DOCSLIB.ORG

Grand Fiesta Americana Ciudad De México Chapultepec Grand Fiesta Americana Ciudad De México Chapultepec

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Grand Fiesta Americana Ciudad De México Chapultepec Grand Fiesta Americana Ciudad De México Chapultepec GRAND FIESTA AMERICANA CIUDAD DE MÉXICO CHAPULTEPEC GRAND FIESTA AMERICANA CIUDAD DE MÉXICO CHAPULTEPEC LOCATION Grand Fiesta Americana Ciudad de México Chapultepec stands out for its elegance and sophistication, beginning with its location on the edge of the Bosque de Chapultepec, from which you can easily access the main business, shopping and entertainment centers, not to mention the splendid views of the Chapultepec Castle. PLACES OF INTEREST Mexico City offers a variety of places. Very close by, you can visit the best national and international art exhibitions in the National Anthropology Museum and in the Rufino Tamayo Museum, among others. The Polanco district’s main street, Avenida Presidente Masaryk, offers boutiques from the world’s best designers. A cosmopolitan city that will open its doors to you at the best bars and restaurants, as well as at grand concerts in the National Auditorium. 2 a truly grand experience ACTIVITIES Spa 19th At the hotel you will be able to experience relaxation with maximum comfort, where you can enjoy the jacuzzi, relaxation area, sauna and steam room. Additionally, there is a fully equipped gym available to you. RESTAURANTS AND BARS Deco Bar Enjoy the best national and international drinks, accompanied by modern lounge music. Our bar is the place to start an excellent night out. Salammbô Contemporary international cuisine, perfect for a romantic dinner, for closing that business deal or for making lasting memories with friends. ROOMS Just imagine waking up and contemplating, from the large windows of your room, the most beautiful views of Mexico City, which you will be able to admire from almost any point in the hotel. 203 Rooms • 135 King rooms • 52 Double rooms • 14 Suites • 2 Rooms for people with disabilities GRAND CLUB The excellence of the Grand category offers you the use of our three Grand Club executive floors, where you will enjoy personalized service, private registration, european breakfast buffet and exceptional services in the exclusive executive lounge, in order to experience the luxury and distinction that characterize it. 4 a truly grand experience EXECUTIVE AND EVENT SERVICES ROOM LAYOUT At Grand Fiesta Americana we have functional rooms that are equipped with state-of-the- art technology and designed to provide your guests with comfort. Allow our advisers to Salon Castillo de Chapultepec Salon Bosque offer you ideal solutions for your meetings or banquets to ensure their complete success. ELEVATOR ELEVATOR ELEVATOR CAPACITY TABLE ARRANGEMENT ROUND TABLE ROUND CRESCENT HEIGHT LENGTH/WIDTH AREA ROOM AUDITORIUM SCHOOL U TYPE IMPERIAL COCKTAILS WITH LOUNGE WITHOUT STAGE TABLE SHAPE M / FT M / FT M2 / SQ. FT. ROOMS OR PODIUM Castillo de Chapultepec 210 140 70 76 180 160 170 180 112 5.5 / 18 21.90 x 9.70 / 71.1 x 31.9 212.43 / 2,286.6 Castillo de Chapultepec 1 70 45 30 30 60 40 40 50 40 5.5 / 18 7.05 x 9.70 / 23.1 x 9.7 68.39 / 736.14 Castillo de Chapultepec 2 70 45 30 30 60 40 40 50 40 5.5 / 18 7.46 x 9.70 / 24.5 x 9.7 72.36 / 778.88 Castillo de Chapultepec 3 70 45 30 30 60 40 40 50 40 5.5 / 18 7.15 x 9.70 / 23.5 x 9.7 69.36 / 746.58 Castillo de Chapultepec 150 90 60 60 120 80 80 100 80 5.5 / 18 14.63 x 9.70 / 47.11 x 9.7 141.91 / 1,527.50 1 and 2 Castillo de Chapultepec 150 90 60 60 120 80 80 100 80 5.5 / 18 14.73 x 9.70 / 48.3 x 9.7 142.88 / 1,537.90 2 and 3 Bosques 60 40 30 30 50 40 30 40 32 2.37 / 7.9 14.57 x 5.0 / 47.9 x 16.4 72.85 / 784.15 Bosque 1 30 20 15 15 25 20 — 20 16 2.37 / 7.9 7.32 x 5.0 / 24 x 16.4 36.60 / 393.96 Bosque 2 30 20 15 15 25 20 — 20 16 2.37 / 7.9 7.15 x 5.0 / 23.5 x 16.4 35.75 / 384.81 Boardroom 25 15 15 15 20 20 — 20 16 2.78 / 9.1 6.70 x 4.73 / 21.11 x 15.6 31.69 / 341.11 Boardroom 1 — — — — — — — 8 — 2.37 / 7.9 3.30 x 4.73 / 10.9 x 4.73 15.61 / 168.02 Boardroom 2 — — — — — — — 8 — 2.37 / 7.9 3.35 x 4.73 / 10.11 x 4.73 15.85 / 170.61 Boardroom 3 — — — — — — — — — 2.78 / 9.12 5.47 x 4.90 / 17.94 x 16.07 26.80 / 288.00 6 a truly grand experience MARIANO ESCOBEDO 756 • COL. ANZURES • ZIP CODE 11590 MEXICO CITY TEL.: (55) 2581 1500 GROUP RESERVATIONS: 1 800 345 5094 [email protected] grandfiestamericana.com.
Load more

Recommended publications
  • Gallery of Mexican Art
    V oices ofMerico /January • March, 1995 41 Gallery of Mexican Art n the early the 1930s, Carolina and Inés Amor decided to give Mexico City an indispensable tool for promoting the fine arts in whatI was, at that time, an unusual way. They created a space where artists not only showed their art, but could also sell directly to people who liked their work. It was a place which gave Mexico City a modem, cosmopolitan air, offering domestic and international collectors the work of Mexico's artistic vanguard. The Gallery of Mexican Art was founded in 1935 by Carolina Amor, who worked for the publicity department at the Palace of Fine Arts before opening the gallery. That job had allowed her to form close ties with the artists of the day and to learn about their needs. In an interview, "Carito" —as she was called by her friends— recalled a statement by the then director of the Palace of Fine Arts, dismissing young artists who did not follow prevailing trends: "Experimental theater is a diversion for a small minority, chamber music a product of the court and easel painting a decoration for the salons of the rich." At that point Carolina felt her work in that institution had come to an end, and she decided to resign. She decided to open a gallery, based on a broader vision, in the basement of her own house, which her father had used as his studio. At that time, the concept of the gallery per se did not exist. The only thing approaching it was Alberto Misrachi's bookstore, which had an The gallery has a beautiful patio.
    [Show full text]
  • MEXICO Tacubaya, a Traditional Area of Mexico City
    142 Mexico Heritage at Risk 2002/2003 MEXICO Tacubaya, a traditional area of Mexico City Introduction called Santa Fe and the other Chapultepec (of which several arch- es and a fountain called Salto del Agua remain today). Both were Within the most traditional areas of Mexico City is found the built to help irrigation and drinking water distribution among the ancient villa of Tacubaya, an important establishment with prehis- Aztecs established in the city of Tenochtitlan, surrounded by a panic origins, dating to before the Aztecs came to Lago de Texco- salted lake and harvest areas. Over the centuries, from 1449 to the co; a big area known as Atlacuihuayan, whose meaning gives us middle of the 19th Century, this water system worked perfectly - the idea of 'where water was taken from'; a valley surrounded by more than 900 arches connected and distributed potable water to rivers, generous in natural resources, where its population hunt the north and south of Mexico city. and trade a variety of products with their neighbours. Düring the colonial period, Spanish priests (dominicos) and Its most ancient structures include two important aqueducts, one other principal landlords worked toward the establishment of a variety of churches, water müls, haciendas and other buildings that formed Tacubaya's urban configuration, which was kept and recognised for many centuries. All of these were built over the ruins of prehispanic temples and other structures, located in the eleven districts named after saints and the corresponding church: San Juan Tlacateco, San Lorenzo Suchiguacan, Santa Maria n W Nonoalco, Santiago Tequisquinahuac, San Miguel Culhuacatzin- m go, Tlaxco, Xihuatecpa, Huitztlan, Texcoac and Coamalcatitlan.
    [Show full text]
  • The Mexican General Officer Corps in the US
    University of New Mexico UNM Digital Repository Latin American Studies ETDs Electronic Theses and Dissertations 12-1-2011 Valor Wrought Asunder: The exM ican General Officer Corps in the U.S.-Mexican War, 1846-1847. Javier Ernesto Sanchez Follow this and additional works at: https://digitalrepository.unm.edu/ltam_etds Recommended Citation Sanchez, Javier Ernesto. "Valor Wrought Asunder: The exM ican General Officer Corps in the U.S.-Mexican War, 1846-1847.." (2011). https://digitalrepository.unm.edu/ltam_etds/3 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Latin American Studies ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Javier E. Sánchez Candidate Latin-American Studies Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: L.M. García y Griego, Chairperson Teresa Córdova Barbara Reyes i VALOR WROUGHT ASUNDER: THE MEXICAN GENERAL OFFICER CORPS IN THE U.S.-MEXICAN WAR, 1846 -1847 by JAVIER E. SANCHEZ B.B.A., BUSINESS ADMINISTRATION, UNIVERSITY OF NEW MEXICO 2009 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS LATIN AMERICAN STUDIES The University of New Mexico Albuquerque, New Mexico December 2011 ii VALOR WROUGHT ASUNDER: THE MEXICAN GENERAL OFFICER CORPS IN THE U.S.-MEXICAN WAR, 1846-1847 By Javier E. Sánchez B.A., Business Administration, University of New Mexico, 2008 ABSTRACT This thesis presents a reappraisal of the performance of the Mexican general officer corps during the U.S.-Mexican War, 1846-1847.
    [Show full text]
  • Magazines, Tourism, and Nation-Building in Mexico
    STUDIES OF THE AMERICAS Series Editor: Maxine Molyneux MAGAZINES, TOURISM, AND NATION-BUILDING IN MEXICO Claire Lindsay Studies of the Americas Series Editor Maxine Molyneux Institute of the Americas University College London London, UK The Studies of the Americas Series includes country specifc, cross- disciplinary and comparative research on the United States, Latin America, the Caribbean, and Canada, particularly in the areas of Politics, Economics, History, Anthropology, Sociology, Anthropology, Development, Gender, Social Policy and the Environment. The series publishes monographs, readers on specifc themes and also welcomes proposals for edited collections, that allow exploration of a topic from several different disciplinary angles. This series is published in conjunc- tion with University College London’s Institute of the Americas under the editorship of Professor Maxine Molyneux. More information about this series at http://www.palgrave.com/gp/series/14462 Claire Lindsay Magazines, Tourism, and Nation-Building in Mexico Claire Lindsay Department of Spanish, Portuguese, and Latin American Studies University College London London, UK Studies of the Americas ISBN 978-3-030-01002-7 ISBN 978-3-030-01003-4 (eBook) https://doi.org/10.1007/978-3-030-01003-4 Library of Congress Control Number: 2018957069 © The Editor(s) (if applicable) and The Author(s) 2019. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license and indicate if changes were made.
    [Show full text]
  • FROGLOG Newsletter of the IUCN /SSC Amphibian Specialist Group (ASG)
    Ambystoma opacum byTim Halliday ISSN 1026-0269 FROGLOG Newsletter of the IUCN /SSC Amphibian Specialist Group (ASG) December 2006, Number 78 amphibian species entering ponds individuals. Computer assisted Impacts of from clearcut versus forest habitats pattern-matching software clearcutting on across years. Of the 149,756 developed specifically for A. amphibians amphibians that were captured opacum by Lex Hiby of after 20 years and included in our analysis, 17 of Conservation Research Ltd. of forest re- 18 species at all ponds in all years (Cambridge, UK) drastically establishment migrated to ponds in significantly reduced the number of photo By: Don R. Church, Henry M. smaller numbers from the clearcut comparisons that needed to be Wilbur and Larissa Bailey habitats than from the forest made by eye. Individuals had habitats associated with each overall high fidelity to their point of The long-term impacts of forestry pond. The one exception was the entry to and exit from a pond within practices on amphibian spring peeper, Hyla crucifer, which and across years. populations remain uncertain. was caught in significantly larger Using recently developed multi- Several studies in eastern North numbers entering from the clearcut state mark-recapture methods America have previously shown habitat at each pond. These (Bailey et al., 2004) and that clearcutting of upland forests results raised the question: Why multimodel inference (Burnham & results in a reduction in the number exactly do fewer amphibians Anderson, 2002) we found that of pond-breeding amphibians that migrate to ponds from clearcut survival probabilities within both migrate to breeding sites. habitats after 20 years of forest breeding and non-breeding However, in general, deciduous reestablishment? The answer to seasons varied among years, forests of eastern North America this question has important populations, and between habitats.
    [Show full text]
  • III Conference Brochure Mexico City 2014
    International Insolvency Institute INTERNATIONAL INSOLVENCY INSTITUTE’S 14TH ANNUAL CONFERENCE June 9–10, 2014 Four Seasons Hotel Mexico, Mexico City Conference Co-Chairs E. Bruce Leonard CASSelS BROCK & BLACKWell LLP TORONTO John A. Barrett NORTON ROSE FUlbRIGHT HOUSTON Agustín Berdeja-Prieto BERDEJA Y ASOCIADOS, S.C. MEXICO City The International Insolvency Institute presents its 14th Annual Conference at the Four Seasons Hotel Mexico in Mexico City The International Insolvency Institute will present its Fourteenth Annual Conference in Mexico City on June 9 and 10, 2014. The III Mexico City Conference will feature reports and analyses of the most important current international insolvency issues and controversies described by speakers who are recognized as pre-eminent in their field from countries around the world. MEXICO CITY Mexico City has been described as an amazing urban playground with blockbuster attractions, stellar restaurants, museums, art exhibits and elegant hotels. Forbes Magazine has ranked Mexico City’s culinary scene Castillo de Chapultepec as fourth best in the world (after Paris, Rome and Tokyo). The III’s famous Legendary Dinner will be held at the renowned Franz Mayer Museum III NEXTGEN (CLASS III) (www.franzmayer.org.mx). The Conference will conclude with a glittering reception in the Castillo de Chapultepec, an enormous castle, full of INDUCTION CEREMONY history, that dominates the skyline of Mexico City and which has seen SUNDAY, JUNE 8, 2014 memorable battles and many significant events in the history of Mexico. 5:00 – 6:00 P.M. Marquis Reforma Hotel & Spa: CONFERENCE HOTELS Paseo de la Reforma 465, Col. The Conference hotel will be the Five Star Four Seasons Hotel Mexico Cuauhtemoc, México, D.F.
    [Show full text]
  • Best Parks in Mexico City"
    "Best Parks in Mexico City" Erstellt von : Cityseeker 5 Vorgemerkte Orte Alameda Central "The Central Park of Mexico City" A pleasant respite from the hustle and bustle of the city, this charming green park has sparkling fountains, shady trees and interesting sculptures such as 'Malgre Tout' and 'Despoire', by Jesús Contreras. The park also has a monument dedicated to Beethoven in commemoration of the centenary of the Ninth Symphony, which was donated by the German by Bodhisattwa community. This recreation space for the local populace was created in 1592 and few city parks guard such hidden history in its landscape, such as being the former site of the Inquisition's burning of heretics. A typical Mexican Sunday can be enjoyed at the Alameda Central, which often has live music, along with markets and food stalls. +52 55 5278 4200 (Tourist Information) Avenida Hidalgo y Avenida Juárez, Mexiko-Stadt Parque Zoológico de Chapultepec "Famous For Pandas" The pre-Hispanic origins of this zoo date back to when the Aztec Nezahualcóyotl created this area for the population to enjoy the flora and fauna. It was meant not only for entertainment but also for medicinal, artistry, food provision and religious purposes. Today around 2,000 animals of some 260 species consider these 17 hectares (42 acres) their by ProtoplasmaKid natural habitat. Different biospheres have been recreated to make these guests feel more at home. Temperate woods of conifer trees shield the bears, deer and wolves; there are pastures for herbivores and deserts of arid and semiarid regions for other creatures; the Arctic tundra for the polar bears and even a coastal shore for sea lions.
    [Show full text]
  • M U R a L I S M Identity & Revolution January 30 - February 29, 2020
    M U R A L I S M Identity & Revolution January 30 - February 29, 2020 1.XXX Tina Modotti XXX Diego Rivera Mural, "The World Today and Tomorrow", Palacio Nacional, Mexico City 1929-1935 Gelatin Silver Print 7 3/8 x 9 1/2 in. n.s (Inv# 73859) 2.XXX Tina Modotti XXX "Sickle, Bandolier & Guitar" ca. 1927 Platinum print 6 7/8 in. x 8 3/4 in. 5/30 Signed, titled and dated on recto and verso (Inv# 64908) 3.XXX Edward Weston XXX Tina Reciting 1926 Gelatin silver print, printed later 9 1/2 x 7 1/4 in. Printed by Cole Weston (Inv# 32799) 4.XXX Florence Arquin XXX Frida Kahlo with Corset Painted with Fetus and Hammer & Sickle. 1951 Gelatin silver print 10 x 8 in. n.s (Inv# 60897) 5.XXX Lucienne Bloch XXX Frida in Front of Proletarian Unity from the mural "Portrait of America" for the New Workers School, NY 1933 Gelatin Silver Print 11 1/2 x 7 1/2 in. Signed in pencil on recto (Inv# 76522) 6.XXX Anonymous XXX Mural by David Alfaro Siqueiros, De Porfirismo a la Revolucion (From the Dictatorship of Porfirio Díaz to the Revolution) Chapultepec Castle, Chapultepec Park, Mexico City 1944 Gelatin silver print 8 x 10 in. Labeled on verso (Inv# 60001) 7.XXX Guillermo Zamora XXX David Alfaro Siqueiros 1946 Gelatin silver print 13 1/2 x 10 1/2 in. n.s (Inv# 100769) 8.XXX Héctor García XXX José Clemente Orozco 1945 Gelatin silver print, printed 1996 14 x 11 in.
    [Show full text]
  • Mexico City: Art, Culture & Cuisine!
    Mexico City: Art, Culture & Cuisine! Art History of Mexico Available Anytime! Cultural Journeys Mexico | Colombia | Guatemala www.tiastephanietours.com | (734) 769 7839 Mexico City: Art, Culture & Cuisine! Art History of Mexico On this journey of learning and discovery, we explore the history and expressions of Art in Mexico. In order to understand the vision and temperament of Diego and Frida, we will learn of History and Politics of Mexico, that is the only way to contextualize their art and lives. While Diego’s Art was overtly political, Frida’s was more personal, as we will see. The Mexican Muralism Movement will also be explored. If you are interested in Art, His- tory, Culture, Muralism, Diego and Frida, this trip is for you! Join us to explore art in Mexico City! Program Highlights • Explore the Zocalo • Visit Templo Mayor, Ceremonial Center of the Aztecs • Learn of Mexican History & Indigenous LOCATION Past at the National Palace Murals, painted by Diego Rivera • Ocotlan and the Southern Craft Route. • Visit the Palacio de Bellas Artes • Museum of Modern Art • Rufino Tamayo Museum • Frida Kahlo Museum • Dolores Olmedo Museum • UNAM Campus Itinerary Day 1: and the Cathedral of the Assumption of mural iconography and techniques of the Arrive Mexico City, Transfer to our Mary, constructed in a medley of Ba- ancient civilizations of Mexico. Diego Rivera Centrally Located Hotel and explore the roque, Neoclassical, and Mexican chur- studied the Prehispanic fresco technique to Historic Center! rigueresque architectural styles. Then we apply to his own work. (B, L) Enjoy a Light Lunch move to the National Palace to view Diego Explore the Zocalo, the Largest Square in Rivera’s mural masterpiece The Epic of the Day 3: the Americas! Mexican People, where he depicted major Today we explore the Antiguo Colegio San Visit Templo Mayor, Ceremonial Center of events in Mexico’s history, and the indig- Idelfonso, home to the first mural painted the Aztecs enous cultures of Mexico.
    [Show full text]
  • Day 1, Friday January 10, 2020
    Mexico City Sample Journy Day 1, Friday January 10, 2020 1: Browse Books, Caffeine Up, and Relax in a Beautiful Multi-Level Bookstore/Cafe - Cafebrería El Péndulo (Cafe) Address: Av. Álvaro Obregón 86, Cuauhtémoc, Roma Nte., 06140 Ciudad de México, D.F., Mexico About: Sure, there are plenty of coffeehouses with library elements or bookstores with cafes, but Cafebrería El Péndulo-Roma in Roma Norte is special. The library/bookstore component is spectacular with its walls and floors of books (a bookworm’s paradise), and the café serves delicious breakfasts (nighttime breakfasts, too!) and coffee. There is also a theater space on the third floor for small concerts and poetry readings. Did we mention there is also a bar? Pancakes, mezcal, and a good book sound like a great afternoon to us. Opening hours Sunday 9AM-10PM Monday 8AM-10PM Tuesday 8AM-10PM Wednesday 8AM-10PM Thursday 8AM-10PM Friday 8AM-10PM Saturday 8AM-10PM Phone number: +52 55 5574 7034 Website: http://pendulo.com Reviews http://www.yelp.com/biz/cafebrer%C3%ADa-el-p%C3%A9ndulo-m%C3%A9xico-2 https://www.tripadvisor.com/Restaurant_Review-g150800-d9703178-Reviews-Cafebreria_El_Pendulo- Mexico_City_Central_Mexico_and_Gulf_Coast.html 2: Mexico City's Most Beautiful Building at Palacio de Bellas Artes (Ballet Folklorico on Wednesdays and Sundays) (Activity) Address: Av. Juárez, Centro Histórico, 06050 Ciudad de México, D.F., Mexico Lázaro Cárdenas About: Considered one of the world's most beautiful buildings, the Mexico City Palace of Fine Arts - or Palacio de Bellas Artes - is a harmonious synthesis of Art Nouveau, Art Deco, and Baroque styles, a style sometimes called "Porfiriano," after architecture-obsessed Mexican President Porfirio Díaz, who commissioned the project.
    [Show full text]
  • The Work of Jorge González Camarena, the History Of
    University of New Mexico UNM Digital Repository Art & Art History ETDs Electronic Theses and Dissertations 12-1-2015 Narratives of Violence and Tales of Power: The Work of Jorge González Camarena, the History of the Castillo de Chapultepec, and the Establishment of the National Museums in the Project of Mexican Nationalism Rebekah Bellum Follow this and additional works at: https://digitalrepository.unm.edu/arth_etds Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Bellum, Rebekah. "Narratives of Violence and Tales of Power: The orkW of Jorge González Camarena, the History of the Castillo de Chapultepec, and the Establishment of the National Museums in the Project of Mexican Nationalism." (2015). https://digitalrepository.unm.edu/arth_etds/28 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Art & Art History ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Narratives of Violence and Tales of Power: The Work of Jorge González Camarena, the History of the Castillo de Chapultepec, and the Establishment of the National Museums in the Project of Mexican Nationalism Rebekah C. Bellum December 2015 Jorge González Camarena, La Fusión de Dos Culturas, 1963, National Museum of History, Mexico City Rebekah Carmen Bellum Candidate Art and Art History Department This thesis is approved, and it is acceptable in quality and form for publication:
    [Show full text]
  • Performing the Mexican Revolution in Neoliberal Times
    ABSTRACT Since the time of the Mexican Revolution of 1910, images associated with this nation-defining event have been presented in an array of media and cultural productions. Within the past two decades these images have been re-imagined, re-coded and re/de- constructed in reaction to social and cultural changes associated with a crisis of political legitimation and the demise of hegemonic revolutionary ideology, as espoused by the long-ruling Party of the Institionalized Revolution (PRI), amid the generalized implementation of neoliberal policies in the county. My dissertation argues that the ascendance of neoliberalism, with the opening of Mexican economic and political systems, has resulted in changes in the socio-cultural work performed by the Revolution- Nation-Gender triad. This trinity, solidified in the post-Revolutionary national imaginary, weaves the three notions together such that as hegemonic discourses of Revolutionary nationalism enter in crisis, discourses of gender are also destabilized. The dissertation consists of three main sub-arguments. First, I argue that the discourse(s) surrounding Revolutionary heroes has been integral to the (re)definition of the Mexican nation and that analyzing recodings of this discourse through the example of Emiliano Zapata reveals a destabilization of hegemonic nationalism. These changes have allowed alternatives to surface both in Mexico and across the border as part of a recoded ii transnational Revolutionary nationalism. As cracks opened in the Revolutionary edifice allowing alternatives to emerge, they have also opened space for alternative gender discourses. I next argue that a close analysis of representations of masculine gender roles as manifested in a variety of cultural texts, specifically through Revolutionary icons Pancho Villa and Emiliano Zapata, reveals a crisis of the macho archetype in the contemporary Mexican nation.
    [Show full text]