Dissertations 12-1-2011 Valor Wrought Asunder: The exM ican General Officer Corps in the U.S.-Mexican War, 1846-1847. Javier Ernesto Sanchez Follow this and additional works at: https://digitalrepository.unm.edu/ltam_etds Recommended Citation Sanchez, Javier Ernesto. "Valor Wrought Asunder: The exM ican General Officer Corps in the U.S.-Mexican War, 1846-1847.." (2011). https://digitalrepository.unm.edu/ltam_etds/3 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Latin American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Javier E. Sánchez Candidate Latin-American Studies Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: L.M. García y Griego, Chairperson Teresa Córdova Barbara Reyes i VALOR WROUGHT ASUNDER: THE MEXICAN GENERAL OFFICER CORPS IN THE U.S.-MEXICAN WAR, 1846 -1847 by JAVIER E. SANCHEZ B.B.A., BUSINESS ADMINISTRATION, UNIVERSITY OF NEW MEXICO 2009 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS LATIN AMERICAN STUDIES The University of New Mexico Albuquerque, New Mexico December 2011 ii VALOR WROUGHT ASUNDER: THE MEXICAN GENERAL OFFICER CORPS IN THE U.S.-MEXICAN WAR, 1846-1847 By Javier E. Sánchez B.A., Business Administration, University of New Mexico, 2008 ABSTRACT This thesis presents a reappraisal of the performance of the Mexican general officer corps during the U.S.-Mexican War, 1846-1847. -
Magazines, Tourism, and Nation-Building in Mexico
STUDIES OF THE AMERICAS Series Editor: Maxine Molyneux MAGAZINES, TOURISM, AND NATION-BUILDING IN MEXICO Claire Lindsay Studies of the Americas Series Editor Maxine Molyneux Institute of the Americas University College London London, UK The Studies of the Americas Series includes country specifc, cross- disciplinary and comparative research on the United States, Latin America, the Caribbean, and Canada, particularly in the areas of Politics, Economics, History, Anthropology, Sociology, Anthropology, Development, Gender, Social Policy and the Environment. The series publishes monographs, readers on specifc themes and also welcomes proposals for edited collections, that allow exploration of a topic from several different disciplinary angles. This series is published in conjunc- tion with University College London’s Institute of the Americas under the editorship of Professor Maxine Molyneux. More information about this series at http://www.palgrave.com/gp/series/14462 Claire Lindsay Magazines, Tourism, and Nation-Building in Mexico Claire Lindsay Department of Spanish, Portuguese, and Latin American Studies University College London London, UK Studies of the Americas ISBN 978-3-030-01002-7 ISBN 978-3-030-01003-4 (eBook) https://doi.org/10.1007/978-3-030-01003-4 Library of Congress Control Number: 2018957069 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made. -
Mexican Libraries, Archives and Museums: a Snapshot
MEXICAN LIBRARIES, ARCHIVES AND MUSEUMS: A SNAPSHOT An essay for the Encyclopedia of Library and Information Science, Third edition Marcel Dekker, Inc. 270 Madison Avenue New York, NY 10016 Phone:(212) 696-9000 x259 Fax: (212) 561-6613 [email protected] Jesús Lau, PhD* [email protected] www.jesuslau.com Director, USBI-VER Library Coordinator, UV Virtual Library (BiV) Universidad Veracruzana / DGB Veracruz, México www.uv.mx/usbi_ver www.uv.mx/bvirtual www.infolitglobal.info KEYWORDS. Mexican Libraries; Mexican Archives: Mexican Museums; Mexico; Library History; Libraries in Developing Countries ABSTRACT This paper offers a general introduction to the different types of Mexican libraries, museums and archives, with an emphasis on libraries and related subjects such as serials, book production, and library schools. Literature was consulted and direct data was gathered from websites and through telephone interviews of knowledgeable library professionals. Data used in this essay is not all recent. Therefore it is used mainly as an indicator of the general status of Mexican information development. *Data gathering assistance: Sergio Gómez-Vinales, and Jacobo Osuna GENERAL BACKGROUND Mexico is a large country, whose official name is Mexican United States, a federal constitutional republic. It is politically divided into 31 states and a Federal District (Mexico City). Its government is presidential with a constitutionally strong Congress and a supreme court. The president is elected for a non-renewable six-year term and appoints the cabinet. The country’s legislature is based on a bicameral Congress: 128-member Senate, and a 500-member Chamber of Deputies, elected for a three-year term.(1). -
Best Parks in Mexico City"
"Best Parks in Mexico City" Erstellt von : Cityseeker 5 Vorgemerkte Orte Alameda Central "The Central Park of Mexico City" A pleasant respite from the hustle and bustle of the city, this charming green park has sparkling fountains, shady trees and interesting sculptures such as 'Malgre Tout' and 'Despoire', by Jesús Contreras. The park also has a monument dedicated to Beethoven in commemoration of the centenary of the Ninth Symphony, which was donated by the German by Bodhisattwa community. This recreation space for the local populace was created in 1592 and few city parks guard such hidden history in its landscape, such as being the former site of the Inquisition's burning of heretics. A typical Mexican Sunday can be enjoyed at the Alameda Central, which often has live music, along with markets and food stalls. +52 55 5278 4200 (Tourist Information) Avenida Hidalgo y Avenida Juárez, Mexiko-Stadt Parque Zoológico de Chapultepec "Famous For Pandas" The pre-Hispanic origins of this zoo date back to when the Aztec Nezahualcóyotl created this area for the population to enjoy the flora and fauna. It was meant not only for entertainment but also for medicinal, artistry, food provision and religious purposes. Today around 2,000 animals of some 260 species consider these 17 hectares (42 acres) their by ProtoplasmaKid natural habitat. Different biospheres have been recreated to make these guests feel more at home. Temperate woods of conifer trees shield the bears, deer and wolves; there are pastures for herbivores and deserts of arid and semiarid regions for other creatures; the Arctic tundra for the polar bears and even a coastal shore for sea lions. -
The Mexican Rebozo: Heritage & Techniques, Or “Why Didn’T I Buy That Rebozo?!” Tour September 6-16, 2012 (10 Nights)
The Mexican Rebozo: Heritage & Techniques, or “Why didn’t I buy that rebozo?!” Tour September 6-16, 2012 (10 nights) Trip Highlights See master artisans use intricate dye resist techniques, known as "jaspe"(ikat). We see the process from the creating of thread bundles, tying off to create a pattern or design, dyeing and the cutting to reveal the pattern. Finally, the warp threads are carefully lined up on the loom for the weaving to begin! Visiting the important rebozo making centers of Mexico, including Santa Maria del Rio, Tenancingo, La Piedad, and the Purepecha Plateau. Enjoying the opportunity to see an- tique and present day rebozo collec- tions and meet their collectors. Learning about Heritage and Threats to this women’s garment, so im- portant to Mexico’s cultural heritage This year, our trip is scheduled around the Feria del Rebozo in Tenancingo, and traditions. the rebozo mecca of Mexico, known for exquisite ikat (jaspe) dye resist rebozos. We enjoy this unique opportunity to see (& buy) the “best from the Having Opportunities to Purchase best” for our special collections. Of course, lovely “daily wear” rebozos will Collection Quality Textiles at their be abundant, as we scour the plaza for the ones that “speak to us”. In Mexi- source and to meet the artisans. co City, we hear from experts such as Textile Anthropologist, Marta Turok & Historian Ana Paulina Gamez, visit the shrine of “Nuestor Senor del Appreciating how and why globaliza- Rebozo”, and see the Franz Mayer Museum antique rebozo collection. In tion is a threat to cultural diversity Michoacan, we trek to the Purepecha Plateau to visit master weavers in the and is evident through changes in dress and textile traditions. -
M U R a L I S M Identity & Revolution January 30 - February 29, 2020
M U R A L I S M Identity & Revolution January 30 - February 29, 2020 1.XXX Tina Modotti XXX Diego Rivera Mural, "The World Today and Tomorrow", Palacio Nacional, Mexico City 1929-1935 Gelatin Silver Print 7 3/8 x 9 1/2 in. n.s (Inv# 73859) 2.XXX Tina Modotti XXX "Sickle, Bandolier & Guitar" ca. 1927 Platinum print 6 7/8 in. x 8 3/4 in. 5/30 Signed, titled and dated on recto and verso (Inv# 64908) 3.XXX Edward Weston XXX Tina Reciting 1926 Gelatin silver print, printed later 9 1/2 x 7 1/4 in. Printed by Cole Weston (Inv# 32799) 4.XXX Florence Arquin XXX Frida Kahlo with Corset Painted with Fetus and Hammer & Sickle. 1951 Gelatin silver print 10 x 8 in. n.s (Inv# 60897) 5.XXX Lucienne Bloch XXX Frida in Front of Proletarian Unity from the mural "Portrait of America" for the New Workers School, NY 1933 Gelatin Silver Print 11 1/2 x 7 1/2 in. Signed in pencil on recto (Inv# 76522) 6.XXX Anonymous XXX Mural by David Alfaro Siqueiros, De Porfirismo a la Revolucion (From the Dictatorship of Porfirio Díaz to the Revolution) Chapultepec Castle, Chapultepec Park, Mexico City 1944 Gelatin silver print 8 x 10 in. Labeled on verso (Inv# 60001) 7.XXX Guillermo Zamora XXX David Alfaro Siqueiros 1946 Gelatin silver print 13 1/2 x 10 1/2 in. n.s (Inv# 100769) 8.XXX Héctor García XXX José Clemente Orozco 1945 Gelatin silver print, printed 1996 14 x 11 in. -
Mexico City: Art, Culture & Cuisine!
Mexico City: Art, Culture & Cuisine! Art History of Mexico Available Anytime! Cultural Journeys Mexico | Colombia | Guatemala www.tiastephanietours.com | (734) 769 7839 Mexico City: Art, Culture & Cuisine! Art History of Mexico On this journey of learning and discovery, we explore the history and expressions of Art in Mexico. In order to understand the vision and temperament of Diego and Frida, we will learn of History and Politics of Mexico, that is the only way to contextualize their art and lives. While Diego’s Art was overtly political, Frida’s was more personal, as we will see. The Mexican Muralism Movement will also be explored. If you are interested in Art, His- tory, Culture, Muralism, Diego and Frida, this trip is for you! Join us to explore art in Mexico City! Program Highlights • Explore the Zocalo • Visit Templo Mayor, Ceremonial Center of the Aztecs • Learn of Mexican History & Indigenous LOCATION Past at the National Palace Murals, painted by Diego Rivera • Ocotlan and the Southern Craft Route. • Visit the Palacio de Bellas Artes • Museum of Modern Art • Rufino Tamayo Museum • Frida Kahlo Museum • Dolores Olmedo Museum • UNAM Campus Itinerary Day 1: and the Cathedral of the Assumption of mural iconography and techniques of the Arrive Mexico City, Transfer to our Mary, constructed in a medley of Ba- ancient civilizations of Mexico. Diego Rivera Centrally Located Hotel and explore the roque, Neoclassical, and Mexican chur- studied the Prehispanic fresco technique to Historic Center! rigueresque architectural styles. Then we apply to his own work. (B, L) Enjoy a Light Lunch move to the National Palace to view Diego Explore the Zocalo, the Largest Square in Rivera’s mural masterpiece The Epic of the Day 3: the Americas! Mexican People, where he depicted major Today we explore the Antiguo Colegio San Visit Templo Mayor, Ceremonial Center of events in Mexico’s history, and the indig- Idelfonso, home to the first mural painted the Aztecs enous cultures of Mexico. -
Day 1, Friday January 10, 2020
Mexico City Sample Journy Day 1, Friday January 10, 2020 1: Browse Books, Caffeine Up, and Relax in a Beautiful Multi-Level Bookstore/Cafe - Cafebrería El Péndulo (Cafe) Address: Av. Álvaro Obregón 86, Cuauhtémoc, Roma Nte., 06140 Ciudad de México, D.F., Mexico About: Sure, there are plenty of coffeehouses with library elements or bookstores with cafes, but Cafebrería El Péndulo-Roma in Roma Norte is special. The library/bookstore component is spectacular with its walls and floors of books (a bookworm’s paradise), and the café serves delicious breakfasts (nighttime breakfasts, too!) and coffee. There is also a theater space on the third floor for small concerts and poetry readings. Did we mention there is also a bar? Pancakes, mezcal, and a good book sound like a great afternoon to us. Opening hours Sunday 9AM-10PM Monday 8AM-10PM Tuesday 8AM-10PM Wednesday 8AM-10PM Thursday 8AM-10PM Friday 8AM-10PM Saturday 8AM-10PM Phone number: +52 55 5574 7034 Website: http://pendulo.com Reviews http://www.yelp.com/biz/cafebrer%C3%ADa-el-p%C3%A9ndulo-m%C3%A9xico-2 https://www.tripadvisor.com/Restaurant_Review-g150800-d9703178-Reviews-Cafebreria_El_Pendulo- Mexico_City_Central_Mexico_and_Gulf_Coast.html 2: Mexico City's Most Beautiful Building at Palacio de Bellas Artes (Ballet Folklorico on Wednesdays and Sundays) (Activity) Address: Av. Juárez, Centro Histórico, 06050 Ciudad de México, D.F., Mexico Lázaro Cárdenas About: Considered one of the world's most beautiful buildings, the Mexico City Palace of Fine Arts - or Palacio de Bellas Artes - is a harmonious synthesis of Art Nouveau, Art Deco, and Baroque styles, a style sometimes called "Porfiriano," after architecture-obsessed Mexican President Porfirio Díaz, who commissioned the project. -
México Mágico: Magical Mexico City Exploring the Colors of Mexican Folk Art with Marina Aguirre and Dr. Khristaan Villela
México Mágico: Magical Mexico City Exploring the Colors of Mexican Folk Art With Marina Aguirre and Dr. Khristaan Villela For the Friends of Folk Art - Santa Fe, NM September 4 – 12, 2017 Join the Friends of Folk Art and MOIFA’s Director for a special journey to Mexico Day 1 – Monday, September 4 Arrive México City in the afternoon. Transfer to our centrally located accommodations at the Best Western Majestic Hotel. Dinner on your own Day 2 – Tuesday, September 5 Breakfast at hotel is included daily Visit and tour of Museo de Arte Popular (Folk Art Museum) Lunch at Casa de los Azulejos, “House of Tiles, an 18th century palace (included) Afternoon visit to National Museum of Anthropology, one of the most important museums in the world, and home to Mexico’s national collection of Precolumbian art. Our tour will focus on Mexico’s rich indigenous arts and its connection and historic roots in Mexican folk art. There will not be time to see the entire museum. Dinner at Bonito Restaurant in the Condesa neighborhood (included) 1 Day 3 – Wednesday, September 6 Breakfast at hotel Visit to Diego Rivera’s mural “Dream of a Sunday Afternoon in Alameda Central Park” at the Museo Mural Diego Rivera. The mural provides an introduction to Mexico’s history and is an important point of reference for the work of Diego Rivera. The museum is a 30-minute walk from the hotel so you can walk or ride in the van. Visit the private collection of Ruth Lechuga at the Franz Mayer Museum. This collection is only available to scholars, and we have a rare opportunity to enjoy one of the most important folk art collections in Mexico. -
The Work of Jorge González Camarena, the History Of
University of New Mexico UNM Digital Repository Art & Art History ETDs Electronic Theses and Dissertations 12-1-2015 Narratives of Violence and Tales of Power: The Work of Jorge González Camarena, the History of the Castillo de Chapultepec, and the Establishment of the National Museums in the Project of Mexican Nationalism Rebekah Bellum Follow this and additional works at: https://digitalrepository.unm.edu/arth_etds Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Bellum, Rebekah. "Narratives of Violence and Tales of Power: The orkW of Jorge González Camarena, the History of the Castillo de Chapultepec, and the Establishment of the National Museums in the Project of Mexican Nationalism." (2015). https://digitalrepository.unm.edu/arth_etds/28 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Art & Art History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Narratives of Violence and Tales of Power: The Work of Jorge González Camarena, the History of the Castillo de Chapultepec, and the Establishment of the National Museums in the Project of Mexican Nationalism Rebekah C. Bellum December 2015 Jorge González Camarena, La Fusión de Dos Culturas, 1963, National Museum of History, Mexico City Rebekah Carmen Bellum Candidate Art and Art History Department This thesis is approved, and it is acceptable in quality and form for publication: