Securities and Exchange Commission Washington, Dc 20549
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Matrix As an Introduction to Mathematics
St. John Fisher College Fisher Digital Publications Mathematical and Computing Sciences Faculty/Staff Publications Mathematical and Computing Sciences 2012 What's in a Name? The Matrix as an Introduction to Mathematics Kris H. Green St. John Fisher College, [email protected] Follow this and additional works at: https://fisherpub.sjfc.edu/math_facpub Part of the Mathematics Commons How has open access to Fisher Digital Publications benefited ou?y Publication Information Green, Kris H. (2012). "What's in a Name? The Matrix as an Introduction to Mathematics." Mathematics in Popular Culture: Essays on Appearances in Film, Fiction, Games, Television and Other Media , 44-54. Please note that the Publication Information provides general citation information and may not be appropriate for your discipline. To receive help in creating a citation based on your discipline, please visit http://libguides.sjfc.edu/citations. This document is posted at https://fisherpub.sjfc.edu/math_facpub/18 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. What's in a Name? The Matrix as an Introduction to Mathematics Abstract In my classes on the nature of scientific thought, I have often used the movie The Matrix (1999) to illustrate how evidence shapes the reality we perceive (or think we perceive). As a mathematician and self-confessed science fiction fan, I usually field questionselated r to the movie whenever the subject of linear algebra arises, since this field is the study of matrices and their properties. So it is natural to ask, why does the movie title reference a mathematical object? Of course, there are many possible explanations for this, each of which probably contributed a little to the naming decision. -
The Matrix Trilogy's Postmodern Movie Messiah
Journal of Religion & Film Volume 9 Issue 2 October 2005 Article 7 October 2005 He is the One: The Matrix Trilogy's Postmodern Movie Messiah Mark D. Stucky [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stucky, Mark D. (2005) "He is the One: The Matrix Trilogy's Postmodern Movie Messiah," Journal of Religion & Film: Vol. 9 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol9/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. He is the One: The Matrix Trilogy's Postmodern Movie Messiah Abstract Many films have used Christ figures to enrich their stories. In The Matrix trilogy, however, the Christ figure motif goes beyond superficial plot enhancements and forms the fundamental core of the three-part story. Neo's messianic growth (in self-awareness and power) and his eventual bringing of peace and salvation to humanity form the essential plot of the trilogy. Without the messianic imagery, there could still be a story about the human struggle in the Matrix, of course, but it would be a radically different story than that presented on the screen. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol9/iss2/7 Stucky: He is the One Introduction The Matrix1 was a firepower-fueled film that spin-kicked filmmaking and popular culture. -
Design@ND Fall / Winter 2008/09
A newsletter from the University of Notre Dame’s Graphic and Industrial Design Programs Design@ND inside... Fall 08/Winter 09 ISSUE NUMBER 7 1 News and Notes Industrial Design Top Five Internationally AGI Young Designer Conference In September, the Events and happenings with students With all the awards recently won by the department’s Alliance Graphique Internationale held a conference on campus and alumni around the world. industrial design students, it is no wonder that Notre for student designers in Chicago. Of the many schools Dame’s industrial design program has been ranked in attendance, Notre Dame made a significant showing 2 Notre Network among the top five international design programs with twenty-two design students who jumped at the Notre Dame graduates and student by BusinessWeek. Four Industrial Design Excellence opportunity to hear talks by legends in the design interns alike abound at Notre Dame’s Awards (IDEA) secured this ranking. These include a field. Hosted by Rick Valicenti at the Art Institute of own AgencyND. silver and bronze for Julia Burke (BFA ’06), and bronze Chicago, the conference featured notable speakers NEWS AND NOTES for both Brad Jolitz (BA ’05) and Mansour Ourasanah Paul Sahre, John Bielenberg, Niklaus Troxler, Michael Tenth Annual Alumni (BA ’07). Other recent awards that Notre Dame’s Vanderbyl, Jennifer Morla, Nicholas Blechman, Steff 3 Design Conference industrial design program has won are a Dr. Jacob Geissbuhler, and Christoph Niemann. Graduates from the class of 1998 return to campus to discuss the paths they have Bolotin Award by Fernando Carvalho’s (MFA ’09) taken since graduating ten years ago. -
Read Book the Matrix
THE MATRIX PDF, EPUB, EBOOK Joshua Clover | 96 pages | 12 Jun 2007 | British Film Institute | 9781844570454 | English | London, United Kingdom The Matrix – Matrix Wiki – Neo, Trinity, the Wachowskis And the special effects are absolutely amazing even if similar ones have been used in other movies as a result- and not explained as well. But the movie has plot as well. It has characters that I cared about. From Keanu Reeves' excellent portrayal of Neo, the man trying to come to grips with his own identity, to Lawrence Fishburne's mysterious Morpheus, and even the creepy Agents, everyone does a stellar job of making their characters more than just the usual action "hero that kicks butt" and "cannon fodder" roles. I cared about each and every one of the heroes, and hated the villains with a passion. It has a plot, and it has a meaning Just try it, if you haven't seen the movie before. Watch one of the fight scenes. Then watch the whole movie. There's a big difference in the feeling and excitement of the scenes- sure, they're great as standalones, but the whole thing put together is an experience unlike just about everything else that's come to the theaters. Think about it next time you're watching one of the more brainless action flicks If you haven't, you're missing out on one of the best films of all time. It isn't just special effects, folks. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. -
Matrix Reloaded Explained
Matrix Reloaded Explained Matrix Reloaded Explained The Matrix Explained 1 The Matrix: Reloaded Explained.........................................................................................................................1 1.1 Contents...................................................................................................................................................1 2 Forward on disobedience.......................................................................................................................................3 3 Foundation of criticism..........................................................................................................................................5 4 The Architect..........................................................................................................................................................7 5 The rave scene......................................................................................................................................................11 6 The Oracle.............................................................................................................................................................13 7 Agent Smith..........................................................................................................................................................15 8 Story arc................................................................................................................................................................19 -
2003Year in Review
2003 Year In revIew A supplement to help you complete the “What Life Was Like…” and “Profile of…” Time Capsule books We suggest you use this Year In Review as a guide to help complete the book. You should copy the information into your book using your own handwriting so that the book looks uniform and complete. TOP 10 MUSIC HITS TOP 10 Tv SHOwS TOP 10 MOvIeS 1. In Da Club - 50 Cent 1. CSI 1. Finding Nemo 2. Ignition - R. Kelly 2. ER 2. Pirates of the Caribbean 3. Get Busy - Sean Paul 3. Friends 3. The Return of the King 4. Crazy In Love - Beyonce, Jay-Z 4. Survivor: Pearl Islands 4. The Matrix Reloaded 5. When I’m Gone - 3 Doors Down 5. CSI: Miami 5. Bruce Almighty 6. Unwell - Matchbox Twenty 6. Everybody Loves Raymond 6. X2: X-Men United 7. Right Thurr - Chingy 7. Law & Order 7. Elf 8. Miss You - Aaliyah 8. Without a Trace 8. T3: Rise of the Machines 9. Picture - Kid Rock, Sheryl Crow 9. Two and a Half Men 9. Bad Boys II 10. Bring Me To Life - Evanescence 10. Will & Grace 10. The Matrix Revolutions SOURCE: BILLBOARD MAGAZINE HOT 100 SOURCE: FALL 2003 BROADCAST SEASON. NIELSEN SOURCE: BOXOFFICE REPORT.COM MEDIA RESEARCH SPOrTS Super Bowl XXXVII: Tampa Bay Bucs Kentucky Derby: Funny Cide/J. Santos The Masters: Mike Weir Wimbledon: Roger Federer/Serena Williams World Series: Florida Marlins NCAA Men’s Basketball: Syracuse Stanley Cup: New Jersey Devils Indianapolis 500: Gil de Ferran NBA Championship: San Antonio Spurs Daytona 500: Michael Waltrip SOURCE: VARIOUS wHaT WAS In wHaT WAS OUT Pick your favorites from this list or add your own. -
The Matrix Explained
The Matrix Explained http://www.idph.net 9 de fevereiro de 2004 2 IDPH The Matrix Esta é uma coletânea de diversos artigos publicados na Internet sobre a trilogia Matrix. Como os links na Internet desaparecem muito rapidamente, achei que seria in- teressante colocar, em um mesmo documento, as especulações mais provocati- vas sobre a trilogia. Cada um dos artigos contém o link onde o artigo original foi encontrado. Estas referências, em sua maior parte, foram obtidas no Google (http://www. google.com), buscando por documentos que contivessem, em seu título, as palavras “matrix explained”; intitle:"matrix explained" Infelizmente, estão todos em inglês. Em português existem dois livros muito bons sobre os filmes: • MATRIX – Bem-vindo ao Deserto do Real Coletânea de William Irwin Editora Madras • A Pílula Vermelha Questões de Ciência, Fiilosofia e Religião em Matrix Editora Publifolha Quem sabe vivemos mesmo em uma Matrix. Ao menos é o que diz um dos artigos do do livro “A Pílula Vermelha”. Espero que gostem ... http://www.idph.net IDPH 3 Matrix – Explained by Reshmi Posted on November 12, 2003 14:39 PM EST To understand “The Matrix Revolutions” we’re gonna have to go all the way back to the beginning. A time that was shown in the superior Animatrix shorts “The Second Renaissance Parts I & II. In the beginning there was man. Then man created machines. Designed in man’s likeness the machines served man well, but man’s jealous nature ruined that relationship. When a worker robot killed one of its own abusive masters it was placed on trial for murder and sentenced for destruction. -
Born to Be On-Line: Cyberpunk, Cyborgs and the Matrix Trilogy
Hacettepe Üniversitesi Edebiyat Fakültesi Dergisi 2006 / Cilt: 23 / Say›: 1 / ss. 257-267 Born to Be On-line: Cyberpunk, Cyborgs and the Matrix Trilogy Kader YILMAZ* Abstract Films of science fiction, such as The Matrix (1999), and its sequels The Matrix Reloaded (2003) and The Matrix Revolutions (2003), are often categorized as cyberpunk which is a subgenre of contemporary science fiction. As typical examples of this type of science fiction, The Matrix and its sequels illustrate the concern of cyberpunk to envision a near future world where information technologies reign supreme, and shape the lives and affairs of societies including the lives and the very existence of individuals. More specifically, The Matrix trilogy depicts a future world that is populated with cyborgs, or posthumans, and run by a globally networked artificial intelligence called the matrix. In this respect these films do not only speculate on a highly technological near future but also on mankind`s changed existence in this environment. Especially, the image of the cyborg serves as a means to address the issue of the human and machine interface in these films. More importantly, the cyborg, or the post-human, in The Matrix and its sequels is not only emblematic of the human and machine interface but also of man’s very dependence on this technology as a means to survive in a highly mechanized environment. This paper argues that The Matrix and its sequels subvert the man vs. technology dichotomy and speculate on the altered existence of humans by envisioning and affirming the coexistence of man and the machine in the near future. -
The Matrix: Unloaded Revelations
CHRISTIAN RESEARCH INSTITUTE P.O. Box 8500, Charlotte, NC 28271 Feature Article: DM820 THE MATRIX: UNLOADED REVELATIONS by Brian Godawa This article first appeared in the Christian Research Journal, volume 27, number 1 (2004). For further information or to subscribe to the Christian Research Journal go to: http://www.equip.org SYNOPSIS Everyone who has seen The Matrix trilogy knows that it presents a religious/philosophical worldview; what that worldview is, however, is a matter of debate. Some have argued it is Christian; some, Platonic (the philosophy of Plato); others, Gnostic (a Christian heresy); and still others, Buddhist. The films seem to use a combination of all of the above as metaphors for a postmodern worldview that deconstructs universal “savior” mythology into a Nietzschean “superman” philosophy in which one creates one’s own truth in a universe without God. In Nietzsche’s philosophy, our perceptions of reality are illusory (the theme in The Matrix) because they are part of the mechanistic determinism of nature (the theme in The Matrix: Reloaded). We must, therefore, create our own “new truth” through our human choices and beliefs (the theme in The Matrix: Revolutions). This worldview, however, is diametrically opposed to Christianity; hence, any similarities between themes or characters in The Matrix trilogy and orthodox Christianity are merely superficial. “To be truthful means using the customary metaphor — in moral terms: the obligation to lie according to a fixed convention, to lie herdlike in a style obligatory for all.”1 — Friedrich Nietzsche Mythologist Joseph Campbell sought to bring to light what he called the “monomyth,” the universal heroic journey common to all religions, which resides in the collective unconscious of humanity. -
Sunday Morning Grid 3/15/20 Latimes.Com/Tv Times
SUNDAY MORNING GRID 3/15/20 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) News Inside College B’ketball To Be Announced TBA 4 NBC Today in L.A. Weekend Meet the Press (N) Å NBC4 News Bensinger PGA Tour Golf THE PLAYERS Championship, Final Round. (N) 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch AAA TALCUM 7 ABC News This Week News News News ABC7 Game TBA TBA 9 KCAL KCAL 9 News Sunday Joel Osteen Jeremiah Joel Osteen Jentzen Mike Webb Makeup! Short Films Icons The World’s 1 1 FOX Wellness BISSELL Fox News Sunday News The Issue AAA RaceDay NASCAR Cup Series Folds of Honor QuikTrip 500. 1 3 MyNet Secrets Secrets Fred Jordan Freethought AAA Credit? Cancer? TALCUM AAA Skin Care News The Issue 1 8 KSCI Get Energy Smile Wellness AAA Paid Prog. More Hair Bladder Paid Prog. Persian New Year Spec’l AAA Can’t See? 2 2 KWHY Belleza Latina Tips de maquillaje que ayuda diario. (6) 2 4 KVCR Jonathan Antoine in Concert: Going Rick Steves Special: European Easter Classical Ethan Bortnick Live in Concert: Power Tesh: Songs 2 8 KCET Kid Stew Curious Wunderkind Wunderkind Darwin’s Biz Kid$ Food Fix With Mark Hyman, MD (TVG) Å Chuck Berry 3 0 ION Jeremiah Youseff In Touch Paid Prog. NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Programa Programa Programa Aquí y ahora (N) Fútbol Fútbol Mexicano Primera División (N) 4 0 KTBN Dr. -
Violent Women in Film and the Sociological Relevance of The
UNLV Retrospective Theses & Dissertations 1-1-2006 Violent women in film and the sociological eler vance of the contemporary action heroine Kathryn A Gilpatric University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Gilpatric, Kathryn A, "Violent women in film and the sociological eler vance of the contemporary action heroine" (2006). UNLV Retrospective Theses & Dissertations. 2701. http://dx.doi.org/10.25669/eg0x-pezy This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. VIOLENT WOMEN IN FILM AND THE SOCIOLOGICAL RELEVANCE OF THE CONTEMPORARY ACTION HEROINE by Kathryn A. Gilpatric Bachelor of Arts University of Nevada, Las Vegas 1999 Master of Arts University of Nevada, Las Vegas 2002 A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy Degree in Soeiology Department of Soeiology College of Liberal Arts Graduate College University of Nevada, Las Vegas December 2006 Reproduced with permission of the copyright owner. -
Marketing Violent Entertainment to Children: a Review of Self-Regulation and Industry Practices in the Motion Picture, Music Recording & Electronic Game Industries
Marketing Violent Entertainment to Children: A Fourth Follow-up Review of Industry Practices in the Motion Picture, Music Recording & Electronic Game Industries A Report to Congress Federal Trade Commission July 2004 FEDERAL TRADE COMMISSION Timothy J. Muris, Chairman Mozelle W. Thompson, Commissioner Orson Swindle, Commissioner Thomas B. Leary, Commissioner Pamela Jones Harbour, Commissioner Report Contributors Richard F. Kelly, Bureau of Consumer Protection, Division of Advertising Practices Elizabeth Delaney, Bureau of Consumer Protection, Division of Advertising Practices Kial Young, Bureau of Consumer Protection, Division of Advertising Practices Mark Eichorn, Bureau of Consumer Protection, Division of Advertising Practices Lesley A. Fair, Bureau of Consumer Protection, Division of Advertising Practices Mary K. Engle, Associate Director, Bureau of Consumer Protection, Division of Advertising Practices. Assistants Sallie Schools, Bureau of Consumer Protection, Division of Advertising Practices Katherine Zownir, Bureau of Consumer Protection, Division of Advertising Practices Kerry Constabile, Bureau of Consumer Protection Stefano Sciolli, Bureau of Economics Interns Chadwick Crutchfield, Bureau of Consumer Protection, Division of Advertising Practices Jamie Gentry, Bureau of Consumer Protection, Division of Advertising Practices Nicholas A. James, Bureau of Consumer Protection, Division of Advertising Practices Jonathan Longobardi, Bureau of Consumer Protection, Division of Advertising Practices Marketing Violent Entertainment to Children: