Magazines, Tourism, and Nation-Building in Mexico
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Gallery of Mexican Art
V oices ofMerico /January • March, 1995 41 Gallery of Mexican Art n the early the 1930s, Carolina and Inés Amor decided to give Mexico City an indispensable tool for promoting the fine arts in whatI was, at that time, an unusual way. They created a space where artists not only showed their art, but could also sell directly to people who liked their work. It was a place which gave Mexico City a modem, cosmopolitan air, offering domestic and international collectors the work of Mexico's artistic vanguard. The Gallery of Mexican Art was founded in 1935 by Carolina Amor, who worked for the publicity department at the Palace of Fine Arts before opening the gallery. That job had allowed her to form close ties with the artists of the day and to learn about their needs. In an interview, "Carito" —as she was called by her friends— recalled a statement by the then director of the Palace of Fine Arts, dismissing young artists who did not follow prevailing trends: "Experimental theater is a diversion for a small minority, chamber music a product of the court and easel painting a decoration for the salons of the rich." At that point Carolina felt her work in that institution had come to an end, and she decided to resign. She decided to open a gallery, based on a broader vision, in the basement of her own house, which her father had used as his studio. At that time, the concept of the gallery per se did not exist. The only thing approaching it was Alberto Misrachi's bookstore, which had an The gallery has a beautiful patio. -
Connecting to Water and Sewerage in Mexico Pilot Indicator Ii CONNECTING to WATER and SEWERAGE in MEXICO
Subnational Series TABLE OF CONTENTS I Connecting to Water and Sewerage in Mexico Pilot Indicator II CONNECTING TO WATER AND SEWERAGE IN MEXICO © 2017 International Bank for Reconstruction and Development/The World Bank 1818 H Street NW, Washington DC 20433 Telephone: 202-473-1000; Internet: www.worldbank.org Some rights reserved This work is a product of the staff of The World Bank with external contributions. The findings, interpretations, and conclusions expressed in this work do not necessarily reflect the views of The World Bank, its Board of Executive Directors, or the governments they represent. The World Bank does not guarantee the accuracy of the data included in this work. The boundaries, colors, denominations, and other information shown on any map in this work do not imply any judgment on the part of The World Bank concerning the legal status of any territory or the endorsement or acceptance of such boundaries. Nothing herein shall constitute or be considered to be a limitation upon or waiver of the privileges and immunities of The World Bank, all of which are specifically reserved. Rights and Permissions This work is available under the Creative Commons Attribution 3.0 IGO license (CC BY 3.0 IGO) http://creativecommons.org/licenses/by/3.0/igo. Under the Creative Commons Attribution license, you are free to copy, distribute, transmit, and adapt this work, including for commercial purposes, under the following conditions: Attribution—Please cite the work as follows: World Bank. 2017. Connecting to Water and Sewerage in Mexico. Washington, DC: World Bank. License: Creative Commons Attribution CC BY 3.0 IGO Translations—If you create a translation of this work, please add the following disclaimer along with the attribution: This translation was not created by The World Bank and should not be considered an official World Bank translation. -
Tarifas VIGENTES 2021
CAMINOS Y PUENTES FEDERALES DE INGRESOS Y SERVICIOS CONEXOS RED FONADIN: TARIFAS-VIGENTES 2021 (CON IVA) - Cifras en pesos - CAMINOS Y PUENTES TRAMO QUE COBRA EN VIGOR A MOTOS AUTOS AUTOBUSES CAMIONES CASETAS PARTIR DE M A B2 B3 B4 C2 C3 C4 C5 C6 C7 C8 C9 EEA EEC 1 CUERNAVACA-ACAPULCO Ago 02 2021 271 543 883 883 883 879 879 879 1,154 1,154 1,285 1,285 1,285 272 441 CENTRAL DE ABASTOS CUERNAVACA-CENTRAL DE ABASTOS Ago 02 2021 4 9 14 14 14 13 13 13 19 19 23 23 23 5 7 AEROPUERTO CUERNAVACA-AEROPUERTO Ago 02 2021 7 14 27 27 27 26 26 26 33 33 35 35 35 7 13 AEROPUERTO AEROPUERTO-CUERNAVACA Ago 02 2021 7 14 27 27 27 26 26 26 33 33 35 35 35 7 13 XOCHITEPEC CUERNAVACA-XOCHITEPEC Ago 02 2021 13 26 33 33 33 32 32 32 38 38 41 41 41 13 16 XOCHITEPEC XOCHITEPEC-ALPUYECA Ago 02 2021 4 8 16 16 16 14 14 14 19 19 23 23 23 4 7 ING. FRANCISCO VELAZCO DURAN(D) CUERNAVACA-PUENTE DE IXTLA Ago 02 2021 40 80 137 137 137 137 137 137 171 171 188 188 188 40 69 ALPUYECA (I1) CUERNAVACA-ALPUYECA Ago 02 2021 28 56 96 96 96 95 95 95 118 118 133 133 133 28 48 ALPUYECA (I2) ALPUYECA-PUENTE DE IXTLA Ago 02 2021 12 25 32 32 32 31 31 31 39 39 41 41 41 13 16 PASO MORELOS (D) PUENTE DE IXTLA-CHILPANCINGO Ago 02 2021 84 169 351 351 351 348 348 348 457 457 507 507 507 85 174 PASO MORELOS (I1) PUENTE DE IXTLA-PASO MORELOS Ago 02 2021 33 66 141 141 141 140 140 140 182 182 167 167 167 33 70 PASO MORELOS (I2) PASO MORELOS-CHILPANCINGO Ago 02 2021 51 103 207 207 207 208 208 208 278 278 281 281 281 52 104 PALO BLANCO CHILPANCINGO-TIERRA COLORADA Ago 02 2021 78 156 203 203 203 203 -
El Paréntesis Fílmico De Best Maugard Eduardo De La Vega Alfaro | Elisa Lozano Índice
El paréntesis fílmico de Best Maugard Eduardo de la Vega Alfaro | Elisa Lozano Índice Fecha de aparición: Octubre 2016 ISBN: en trámite 5 Editorial Correcamara.com.mx Textos Elisa Lozano Eduardo de la Vega Alfaro 6 Adolfo Best Maugard Diseño Lourdes Franco © D.R. Texto Elisa Lozano Notas sobre los prolegómenos © D.R. Texto Eduardo de la Vega Alfaro 8 fílmicos de Adolfo Best Maugard Eduardo de la Vega Alfaro Best Maugard 22 y su equipo de producción: una nueva forma de filmar Elisa Lozano 50 Documentos El contenido y las opiniones expresadas por los autores no necesariamente reflejan la postura del editor de la publicación. Se autoriza cualquier reproducción parcial o total de los contenidos o imágenes de la publicación, siempre y cuando sea ©S.M. Eisenstein, Santa Camaleoncita dibujo realizado durante el rodaje de ¡Qué Viva Mé- sin fines de lucro o para usos estrictamente académicos, citando invariablemente la fuente sin alteración del contenido xico! , en la hacienda de Tetlapayac. Tomado de Eduardo de la Vega, Del muro a la pantalla: S:M.Eisenstein y el arte pictórico mexicano, México, Conaculta, Imcine, canal 22, Universidad y dando los créditos autorales. de Guadalajara, 1997. Editorial Adolfo Best Maugard A principios de 1993, los Estudios Churubusco todavía ocupaban el enorme predio de Río Churubusco pero comenzaban ya los preparativos para su remodelación, con el fin de dar cabida al Centro Nacional de las Artes que vendría a ocupar la mitad del terreno. Entonces había en los estudios una bodega repleta de latas de pelícu- Adolfolas y materiales publicitariosBest que era necesario Maugard desalojar. -
David Alfaro Siqueiros Papers, 1921-1991, Bulk 1930-1936
http://oac.cdlib.org/findaid/ark:/13030/tf9t1nb3n3 No online items Finding aid for the David Alfaro Siqueiros papers, 1921-1991, bulk 1930-1936 Annette Leddy Finding aid for the David Alfaro 960094 1 Siqueiros papers, 1921-1991, bulk 1930-1936 Descriptive Summary Title: David Alfaro Siqueiros papers Date (inclusive): 1920-1991 (bulk 1930-1936) Number: 960094 Creator/Collector: Siqueiros, David Alfaro Physical Description: 2.11 Linear Feet(6 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles 90049-1688 [email protected] URL: http://hdl.handle.net/10020/askref (310) 440-7390 Abstract: A leading member of the Mexican muralist movement and a technical innovator of fresco and wall painting. The collection consists almost entirely of manuscripts, some in many drafts, others fragmentary, the bulk of which date from the mid-1930s, when Siqueiros traveled to Los Angeles, New York, Buenos Aires, and Montevideo, returning intermittently to Mexico City. A significant portion of the papers concerns Siqueiros's public disputes with Diego Rivera; there are manifestos against Rivera, eye-witness accounts of their public debate, and newspaper coverage of the controversy. There is also material regarding the murals América Tropical, Mexico Actual and Ejercicio Plastico, including one drawing and a few photographs. The Experimental Workshop in New York City is also documented. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in Spanish; Castilian and English Biographical/Historical Note David Alfaro Siqueiros was a leading member of the Mexican muralist movement and a technical innovator of fresco and wall painting. -
OFICINAS HSBC PREMIER EN MEXICO – Michoacán, Morelos Y Nayarit
OFICINAS HSBC PREMIER EN MEXICO – Michoacán, Morelos y Nayarit Número Nombre Domicilio Ciudad Estado Lada Teléfono1 Teléfono 2 BLVD. LAZARO CARDENAS #774B , CENTRO , LA PIEDAD , LA PIEDAD , MICHOACAN CP: 1030 BOULEVARD LA PIEDAD MICHOACAN 352 5229303 5229603 59300 LAZARO CARDENAS ESQ. 2O DE NOVIEMBRE #1940 , CENTRO , LAZARO CARDENAS , 186 LAZARO CARDENAS LAZARO CARDENAS MICHOACAN 753 5322633 5322634 LAZARO CARDENAS , MICHOACAN CP: 60950 297 LOS REYES AV. 16 DE SEPTIEMBRE #12 , CENTRO , LOS REYES , LOS REYES , MICHOACAN CP: 60300 LOS REYES MICHOACAN 354 5421137 5420536 293 MORELIA CENTRO AV. MADERO ORIENTE #24 , CENTRO , MORELIA , MORELIA , MICHOACAN CP: 58000 MORELIA MICHOACAN 443 3171443 3171425 MORELIA CHAPULTEPEC AV. LAZARO CARDENAS #2590 , CHAPULTEPEC SUR , MORELIA , MORELIA , MICHOACAN CP: 300 MORELIA MICHOACAN 443 3222082 3222083 58260 GEMINIS CALZ. VENTURA PUENTE #999 LOC. 1 , DEL EMPLEADO , MORELIA , MORELIA , MICHOACAN 301 MORELIA MICHOACAN 443 3226714 3226721 CP: 58260 BLVD. CAMELINAS #S/N LOCS. 1 AL 15 ZONA D , ELECTRICISTAS C.C. PLAZA CAMELINAS , 3048 PLAZA CAMELINAS MORELIA MICHOACAN 443 1130008 1130009 MORELIA , MORELIA , MICHOACAN CP: 58290 296 SAHUAYO CONSTITUCION #200 , CENTRO , SAHUAYO , SAHUAYO , MICHOACAN CP: 59000 SAHUAYO MICHOACAN 353 5322651 5322632 PASEO LAZARO CARDENAS #1544 , HUERTAS DE CUPATITZIO , URUAPAN , URUAPAN , 485 PASEO URUAPAN URUAPAN MICHOACAN 452 5248730 5248731 MICHOACAN CP: 60080 AV. VIRREY DE MENDOZA #195 LOC. A , JARDINADAS , ZAMORA , ZAMORA , MICHOACAN CP: 923 JARDINADAS ZAMORA MICHOACAN 351 5151678 5151679 59680 88 CUAUTLA GALEANA NO.20 , CENTRO , CUAUTLA , CUAUTLA , MORELOS CP: 62740 CUAUTLA MORELOS 735 3522220 3522221 CUERNAVACA CENTRO AV.MORELOS 301 COLONIA CENTRO , CENTRO , CUERNAVACA , CUERNAVACA , MORELOS 85 CUERNAVACA MORELOS 777 3142562 3142553 (PREMIER) CP: 62000 CUERNAVACA LA SELVA AV. -
La Pocha Nostra Hidvl Artist Profiles
LA POCHA NOSTRA HIDVL ARTIST PROFILES ON THE OTHER SIDE OF THE MEXICAN MIRROR (A border artist reflects on the new “post-national Mexicans,” their bittersweet relationship with "homeland,"and their role in the forming of a virtual nation inside the U.S. called “Latinoamerica del Norte.”) By: Guillermo Gómez-Peña I I left Mexico City in 1978 to study art in California, “the land of the future” as my lost generation saw it. Too young to be a hipiteca and too old to be a punketo, I was a 22-year old interstitial rebel, a writer and artist who couldn’t find space to breathe in the suffocating official culture of Mexico. There, the art and literary cartels were structured in an ecclesiastical fashion, accountable to one untouchable capo. He was the archbishop and final arbiter of what was acceptable as “high culture” and “Mexican-ness,” Don Octavio Paz. In those days, identity in Mexico was a static construct, intricately connected to national territory and language. A Mexican was someone who lived in Mexico and who spoke Spanish like a Mexican. Punto. There weren’t many alternative ways of being Mexican. Despite the fact that we came in all shapes, colors, and even races, mestizaje (the mixed race), was the official dictum and master narrative. Whether we liked it or not, we were the bastard children of Hernan Cortez and La Malinche, product of a colonial rape and a cultural cesarean, eternally condemned to come to terms with this historical trauma. The millions of indios, the original proto-Mexicans, were portrayed as living in a parallel (and mythical) time and space outside our history and society. -
THE ICONOGRAPHY of MEXICAN FOLK RETABLOS by Gloria Kay
The iconography of Mexican folk retablos Item Type text; Thesis-Reproduction (electronic) Authors Giffords, Gloria Fraser, 1938- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 03/10/2021 20:27:37 Link to Item http://hdl.handle.net/10150/552047 THE ICONOGRAPHY OF MEXICAN FOLK RETABLOS by Gloria Kay Fraser Giffords A Thesis Submitted to the Faculty of the DEPARTMENT OF ART In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS WITH A MAJOR IN HISTORY OF ART In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 9 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manu script in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. APPROVAL BY THESIS DIRECTOR This thesis has been approved on the date shown below: Robert M. -
Antonio De Mendoza; First Viceroy of Mexico. the Tinker Pamphlet
.4. DOCUMENT RESUME ED 114 227 RC 008' 850- AUTHOR Miller, Hubert J. TITLE Antonio de Mendola; First Viceroy of Mexico. The Tinker Pamphlet Series for the Teaching of.Mexican American Heritage. TB 73 NOTE 70p.; For related documents, see RC 008 851-853 AVAtLABL ROM' Mr. Al Ramirez, P.O. Box 471, Edinburg, Texas.78539 ($1.00) EDRS PRICE. MF-$0.76 Plus Postage. HC Not Available from EDRS. DESCRIPTO ji5*Administrator Background; American Indians; - *Biographies; Colonialism; Cultiral Education; Curriculum Enrichment; Curriculum Guides; Elementary Secondary Education; *Mexican.AmerieHistory; *Mexicaps; Resource Materials; Sociocultural Patterns; Vocabulait; *Western Civiliiation IDENTIFIERS *Mendoza (Antonio de) ABSTRACT .0 As Mexico's first viceroy, Antonio de Mendoza.s most noteworthy achievement was his laYing the basis of colonial government in New Spain which continued, with modifications, for 300. years. Although he was lenient in dealing with the shortcomingi of .his Indian and Spanish subjects; he took a'firm stand in dealing with the rebellious Indians in the Mixton War and the Cortes faction which threatened the Viceregal rule. His pridary concern was to keep New Spain for the crown while protecting the Indians from w#nt.and . inhumanity. Focusing o$ the institutions he founded and 'developed, this booklet provides a study of early Spanish colonial institutions. Although the biographical account is of secondary importance, the. description .of Hispanic colonial institutions arelPable'in presenting the Spaniards. colonization after the cconquest -ctica. applicAtion of the, material at both the elementary and 'se levels can be utilized in stimulating student discussionsa on the Merits and demerits of 2 colonial powers- -the English a the Spaniards. -
Universidad De Las Americas, Puebla, Mexico
Study Language of Type of Approximate LHU partner Housing Eligibility VISA Period Instruction Housing semester dates since Costs LHU and $200- external Fall Spanish/ Homestay Fall: Aug – Dec. $500/month students; and/or 1997 English Spring: Jan - May Homestays Minimum Spring or private GPA 2.5 apartments M E X I C O ITESM, Zacatecas Campus www.zac.itesm.mx) The Location With its three hundred thousand inhabitants, Zacatecas, the capital of the state of Zacatecas, is located in the north of Mexico. Founded in 1546 after the discovery of a rich silver lode, Zacatecas reached the height of its affluence in the 16th and 17th centuries. The city is centered on the Plaza de Armas, a small open square surrounded by a cathedral and the governor's palace. The cathedral, built between 1730 and 1760, is notable for its striking architecture, where European and indigenous decorative elements are found side by side. There are also several museums in town, including the Francisco Goitia Museum, exhibiting his unique collection of sculptures and paintings, the Pedro Coronel Museum, featuring diverse works of Mexican art, and the Rafael Coronel Museum with its extensive exhibit of exotic masks and figurines. Zacatecas has magnificent views, especially in the evening when thousands of lights illuminate the city center. In 1993, UNESCO declared the city of Zacatecas a “cultural treasure of humanity.” The College The Instituto Tecnologico de Estudios Superiores de Monterrey (www.zac.itesm.mx) also known as the Tecnologico de Monterrey (TEC), was founded in 1943 by a group of entrepreneurs headed by Don Eugenio Garza Sada. -
Anita Brenner
Premio Rabino Jacobo Goldberg 2015 Marcela López Arellano (Aguascalientes, El lector encontrará en esta obra la vida de la mujer que en su México). Es licenciada en Investigación época fue un modelo intelectual, polifacética y conocedora a Educativa por la Universidad Autónoma profundidad de dos culturas en las cuales estuvo inmersa: la de Aguascalientes, maestra en Estudios mexicana y la judía. Fue una mujer cuya presencia resultó Humanísticos/Historia por el Instituto trascendental para la historia del arte mexicano, así como la Tecnológico de Estudios Superiores de expresión de su judaísmo arraigado desde su infancia. La autora Monterrey, y doctora en Ciencias Sociales y logra penetrar en el ser y la conciencia de la gran escritora y Humanidades/Historia por la Universidad periodista Anita Brenner, a través de sus documentos personales Autónoma de Aguascalientes. como cartas, diarios y memorias, en cuyas letras se vislumbra la Ha publicado artículos y capítulos de li- visión que tuvo de México a lo largo de su vida. bros sobre la historia de Aguascalientes, historia de mujeres y de género y cultura escrita. Desde el año 2005 colabora sema- Marcela López Arellano fue distinguida con el Premio Rabino nalmente en un programa de radio/TV, en Jacobo Goldberg 2015, otorgado por la Comunidad Ashkenazí, el cual ha difundido sobre todo historia de A.C. de México, categoría Investigación. mujeres. Forma parte del Seminario de Me- moria Ciudadana CIESAS-INAH desde 2013, así como del Seminario de Historia de la Educación de la UAA con reconocimiento del SOMEHI- na escritora judía con México en el corazón DE. -
Selling Mexico: Race, Gender, and American Influence in Cancún, 1970-2000
© Copyright by Tracy A. Butler May, 2016 SELLING MEXICO: RACE, GENDER, AND AMERICAN INFLUENCE IN CANCÚN, 1970-2000 _______________ A Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Tracy A. Butler May, 2016 ii SELLING MEXICO: RACE, GENDER, AND AMERICAN INFLUENCE IN CANCÚN, 1970-2000 _________________________ Tracy A. Butler APPROVED: _________________________ Thomas F. O’Brien Ph.D. Committee Chair _________________________ John Mason Hart, Ph.D. _________________________ Susan Kellogg, Ph.D. _________________________ Jason Ruiz, Ph.D. American Studies, University of Notre Dame _________________________ Steven G. Craig, Ph.D. Interim Dean, College of Liberal Arts and Social Sciences Department of Economics iii SELLING MEXICO: RACE, GENDER, AND AMERICAN INFLUENCE IN CANCÚN, 1970-2000 _______________ An Abstract of a Dissertation Presented to The Faculty of the Department of History University of Houston _______________ In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy _______________ By Tracy A. Butler May, 2016 iv ABSTRACT Selling Mexico highlights the importance of Cancún, Mexico‘s top international tourism resort, in modern Mexican history. It promotes a deeper understanding of Mexico‘s social, economic, and cultural history in the late twentieth century. In particular, this study focuses on the rise of mass middle-class tourism American tourism to Mexico between 1970 and 2000. It closely examines Cancún‘s central role in buttressing Mexico to its status as a regional tourism pioneer in the latter half of the twentieth century. More broadly, it also illuminates Mexico‘s leadership in tourism among countries in the Global South.