DOCSLIB.ORG

Downloaded As A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Downloaded As A Programme £2 2 3 Welcome 02 WELCOME Welcome to the 20th Keswick Film Festival To have reached this milestone is 04 OUR GUESTS testament to the hard work and commitment of a lot of people, involved not only in the Festival but also in the 08 THIS YEAR’S FILMS Keswick Film Club. The only reason that we are able to have this wonderful weekend of cinematic over-indulgence is because the Film Club is doing what it does best, year in and year out. So, to all those people who over 20 Contents years have sat through (and chaired) committee meetings, put up posters, introduced films, booked films, designed 15 PROGRAMME a website, distributed leaflets, worked the Box Office, counted votes or filed annual returns, we are in your debt. 39 TICKETS Here’s to the next 20 years! & TRAVEL Ticket costs, discounts, Ian Payne booking information, and Festival Director public transport details Please note: We want to make sure that everyone gets to see the films they want to see. However buying a Festival Pass does not guarantee entry into a screening. If there is a film you particularly want to see, you must book a seat (free of charge) to guarantee entry by contacting the Theatre Box Office. You can do this, either by phone or in person. As usual and due to the smaller capacities in the Studio, all films in the Studio must be booked in advance. 4 5 OUR GUESTS James Gardner Mike Tweddle Jellyfish – Thursday 28th February Sparrowhawk – Friday 1st March Farm, having numerous hit singles/ and Sunday 3rd March Starting with a background in punk albums both in Britain and Europe. James is a director and screenwriter rock and later musical and political His love of Graphic Design and from Hereford, England and is fanzines and following a hiatus that Photography led to a career in film a graduate of the UK’s National Film involved travelling the world on making as a director, producing and & Television School. James’s debut a shoestring, getting a first class directing over 30 documentaries for feature film Jellyfish premiered at degree in Environmental Technology broadcast, plus short films and music Tribeca Film Festival in April 2018 and from Durham University, starting a videos. He is also the creative director had its International premiere shortly family and beginning a career as a of the independent record label ‘The after at Edinburgh International Film quarry inspector Mike returned to Label’. Sometimes Always Never Festival, where it won the Award for writing. He was approached by a is his first feature film as director. ‘Best Performance in a British Feature Swiss production company to write Since the early 2000s, Carl has Film’. In September, Jellyfish won the screenplay for The Last Blast worked closely with Frank Cottrell the Grand Jury, Critic, Screenplay and in 2006. This created the desire Carl Hunter Boyce (writer of Millions and 24 Hour inaugural Performance ‘Hitchcock’ to write and direct for himself and awards at Dinard Film Festival. In in 2013 his production company Sometimes Always Never Party People). In 2007, they released October, Jellyfish won ‘Best Film’ at Broken Scar Productions released – Saturday 2nd March the feature film Grow Your Own, a British comedy set on a Merseyside the Rome Film Festival. In December, its first feature film Damaged Goods We are thrilled that Carl is coming allotment which, notably, sold out the Jellyfish won the ‘Golden Goats’ Grand which was not only screened at back to Keswick with his first feature Studio at KFF. In 2009, Carl adapted Jury award for Best Film, as well as Keswick Film Club but went on to be film, Sometimes Always Never. Carl the short story Accelerate, written the ‘Marcin’ Youth Jury award for Best shown across the UK, Europe, the Hunter studied Graphic Design (BA) by Frank Cottrell Boyce, into a short Film at Poland’s Ale Kino! Film Festival. USA and Australasia. The principal and Multimedia Design (MA) and film for KFF’s 10th Anniversary. production for Sparrowhawk was shot worked as an art director designing in 2017 and post production finally record sleeves. He recorded and completed in September 2018. toured with Liverpool pop band The Welcome Pricing & Sales Information Sales & Pricing 0870 7705894 0870 Casa Bella Casa - YHA, Keswick YHA, - Silk Road Silk The Royal Bengal Royal The 72071 017687 Square Orange Square 6 Hotel Skiddaw - 7 Eat at Eat at Stay Schedule 10 th Friday 18:30 Opening party, passholders & guests* (Stunning view) 20:00 Under the Mud 8 - 10 February 08 KES WICK Trainspotting, (1996), A weekend of film at the Alhambra Cinema, Keswick, Cumbria ÀOPIHVWLYDO Danny Boyle Saturday 12:00 When the Road Bends 15:00 The Singer 12-15 18:00 Seachd: the Inaccessible Pinnacle 20:30 Heima feb Sunday 10:30 New Visions 2009 12:00 Once 14:30 The Band’s Visit 17:00 Control 8) 20:30 TBC All films to be held in the Alhambra Cinema * Held in Masonic Hall, opposite Alhambra Cinema Look out for other linked events in the town (Stunning view) Derwentwater, Keswick the 9 th 10 - 13 April 08 ĨĞ Alhambra Cinema & Theatre by the Lake, Keswick, Cumbria Come back for the main Ninth Keswick Film Festival, 10th – 13th April. Great films, pre-releases, guest directors including Michael Winner and festival programme Clive Barker and all the fun of the Festival! mbria) 1 and sale at Alhambra Cinema Alhambra at sale and Norma Marcos Neil Sinyard www.keswickfilmfestival.org - Saturday and Sunday, pass collection collection pass Sunday, and Saturday - For more information check the festival website: festival the check information more For - Friday, pass collection 6:30 from Masonic Hall Masonic from 6:30 collection pass Friday, - - Single tickets available prior to each film each to prior available tickets Single - Co-ordinator Lonsdale Alhambra Cinema, Keswick Cinema, Alhambra Lonsdale A Long Hot Summer in Palestine William Wyler and the Memphis Martin Ann On the Door Sales Door the On Enjoy the weekend and come back in April. in back come and weekend the Enjoy winning films and exciting guests. exciting and films winning – Sunday 3rd March Belle – Sunday 3rd March 08/02/08 Friday on 4pm until found something for everyone.We have fantastic scenery, great music, prize prize music, great scenery, fantastic have everyone.We for something found - open 9:30am - 8:00pm - 9:30am open - an underlying theme of music (don’t worry, not musicals) so we hope we have have we hope we so musicals) not worry, (don’t music of theme underlying an - 017687 74411 017687 - - registered unwaged registered - When we looked at the excellent new films we found there were a lot with with lot a were there found we films new excellent the at looked we When - www.theatrebythelake.com - - in full time education time full in - - under 16 years of age of years 16 under - Theatre by the Lake, Keswick Lake, the by Theatre over the road. the over choices, you can see them all. And the opening party at the Masonic Hall just just Hall Masonic the at party opening the And all. them see can you choices, Advance Sales Advance Concessions Norma describes herself as ‘French We are pleased to welcome Neil difficult No venue. other the at one next the make to town across running no So here we are, a slightly different format as all the films are at the Alhambra, Alhambra, the at are films the all as format different slightly a are, we here So of Palestinian origins’. She is a back to Keswick. Not only was Neil a events. two have let’s year, last good so was it well, – thought we then And £ 55 £ 25 £ £ 5 £ Non-Members those miserable February days for the town. the for days February miserable those £ 44 £ 20 £ £ 4 £ Film Club Members Club Film because of their building works we were devastated. The Film Festival livens up up livens Festival Film The devastated. were we works building their of because £ 27 £ 12 £ £ 3 £ Concessionary Price Concessionary documentary film maker and writer, speaker at the very first KFF in 2000, February this Lake the by Theatre the use couldn’t we discovered we When Weekend Pass* Feb+April Pass* Single Ticket Single Pass* Feb+April Pass* Weekend We are delighted to welcome you to the Ninth Keswick Film Festival. Film Keswick Ninth the to you welcome to delighted are We currently living in Paris. A Long Hot but he also interviewed Nic Roeg in Summer in Palestine is the latest in a Keswick in 2003, one of the more long career, which has seen her films memorable moments in KFF’s history. such as Fragments of a lost Palestine, Anecdotally, it was Nic Roeg’s only Waiting for Ben Gurion, The Veiled appearance at a UK film festival. FESTIVAL PROGRAMME FESTIVAL PROGRAMME THE 13TH KESWICK FILM FESTIVAL THE 14TH KESWICK1 FILM FESTIVAL Hope and in 1990 a documentary on Yasser Arafat. Her films have Neil is Emeritus Professor of Film Keswick been screened at Film Festivals and Studies at the University of Hull. Film KESWICK FILM Festival He is the author of 25 books on OUR 16TH FESTIVAL, FEATURING OVER 30 FANTASTIC FILMS INCLUDING UK PREMIERES AND SPECIAL GUESTS, television networks across the world. THE ANNUAL OSPREY SHORT FILM COMPETITIONS & THE STUNNING VIEWS OF THE LAKE DISTRICT FESTIVAL 22–25 FEBRUARY 2018 Norma comes to Keswick after 3 film, including studies of directors screenings of A Long Hot Summer such as William Wyler, Billy Wilder, during a week of Palestinian films in Fred Zinnemann, Woody Allen, the Loire Atlantique region of France.
Load more

Recommended publications
  • Statistical Yearbook 2019
    STATISTICAL YEARBOOK 2019 Welcome to the 2019 BFI Statistical Yearbook. Compiled by the Research and Statistics Unit, this Yearbook presents the most comprehensive picture of film in the UK and the performance of British films abroad during 2018. This publication is one of the ways the BFI delivers on its commitment to evidence-based policy for film. We hope you enjoy this Yearbook and find it useful. 3 The BFI is the lead organisation for film in the UK. Founded in 1933, it is a registered charity governed by Royal Charter. In 2011, it was given additional responsibilities, becoming a Government arm’s-length body and distributor of Lottery funds for film, widening its strategic focus. The BFI now combines a cultural, creative and industrial role. The role brings together activities including the BFI National Archive, distribution, cultural programming, publishing and festivals with Lottery investment for film production, distribution, education, audience development, and market intelligence and research. The BFI Board of Governors is chaired by Josh Berger. We want to ensure that there are no barriers to accessing our publications. If you, or someone you know, would like a large print version of this report, please contact: Research and Statistics Unit British Film Institute 21 Stephen Street London W1T 1LN Email: [email protected] T: +44 (0)20 7173 3248 www.bfi.org.uk/statistics The British Film Institute is registered in England as a charity, number 287780. Registered address: 21 Stephen Street London W1T 1LN 4 Contents Film at the cinema
    [Show full text]
  • Pericolo Rosso: È Tornato Il Morbillo
    WWW.EDIT.HR Anno LXVI - N. 2 | 31 gennaio 2018 | Rivista quindicinale - kn 14,00 | EUR 1,89 - Spedizione in abbonamento postale a tariffa intera - Tassa pagata ISSN-0475-6401 Pericolo rosso: è tornato il morbillo sommario ASSEMBLEA DELL’ui Tamara Brussich PRIMO PIANO Fury» del giornalista Michael Wolff 15 e i nuovi equilibri Morbillo: è allarme. Intervista all’epi- Accordo storico, la diffidenza resta. demiologa Daniela Lakošeljac 4 Alle Olimpiadi di Pyeongchang le due L’Italia e i virus «importati» dai Coree marceranno sotto una bandiera 18 migranti. I dubbi dall’Agenzia europea Matrimoni longevi, i segreti delle per la prevenzione delle malattie 8 star 20 ATTUALITÀ ENOGASTRO Progetti comuni e minoranze. Ses- Iniziative dedicate a sione plenaria del Comitato congiunto Terra di salsicce. uno dei lavorati del maiale più tradizio- FVG-Slovenia a Trieste e Comitato nali 22 10 ministeriale Italia-Croazia a Roma 11 RICORDO BALCANI MULTIMEDIA Belgrado-Priština, colpo al cuore Lucić, lavoro da valorizzare 26 Spectre e Meltdown le falle di sicu- del dialogo. Kosovo: Oliver Ivanović rezza 56 freddato davanti alla sede del suo PERCORSI partito a Mitrovica Nord 13 Un’altra piccola «rivoluzione». MUSICA Il programma della Società di Studi Morendo ha ucciso i suoi tanti Fiumani per il 2017–2020 30 SOCIETÀ zombie. Scomparsa la cantante dei «Cranberries» Dolores O’Riordan 58 L’ira del presidente crea un bestsel- Tour del Ricordo al Magazzino 18. ler. Tutti vogliono leggere «Fire and Dal 12 al 16 febbraio visite guidate 33 PASSATEMPI Cruciverba 59 LA STORIA OGGI CINEMANIA L’isola che non c’è per ritrovare sé Autentica biografia stessi.
    [Show full text]
  • Phoenix Films 1999-2019/20 Sorted by Film Title 10
    Phoenix Films 1999-2019/20 Sorted by Film Title Film Date Rating(%) 2046 1-Feb-2006 68 120BPM (Beats Per Minute) 24-Oct-2018 75 3 Coeurs 14-Jun-2017 64 35 Shots of Rum 13-Jan-2010 65 45 Years 20-Apr-2016 83 5 x 2 3-May-2006 65 A Bout de Souffle 23-May-2001 60 A Clockwork Orange 8-Nov-2000 81 A Fantastic Woman 3-Oct-2018 84 A Farewell to Arms 19-Nov-2014 70 A Highjacking 22-Jan-2014 92 A Late Quartet 15-Jan-2014 86 A Man Called Ove 8-Nov-2017 90 A Matter of Life and Death 7-Mar-2001 80 A One and A Two 23-Oct-2001 79 A Prairie Home Companion 19-Dec-2007 79 A Private War 15-May-2019 94 A Room and a Half 30-Mar-2011 75 A Royal Affair 3-Oct-2012 92 A Separation 21-Mar-2012 85 A Simple Life 8-May-2013 86 A Single Man 6-Oct-2010 79 A United Kingdom 22-Nov-2017 90 A Very Long Engagement 8-Jun-2005 80 A War 15-Feb-2017 91 A White Ribbon 21-Apr-2010 75 Abouna 3-Dec-2003 75 About Elly 26-Mar-2014 78 Accident 22-May-2002 72 After Love 14-Feb-2018 76 After the Storm 25-Oct-2017 77 After the Wedding 31-Oct-2007 86 Alice et Martin 10-May-2000 All About My Mother 11-Oct-2000 84 All the Wild Horses 22-May-2019 88 Almanya: Welcome To Germany 19-Oct-2016 88 Amal 14-Apr-2010 91 American Beauty 18-Oct-2000 83 American Honey 17-May-2017 67 American Splendor 9-Mar-2005 78 Amores Perros 7-Nov-2001 85 Amour 1-May-2013 85 Amy 8-Feb-2017 90 An Autumn Afternoon 2-Mar-2016 66 An Education 5-May-2010 86 Anna Karenina 17-Apr-2013 82 Another Year 2-Mar-2011 86 Apocalypse Now Redux 30-Jan-2002 77 Apollo 11 20-Nov-2019 95 Apostasy 6-Mar-2019 82 Aquarius 31-Jan-2018 73
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Transgender Gaze, Neoliberal Haze: the impact of neoliberalism on trans female bodies in the Anglophone Global North Gina Gwenffrewi Wordcount 89,758 PhD in English Literature / Transgender Studies The University of Edinburgh 2021 1 Ethical statement This thesis includes the analyses of texts by, or about, trans women of colour. As a white scholar, I am conscious of my privileged position within an academic setting in having this opportunity. I write with a platform that several of these women, and many others who might have had such a platform themselves in a fairer society, lack access to. Aware of this position of power and privilege that I occupy, I state here, at the outset, that I do not claim to speak for or on behalf of the trans women of colour in this thesis.
    [Show full text]
  • Back Catalogue
    LARGS FILM SOCIETY LIBRARY CATALOGUE 2006 - 2020 Screen Film Title Member IMDB Date LFS No. Year Rating Rating 1 27/01/06 House of the Flying Daggers 2003 7.6 2 03/02/06 Motorcycle Diaries 2004 7.8 3 24/02/06 Etre et Avoir 2004 7.9 4 17/03/06 Koyla 1996 6.2 5 07/04/06 Heavenly Creatures 1994 7.5 6 05/05/06 Brazil 1985 8 7 22/09/06 O Brother, where art thou? 2000 7.8 8 13/10/06 Pierrepoint 2005 7.5 9 27/10/06 M. Hulot's Holiday 1953 7.6 10 17/11/06 Tsotsi 2006 7.3 11 08/12/06 Dear Frankie 2004 7.8 12 12/01/07 The River 1951 6.8 13 02/02/07 Ossessione 1942 7.8 14 23/02/07 Run, Lola, Run 1998 7.8 15 09/03/07 A Bout de Souffle 1995 8 30/03/07 The Three Burials of Melquiades Estrada 16 2005 7.5 17 21/09/07 Sideways 2004 7.6 18 12/10/07 Ashes and Diamonds 1958 7.9 19 26/10/07 The Big Sleep 1945 8.1 20 16/11/07 Far from Heaven 2002 7.4 21 07/12/07 On a Clear Day 2005 7 22 11/01/08 Volver 2006 7.6 23 01/02/08 American Beauty 1999 8.4 24 22/02/08 The Lives of Others 2006 8.5 25 07/03/08 Blood Diamonds 2006 8 26 29/08/08 Little Miss Sunshine 2006 7.9 27 26/09/08 Divingbell and the Butterfly 2008 8 28 17/10/08 Fear and Trembling 2004 8.4 29 31/10/08 Into the Wild 2007 8.2 30 31/10/08 La Vie en Rose 2007 2007 7.7 31 11/11/08 Il Postino 1995 7.8 28/11/08 The Keeper: the Legend of Omar 32 Khayyám 2005 6.9 19/12/08 And when did you last see your father? 33 2007 6.9 16/01/09 Balzac and the Little Chinese Seamstress 34 2002 7.2 35 30/01/09 The Straight Story 1999 8.2 36 13/02/09 Hotel Rwanda 2005 8.2 37 27/02/09 Babette’s Feast 1988 7.8 38 13/03/09 There
    [Show full text]
  • FILMS WORTH TALKING ABOUT 56 Days That Will Rock Your Cinema World!
    10 JAN 20 5 MAR 20 1 | 10 JAN 20 - 5 MAR 20 88 LOTHIAN ROAD | FILMHOUSECINEMA.COM FILMS WORTH TALKING ABOUT 56 days that will rock your cinema world! Well, here we are again… it’s Awards season! I was reminded of such by a communication that came my way from AMPAS (the Oscar® people) listing nine categories’ shortlists of potential nominees. Now, they’ve been doing that shortlist thing with Foreign Language films for quite some time – there’s a lot of films out there in the world, it would be rather too much for the Academy members to have to watch them all! – but, to my knowledge, they’ve not before done it with any other category. It may be it’s for the same reason of sheer volume as above, but I guess what it also does is allows a greater number of films a reason to mention their Academy Award status in their advertising. I can see it now, “Academy Award Nomination shortlisted…” written on the poster. Where will it all end I wonder, “Academy Award Nomination eligible…”? As luck would have [nothing to do with] it, one of the films on the Foreign Language short list – which at this point in time seems the overwhelming favourite – is Bong Joon Ho’s utterly brilliant Parasite, which takes its place alongside a programme of films that is simplythe best line-up of new cinema I’ve seen in a long time. There’s not just the aforementioned South Korean masterpiece, there’s Sam Mendes’ extraordinary ‘one-take’ wonder 1917 (google ‘1917 behind the scenes featurette’ and prepare to simply have to see this film); Taika (‘Wilderpeople’) Waititi’s WWII, Nazi Germany-set, Jojo Rabbit; Armando Iannucci’s breathless Dickens, The Personal History of David Copperfield; Robert Egger’s uniquely bonkers, fog-bound The Lighthouse; Kidman, Robbie and Theron taking on the Fox News patriarchy in Bombshell; and to cap it all off, and possibly the best of the lot, Céline Sciamma’sexquisite Portrait of a Lady on Fire.
    [Show full text]
  • Community Exhibitor Survey
    Community Exhibitor Survey 2018 — 2019 Table of Contents Table of Contents 1 Summary 2 Introduction 4 Background 4 Aims 4 Timescale 4 Sector 4 Methods 4 Results 5 Administration 6 Audience, Membership and Admission 8 Provision 13 Programming 15 Cinema For All 19 The Sector 24 1 Summary Survey The questionnaire was sent out to all full, associate and affiliate Cinema For All members and other community cinema organisations on the Cinema For All mailing list. 137 organisations responded to the survey. Administration • 80% of respondents were established in the year 2000 or later. • 82% of respondents describe themselves as a Community Cinema or Film Society. • Community Cinemas and Film Societies were seen as different by 60% of respondents, with the main cited differences being in administration (open vs membership organisations) and programming. • Staff or volunteers from just under two thirds (64%) of responding organisations attended an event aimed at film exhibitors. • 18% of respondents had paid members of staff. • Most respondents (80%) used just one venue for all of their screenings, and almost half (45%) of respondents’ primary venues were village halls or community centres. • Over a third (35%) of responding groups purchased equipment during the relevant period. Audience, Membership and Admission • The average audience size was 56, which is a decrease from 75 reported in both 2009 and 2014. • Despite the lower average audience size, admissions seem to have risen; the average total number of admissions this year was 2,383, up from 1,360 in 2009 and 1,891 in 2014. • Just 15% of groups reported a decrease in their audience size.
    [Show full text]
  • Memory House's
    SYNOPSIS Modern day Brazil, but lost in time. Cristovam, a native Black man from the rural North, moves to a Southern town, a strange sort of Austrian colony, to work in a milk factory. Confronted with xenophobic conservative people, he feels isolated and estranged from the white world. He discovers an abandoned house, filled with objects and memorabilia reminding him of his origins. He settles in, reconnecting with his roots. As if this memory house were alive, more objects start to appear. Slowly, Cristovam begins a metamorphosis. DIRECTOR’S STATEMENT The surreal invasion of the invisible into the visible has always been present in my films. Different times and dimensions meet within one another in the same scene. Cristovam seeks his origins, finding traces of his ancestry. The figure of the old black man is mythical in Brazilian popular culture, as a spiritual presence for the humblest. The visual ef- fects in the movie, especially those on Cristovam’s face, with his skin and soul marked by age, are a projection of strength coming from his distant ancestors, an embodiment of the past, with a spiritual dimension. Facing a conservative society, he witnesses the intolerance and prejudices of the past shaping current politicians, businessmen and real separatist movements. There is a distinct division in Brazilian society between a richer South, identifying with its Eu- ropean origins, and a poorer North, populated by descendants of African slaves and Indigenous tribes. The film portrays the revolutionary figure of the Northern man who incarnates the spirit of the “Boiadeiro” (Brazilian cowboy). Cristovam seeks revenge to exculpate his sins as he feels res- ponsible for an intolerant society.
    [Show full text]
  • Movie Museum AUGUST 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY
    Movie Museum AUGUST 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY MAMMA MIA! ISLE OF DOGS MAMMA MIA! DISOBEDIENCE HACHI: A DOG'S TALE (2008-US/UK/Germany) (2018-Germany/US) (2008-US/UK/Germany) (2017-UK/Ireland/US) (2009-US/UK) in widescreen in widescreen animation in widescreen in widescreen in widescreen with Richard Gere Meryl Streep, Colin Firth, voiced by Bryan Cranston, Meryl Streep, Colin Firth, with Rachel Weisz, Directed by Lasse Hallström Pierce Brosnan Koyu Rankin, Edward Norton Pierce Brosnan Rachel McAdams 12:00, 3:30 & 7:00pm 11am, 3 & 7pm 12:00 & 7:00pm 11am, 3:15, 5:15 & 7:15pm 11:30am, 3:15 & 7:00pm ------------------------------------ ------------------------------------ ------------------------------------ ---------------------------------- ---------------------------------- THE FACE OF JIZO DISOBEDIENCE HACHI: A DOG'S TALE AT THE END OF THE ISLE OF DOGS (2004-Japan) (2017-UK/Ireland/US) (2009-US/UK) in widescreen TUNNEL (2018-Germany/US) Japanese w/Eng subtitles ws in widescreen with Richard Gere (2016-Argentina/Spain) animation in widescreen with Rie Miyazawa, Yoshio with Rachel Weisz Directed by Lasse Hallström Spanish w/Eng subtitles ws Directed by Wes Anderson Harada, Tadanobu Asano 1, 5 & 9pm 2 1:45, 3:30, 5:15, 8:45pm 3 1:00 & 9:15pm 4 1:30, 5:15pm & 9:00pm 5 1:45, 5:15 & 8:45pm 6 NAGASAKI: AT THE END OF THE Hawaii Premiere! TULLY 2 Hawaii Premieres! MEMORIES OF MY SON TUNNEL HOTEL HIBISCUS (2018-US) KAFOO: WAITING (2015-Japan) (2016-Argentina/Spain) (2002-Japan) in widescreen FOR HAPPINESS Japanese
    [Show full text]
  • Onstage at Bfi Southbank
    ONSTAGE AT BFI SOUTHBANK: JANE FONDA, DIRECTOR SEBASTIÁN LELIO (A FANTASTIC WOMAN, DISOBEDIENCE) COMEDY GENIUS GUESTS: LENNY HENRY, JO BRAND, JENNIFER SAUNDERS, TRACY ULLMAN, VIC REEVES AND BOB MORTIMER, DIRECTOR JOHN LANDIS AND COSTUME DESIGNER DEBORAH NADOOLMAN LANDIS, (COMING TO AMERICA), THE CASTS AND CREWS OF NIGHTY NIGHT (INCLUDING JULIA DAVIS, ANGUS DEAYTON, MARC WOOTTON), THE YOUNG ONES (INCLUDING NIGEL PLANER) AND PEOPLE JUST DO NOTHING, COMEDIAN HENNING WHEN AND AUTHOR AND ACTOR DAVID WALLIAMS Film previews: WILDLIFE (Paul Dano, 2018), LIZZIE (Craig William Macneill, 2018), SHOPLIFTERS MANBIKI KAZOKU (Hirokazu Kore-eda, 2018), CREED II (Steven Caple Jr, 2018) TV previews: JANE FONDA IN FIVE ACTS (HBO, 2018), PEOPLE JUST DO NOTHING (BBC/Roughcut Television, 2018), VIC AND BOB’S BIG NIGHT OUT (BBC, 2018), WATERSHIP DOWN (BBC/NETFLIX, 2018) New and Re-Releases: 9 TO 5 (Colin Higgins, 1980), ORPHÉE (Jean Cocteau, 1950), SOME LIKE IT HOT (Billy Wilder, 1959), DISOBEDIENCE (Sebastián Lelio, 2017) Tuesday 18 September 2018, London. The BFI’s 2018 blockbuster season COMEDY GENIUS kicks off at BFI Southbank on Monday 22 October, with a huge number of special events taking place in the first month, including talks from comedy legends Jennifer Saunders, Lenny Henry, Tracey Ullman and Vic and Bob. A highlight of the season will be the BFI re-release of 9 to 5 (Colin Higgins, 1980), back in cinemas as part of the season from Friday 16 November. The film will be previewed at BFI Southbank on Tuesday 23 October, introduced by Jane Fonda. On the same night, Fonda will take part in a very special event Jane Fonda In Conversation, marking the start of a two month season dedicated to her incredible body of work; part one the season will include screenings of Barbarella (Roger Vadim, 1968), Klute (Alan J Pakula, 1971), and Barefoot in the Park (Gene Saks, 1967) the charming rom-com penned by the late Neil Simon.
    [Show full text]
  • CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT Solved! the Mystery Motors of the Autosafe “Skypark”…
    2 MAR 18 5 APR 18 1 | 2 MAR 18 - 5 APR 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT Solved! The Mystery Motors of the Autosafe “SkyPark”… Huge thanks to a number of you out there who sent me a link to the BBC News article that finally puts the issue I’ve been bleating on about for months (see Filmhouse December and February monthly programme introductions) to bed. Turns out the eight cars that have been trapped in the failed then abandoned automated car park (which is currently being dismantled behind our offices) since it closed in the early 2000s were only ever old bangers brought in to test the automatic parking machinery! Phew! Glad to have gotten to the bottom of that one… Our March programme, as is customary for the time of year, is replete with Oscar® hopefuls, it now being the turn of Lady Bird, Phantom Thread (in 70mm!), A Fantastic Woman, Palme d’Or winner The Square, and The Shape of Water, which continues from February. Awards season is, though, nearly over, as is evidenced by a slew of new films too new to qualify for consideration this year: Lynne Ramsay’s brilliant You Were Never Really Here; Warwick (Samson & Delilah) Thornton’s stunning Aussie ‘western’, Sweet Country, and Wes Anderson’s fabulous Isle of Dogs. And you know what, looking at that list, I’m going to stick my neck out and say that I’m not entirely sure I have ever seen a better line-up of new release cinema, at any one cinema, ever.
    [Show full text]
  • Video-Windows-Grosse
    THEATRICAL VIDEO ANNOUNCEMENT TITLE VIDEO RELEASE VIDEO WINDOW GROSS (in millions) DISTRIBUTOR RELEASE ANNOUNCEMENT WINDOW DISNEY Fantasia/2000 1/1/00 8/24/00 7 mo 23 Days 11/14/00 10 mo 13 Days 60.5 Disney Down to You 1/21/00 5/31/00 4 mo 10 Days 7/11/00 5 mo 20 Days 20.3 Disney Gun Shy 2/4/00 4/11/00 2 mo 7 Days 6/20/00 4 mo 16 Days 1.6 Disney Scream 3 2/4/00 5/13/00 3 mo 9 Days 7/4/00 5 mo 89.1 Disney The Tigger Movie 2/11/00 5/31/00 3 mo 20 Days 8/22/00 6 mo 11 Days 45.5 Disney Reindeer Games 2/25/00 6/2/00 3 mo 8 Days 8/8/00 5 mo 14 Days 23.3 Disney Mission to Mars 3/10/00 7/4/00 3 mo 24 Days 9/12/00 6 mo 2 Days 60.8 Disney High Fidelity 3/31/00 7/4/00 3 mo 4 Days 9/19/00 5 mo 19 Days 27.2 Disney East is East 4/14/00 7/4/00 2 mo 16 Days 9/12/00 4 mo 29 Days 4.1 Disney Keeping the Faith 4/14/00 7/4/00 2 mo 16 Days 10/17/00 6 mo 3 Days 37 Disney Committed 4/28/00 9/7/00 4 mo 10 Days 10/10/00 5 mo 12 Days 0.04 Disney Hamlet 5/12/00 9/18/00 4 mo 6 Days 11/14/00 6 mo 2 Days 1.5 Disney Dinosaur 5/19/00 10/19/00 5 mo 1/30/01 8 mo 11 Days 137.7 Disney Shanghai Noon 5/26/00 8/12/00 2 mo 17 Days 11/14/00 5 mo 19 Days 56.9 Disney Gone in 60 Seconds 6/9/00 9/18/00 3 mo 9 Days 12/12/00 6 mo 3 Days 101.6 Disney Love’s Labour’s Lost 6/9/00 10/19/00 4 mo 10 Days 12/19/00 6 mo 10 Days 0.2 Disney Boys and Girls 6/16/00 9/18/00 3 mo 2 Days 11/14/00 4 mo 29 Days 21.7 Disney Disney’s The Kid 7/7/00 11/28/00 4 mo 21 Days 1/16/01 6 mo 9 Days 69.6 Disney Scary Movie 7/7/00 9/18/00 2 mo 11 Days 1212/00 5 mo 5 Days 157 Disney Coyote Ugly 8/4/00 11/28/00 3
    [Show full text]