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1 Olalekan Is'haq BALOGUN Olalekan Is’haq BALOGUN _____________________ Place & Date of Birth: Lagos, 3rd March, 1973. Home Address: 10 Adeyeye Str, Aradagun Badagry, Lagos Present Postal Address Theatre Programme, School of English, Film, Theatre & Media Studies, Victoria University of Wellington, New Zealand. Gender: Male Email Address: [email protected] [email protected] Telephone: (+64) 223893879, (+234) 8027727751 Nationality at Birth: Nigerian State of Origin/Local Government: Ogun/Ogun Waterside Marital Status: Married No of Children: 3 (12 years; 7years; 4years). ___________________________________________________________________ Secondary and Post-Secondary Education with Date St. Francis Grammar School, Iwaya 1985 --- 1991 Federal College of Education, Osiele, Abeokuta 1993 --- 1996 University of Lagos, Akoka 2005 --- 2008 University of Lagos, Akoka 2011 --- 2012 Victoria University of Wellington, New Zealand 2013 --- 2017 Academic and Professional Qualification with Date Senior Secondary Certificate 1991 Nigerian Certificate in Education (English & Social Studies) 1996 Bachelor of Art in Theatre Arts (Second Class Upper) 2008 Master of Arts in Theatre Arts (Distinction) 2012 Doctor of Philosophy (PhD) 2017 Page | 1 Statements of experience & details of former employment Lecturer. Feb, 2010 --- May,2013 University of Education, Winneba, Ghana (Federal College of Education (T) Akoka) Courses taught: African Drama & Theatre, African Literature in English, Oral African Literature, Creative Writing, Caribbean & Diaspora Theatre and Literature. Other responsibilities: grading of students, conducting of workshops/practical, project/thesis supervision Tutor. August, 2013 --- June, 2015 Victoria University of Wellington, New Zealand. Course taught: THEA 204 (Classic Theatre Workshop) & THEA 206 (Dramaturgies of the World) Other responsibilities: grading of students, conducting of workshops/practical, project/thesis supervision Current Research Shakespeare Adaptation scholarship, dramaturgy, Postcolonial/Intercultural Performance PhD dissertation Title and Focus “Orisa-Shakespeare: a study of Shakespeare Adaptations Influenced by the Yoruba Tradition” The thesis is a study of cultural and political significance of selected recent adaptations of Shakespeare works drawn from the Anglophone, Francophone and Lusophone worlds, which represent the Yoruba and its diaspora. The dissertation does the following: i.) Explores the cultural and political contexts of the selected works, with strong emphasis on their contemporary appeal and relevance in a global context. ii.) Develops its own, and possibly, ‘new’ theory of Shakespeare analysis that will be relevant to understand other contemporary postcolonial Shakespeare adaptations. iii.) Uses the insights gained from both the analyses of the texts and theory to develop a new play based on Shakespeare’s Julius Caesar, which critiques Nigeria’s present socio-political situations Areas of Research/Professional Interest Playwriting, Creative Writing, African Drama & Theatre, Modern & European Literature, Dramatic Literature and Criticism, African & Diaspora Literature and Theatre, Postcolonial Literature, Shakespeare Studies, Adaptations & Appropriations, Cultural Studies. Details of Publications Book Chapters “Otaelo: Reading Shakespeare’s Othello in Igbo Culture” Cross-cultural studies. Edited by, Chang, Osmond Chien-ming. Center for Cross-cultural Studies, National Chengchi University, College of Foreign Languages & Literatures, 2013, pp.110-37. Page | 2 “‘Ele Supremacy’: Obinrin-Aesthetic in Bosede Ademilua-Afolayan’s Once Upon an Elephant” Rewriting Her Story: Critical Essays on the Female Subject in the Colonial and Postcolonial World. Edited by, Pangmeshi Adamu and Blossom, N. Fondo. USA: Ken Scholars Publishing, 2015, pp.121-152. Articles in Journals “Ajubaba: Shakespeare and Yoruba Goddess” International Journal of Comparative Literature and Translation Studies, vol.1, no.3, 2013, pp.18-25. “Ori, Ritual and Yoruba Drama of Existence” IOSR Journal of Humanities and Social Sciences, vol.17, Issue.1, 2013, pp.42-7. “Agbajo owo la fii so’ya: Thought on African Concept of Solidarity for Global Peace” International Journal of Education and Research, vol.1, no.10, 2013, pp.1-10. “Buying Our Lives with a Riddle: Adaptation as the ‘Female Other’ Perspective” International Journal of Learning, Teaching, and Educational Research, vol. 6, no.1, 2014, pp.81-92. Published Books (Drama) i. Moremi. Legendaire Publications, Lagos, 2003, (Reprinted. 2015). ii. Alaafin Kanran: the fall of tyranny. Lantern Books, Lagos, 2005 iii. The Rejected Stone. Lantern Books, Lagos, 2005. iv. Oya: the Goddess of Whirlwind. Lantern Books, Lagos,2008 v. Farewell. New Writing in Drama anthology, British Council, 2009: 225-79. vi. Shaka. Lantern Books, Lagos, 2010 vii. Olofin Ajaye: the story of Lagos. Legendaire Publications, Lagos, 2010 viii. For Heroes and Scoundrels. Legendaire Publications, Lagos, 2010 Academic Awards & Honours at the University i. Victoria Doctoral Scholarship 2013 --- 2016 Victoria University of Wellington, New Zealand ii. Faculty of Graduate Research Grant 2014/2015 Victoria University of Wellington, New Zealand iii. Victoria Doctoral Submission scholarship 2016 Victoria University of Wellington, New Zealand Professional Prizes, Honours & Awards i. Moremi Ajasoro, Winner, NANTAP/FESTINA Drama Award, 2003 ii. Moremi Ajaasoro, Western Zone entry play, Festival of Nigerian Plays (FESTINA), 2003. iii. Atundaolu, Joint-Winner, Bode Osanyin Drama Award, 2006 Page | 3 iv. Oya, Convocation Play, University of Lagos, Akoka, 2006 v. Oya & Beyond the Sunset, Jos Theatre Festival Jury Selection, 2006 vi. Participant, International Playwright Programme, Royal Court Theatre, London, supported by the British Council & Genesis Foundation, UK, 2007---2009 vii. Travel Grant, International Writers’ Workshop, London 2009 viii. Moremi Ajaasoro, Convocation Play, The Bells’ University, Ota, 2010 ix. Moremi Ajaasoro, Convocation Play, Lagos State University, LASU, 2012 x. Harlem Remembered! Jury Selection, Atlanta Black Theatre Festival, USA, 2012 Relevant Selected Professional Research/Theatre Experience with date i.) Writer-in-Residence, Songobiyi Cultural Organisation, Oyo, Nigeria, 2003 --- 2005. ii.) Artistic Director/Head of Research/Script, Legendaire Theatre, Lagos, 1988 --- till date. iii.) Participant, “New Writing in Nigeria” the International Playwrights Programme, Royal Court Theatre, London, 2007--- 2009. iv.) Participant, International Playwrights Workshop, Royal Court Theatre, Sloane Square, London, sponsored by the British Council and Genesis Foundation, UK, 26 Oct --- 1 Nov, 2009. v.) Writer, Soyinka in the eye of Shakespeare, Play Reading Session, National Troupe of Nigeria, Dec, 2009. vi.) Co-Writer, THE POWER PLAY, FLINN Theater, Kassel, Germany & Goethe Institut, Lagos, 2012. vii.) Writer, Waiting for a Lottery, Lagos Theatre Festival, British Council, Lagos, Feb 28— March,2, 2014. viii.) Researcher/Writer/Performer, Centre for Black and African Art and Civilization (CBAAC), 2009 --- 2014. Related Academic/extra-curricular activities i. Reviewer & Member of the Editorial Board Education and Linguistics Research Journal Macrothink Institute, 5348 Las Vegas, Nevada 89108, USA http://elr.macrothink.org ii. Reviewer & Member of the Editorial Board English Language Teaching, Canadian Center of Science and Education, Toronto, ON., M3J 3H7, Canada. http://www.ccsenet.org/elt Page | 4 iii. Reviewer, International Journal of Learning, Teaching and Educational Research http://www.ijlter.org. Membership of Professional Bodies Member, Australasian Association of Drama, Theatre and Performance Studies (ADSA) Member, Asian Shakespeare Association (ASA) Member, European Shakespeare Research Association (ESRA) Member, British Shakespeare Association (BSA) Member, National Association of Nigerian Theatre Arts Practitioners (NANTAP) Member, Association of Nigerian Authors (ANA) Referees Associate Prof. David O’Donnell Head of School, School of English, Film, Theatre and Media Studies, Victoria University of Wellington, New Zealand. Phone: +64 04 4636828 E-mail: [email protected] James McKinnon, PhD Director, Theatre Programme Victoria University of Wellington, New Zealand. Phone: +64 04 4636115 E-mail: [email protected] Megan Evans, PhD Senior Lecturer, Theatre Programme, Victoria University of Wellington, New Zealand. Page | 5 Phone: +64 04 463 9793 E-mail: [email protected] Bosede Afolayan, PhD Commonwealth Fellow, 2015/16, University of Leeds, UK Senior Lecturer, Department of English, University of Lagos, Akoka, Nigeria Phone: +234 8027882660 E-mail: [email protected] [email protected] Proposed date of availability for duties, if appointed I will be available from 1st March, 2017. Page | 6 .
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