Relaunching Cinema: Content for Recovery 1 Film Collections
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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
EE British Academy Film Awards Sunday 12 February 2017 Previous Nominations and Wins in EE British Academy Film Awards Only
EE British Academy Film Awards Sunday 12 February 2017 Previous Nominations and Wins in EE British Academy Film Awards only. Includes this year’s nominations. Wins in bold. Years refer to year of presentation. Leading Actor Casey Affleck 1 nomination 2017: Leading Actor (Manchester by the Sea) Andrew Garfield 2 nominations 2017: Leading Actor (Hacksaw Ridge) 2011: Supporting Actor (The Social Network) Also Rising Star nomination in 2011, one nomination (1 win) at Television Awards in 2008 Ryan Gosling 1 nomination 2017: Leading Actor (La La Land) Jake Gyllenhaall 3 nominations/1 win 2017: Leading Actor (Nocturnal Animals) 2015: Leading Actor (Nightcrawler) 2006: Supporting Actor (Brokeback Mountain) Viggo Mortensen 2 nominations 2017: Leading Actor (Captain Fantastic) 2008: Leading Actor (Eastern Promises) Leading Actress Amy Adams 6 nominations 2017: Leading Actress (Arrival) 2015: Leading Actress (Big Eyes) 2014: Leading Actress (American Hustle) 2013: Supporting Actress (The Master) 2011: Supporting Actress (The Fighter) 2009: Supporting Actress (Doubt) Emily Blunt 2 nominations 2017: Leading Actress (Girl on the Train) 2007: Supporting Actress (The Devil Wears Prada) Also Rising Star nomination in 2007 and BAFTA Los Angeles Britannia Honouree in 2009 Natalie Portman 3 nominations/1 win 2017: Leading Actress (Jackie) 2011: Leading Actress (Black Swan) 2005: Supporting Actress (Closer) Meryl Streep 15 nominations / 2 wins 2017: Leading Actress (Florence Foster Jenkins) 2012: Leading Actress (The Iron Lady) 2010: Leading Actress (Julie -
Mourning the Fallen
TONIGHT Showers & T-storms. Low of 48. Search for The Westfield News The WestfieldNews “COURAGESearch forIS TheTHE Westfield MOST IMPORTANT News OF Westfield350.com The WestfieldNews ALL THE VIRTUES, BECAUSE WITHOUT Serving Westfield, Southwick, and surrounding Hilltowns COURAGE“TIME YOU IS THECAN’ TONLY PRAC TICE ANY OTHER VIRTUE CONSISTENTLY. WEATHER CRITIC WITHOUT YOU CAN PRACTICE ANY VIRTUE TONIGHT AMBITION ERRATICALLY, BUT.” NOTHING Partly Cloudy. CONSISTENTLYJOHN WITHOUT STEINBECK COURAGE.” Low of 55. Search for The Westfield News Westfield350.comWestfield350.org Thewww.thewestfieldnews.com WestfieldNews — Maya ANGELOU Serving Westfield, Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHERVOL. 86 NO. 151 TUESDAY, JUNE 27, 2017 75CRITIC centsWITHOUT VOL. 88 NO. 122 TUESDAY, MAY 28, 2019 75 Cents TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL. 86 NO. 151 MourningTUESDAY, JUNE 27, 2017 the fallen 75 cents By PETER CURRIER Correspondent WESTFIELD- The city held its annual Memorial Day Parade Monday morning, with 29 groups representing the branches of the military, elected officials, first responders and other public services. The parade began on North Elm Street near the Mestek prop- erty and continued south to their destination at Westfield Middle School. Once there, a ceremony was held across the street at Parker Memorial Park. The ceremony began with State Representative John Velis (left) speaks of his experi- remarks from Master of Ceremony Cindy Lacoste, Past ences as a veteran at the ceremony. Cindy Lacoste (right) Commander of American Legion Post 124 in Westfield. She was the Master of Ceremony for the day. (Photo by Peter introduced Westfield High School band member Madison Currier) Curbello, who sang the National Anthem. -
Film Studies and a Programme of Activities and Resources to Prepare You to Start an a Level in Film Studies in September
A Level FilmA LevelStudies Geography Transition Booklet Transition Booklet 2021 This pack contains information about A Level Film Studies and a programme of activities and resources to prepare you to start an A Level in Film Studies in September. Please use this during the summer term and the summer holidays to prepare for your A Level course. 1 Please note the compulsory summer work which starts on page 3 About the course: The specification we teach is produced by Eduqas. The unit code is A670QS A (A level) and a full copy of this specification and other useful information is available at: https://www.eduqas.co.uk/qualifications/film-studies-as-a-level/#tab_overview The course consists of the study of eleven films over three components: Component 1: Varieties of Film Making Component 2: Global Filmmaking Perspectives Component 3: Non-examination assessment Films: Bonnie and Clyde (Penn, 1967) Vertigo (Hitchcock, 1958) The films of Buster Keaton (Keaton, 1915-1930) La La Land (Chazelle, 2016) Beasts of the Southern Wild (Zeitlin, 2012) Stories we Tell (Polly, 2012) This is England (Meadows, 2006) Trainspotting (Boyle, 1996) Pan’s Labyrinth (Del Toro, 2006) City of God (Mereilles, 2002) Pulp Fiction (Tarantino, 1994) Learners will study all of their chosen films in relation to the following core study areas. Area 1. The key elements of film form: cinematography, mise-en-scène, editing, sound and performance Area 2. Meaning and response: how film functions as both a medium of representation and as an aesthetic medium Area 3. The contexts of film: social, cultural, political, historical and institutional, including production. -
Statistical Yearbook 2019
STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema -
Movie List Please Dial 0 to Request
Movie List Please dial 0 to request. 200 10 Cloverfield Lane - PG13 38 Cold Pursuit - R 219 13 Hours: The Secret Soldiers of Benghazi - R 46 Colette - R 202 5th Wave, The - PG13 75 Collateral Beauty - PG13 11 A Bad Mom’s Christmas - R 28 Commuter, The-PG13 62 A Christmas Story - PG 16 Concussion - PG13 48 A Dog’s Way Home - PG 83 Crazy Rich Asians - PG13 220 A Star is Born - R 20 Creed - PG13 32 A Walk Among the Tombstones - R 21 Creed 2 - PG13 4 Accountant, The - R 61 Criminal - R 19 Age of Adaline, The - PG13 17 Daddy’s Home - PG13 40 Aladdin - PG 33 Dark Tower, The - PG13 7 Alien:Covenant - R 67 Darkest Hour-PG13 2 All is Lost - PG13 52 Deadpool - R 9 Allied - R 53 Deadpool 2 - R (Uncut) 54 ALPHA - PG13 160 Death of a Nation - PG13 22 American Assassin - R 68 Den of Thieves-R (Unrated) 37 American Heist - R 34 Detroit - R 1 American Made - R 128 Disaster Artist, The - R 51 American Sniper - R 201 Do You Believe - PG13 76 Annihilation - R 94 Dr. Suess’ How the Grinch Stole Christmas - PG 5 Apollo 11 - G 233 Dracula Untold - PG13 23 Arctic - PG13 113 Drop, The - R 36 Assassin’s Creed - PG13 166 Dunkirk - PG13 39 Assignment, The - R 137 Edge of Seventeen, The - R 64 At First Light - NR 88 Elf - PG 110 Avengers:Infinity War - PG13 81 Everest - PG13 49 Batman Vs. Superman:Dawn of Justice - R 222 Everybody Wants Some!! - R 18 Before I Go To Sleep - R 101 Everything, Everything - PG13 59 Best of Me, The - PG13 55 Ex Machina - R 3 Big Short, The - R 26 Exodus Gods and Kings - PG13 50 Billy Lynn’s Long Halftime Walk - R 232 Eye In the Sky - -
Realist Cinema As World Cinema Non-Cinema, Intermedial Passages, Total Cinema Lúcia Nagib Realist Cinema As World Cinema
FILM CULTURE IN TRANSITION Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema lúcia nagib Realist Cinema as World Cinema Realist Cinema as World Cinema Non-cinema, Intermedial Passages, Total Cinema Lúcia Nagib Amsterdam University Press Cover illustration: Photo by Mateo Contreras Gallego, for the film Birds of Passages (Pájaros de Verano, Cristina Gallego and Ciro Guerra, 2018), courtesy of the authors. Cover design: Kok Korpershoek Lay-out: Crius Group, Hulshout isbn 978 94 6298 751 7 e-isbn 978 90 4853 921 5 doi 10.5117/9789462987517 nur 670 Creative Commons License CC BY NC ND (http://creativecommons.org/licenses/by-nc-nd/3.0) L. Nagib / Amsterdam University Press B.V., Amsterdam 2020 Some rights reserved. Without limiting the rights under copyright reserved above, any part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise). Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents List of Illustrations 7 Acknowledgements 11 Introduction 15 Part I Non-cinema 1 The Death of (a) Cinema 41 The State of Things 2 Jafar Panahi’s Forbidden Tetralogy 63 This Is Not a Film, Closed Curtain, Taxi Tehran, Three Faces 3 Film as Death 87 The Act of Killing 4 The Blind Spot of History 107 Colonialism in Tabu Part II -
Association of Legal Administrators LEADING the BUSINESS of LAW
Association of Legal Administrators LEADING THE BUSINESS OF LAW REGION 2 NEWSLETTER Alabama | District of Columbia | Florida | Georgia | Kentucky | Maryland | Mississippi North Carolina | Puerto Rico | South Carolina | Tennessee | Virginia Vicki L. Smith-Bilt, CLM, Michael T. Bumgarner, CLM, SPHR, SHRM-SCP CPA, CGMA Region 2 Director At-Large Director Regional Representatives Brian P. Gilman, Mark S. Tallent Valerie A. Williams CLM, CPA Elena Lopez-Lee ALA's 2018 Annual Conference & Expo Thursday, May 3, to Sunday, May 6 Gaylord National Resort & Convention Center National Harbor, Maryland CLI News The Association of Legal Administrators (ALA) held its annual Chapter Leadership Institute in Minneapolis on July 21–24. It was attended by more than 200 of the best and most dedicated chapter leaders! We were fortunate enough to have Spencer X. Smith speak on #SocialMedia. We had fantastic sessions about servant leadership, hosting effective events and the latest legal technology. Atlanta ALA having dinner at The News Room Pam Deming Raleigh ALA Secretary, Hampton Roads 25-foot blue rooster at the ALA Minneapolis Sculpture Garden Posing with the Mary Tyler Moore statue Tech You Out By Brian Gilman, CLM, CPA, Karie Rivkin, and Michael Bumgarner, CLM, CPA, CGMA I was elated and admittedly a little nervous when we (Brian, Michael and I) learned that our TECH YOU OUT! session was chosen for CLI. During our initial discussion, we felt that it wasn’t going to be enough to relay what we already knew and decided to challenge ourselves by seeking out and exploring the unknown. So we got busy, and the session exploded with wonderful ideas and information to share! An example of something new to us was the video promotion for our session. -
LIST of MOVIES from PAST SFFR MOVIE NIGHTS (Ordered from Recent to Old) *See Editing Instructions at Bottom of Document
LIST OF MOVIES FROM PAST SFFR MOVIE NIGHTS (Ordered from recent to old) *See editing Instructions at bottom of document 2020: Jan – Judy Feb – Papi Chulo Mar - Girl Apr - GAME OVER, MAN May - Circus of Books 2019: Jan – Mario Feb – Boy Erased Mar – Cakemaker Apr - The Sum of Us May – The Pass June – Fun in Boys Shorts July – The Way He Looks Aug – Teen Spirit Sept – Walk on the Wild Side Oct – Rocketman Nov – Toy Story 4 2018: Jan – Stronger Feb – God’s Own Country Mar -Beach Rats Apr -The Shape of Water May -Cuatras Lunas( 4 Moons) June -The Infamous T and Gay USA July – Padmaavat Aug – (no movie night) Sep – The Unknown Cyclist Oct - Love, Simon Nov – Man in an Orange Shirt Dec – Mama Mia 2 2017: Dec – Eat with Me Nov – Wonder Woman (2017 version) Oct – Invaders from Mars Sep – Handsome Devil Aug – Girls Trip (at Westfield San Francisco Centre) Jul – Beauty and the Beast (2017 live-action remake) Jun – San Francisco International LGBT Film Festival selections May – Lion Apr – La La Land Mar – The Heat Feb – Sausage Party Jan – Friday the 13th 2016: Dec - Grandma Nov – Alamo Draft House Movie Oct - Saved Sep – Looking the Movie Aug – Fourth Man Out, Saving Face July – Hail, Caesar June – International Film festival selections May – Selected shorts from LGBT Film Festival Apr - Bhaag Milkha Bhaag (Run, Milkha, Run) Mar – Trainwreck Feb – Inside Out Jan – Best In Show 2015: Dec - Do I Sound Gay? Nov - The best of the Golden Girls / Boys Oct - Love Songs Sep - A Single Man Aug – Bad Education Jul – Five Dances Jun - Broad City series May – Reaching for the Moon Apr - Boyhood Mar - And Then Came Lola Feb – Looking (Season 2, Episodes 1-4) Jan – The Grand Budapest Hotel 2014: Dec – Bad Santa Nov – Mrs. -
Equipment-Book.2017R.Pdf
28258 Constellation Rd. Santa Clarita, CA 91355 (661) 268-1330 Office (661) 885-8185 Fax Beginning in 1990 with Days of Thunder, Allan Padleford Camera Cars has been apart of hundreds of feature films, commercials and music videos. Below is a sampling of our feature film credits. 2017 Ant Man and the Wasp Array Plate Vehicle, Subie Chase Car, Remote Drive System & Biscuit Rig, 2017 Inner City Biscuit Rig, Mercedes w/ EDGE System and MTV w/ 30ft. Techncrane 2017 El Camino Christmas Mercedes w/ EDGE System 2017 White Boy Rick Biscuit 2017 Black Panther Mercedes w/ EDGE System, Porsche w/ Talon Head and Array Plate Vehicle 2017 Alita: Battle Angel Biscuit Rig 2017 Kings Biscuit Rig 2017 Soldado Bisciut Rig and Mercedes Camera Car w/ EDGE System 2016 Jumanji Off-Road Raptor w/ EDGE System 2016 Fast 8 Raptor w/EDGE System, Mercedes Camera Car w/Tracker and UpDown Rig, Subie Chase Car,VFX Plate Vehicle, 2-Remote Drive Systems & Porsche 2016 Baby Driver Biscuit Jr. 2016 Spiderman: Homecoming Biscuit Rig, Mercedes w/ EDGE System and MTV 2016 Logan Lucky Porsche Camera Car w/ Tracker and UpDown Rig 2016 Bourne 5 Escalade w/EDGE System 2015 Captain America: Winter Solider Biscuit II & III, Porsche Camera Car w/EDGE System and Subie Chase Car 2015 Keeping Up with The Joneses Biscuit II and Porsche Camera Car w/ Tracker and UpDown Rig 2015 Teenage Mutant Ninja Turtles 2 Biscuit II, Porsche Camera Car w/EDGE System and Subie Chase Car 2015 Hateful 8 Off-Road Raptor Camera Vehicle w/ Matt Tracks, MTV & Process Trailer 2015 Dr. -
Downloaded As A
Programme £2 2 3 Welcome 02 WELCOME Welcome to the 20th Keswick Film Festival To have reached this milestone is 04 OUR GUESTS testament to the hard work and commitment of a lot of people, involved not only in the Festival but also in the 08 THIS YEAR’S FILMS Keswick Film Club. The only reason that we are able to have this wonderful weekend of cinematic over-indulgence is because the Film Club is doing what it does best, year in and year out. So, to all those people who over 20 Contents years have sat through (and chaired) committee meetings, put up posters, introduced films, booked films, designed 15 PROGRAMME a website, distributed leaflets, worked the Box Office, counted votes or filed annual returns, we are in your debt. 39 TICKETS Here’s to the next 20 years! & TRAVEL Ticket costs, discounts, Ian Payne booking information, and Festival Director public transport details Please note: We want to make sure that everyone gets to see the films they want to see. However buying a Festival Pass does not guarantee entry into a screening. If there is a film you particularly want to see, you must book a seat (free of charge) to guarantee entry by contacting the Theatre Box Office. You can do this, either by phone or in person. As usual and due to the smaller capacities in the Studio, all films in the Studio must be booked in advance. 4 5 OUR GUESTS James Gardner Mike Tweddle Jellyfish – Thursday 28th February Sparrowhawk – Friday 1st March Farm, having numerous hit singles/ and Sunday 3rd March Starting with a background in punk albums both in Britain and Europe. -
Sales Coordinator
JOB DESCRIPTION – DOGWOOF Title: Sales Coordinator Salary: £25k-£30K + Bonus (depending on experience) Term: Permanent Start date: As soon as possible Location: Dogwoof offices, Old Street (we are currently working remotely due to COVID-19) ABOUT THE ROLE: Dogwoof is currently seeking a Sales coordinator to join the international sales team based in London. This role is a great opportunity for someone looking to continue to evolve their career in the International Sales film business and work in a fast-paced, dynamic, and friendly environment. The ideal candidate will have superb organizational admin skills as well as experience in Sales Assistant Role in TV and or Film, be highly sociable and a great communicator. Dogwoof is an Equal Opportunity Employer and encourages applications from all kinds of candidates. Salary will be commensurate with experience. KEY RESPONSIBILITIES: ADMIN AND SALES ASSISTANT ● Scheduling meetings for the sales and management team. ● Entering all sales contracts into rights management software (iRights), managing and producing availability (mostly through Excel reports and iRights) ● General admin for international sales team (logging links, ensuring sales estimates, availability lists, producers reports are up to date etc.) ● Raising invoices for all international sales contracts ● Managing the constant updating of contacts list to make sure it is accurate and current ● Liaise and follow up with buyers to oversee and track the release of a film ● Assist in organizing company attendance at film markets – e.g. Cannes, EFM, Toronto, AFM - or similar style events SALES ● Support the Sales Manager and Head of Sales with sales. ● Direct responsibility for sales in specific territories.