Physicians' Perceptions of Self and Patients in a Traditional Culture
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P E E L C H R Is T Ian It Y , Is L a M , an D O R Isa R E Lig Io N
PEEL | CHRISTIANITY, ISLAM, AND ORISA RELIGION Luminos is the open access monograph publishing program from UC Press. Luminos provides a framework for preserving and rein- vigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Christianity, Islam, and Orisa Religion THE ANTHROPOLOGY OF CHRISTIANITY Edited by Joel Robbins 1. Christian Moderns: Freedom and Fetish in the Mission Encounter, by Webb Keane 2. A Problem of Presence: Beyond Scripture in an African Church, by Matthew Engelke 3. Reason to Believe: Cultural Agency in Latin American Evangelicalism, by David Smilde 4. Chanting Down the New Jerusalem: Calypso, Christianity, and Capitalism in the Caribbean, by Francio Guadeloupe 5. In God’s Image: The Metaculture of Fijian Christianity, by Matt Tomlinson 6. Converting Words: Maya in the Age of the Cross, by William F. Hanks 7. City of God: Christian Citizenship in Postwar Guatemala, by Kevin O’Neill 8. Death in a Church of Life: Moral Passion during Botswana’s Time of AIDS, by Frederick Klaits 9. Eastern Christians in Anthropological Perspective, edited by Chris Hann and Hermann Goltz 10. Studying Global Pentecostalism: Theories and Methods, by Allan Anderson, Michael Bergunder, Andre Droogers, and Cornelis van der Laan 11. Holy Hustlers, Schism, and Prophecy: Apostolic Reformation in Botswana, by Richard Werbner 12. Moral Ambition: Mobilization and Social Outreach in Evangelical Megachurches, by Omri Elisha 13. Spirits of Protestantism: Medicine, Healing, and Liberal Christianity, by Pamela E. -
A Musical Analysis of Afro-Cuban Batá Drumming
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2019 Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming Javier Diaz The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2966 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MEANING BEYOND WORDS: A MUSICAL ANALYSIS OF AFRO-CUBAN BATÁ DRUMMING by JAVIER DIAZ A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Musical Arts, The City University of New York 2019 2018 JAVIER DIAZ All rights reserved ii Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming by Javier Diaz This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor in Musical Arts. ——————————— —————————————————— Date Benjamin Lapidus Chair of Examining Committee ——————————— —————————————————— Date Norman Carey Executive Officer Supervisory Committee Peter Manuel, Advisor Janette Tilley, First Reader David Font-Navarrete, Reader THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Meaning Beyond Words: A Musical Analysis of Afro-Cuban Batá Drumming by Javier Diaz Advisor: Peter Manuel This dissertation consists of a musical analysis of Afro-Cuban batá drumming. Current scholarship focuses on ethnographic research, descriptive analysis, transcriptions, and studies on the language encoding capabilities of batá. -
Water in Yoruba Belief and Imperative for Environmental Sustainability
Journal of Philosophy, Culture and Religion www.iiste.org ISSN 2422-8443 An International Peer-reviewed Journal Vol.28, 2017 Water in Yoruba Belief and Imperative for Environmental Sustainability Adewale O. Owoseni Department of Philosophy, University of Ibadan, University of Ibadan Post Office, Nigeria Abstract The observation by scholars that the typical African people are often overtly religious in matters of interpreting reality demands a critical outlook with allusion to apt consideration of phenomena in relevant locale within the African space. The phenomenon of water has received copious attention worldwide and the need to consider this within an African nay Yoruba worldview is timely. The Yoruba of Southwestern Nigeria are wont to express that ‘water is the converge of good health, no one can despise it’ – omi labuwe, omi labumi, eni kan kii ba omi s’oota . This expression among other narratives convey a symbolic and paradoxical representation of water, which depicts the metaphysical dialectics of water in Yoruba belief. Basically, it renders the phenomenon of water as an entity that has the potency to vitalize and disrupt life-forms, given the beliefs regarding its place in relationship with certain animals like buffalo, fish and some endangered species, plants, trees as well as humans. Resultant impediments that fraught environmental order such as flood, draught and water borne diseases or outbreak in this regard are often linked to these beliefs. This is believed to be due to negating demands of the essential place of water by aberrant practices/acts, abuse, negligence of venerating ancestral grooves, goddesses or spirit. In lieu of this, this discourse adopts a hermeneutic analysis of the phenomenon and argues that the understanding of water in indigenous Yoruba belief is underscored by the dialectics of positive and negative causes that also impact the course of environmental sustainability. -
Embodying Black Religions in Africa and Its Diasporas Yolanda Covington-Ward & Jeanette S
embodying black religions in africa and its diasporas yolanda covington-ward & jeanette s. jouili, editors Embodying Black Religions in Africa and Its Diasporas religious cultures of african and african diaspora people Series editors: Jacob K. Olupona, Harvard University, Dianne M. Stewart, Emory University, and Terrence L. Johnson, Georgetown University This book series examines the religious, cultural, and politi cal expressions of African, African American, and African Ca rib bean traditions. Through transnational, cross- cultural, and multidisciplinary approaches to the study of religion, the series investigates the epis- temic bound aries of continental and diasporic religious practices and thought and explores the diverse and distinct ways African- derived religions inform culture and politics. The series aims to establish a forum for imagining the centrality of Black religions in the for- mation of the “New World.” Embodying Black Religions in Africa and Its Diasporas Yolanda Covington- Ward and Jeanette S. Jouili, editors Duke University Press Durham and London 2021 © 2021 duke university press Cover art: Frank Wimberley, All rights reserved Siempre (Always), 1998. Printed in the United States of Amer i ca on acid- free paper ∞ Collage of cut painted paper Proj ect editor: Lisa Lawley with pastel, 22¼ × 27Ð Designed by Courtney Leigh Richardson inches. © Frank Wimberley. Typeset in Whitman and Helvetica Neue by Westchester Courtesy of the artist and Publishing Services. the Saint Louis Art Museum, The Thelma and Bert Ollie Library of Congress Cataloging- in- Publication Data Memorial Collection, Gift of Names: Covington-Ward, Yolanda, [date] editor. | Jouili, Ronald and Monique Ollie. Jeanette Selma, editor. Title: Embodying Black religions in Africa and its diasporas / Yolanda Covington-Ward and Jeanette S. -
Santería: from Slavery to Slavery
Santería: From Slavery to Slavery Kent Philpott This, my second essay on Santería, is necessitated for two reasons. One, requests came in for more information about the religion; and two, responses to the first essay indicated strong disagreement with my views. I will admit that my exposure to Santería,1 at that point, was not as thorough as was needed. Now, however, I am relying on a number of books about the religion, all written by decided proponents, plus personal discussions with a broad spectrum of people. In addition, I have had more time to process what I learned about Santería as I interacted with the following sources: (1) Santería the Religion,by Migene Gonzalez-Wippler, (2) Santería: African Spirits in America,by Joseph M. Murphy, (3) Santería: The Beliefs and Rituals of a Growing Religion in America, by Miguel A. De La Torre, (4) Yoruba-Speaking Peoples, by A. B. Ellis, (5) Kingdoms of the Yoruba, 3rd ed., by Robert S. Smith, (6) The Good The Bad and The Beautiful: Discourse about Values in Yoruba Culture, by Barry Hallen, and (7) many articles that came up in a Google search on the term "Santería,” from varying points of view. My title for the essay, "From Slavery to Slavery," did not come easily. I hope to be as accepting and tolerant of other belief systems as I can be. However, the conviction I retained after my research was one I knew would not be appreciated by those who identified with Santería. Santería promises its adherents freedom but succeeds only in bringing them into a kind of spiritual, emotional, and mental bondage that is as devastating as the slavery that originally brought West Africans to the New World in the first place. -
Legba No Brasil – Transformações E Continuidades De Uma Divindade
http://dx.doi.org/10.1590/2238-38752019v925 1 Universidade de São Paulo (USP), Departamento de Antropologia, São Paulo, SP, Brasil [email protected] https://orcid.org/0000-0002-1253-5681 Vagner Gonçalves da silva i Legba NO BRASIL – transformaçõES E continuidades DE UMA divindade ExU Legba DEMÔNIO – VISÕES CRUzadas 1 Exu, Elegbara e Legba são, entre os povos iorubas e fon-ewe situados na África Ocidental, divindades mensageiras, dinâmicas, temidas e respeitadas, que de- vem ser saudadas em primeiro lugar para não atrair confusão ou vingança. São deuses tricksters que questionam, invertem ou quebram regras e comportamen- tos. São associados aos processos de fertilidade e, sob a forma de um falo ere- to, cultuados em altares públicos localizados na frente das casas, nos mercados ago., 2019 ago., – e nas encruzilhadas. Quando seu culto foi “descoberto” pelos europeus iniciou- se um processo no qual essas divindades foram associadas ao imaginário do mal, da desordem e da repressão sexual (ao demônio cristão e muçulmano) e, 468, mai. 468, – posteriormente ao mundo pré-moderno (primitivo), ao imaginário das forças antagônicas da modernidade, entre as quais estava, sobretudo, o pensamento mágico presente nas religiões que não passaram pelo processo da secularização ou burocratização. A associação entre o falus no altar de Exu-Legba e o das iconografias do diabo pode ser revelador desse processo. Os ritos pagãos, assim vistos e con- denados pela Igreja católica na Europa e entre os povos catequizados fora dela, incluíam as cerimônias de fertilidade nas quais era comum o uso de emblemas associados aos órgãos sexuais masculinos e femininos. -
ALAIANDÊ Xirê DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO
ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO ALAIANDÊ XirÊ DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO ALAIANDÊ XIRÊ DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI ORGANIZAÇÃO VAGNER GONÇALVES DA SILVA ROSENILTON SILVA DE OLIVEIRA JOSÉ PEDRO DA SILVA NETO DOI: 10.11606/9786550130060 ALAIANDÊ XIRÊ DESAFIOS DA CULTURA RELIGIOSA AFRO-AMERICANA NO SÉCULO XXI São Paulo 2019 Os autores autorizam a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fns de estudo e pesquisa, desde que citada a fonte. Universidade de São Paulo Reitor: Vahan Agopyan Vice-reitor: Antonio Carlos Hernandes Faculdade de Educação Diretor: Prof. Dr. Marcos Garcia Neira Vice-Diretor: Prof. Dr. Vinicio de Macedo Santos Direitos desta edição reservados à FEUSP Avenida da Universidade, 308 Cidade Universitária – Butantã 05508-040 – São Paulo – Brasil (11) 3091-2360 e-mail: [email protected] http://www4.fe.usp.br/ Catalogação na Publicação Serviço de Biblioteca e Documentação Faculdade de Educação da Universidade de São Paulo A316 Alaiandê Xirê: desafos da cultura religiosa afro-americana no Século XXI / Vagner Gonçalves da Silva, Rosenilton Silva de Oliveira, José Pedro da Silva Neto (Organizadores). São Paulo: FEUSP, 2019. 382 p. Vários autores ISBN: 978-65-5013-006-0 (E-book) DOI: 10.11606/9786550130060 1. Candomblé. 2. Cultura afro. 3. Religião. 4. Religiões africanas. I. Silva, Vagner Gonçalves da. II. Oliveira, Rosenilton Silva de. III. Silva Neto, José Pedro. IV. Título. -
86 Position of Women in Igbo Traditional Religion Gladys I. Udechukwu Abstract Human Beings Are Remarkable and Extra-Ordinary Co
Position of Women in Igbo Traditional Religion Gladys I. Udechukwu Abstract Human beings are remarkable and extra-ordinary complex species and adaptable beings that have ever existed on the planet. Among the things God created, man is special and highly esteemed, valued and honoured. For this reason, man in the time past has always tried to maintain the honorary position God has kept him during the creation. He tries to do everything within his power to make sure that he does not bring himself down to the level of other creatures. It is then not surprise why Igbo people have been so religious in keeping the rules of this creator. There have been so many assumptions that Igbo women are being discriminated in Igbo traditional worship. In the Igbo traditional worship, everybody participates but in the level he or she belongs. This paper aspires to show that Igbo women are recognized in the Igbo traditional religion. Several interviews were conducted and the findings showed that Igbo women participate in the Igbo Traditional worship but in their own level. Introduction Almost everybody in our generation was subjected to a school system that gave us the ideas that: the Igbo (and most African societies) were savage and primitive, and had inferior cultures. The major beliefs of the Igbo religion are shared by all Igbo-speaking people. However, many of its practices are locally organized, with 86 Position of Women in Igbo Traditional Religion - Udechukwu the most effective unit of religious worship being the extended family. Periodic rituals and ceremonies may activate the lineage (larger kinship unit) or the village, which is the widest political community. -
UC Irvine Journal for Learning Through the Arts
UC Irvine Journal for Learning through the Arts Title UNITY IN DIVERSITY: THE PRESERVED ART WORKS OF THE VARIED PEOPLES OF ABEOKUTA FROM 1830 TO DATE Permalink https://escholarship.org/uc/item/2fp9m1q6 Journal Journal for Learning through the Arts, 16(1) Authors Ifeta, Chris Funke Idowu, Olatunji Adenle, John et al. Publication Date 2020 DOI 10.21977/D916138973 eScholarship.org Powered by the California Digital Library University of California Unity in Diversity: Preserved Art Works of Abeokuta from 1830 to Date and Developmental Trends * Chris Funke Ifeta, **Bukola Odesiri Ochei, *John Adenle, ***Olatunji Idowu, *Adekunle Temu Ifeta * Tai Solarin University of Education, Ijagun, Ijebu-Ode, Ogun State, Nigeria. **Faculty of Law, University of Ibadan, Ibadan, Oyo State, Nigeria ** *University of Lagos, Lagos State Please address correspondence to funkeifeta @gmail.com additional contacts: [email protected] (Ochei); [email protected] (Adenle); [email protected] (Ifeta, A.) Abstract Much has been written on the history of Abeokuta and their artworks since their occupation of Abeokuta. Yoruba works of art are in museums and private collections abroad. Many museums in the Western part of Nigeria including the National Museum in Abeokuta also have works of art on display; however, much of these are not specific to Abeokuta. Writers on Abeokuta works of art include both foreign and Nigerian scholars. This study uses historical theory to study works of art collected and preserved on Abeokuta since inception of the Egba, Owu and Yewa (Egbado) occupation of the town and looks at implications for development in the 21st century. The study involved the collection of data from primary sources within Abeokuta in addition to secondary sources of information on varied works of art including Ifa and Ogboni paraphernalia. -
Divine Illumination: the Unity Of
Ilorin Journal of Religious Studies (IJOURELS) Vol. 2, No. 2 (2012) pp.61-72 THE RELIGIOUS DIVIDE IN THE YORUBA TERMINOLOGY FOR GOD: A LINGUISTIC PERSPECTIVE Michael A.O. Oyebola Department of Linguistics and Nigerian Languages, University of Ilorin, Ilorin. [email protected] [email protected] Abstract This paper has addressed the issue of the reflection of religious affiliation in the use of language. It specifically set out to ascertain whether the use any of the Ọlọ́ run/ Ọlọ́ hun variant, in reference to ‘God’ has any religious connotation. In addition it sought to find out which of the variants correctly serves as the underlying form of the reduced form ‘Ọlọ́ un’. The paper adopted a two-pronged methodological approach, first, through a phonological analysis of consonant deletion in Yoruba, and secondly, through a questionnaire based data collection. The phonological analysis focused specifically on the possibility of the deletion of [r] and [h] in Yoruba. The linguistic analysis showed that the reduced form could not have been derived from the variant with [r] but from that with [h]. The analysis from the results from the questionnaire showed that though the Ọlọ́ run variant is predominant in the language community, the Muslim origin of the Ọlọ́ hun variant is not in doubt. The study found that Christians and Muslims use the reduced variant without regard to its decidedly Muslim origin. The paper concluded by observing that linguistics and language use are veritable instruments of breaking down the barriers of religious divide. Introduction The Yoruba language community is, within the larger Nigerian context, remarkable for peaceful coexistence in religious pluralism. -
Topics on Yoruba Nominal Expressions
TOPICS ON YORUBA NOMINAL EXPRESSIONS by OLADIIPO JACOB AJIBOYE B.A (1983), P.G.D.E (1988), MA (1992), University of florin A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Linguistics) THE UNIVERISTY OF BRITISH COLUMBIA November 2005 © Oladiipo Jacob Ajiboye, 2005 ABSTRACT This thesis discusses four selected topics on Yoruba nominal expressions: the syntax of possessives, the construal of bare nouns, the marking of specificity and salience, and plural marking strategies. Regarding possessives, it is proposed that they have one base structure (a vP shell). The difference in surface linear order between verbal and nominal genitives is determined by which of the two arguments move. In nominal genitives, the possessum moves. In verbal genitives, it is the possessor that moves. Regarding the interpretation of Yoruba bare nouns, it is shown that they can be construed in one of three ways: as generics, as indefinites, or as definites. First, generics may be lexically conditioned (with permanent state predicates) or grammatically conditioned (with transitory predicates through the use of imperfective maa-n). Second, wherever a generic construal is illicit, an indefinite construal is licit. Third, definite construals are discourse-linked. Regarding specificity, it is shown that Yoruba overtly marks specificity on NPs with the element kan. Regarding salience, it is shown that definite DPs are morphologically marked as salient (by virtue of being unique, in an identity relation or additive) through the use of nda. Finally, regarding plural marking, it is shown that Yoruba uses three different strategies: contextually, semantically, or morphologically determined plurality. -
Effect of Oral Traditions, Folklores and History on the Development of Education in Nigeria, 1977 Till Date
History Research, Mar.-Apr., 2017, Vol. 7, No. 2, 59-72 doi 10.17265/2159-550X/2017.02.001 D DAVID PUBLISHING Effect of Oral Traditions, Folklores and History on the Development of Education in Nigeria, 1977 Till Date Okediji, Hannah Adebola Aderonke Ministry of Education, Ibadan, Oyo State, Nigeria Nigerian literatures contain history in the oral tradition and folklore like satire, proverbs, chants, symbolism etc. in the pre-literate period, Nigeria enjoyed high level of verbal art civilization which traditional rulers and the generality of the populace patronized. The oral tradition served as medium of preservation of culture and history of the ancient past and experiences. Though, most Nigerians can still remember their family history, folklore, tradition and genealogy, only few oral artists and youths of nowadays possess the skill and ability needed to chant the lengthy oral literature. It is in the light of the above that this study examined the effect of oral tradition, folklore, and history on the development of education in Nigeria, 1977 till date. The study adopted historical research method using primary and secondary sources of information to analyze data. Primary sources include, like archive materials, oral interviews and secondary sources include, like textbooks, speeches, journals, and internet materials and images. The outlines of the paper are: the definition of concepts, historical background of Nigerian oral tradition, and folklore in the educational system, the place of oral tradition, folklore and history in the education policy in Nigeria since 1977, the effect of oral tradition, folklore and history on the development of education in Nigeria since 1977, the prospects of oral traditions, folklore and history on the development of education in Nigeria, conclusion and a few recommendations for future improvement.