Day 1, Friday January 10, 2020

Total Page:16

File Type:pdf, Size:1020Kb

Day 1, Friday January 10, 2020 Mexico City Sample Journy Day 1, Friday January 10, 2020 1: Browse Books, Caffeine Up, and Relax in a Beautiful Multi-Level Bookstore/Cafe - Cafebrería El Péndulo (Cafe) Address: Av. Álvaro Obregón 86, Cuauhtémoc, Roma Nte., 06140 Ciudad de México, D.F., Mexico About: Sure, there are plenty of coffeehouses with library elements or bookstores with cafes, but Cafebrería El Péndulo-Roma in Roma Norte is special. The library/bookstore component is spectacular with its walls and floors of books (a bookworm’s paradise), and the café serves delicious breakfasts (nighttime breakfasts, too!) and coffee. There is also a theater space on the third floor for small concerts and poetry readings. Did we mention there is also a bar? Pancakes, mezcal, and a good book sound like a great afternoon to us. Opening hours Sunday 9AM-10PM Monday 8AM-10PM Tuesday 8AM-10PM Wednesday 8AM-10PM Thursday 8AM-10PM Friday 8AM-10PM Saturday 8AM-10PM Phone number: +52 55 5574 7034 Website: http://pendulo.com Reviews http://www.yelp.com/biz/cafebrer%C3%ADa-el-p%C3%A9ndulo-m%C3%A9xico-2 https://www.tripadvisor.com/Restaurant_Review-g150800-d9703178-Reviews-Cafebreria_El_Pendulo- Mexico_City_Central_Mexico_and_Gulf_Coast.html 2: Mexico City's Most Beautiful Building at Palacio de Bellas Artes (Ballet Folklorico on Wednesdays and Sundays) (Activity) Address: Av. Juárez, Centro Histórico, 06050 Ciudad de México, D.F., Mexico Lázaro Cárdenas About: Considered one of the world's most beautiful buildings, the Mexico City Palace of Fine Arts - or Palacio de Bellas Artes - is a harmonious synthesis of Art Nouveau, Art Deco, and Baroque styles, a style sometimes called "Porfiriano," after architecture-obsessed Mexican President Porfirio Díaz, who commissioned the project. The exterior, surrounded with gardens, rises in elegant columns and domes above the cool, green Alameda Central. Inside, it is an exceptional art exhibition, filled with a permanent collection of statues, murals, and other outstanding ornamentation. In addition, there are regular world-class art exhibitions open to the public. The recently renovated Bellas Artes theater (only available for viewing at performances) is itself a masterpiece, with a stained-glass curtain depicting the Valle de México. Based on a design by Mexican painter Gerardo Murillo (aka Dr Atl), it was assembled by New York jeweler Tiffany & Co from almost a million pieces of colored glass. Opening hours Sunday 11AM-5PM Monday Closed Tuesday 11AM-5PM Wednesday 11AM-5PM Thursday 11AM-5PM Friday 11AM-5PM Saturday 11AM-5PM Phone number: +52 55 5512 2593 Website: http://www.palacio.bellasartes.gob.mx/ Reviews http://www.yelp.com/biz/palacio-de-bellas-artes-m%C3%A9xico http://www.tripadvisor.com/Attraction_Review-g150800-d153969-Reviews-Palacio_de_Bellas_Artes- Mexico_City_Central_Mexico_and_Gulf_Coast.html 3: See murals at San Ildefonso (Activity) Address: San Ildefonso, Centro Histórico, Centro, 06000 Ciudad de México, D.F., Mexico About: Once you’ve seen Diego Rivera’s historical murals in the Palacio Nacional, walk a few blocks north to this 18th- century former Jesuit school, whose placid porticoes are lined with bitingly satirical works by his contemporary José Clemente Orozco. Opening hours Sunday 10AM-6PM Monday Closed Tuesday 10AM-8PM Wednesday 10AM-6PM Thursday 10AM-6PM Friday 10AM-6PM Saturday 10AM-6PM Phone number: +52 55 5702 7850 Reviews https://www.yelp.com/biz/plaza-de-san-ildefonso-madrid http://www.tripadvisor.com/Attraction_Review-g150800-d152765-Reviews-Antiguo_Colegio_de_San_Ildefonso- Mexico_City_Central_Mexico_and_Gulf_Coast.html 4: Visit Mercado de la Merced (Activity) Address: Rosario SN, Merced Balbuena, Venustiano Carranza, 15810 Ciudad de México, D.F., Mexico About: The king of Mexico City’s markets is La Merced, a winding maze of vegetables, fruit, spices, sweets, and hot foods like tamales, quesadillas, and chilaquiles. Located in the city center, La Merced is massive and varied — almost the size of four football fields. The market is filled with hundreds of stalls so carve out a full afternoon to stroll, taste, and explore without pressure. Opening hours Sunday 6AM-5PM Monday 6AM-5PM Tuesday 6AM-5PM Wednesday 6AM-5PM Thursday 6AM-5PM Friday 6AM-5PM Saturday 6AM-5PM Phone number: +52 55 5522 7250 Reviews http://www.yelp.com/biz/mercado-de-la-merced-m%C3%A9xico https://www.tripadvisor.com/Attraction_Review-g150800-d152195-Reviews-La_Merced- Mexico_City_Central_Mexico_and_Gulf_Coast.html 5: Fantastic Seafood at Contramar (Restaurant) Reservation: Reservation on Fri 1/10/20 at 1:30 PM for 2 Address: Calle Durango 200, Cuauhtemoc, C. U. Benito Juárez, 06700 Ciudad de México, D.F., Mexico About: Landlocked Mexico City has surprisingly delicious seafood, and Contramar sets the standard with impeccable fresh fish. Located in an elegant, spacious dining hall, this well-loved restaurant offers an extensive menu and an impressive wine list. Order a bit of everything and share: the grilled octopus, the tuna tostadas, and the chocolate clams are truly fantastic. Don’t miss their signature dish – a whole fish, grilled to perfection and served with half red chile sauce and half green herb sauce. We recommend reserving a table in advance, – this spot is always packed. Opening hours Sunday 12PM-6:30PM Monday 12PM-6:30PM Tuesday 12PM-6:30PM Wednesday 12PM-6:30PM Thursday 12PM-6:30PM Friday 12PM-8PM Saturday 12PM-8PM Phone number: +52 55 5514 3169 Website: http://www.contramar.com.mx/ Reviews http://www.yelp.com/biz/contramar-m%C3%A9xico-2 http://www.tripadvisor.com/Restaurant_Review-g150800-d813752-Reviews-Contramar- Mexico_City_Central_Mexico_and_Gulf_Coast.html 6: Walk up the Hilltop for Impressive Views at Chapultepec Castle (Activity) Address: Bosque de Chapultepec I Secc, 11100 Ciudad de México, CDMX, Mexico About: A walk to this hilltop castle -- home to the National History Museum, checkerboard marble terraces, fountains, and scores of historic artifacts is worth it for the tremendous views. The immaculate grounds here used to be an imperial palace, which later served as the residence of seven Mexican presidents. Opening hours Sunday 9AM-5PM Monday Closed Tuesday 9AM-5PM Wednesday 9AM-5PM Thursday 9AM-5PM Friday 9AM-5PM Saturday 9AM-5PM Phone number: +52 55 4040 5215 Website: http://castillodechapultepec.inah.gob.mx/ Reviews https://www.yelp.com/biz/castillo-de-chapultepec-m%C3%A9xico https://www.tripadvisor.com/Attraction_Review-g150800-d183986-Reviews-Chapultepec_Castle- Mexico_City_Central_Mexico_and_Gulf_Coast.html 7: See contemporary art at Museo Tamayo (Activity) Address: Paseo de la Reforma 51, Bosque de Chapultepec, Miguel Hidalgo, 11580 Ciudad de México, D.F., Mexico About: This remarkable contemporary art museum has featured some of today's most popular artworks, including Yayoi Kusama's Obsesion inifita. It's principally dedicated to the former private collection of artist Rufino Tamayo and temporary exhibits of cutting-edge modern art. Be sure to head to the top of the cross-shaped museum and take in the view of the city below. Opening hours Sunday 10AM-6PM Monday Closed Tuesday 10AM-6PM Wednesday 10AM-6PM Thursday 10AM-6PM Friday 10AM-6PM Saturday 10AM-6PM Phone number: +52 55 4122 8200 Website: http://www.museotamayo.org/ Reviews http://www.yelp.com/biz/museo-tamayo-m%C3%A9xico-2 http://www.tripadvisor.com/Attraction_Review-g150800-d152535-Reviews-Museo_Tamayo- Mexico_City_Central_Mexico_and_Gulf_Coast.html 8: A History Whirlwind at The National Museum of Anthropology (Activity) Address: Av Paseo de la Reforma & Calzada Gandhi S/N, Chapultepec Polanco, Miguel Hidalgo, 11560 Ciudad de México, D.F., Mexico About: This world-class museum stands in an extension of the Bosque de Chapultepec. Its long, rectangular courtyard is surrounded on three sides by two-level display halls. The 12 ground-floor salas (halls) are dedicated to pre-Hispanic Mexico, while upper-level salas show how Mexico’s indigenous descendants live today, with the contemporary cultures located directly above their ancestral civilizations. The vast museum offers more than most people can absorb in a single visit. One thing not to miss while you're there, in a clearing about 100m in front of the museum’s entrance, indigenous Totonac people perform their spectacular voladores rite – ‘flying’ from a 20m-high pole – every 30 minutes. Note: Be prepared to wait in line to get in here if you're coming in after 10am. Opening hours Sunday 9AM-7PM Monday Closed Tuesday 9AM-7PM Wednesday 9AM-7PM Thursday 9AM-7PM Friday 9AM-7PM Saturday 9AM-7PM Phone number: +52 55 4040 5300 Website: http://www.mna.inah.gob.mx/ Reviews http://www.yelp.com/biz/museo-nacional-de-antropolog%C3%ADa-m%C3%A9xico-2 http://www.tripadvisor.com/Attraction_Review-g150800-d153711-Reviews- National_Museum_of_Anthropology_Museo_Nacional_de_Antropologia-Mexico_City_Central.html 9: Cocktails at Jules Basement (Night Time) Reservation: Reservation on Fri 1/10/20 at 8:00 PM for 2 Address: Julio Verne 93, Miguel Hidalgo, Polanco Reforma, 11560 Ciudad de México, D.F., Mexico About: For the evening, head over to the trendy neighborhood of Polanco. To get to this cleverly concealed speakeasy, you’ll need to head through the refrigerator door of La Surtidora restaurant. Inside, an intimate black-and- white space with wooden and silver accents serves as the backdrop for mixology lessons, live jazz sessions and all- around coolness. Try cocktails like a mezcal Negroni, La Pinta (Zacapa 15 rum, port wine, lime juice, simple syrup and angostura bitters), or Falda Escocesa (gin, Drambuie,
Recommended publications
  • Gallery of Mexican Art
    V oices ofMerico /January • March, 1995 41 Gallery of Mexican Art n the early the 1930s, Carolina and Inés Amor decided to give Mexico City an indispensable tool for promoting the fine arts in whatI was, at that time, an unusual way. They created a space where artists not only showed their art, but could also sell directly to people who liked their work. It was a place which gave Mexico City a modem, cosmopolitan air, offering domestic and international collectors the work of Mexico's artistic vanguard. The Gallery of Mexican Art was founded in 1935 by Carolina Amor, who worked for the publicity department at the Palace of Fine Arts before opening the gallery. That job had allowed her to form close ties with the artists of the day and to learn about their needs. In an interview, "Carito" —as she was called by her friends— recalled a statement by the then director of the Palace of Fine Arts, dismissing young artists who did not follow prevailing trends: "Experimental theater is a diversion for a small minority, chamber music a product of the court and easel painting a decoration for the salons of the rich." At that point Carolina felt her work in that institution had come to an end, and she decided to resign. She decided to open a gallery, based on a broader vision, in the basement of her own house, which her father had used as his studio. At that time, the concept of the gallery per se did not exist. The only thing approaching it was Alberto Misrachi's bookstore, which had an The gallery has a beautiful patio.
    [Show full text]
  • Remodelación Del Palacio De Bellas Artes
    Remodelación del Palacio de Bellas Artes Antonio Toca Fernández Después de 75 años se realizó una amplia remodelación del Pala­ cio de Bellas Artes que, por el alcance y la importancia de esas obras, fue cerrado temporalmente. Antes se habían hecho reparaciones a las cúpulas exteriores y se construyó el estacionamiento subterráneo, la plaza principal y las dos fuentes laterales. Sin embargo, fuera de tareas de mantenimiento, no se habían realizado obras importantes dentro del edificio. Los juicios contra la remodelación del Palacio se han dado a conocer públicamente desde que fue reabierto en noviembre de 2010. Sorpren­- de que se concentren en aspectos muy específicos; la mayoría en la Sala de Teatro —como lo denominaba su primer creador, el arquitecto Adamo Boari— y que no se mencionen las mejoras que se realizaron en otras áreas del Palacio. De manera que criticar sólo una parte del edificio es juzgarlo parcialmente. Debido, quizá, a que se desconoce que la transformación más radical fue —desde 1932— en el proyecto original del Teatro Nacional, cuando el edificio se dividió y fue transformado en uno de los primeros centros multifuncionales en el mundo. Por eso las críticas o elogios debe­ rían considerar la diversidad de usos e instalaciones de todos los espacios del edificio, y no sólo referirse a la sala de espectáculos. En un informe, publicado en 1934, el escritor José Gorostiza reveló: “en vez de concluir el Teatro Nacional, se ha construido en realidad un 52 Ilustraciones tomadas de Informe preliminar para la construcción del Teatro Nacional [facsímil], Adamo Boari, México, inba, 2004 edificio nuevo [el Palacio de Bellas Artes] como sede de una institución au­ tónoma de servicio social tendiente a rehabilitar y vivificar el arte mexicano en todas sus manifestaciones y de promover su rápido desenvol vimiento”.
    [Show full text]
  • BALLET FOLKLÓRICO DE MÉXICO DE AMALIA HERNÁNDEZ PREMIERING FRI, FEB 26, 8Pm (ET) STREAMING on DEMAND THROUGH THU, MAR 4, 11:59Pm (ET)
    Home delivery plus 2021 SeRIeS BALLET FOLKLÓRICO DE MÉXICO DE AMALIA HERNÁNDEZ PREMIERING FRI, FEB 26, 8pm (ET) STREAMING ON DEMAND THROUGH THU, MAR 4, 11:59pm (ET) Program LOS MAYAS (BALLET) This ballet is based on several legends taken from Es una coreografía basada en los libros sagrados the sacred books of Mayans: the Popol Vuh and the de los mayas, el Popol Vuh y el Chilam Balam, en Chilam Balam. The main character is Xtabay, the este ballet se combinan tres leyendas: la leyenda beautiful goddess of hunting, who also seduces de Xtabay, diosa de la caza, quien seduce y caza a and hunts men; another legend is that of the Three sus víctimas, llevándolas al Bosque Sagrado; la Princely Brothers, one of whom disappears myster­ leyenda de los Tres Príncipes Hermanos, donde uno iously and thereby incites his other two brothers to de ellos desaparece misteriosamente, y la leyenda take a terrible vengeance on the world. Finally, there de Nic­Te, hechicera que con sus mitos devuelve el is legend of Nic­Te, a mortal woman whose role is to amor perdido. compel the return of a departed lover. SONES ANTIGUOS DE MICHOACÁN The first created by Amalia Hernández, this folkloric El primer ballet folklórico creado por Amalia ballet honors the province of Michoacán and its dis­ Hernández. Michoacán es una de las provincias que tinct style that brings together elements of various se disputan la supremacía dentro de la música y popular musical and dance styles. This brief mosaic danza popular mexicana. Este breve mosaico begins with a Michoacán jarabe, one of the most empieza con la versión michoacana de jarabes, traditional song forms of the mariachi genre, which los cuales con sus similitudes de jota y zarabanda evokes the jota and zarabanda (Spanish dances and (danzas y cantes españoles) nos indican los signos songs) that define the style.
    [Show full text]
  • The Mexican General Officer Corps in the US
    University of New Mexico UNM Digital Repository Latin American Studies ETDs Electronic Theses and Dissertations 12-1-2011 Valor Wrought Asunder: The exM ican General Officer Corps in the U.S.-Mexican War, 1846-1847. Javier Ernesto Sanchez Follow this and additional works at: https://digitalrepository.unm.edu/ltam_etds Recommended Citation Sanchez, Javier Ernesto. "Valor Wrought Asunder: The exM ican General Officer Corps in the U.S.-Mexican War, 1846-1847.." (2011). https://digitalrepository.unm.edu/ltam_etds/3 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Latin American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Javier E. Sánchez Candidate Latin-American Studies Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: L.M. García y Griego, Chairperson Teresa Córdova Barbara Reyes i VALOR WROUGHT ASUNDER: THE MEXICAN GENERAL OFFICER CORPS IN THE U.S.-MEXICAN WAR, 1846 -1847 by JAVIER E. SANCHEZ B.B.A., BUSINESS ADMINISTRATION, UNIVERSITY OF NEW MEXICO 2009 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS LATIN AMERICAN STUDIES The University of New Mexico Albuquerque, New Mexico December 2011 ii VALOR WROUGHT ASUNDER: THE MEXICAN GENERAL OFFICER CORPS IN THE U.S.-MEXICAN WAR, 1846-1847 By Javier E. Sánchez B.A., Business Administration, University of New Mexico, 2008 ABSTRACT This thesis presents a reappraisal of the performance of the Mexican general officer corps during the U.S.-Mexican War, 1846-1847.
    [Show full text]
  • Garibaldi - Alameda Bellas Artes Donde Se Vive La Magia Del Mariachi
    GARIBALDI - ALAMEDA BELLAS ARTES DONDE SE VIVE LA MAGIA DEL MARIACHI DELEGACIÓN CUAUHTÉMOC ÉMOC CUAUHT Introducción Ubicado en la Delegación Cuauhtémoc, este Barrio Mágico canta día y noche ante un buen tequila y el llanto del mariachi que hace vibrar a propios y extraños. La Plaza Garibaldi está ubicada en el centro del que fuera el barrio prehispánico de Texcatzoncátl, que era habitado principalmente por alfareros y cultivadores de maguey. Durante 1850 nació la Plaza Garibaldi, que entonces era conocida con el nombre de Plazuela de Jardín, lugar acostumbrado para la vendimia, por lo que más tarde se le adjudicó el nombre de Plaza del Baratillo. Fue hasta 1921 que se le dio el nombre de Plaza Garibaldi, tras celebrarse el centenario de la consumación de la Independencia nacional. Le fue dado ese nombre para honrar a Guissepe Garibaldi, quién se enroló en las filas maderistas en 1911. Es tradicionalmente conocida porque en ella, sobre todo en la noche, acude la gente a escuchar música de maricachi y degustar comida y bebidas, como el tequila y el mezcal, en los restaurantes a su alrededor. En la plaza se conmemora el día de Santa Cecilia, patrona de los músicos, el 22 de noviembre. Principales Festividades 22 de noviembre, Día de Santa Cecilia. Vías de Acceso y Transporte VIALIDADES Avenida Lázaro Cárdenas, Avenida Insurgentes y Calzada de Tlalpan. TRANSPORTE PÚBLICO Metro: Líneas 2, 8 y B Trolebús: Línea A y LL Metrobús: Línea A1 y A2 Restaurantes Salón Tenampa Plaza Garibaldi 12 Centro Tel.5526 6176 Mercado de Alimentos San Camilito La Opera, Cantina (Desde 1895) Av 5 de mayo (Esq, Filomeno Mata) Col.
    [Show full text]
  • Magazines, Tourism, and Nation-Building in Mexico
    STUDIES OF THE AMERICAS Series Editor: Maxine Molyneux MAGAZINES, TOURISM, AND NATION-BUILDING IN MEXICO Claire Lindsay Studies of the Americas Series Editor Maxine Molyneux Institute of the Americas University College London London, UK The Studies of the Americas Series includes country specifc, cross- disciplinary and comparative research on the United States, Latin America, the Caribbean, and Canada, particularly in the areas of Politics, Economics, History, Anthropology, Sociology, Anthropology, Development, Gender, Social Policy and the Environment. The series publishes monographs, readers on specifc themes and also welcomes proposals for edited collections, that allow exploration of a topic from several different disciplinary angles. This series is published in conjunc- tion with University College London’s Institute of the Americas under the editorship of Professor Maxine Molyneux. More information about this series at http://www.palgrave.com/gp/series/14462 Claire Lindsay Magazines, Tourism, and Nation-Building in Mexico Claire Lindsay Department of Spanish, Portuguese, and Latin American Studies University College London London, UK Studies of the Americas ISBN 978-3-030-01002-7 ISBN 978-3-030-01003-4 (eBook) https://doi.org/10.1007/978-3-030-01003-4 Library of Congress Control Number: 2018957069 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
    [Show full text]
  • III Conference Brochure Mexico City 2014
    International Insolvency Institute INTERNATIONAL INSOLVENCY INSTITUTE’S 14TH ANNUAL CONFERENCE June 9–10, 2014 Four Seasons Hotel Mexico, Mexico City Conference Co-Chairs E. Bruce Leonard CASSelS BROCK & BLACKWell LLP TORONTO John A. Barrett NORTON ROSE FUlbRIGHT HOUSTON Agustín Berdeja-Prieto BERDEJA Y ASOCIADOS, S.C. MEXICO City The International Insolvency Institute presents its 14th Annual Conference at the Four Seasons Hotel Mexico in Mexico City The International Insolvency Institute will present its Fourteenth Annual Conference in Mexico City on June 9 and 10, 2014. The III Mexico City Conference will feature reports and analyses of the most important current international insolvency issues and controversies described by speakers who are recognized as pre-eminent in their field from countries around the world. MEXICO CITY Mexico City has been described as an amazing urban playground with blockbuster attractions, stellar restaurants, museums, art exhibits and elegant hotels. Forbes Magazine has ranked Mexico City’s culinary scene Castillo de Chapultepec as fourth best in the world (after Paris, Rome and Tokyo). The III’s famous Legendary Dinner will be held at the renowned Franz Mayer Museum III NEXTGEN (CLASS III) (www.franzmayer.org.mx). The Conference will conclude with a glittering reception in the Castillo de Chapultepec, an enormous castle, full of INDUCTION CEREMONY history, that dominates the skyline of Mexico City and which has seen SUNDAY, JUNE 8, 2014 memorable battles and many significant events in the history of Mexico. 5:00 – 6:00 P.M. Marquis Reforma Hotel & Spa: CONFERENCE HOTELS Paseo de la Reforma 465, Col. The Conference hotel will be the Five Star Four Seasons Hotel Mexico Cuauhtemoc, México, D.F.
    [Show full text]
  • Art from Precolumbian Times to the Present Mexico City & Teotihuacan
    Mexico Old and New: Art from Precolumbian Times to the Present Mexico City & Teotihuacan Drs. Annabeth Headrick and Meg Jackson, Art History ARTH 3910 Sunday, March 24, 2019 – Saturday, March 30, 2019 Introduction. Mexico Old and New: Art from Precolumbian Times to the Present is an opportunity to spend a week exploring archeology, history, and art history in Central America. With the instruction of professors of Precolumbian and of contemporary art, our studies span from one of the most powerful regions in ancient Mesoamerica to a megalopolis that boasts a leading scene in today’s global art world. Our trip begins in Teotihuacan, where participants will visit one of the largest preindustrial cities during its time (150 BCE-600 CE). We will begin our exploration of the city along its grand avenue, visiting the Temple of the Feathered Serpent Pyramid, where we will discuss the symbolism of the sacrificial burials and manmade cave found under the sculpted façade of the temple. Students will also climb the massive pyramids of the Sun and Moon to experience the visual evidence that Teotihuacanos constructed their city to embody creation mythology. A visit to the on-site museum affords exploration of the ceramic and sculptural art of Teotihuacan. Finally, we will investigate several of the city’s apartment compounds where the Teotihuacanos lived, using the lavish murals in these domestic spaces as evidence for the city’s socio- political structure and civic ritual behavior. On Tuesday morning (03/26) we travel from Teotihuacan to Mexico City, where our accommodations are in the capital city’s famous central plaza, the Zócalo.
    [Show full text]
  • Best Parks in Mexico City"
    "Best Parks in Mexico City" Erstellt von : Cityseeker 5 Vorgemerkte Orte Alameda Central "The Central Park of Mexico City" A pleasant respite from the hustle and bustle of the city, this charming green park has sparkling fountains, shady trees and interesting sculptures such as 'Malgre Tout' and 'Despoire', by Jesús Contreras. The park also has a monument dedicated to Beethoven in commemoration of the centenary of the Ninth Symphony, which was donated by the German by Bodhisattwa community. This recreation space for the local populace was created in 1592 and few city parks guard such hidden history in its landscape, such as being the former site of the Inquisition's burning of heretics. A typical Mexican Sunday can be enjoyed at the Alameda Central, which often has live music, along with markets and food stalls. +52 55 5278 4200 (Tourist Information) Avenida Hidalgo y Avenida Juárez, Mexiko-Stadt Parque Zoológico de Chapultepec "Famous For Pandas" The pre-Hispanic origins of this zoo date back to when the Aztec Nezahualcóyotl created this area for the population to enjoy the flora and fauna. It was meant not only for entertainment but also for medicinal, artistry, food provision and religious purposes. Today around 2,000 animals of some 260 species consider these 17 hectares (42 acres) their by ProtoplasmaKid natural habitat. Different biospheres have been recreated to make these guests feel more at home. Temperate woods of conifer trees shield the bears, deer and wolves; there are pastures for herbivores and deserts of arid and semiarid regions for other creatures; the Arctic tundra for the polar bears and even a coastal shore for sea lions.
    [Show full text]
  • M U R a L I S M Identity & Revolution January 30 - February 29, 2020
    M U R A L I S M Identity & Revolution January 30 - February 29, 2020 1.XXX Tina Modotti XXX Diego Rivera Mural, "The World Today and Tomorrow", Palacio Nacional, Mexico City 1929-1935 Gelatin Silver Print 7 3/8 x 9 1/2 in. n.s (Inv# 73859) 2.XXX Tina Modotti XXX "Sickle, Bandolier & Guitar" ca. 1927 Platinum print 6 7/8 in. x 8 3/4 in. 5/30 Signed, titled and dated on recto and verso (Inv# 64908) 3.XXX Edward Weston XXX Tina Reciting 1926 Gelatin silver print, printed later 9 1/2 x 7 1/4 in. Printed by Cole Weston (Inv# 32799) 4.XXX Florence Arquin XXX Frida Kahlo with Corset Painted with Fetus and Hammer & Sickle. 1951 Gelatin silver print 10 x 8 in. n.s (Inv# 60897) 5.XXX Lucienne Bloch XXX Frida in Front of Proletarian Unity from the mural "Portrait of America" for the New Workers School, NY 1933 Gelatin Silver Print 11 1/2 x 7 1/2 in. Signed in pencil on recto (Inv# 76522) 6.XXX Anonymous XXX Mural by David Alfaro Siqueiros, De Porfirismo a la Revolucion (From the Dictatorship of Porfirio Díaz to the Revolution) Chapultepec Castle, Chapultepec Park, Mexico City 1944 Gelatin silver print 8 x 10 in. Labeled on verso (Inv# 60001) 7.XXX Guillermo Zamora XXX David Alfaro Siqueiros 1946 Gelatin silver print 13 1/2 x 10 1/2 in. n.s (Inv# 100769) 8.XXX Héctor García XXX José Clemente Orozco 1945 Gelatin silver print, printed 1996 14 x 11 in.
    [Show full text]
  • Mexico City: Art, Culture & Cuisine!
    Mexico City: Art, Culture & Cuisine! Art History of Mexico Available Anytime! Cultural Journeys Mexico | Colombia | Guatemala www.tiastephanietours.com | (734) 769 7839 Mexico City: Art, Culture & Cuisine! Art History of Mexico On this journey of learning and discovery, we explore the history and expressions of Art in Mexico. In order to understand the vision and temperament of Diego and Frida, we will learn of History and Politics of Mexico, that is the only way to contextualize their art and lives. While Diego’s Art was overtly political, Frida’s was more personal, as we will see. The Mexican Muralism Movement will also be explored. If you are interested in Art, His- tory, Culture, Muralism, Diego and Frida, this trip is for you! Join us to explore art in Mexico City! Program Highlights • Explore the Zocalo • Visit Templo Mayor, Ceremonial Center of the Aztecs • Learn of Mexican History & Indigenous LOCATION Past at the National Palace Murals, painted by Diego Rivera • Ocotlan and the Southern Craft Route. • Visit the Palacio de Bellas Artes • Museum of Modern Art • Rufino Tamayo Museum • Frida Kahlo Museum • Dolores Olmedo Museum • UNAM Campus Itinerary Day 1: and the Cathedral of the Assumption of mural iconography and techniques of the Arrive Mexico City, Transfer to our Mary, constructed in a medley of Ba- ancient civilizations of Mexico. Diego Rivera Centrally Located Hotel and explore the roque, Neoclassical, and Mexican chur- studied the Prehispanic fresco technique to Historic Center! rigueresque architectural styles. Then we apply to his own work. (B, L) Enjoy a Light Lunch move to the National Palace to view Diego Explore the Zocalo, the Largest Square in Rivera’s mural masterpiece The Epic of the Day 3: the Americas! Mexican People, where he depicted major Today we explore the Antiguo Colegio San Visit Templo Mayor, Ceremonial Center of events in Mexico’s history, and the indig- Idelfonso, home to the first mural painted the Aztecs enous cultures of Mexico.
    [Show full text]
  • Ii El Palacio De Bellas Artes
    CAPÍTULO II EL PALACIO DE BELLAS ARTES II EL PALACIO DE BELLAS ARTES II.I Introducción El Palacio de Bellas Artes es uno de los teatros más importantes a nivel mundial, por su belleza, majestuosidad e importancia, porque dentro de este importante recinto no solo se encuentra el Teatro Nacional de México, siendo éste el centro cultural más importante en su género, donde se presenta un programa continuo de actividades artísticas de toda índole, nacionales y extranjeras, además de contar con dos de los museos de gran importancia para el país: el Museo del Palacio de Bellas Artes y el Museo Nacional de Arquitectura, cumpliendo así el concepto original con el que fue proyectado. Es y ha sido uno de los proyectos más ambiciosos de la arquitectura mexicana, por su construcción y obra escultórica. El edificio es la sede principal de la Orquesta Sinfónica Nacional, la Compañía Nacional de Danza, la Compañía Nacional de Ópera y el Ballet Folklórico de México. Además de albergar las obras de los principales muralistas y pintores mexicanos del siglo XX, como: “El hombre controlador del universo” de Diego Rivera, “Khatarsis” de José Clemente Orozco, “La nueva democracia”, “Victimas de la guerra”, “Victimas del fascismo” y “Tormento y apoteosis de Cuauhtémoc” de David Alfaro Siqueiros, “Nacimiento de la nacionalidad” y “México de hoy” de Rufino Tamayo y “La humanidad liberándose” de Jorge González Camarena. Por su historia, importancia artística, belleza, jardines, monumentalidad entre edificios antiguos y modernos, y por su localización en el corazón mismo de la Ciudad de México, demuestra el valor que tiene para todo el pueblo mexicano éste gran recinto.
    [Show full text]