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Markos Vamvakaris : the Man and the Bouzouki
Markos Vamvakaris : The Man and the Bouzouki. Autobiography PDF Author: Noonie Minogue Pages: 320 pages ISBN: 9780993263309 Markos Vamvakaris, born in 1905 in Syros was a pioneer of rebetiko, the urban folk music of Greece. The bouzouki was a disreputable instrument but he paved its path to glory. He spent many years, first as a stevedore in the port of Piraeus and then as a butcher in the slaughterhouse. During this time he fell in love with a tigress, his first wife, he learnt to smoke hashish and to play the 'sacred' instrument: 'I had a great passion. My life was all bouzouki. It took me over - but it also took me up in the world, way up ...' This is the first ever translation into English of the autobiography compiled by Angeliki Vellou Keil in 1972. It opens a window onto a time of extraordinary creativity in the history of Greek music, an explosion of songwriting in the interwar period. Its composers wrote about themselves and each other, the rituals of hashish smoking and the landmarks of a now vanished city. Markos the repentant sinner and living legend, looks back at childhood idylls in Syros, the arrival of the Asia Minor refugees, the terrible years of the Nazi Occupation, the ceaseless love affairs and disappointments, and the triumphs of the bouzouki. He offers a rare insight into the lives of toiling workers and the lowlife of one of the world's most ancient ports, where East meets West. Out of this melting pot he produced the classic songs that Greeks of all ages still love and know by heart. -
The European Cross-Border Cooperation in The
The European cross-border cooperation in the Balkan countries: Marking space and the multi-scalar production of locality Cyril Blondel, Guillaume Javourez, Meri Stojanova To cite this version: Cyril Blondel, Guillaume Javourez, Meri Stojanova. The European cross-border cooperation in the Balkan countries: Marking space and the multi-scalar production of locality. UET. Pratiques sociales et reconfigurations locales dans les Balkans, 2014. halshs-02560470 HAL Id: halshs-02560470 https://halshs.archives-ouvertes.fr/halshs-02560470 Submitted on 13 May 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The European cross-border cooperation in the Balkan countries: Marking space and the multi-scalar production of locality Cyril Blondel (UMR CITERES, CNRS 7324- Université de Tours) Guillaume Javourez (Université de Provence-UMR TELEMME) Meri Stojanova (NI Institute and Museum, Bitola) 97 Considering borders as the limit of the States’ sovereignty and territorial competency is not enough. During the past thirty years, more and more authors have shown the necessity to take into account the complexity of the processes related to the border issue and have called for a postmodern perspective1. This theoretical approach will constitute our basis for observing border reconfigurations in the Balkans. -
The Rembetiko Music
The Rembetiko Music Rembetiko music is a very popular genre of Greek Folk music. It is often called the Greek form of blues music, because it was merely formed in the same social background. Although it is not played that much anymore, its melodies, harmonies and scales have been a big influence for Greek music since. That is why I chose to do a popular, not only in Greece, but around the world too. research on its history and on its particular musical characteristics, that made it so Definition of Rembetiko Rembetiko is the music played by the mbe Although musicologists are not logy, they describe there so-tes. as vagrant, tainted, marginalsure about thepeople, terms oretymo people from the underworld.called Theyrembetes were mostly people who gathered in small cafes and tekes to smoke hashish, drink alcohol and play songs, in order to ex The ensembles occurring from those cafes would look somethingpress theirlike the lifes picture suffering. on the right (Photo ). The most significant rempetologist was Elias Petropoulos. of the Rembetes of Karaiskaki taken in Peiraious 19 History and evolution of Rembetiko Rembetiko started in the so-called aman-cafis and the tekedes (places where people gathered to smoke hashish) in Greece but mainly in Asia Minor. Those were cafes, that started appearing in 1873 and in which there was live music. The main form amanedes , which were turkish, often improvised and highly melismatic songs, in which or something (usually about hashish, narghiles andof music love-stories) were is expressed. Ensembles, consisting of a combination of the folowing instruments : santouris,the singers ouds, suffering laouds, flutesf or violins, were accompanying the singers. -
Music, Image, and Identity: Rebetiko and Greek National Identity
Universiteit van Amsterdam Graduate School for Humanities Music, Image, and Identity: Rebetiko and Greek National Identity Alexia Kallergi Panopoulou Student number: 11655631 MA Thesis in European Studies, Identity and Integration track Name of supervisor: Dr. Krisztina Lajosi-Moore Name of second reader: Prof. dr. Joep Leerssen September 2018 2 Table of Contents Introduction ......................................................................................................................... 4 Chapter 1 .............................................................................................................................. 6 1.1 Theory and Methodology ........................................................................................................ 6 Chapter 2. ........................................................................................................................... 11 2.1 The history of Rebetiko ......................................................................................................... 11 2.1.1 Kleftiko songs: Klephts and Armatoloi ............................................................................... 11 2.1.2 The Period of the Klephts Song .......................................................................................... 15 2.2 Rebetiko Songs...................................................................................................................... 18 2.3 Rebetiko periods .................................................................................................................. -
Syra of Markos Vamvakaris He Municipality of Syros - Er- Moupolis and the Cyclades Tchamber, Proudly Present the 3Rd Rembetiko Festival «Syra of Markos Vamvakaris»
Syros - Culture 2018 3rd Rembetiko Festival Syra of Markos Vamvakaris he Municipality of Syros - Er- moupolis and the Cyclades TChamber, proudly present the 3rd Rembetiko Festival «Syra of Markos Vamvakaris». As in previous years, the 3rd Rebetiko his year’s event is taking place folk character, its direct connection to Festival of 2018 includes a full program under the support and aegis of both local language and dance, the of events on popular urban music («rebe- T the Greek Culture and Sports development evolution and eventually tiko»), highlighting the relation between Ministry, in recognition of its organiza- its establishment as a cultural expres- Markos Vamvakaris and Syros. tional competence and its contribution sion. It is a kind of music with broad to the preservation and promotion of public appeal and a strong symbol of “Markos Syrianos” is a distinctive figure. the intangible cultural heritage of the identity and ideology for the Greek His songs and his “taximia - makams”, region. folk music tradition. are distilled from his insubordination, Something that Markos knows and It is noteworthy that “rebetiko” song In the file submitted to UNESCO, his full of passion life and Syra the we do not. was registered in the National Index of Syros is referred to as one of the cities «rock» where he was born,. Intangible Cultural Heritage in 2015 closely connected to rebetiko, our folk But what is this that makes every- This year, for first time, the festival and in the UNESCO List of Intangible music that we treat as something that one from every corner of this world is reaching abroad, with the participa- Cultural Heritage of Humankind in is still active and up to date and not “enchanted” when listening to Marko tion of artists from Italy and Cyprus, 2017 on the basis of its urban and as a museum exhibit. -
Britain and the Greek Security Battalions, 1943-1944
VOL. XV, Nos. 1 & 2 SPRING-SUMMER 1988 Publisher: LEANDROS PAPATHANASIOU Editorial Board: MARIOS L. EVRIVIADES ALEXANDROS KITROEFF PETER PAPPAS YIANNIS P. ROUBATIS Managing Eidtor: SUSAN ANASTASAKOS Advisory Board: MARGARET ALEXIOU KOSTIS MOSKOFF Harvard University Thessaloniki, Greece SPYROS I. ASDRACHAS Nlcos MOUZELIS University of Paris I London School of Economics LOUKAS AXELOS JAMES PETRAS Athens, Greece S.U.N.Y. at Binghamton HAGEN FLEISCHER OLE L. SMITH University of Crete University of Copenhagen ANGELIKI E. LAIOU STAVROS B. THOMADAKIS Harvard University Baruch College, C.U.N.Y. CONSTANTINE TSOUCALAS University of Athens The Journal of the Hellenic Diaspora is a quarterly review published by Pella Publishing Company, Inc., 337 West 36th Street, New York, NY 10018-6401, U.S.A., in March, June, September, and December. Copyright © 1988 by Pella Publishing Company. ISSN 0364-2976 NOTES ON CONTRIBUTORS DAVID GILMORE is professor of anthropology at the State Uni- versity of New York at Stony Brook . MOLLY GREENE is a doc- toral candidate at Princeton University . CLIFFORD P. HACKETT is a former aide to U.S. Representative Benjamin Rosenthal and Senator Paul Sarbanes. He is currently administering an exchange program between the U.S. Congress and the European Parliament and is also executive director of the American Council for Jean Monnet Studies . JOHN LOUIS HONDROS is professor of history at the College of Wooster, Ohio ... ADAMANTIA POLLIS is professor of political science at the Graduate Faculty of the New School for Social Re- search . JOHN E. REXINE is Charles A. Dana Professor of the Classics and director of the division of the humanities at Colgate Uni- versity . -
Essai Sur La Pratique Hellénique Du Droit Constitutionnel Intermédiaire Christoforos Matiatos
Essai sur la pratique hellénique du droit constitutionnel intermédiaire Christoforos Matiatos To cite this version: Christoforos Matiatos. Essai sur la pratique hellénique du droit constitutionnel intermédiaire. Droit. Université Panthéon-Sorbonne - Paris I, 2015. Français. NNT : 2015PA010284. tel-01911241 HAL Id: tel-01911241 https://tel.archives-ouvertes.fr/tel-01911241 Submitted on 2 Nov 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. ESSAI SUR LA PRATIQUE HELLÉNIQUE DU DROIT CONSTITUTIONNEL INTERMÉDIAIRE UNIVERSITÉ de PARIS I (Panthéon-Sorbonne) THÈSE Pour l’obtention du grade de docteur en droit public (doctorat d’État) Présentée et soutenue publiquement par Christophoros C. Matiatos Le 13 mars 2015 ESSAI SUR LA PRATIQUE HELLÉNIQUE DU DROIT CONSTITUTIONNEL INTERMÉDIAIRE JURY : M. Pierre AVRIL, professeur émérite de l’Université de Paris II (Panthéon-Assas), président ; Mme Julie BENETTI, professeur à l’Université de Reims-Champagne-Ardenne, (rapporteur) ; M. Jean GICQUEL, professeur émérite de l’Université de Paris I (Panthéon-Sorbonne) (directeur de recherches) ; M. Philippe LAUVAUX, professeur à l’Université de Paris I (Panthéon-Assas) (rapporteur) ; M. Slobodan MILACIC, professeur émérite de l’Université de Bordeaux. 2 L’Université n’entend donner aucune approbation ni improbation aux opinions émises dans les thèses ; ces opinions doivent être considérées comme propres à leurs auteurs. -
Dodecanese Campaign from Wikipedia, the Free Encyclopedia
Create account Log in Article Talk Read Edit View history Dodecanese Campaign From Wikipedia, the free encyclopedia The Dodecanese Campaign of World War II was an attempt by Allied forces, mostly Navigation Dodecanese Campaign British, to capture the Italian-held Dodecanese islands in the Aegean Sea following the Part of the Mediterranean and Middle East theatre of Main page surrender of Italy in September 1943, and use them as bases against the German- World War II Contents controlled Balkans. The Allied effort failed, with the whole of the Dodecanese falling to Featured content the Germans within two months, and the Allies suffering heavy losses in men and Current events ships.[3] The operations in the Dodecanese, lasting from 8 September to 22 November Random article 1943, resulted in one of the last major German victories in the war.[4] Donate to Wikipedia Contents 1 Background Interaction 2 Initial Allied and German moves — The Fall of Rhodes Help 3 Battle of Kos About Wikipedia 4 Battle of Leros Community portal 5 Naval operations Recent changes 6 Aftermath Map of the Dodecanese Islands (in dark blue) Contact Wikipedia 7 In popular culture Date September 8 – November 22, 1943 8 References Location Dodecanese Islands, Aegean Sea Toolbox 9 Sources 10 External links Result German victory What links here Territorial German occupation of the Dodecanese Related changes changes Background [edit] Upload file Belligerents Special pages Further information: Military history of Greece during World War United Kingdom Germany Permanent link II and Mediterranean and Middle East theatre of World War II Kingdom of Italy Republican State of Page information South Africa Italy The Dodecanese island group lies in the south-eastern Aegean Sea, and had been Data item Greece under Italian occupation since the Italo-Turkish War. -
REBETİKANIN KADIN DERVİŞLERİ VE DİĞER ŞÜPHELİ HANIMLARI Gail Holst-Warhaft Çeviren: E
VOLUME 6 / SPRING 2013 GENDER REBETİKANIN KADIN DERVİŞLERİ VE DİĞER ŞÜPHELİ HANIMLARI Gail Holst-Warhaft Çeviren: E. Şirin Özgün Yunanistan’da rebetikanın geliştiği ve yıldızının parladığı dönem kabaca fl amenkonun, tangonun ve ABD’de kentli blues’un yükseldiği döneme denk gelir.1 Rebetika bu tip müziklerle pek çok ortak özelliğe sahiptir: bunlar erkek müzisyen, şarkıcı ve dansçıların en azından yabancıların gözüne stereotipik olarak maço göründüğü türlerdir. İçeriden bakıldığında ise, ya da daha incelikli bir ba- kışla, bütün bu popüler müzik türlerindeki kadın ve erke rollerinin ilk anda göründüklerinden daha belirsiz olabilecekleri görülebilir; hatta bu roller yansıttıkları stereotipleri bile ters yüz edebilir.2 Rebetikada müzik icra eden gerçek kadınların rolü ile şarkı sözlerinde yansıtılan kadın imgesi erken dönem Küçük Asya-İzmir tarzı şarkılardan Pire dönemine ve geniş ölçekte popülerlik ka- zanan 1960ların buzuki müziğine kadar çeşitlilik gösterir. İcra edildiği sert ortama ve erkeklerin icracı ve şarkı yazarı olarak egemen olmasına rağmen, Markos Vamvakaris ve Pire Dörtlüsü’nün başını çektiği 1930ların rebetikası bile tamamen maço olarak nitelendirilemez. Rebetikanın çe- kici yönlerinden biri mizah anlayışıdır; kostümün duruşuna, dansın sadece erkekler tarafından yapılmasına ve buzukinin keskin sesine rağmen bu sert pozlarda kendi kendisiyle alay eden bir hal, kabadayının ipliğini pazara çıkaran bir göz kırpma vardır. Şarkılar büyük ölçüde erkeklerden oluşan bir grubun üyeleri arasındaki yoldaşlıktan bahseder, fakat bu gruplarda -
Γιαννη Μοραλη Yannis Moralis
ΤΙΜΗ ΣΤΟΝ ΓΙΑΝΝΗ ΜΟΡΑΛΗ A TRIBUTE TO YANNIS MORALIS A TRIBUTE TO YANNIS MORALIS ΤΙΜΗ ΣΤΟΝ ΓΙΑΝΝΗ ΜΟΡΑΛΗ ΕΘΝΙΚΗ ΠΙΝΑΚΟΘHΚΗ – MOΥΣΕΙΟ ΑΛΕΞΑΝΔΡΟΥ ΣΟΥΤΖΟΥ NATIONAL GALLERY – ALEXANDROS SOUTZOS MUSEUM ΧΟΡΗΓΟΣ / SPONSOR ISBN: 978-960-7791-49-8 © Eθνική Πινακοθήκη-Μουσείο Αλεξάνδρου Σούτζου National Gallery-Alexandros Soutzos Museum ΓΙΑΝΝΗΣ ΜΟΡΑΛΗΣ YANNIS MORALIS ΕΘΝΙΚΗ ΠΙΝΑΚΟΘΗΚΗ-ΜΟΥΣΕΙΟ ΑΛΕΞΑΝΔΡΟΥ ΣΟΥΤΖΟΥ NATIONAL GALLERY-ALEXANDROS SOYTZOS MUSEUM ΤΙΜΗ ΣΤΟΝ ΓΙΑΝΝΗ ΜΟΡΑΛΗ A TRIBUTE TO YANNIS MORALIS 11 Μαΐου - 29 Aυγούστου 2011 11 May - 29 Αugust 2011 ΕΘΝΙΚΗ ΠΙΝΑΚΟΘΗΚΗ NATIONAl GAllERY ΜΟΥΣΕΙΟ ΑλΕΞΑΝ∆ΡΟΥ ΣΟΥΤΖΟΥ, AlEXANDROS SOuTZOS MuSEuM, ΑΘΗΝΑ 2011 ATHENS 2011 ΕΚΘΕΣΗ EXHIBITION ΚατάλΟγΟΣ CatalOGuE Γενική εποπτεία General supervision Επιμέλεια Editor Μαρίνα Λαµπράκη-Πλάκα Marina Lambraki-Plaka Άννυ Μάλαµα Annie Malama ∆ιευθύντρια Director Μετάφραση στην αγγλική έκδοση English Catalogue Translation Ομότιμη Καθηγήτρια Ιστορίας της τέχνης Professor Emeritus, History of Art ∆ηµήτρης Σαλταµπάσης Dimitris Saltabassis Σχεδιασμός-Επιμέλεια Design-Curation Φωτογραφίες έργων Artwork Photography Άννυ Μάλαµα Annie Malama Σταύρος Ψηρούκης Stavros Psiroukis Επιμελήτρια, ∆ρ Ιστορίας της τέχνης Curator, Dr History of Art Θάλεια Κιµπάρη Thalia Kibari Συλλογή Ζωγραφικής (20ός αιώνας) Painting Collection (20th century) Φωτογραφικό υλικό Photographic media Αρχείο Βοβολίνη Vovolinis Archive Συντήρηση έργων Art conservation Αρχείο Γκαλερί Ζουµπουλάκη Zoumboulakis Art Galleries Archive ∆ιεύθυνση Συντήρησης Art Conservation and Αρχείο Μαρίνας Λαµπράκη-Πλάκα Marina -
A Way of Life
The Passenger: Greece — May 2020 ISBN: 9781787702189 A Way of Life Matteo Nucci Translated by Alan Thawley Rebetiko is rebel music by definition (challenging power, war and conformism), part of the cultural baggage of those displaced from Asia Minor. In recent years it has been reborn and is once again releasing its revolutionary potential. I was initiated into rebetiko by a Russian. His name is Yanni, a skinny guy with a glassy look in his eyes softened by a glint of non-conformity. He carries himself with respect and delicacy, and sooner or later you will come across him if you have fallen in love with this unique music and start frequenting the right places in Athens, the old-time venues that cannot be named because they have to stay on the margins of the law. You will see him bent over his tsipouro, the Greek version of grappa, and his cigarettes rolled from the best tobacco. A blond dandy, a peaceful rebel. Yanni Litovchenko smokes like a rebetis, a rebetiko musician, but he does not play and does not sing. He sits on the margins of these rooms full of music and ashtrays. And he listens. He dreams. Sometimes he will let out a yell or sing a verse under his breath. He has a passion for this music, and if you fall under its spell, succumb to the tales that he tells and his amazing night-time pilgrimages, perhaps you might have the same experience as me. At the beginning I thought he was just an unusual character. -
Corporatist Ideas in Inter-War Greece: from Theory to Practice (1922–1940)
Article European History Quarterly 2014, Vol. 44(1) 55–79 Corporatist Ideas in ! The Author(s) 2014 Reprints and permissions: Inter-war Greece: sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/0265691413513422 From Theory to ehq.sagepub.com Practice (1922–1940) Spyridon Ploumidis University of Athens, Greece Abstract The article examines the reception, conception and practical application of corporatist ideas in inter-war Greece. Drawing on Peter Williamson’s terms, this study looks closely at both consensual- and authoritarian-licensed corporatist theories and policies. In the period under consideration, Greece was a fledgling, fast industrializing society that was significantly affected by the economic advantages and misgivings of the ‘gloomy thirties’. High rates of unemployment, which were aggravated by the global economic crisis of 1929, low wages, long working hours and insufficient enforcement of labour law increased the dissatisfaction of the working classes and fanned social unrest. Consensual-licensed corporatist proposals for ‘professional representation’ entered the debate on the (re-)establishment of the Senate in 1928–29. Authoritarian-licensed corporatism found a much broader audience and practical scope during the Kondylis and the Metaxas dictatorships in the period 1935–40. Fascist-like corporatist practices were applied in agriculture and in the bargaining of collective agreements that regulated minimum wages and salaries. In fact, Metaxas had pronounced the transformation of his anti-parliamentary regime into a corporatist ‘new State’. However, the eventual imple- mentation of corporatist ideas was rather limited. For that matter, I argue that inter- bellum Greece remained, in its European setting, a marginal case of corporatist theories and policies.