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The Matrix As an Introduction to Mathematics
St. John Fisher College Fisher Digital Publications Mathematical and Computing Sciences Faculty/Staff Publications Mathematical and Computing Sciences 2012 What's in a Name? The Matrix as an Introduction to Mathematics Kris H. Green St. John Fisher College, [email protected] Follow this and additional works at: https://fisherpub.sjfc.edu/math_facpub Part of the Mathematics Commons How has open access to Fisher Digital Publications benefited ou?y Publication Information Green, Kris H. (2012). "What's in a Name? The Matrix as an Introduction to Mathematics." Mathematics in Popular Culture: Essays on Appearances in Film, Fiction, Games, Television and Other Media , 44-54. Please note that the Publication Information provides general citation information and may not be appropriate for your discipline. To receive help in creating a citation based on your discipline, please visit http://libguides.sjfc.edu/citations. This document is posted at https://fisherpub.sjfc.edu/math_facpub/18 and is brought to you for free and open access by Fisher Digital Publications at St. John Fisher College. For more information, please contact [email protected]. What's in a Name? The Matrix as an Introduction to Mathematics Abstract In my classes on the nature of scientific thought, I have often used the movie The Matrix (1999) to illustrate how evidence shapes the reality we perceive (or think we perceive). As a mathematician and self-confessed science fiction fan, I usually field questionselated r to the movie whenever the subject of linear algebra arises, since this field is the study of matrices and their properties. So it is natural to ask, why does the movie title reference a mathematical object? Of course, there are many possible explanations for this, each of which probably contributed a little to the naming decision. -
The Making of Enter the Matrix
TWO MOVIES. ONE “THEN ALONG COMES THE WACHOWSKIS AND ANIMATED ANTHOLOGY. THEY WANT TO SHOOT AND THE MOST EXPENSIVE AN HOUR OF MATRIX LICENSED VIDEOGAME QUALITY MOVIE FOOTAGE FOR OUR EVER MADE. SEVENTEEN GAME – AND WRITE YEARS AFTER ITS ORIGINAL THE ENTIRE STORY” RELEASE, WE EXPLORE DAVID PERRY HOW ENTER THE MATRIX TRIED TO DEFY TRADITIONAL VIDEOGAME STORYTELLING BY SLOTTING INTO A WIDER TRANSMEDIA EXPERIENCE Words by Aaron THE MAKING OF Potter ames based on a licence have been around almost as long as the medium itself, with most gaining a reputation for being cheap tie-ins or ill-produced cash grabs that needed much longer in the development oven. It’s an unfortunate fact that, in most instances, the creative teams tasked with » Shiny Entertainment founder and making a fun, interactive version of a beloved working on a really cutting-edge 3D game called former game director David Perry. Hollywood IP weren’t given the time necessary to Sacrifice, so I very embarrassingly passed on the IN THE succeed – to the extent that the ET game from 1982 project.” David chalks this up as being high on his for the Atari 2600 was famously rushed out by a “list of terrible career decisions”, though it wouldn’t KNOW single person and helped cause the US industry crash. be long before he and his team would be given a PUBLISHER: ATARI After every crash, however, comes a full system second chance. They could even use this pioneering DEVELOPER : reboot. And it was during the world’s reboot at the tech to translate the Wachowskis’ sprawling SHINY turn of the millennium, around the time a particular universe more accurately into a videogame. -
BEFORE the PHILOSOPHY There Are Several Ways That We Might Explain the Location of the Matrix
ONE BEFORE THE 7 PHILOSOPHY UNDERSTANDING THE FILMS BEFORE THE PHILOSOPHY I’m really struggling here. I’m trying to keep up, but I’m losing the plot. There is way too much weird shit going on around here and nothing is going the way it is supposed to go. I mean, doors that go nowhere and everywhere, programs acting like humans, multiplying agents . Oh when, when will it end? – SparksE The Matrix films often left audiences more confused than they had bargained for. Some say that their confusion began with the very first film, and was compounded with each sequel. Others understood the big picture, but found themselves a bit perplexed concerning the details. It’s safe to say that no one understands the films completely – there are always deeper levels to consider. So before we explore the more philosophical aspects of the films, I hope to clarify some of the common points of confusion. But first, I strongly encourage you to watch all three films. There are spoilers ahead. The Matrix Dreamworld You mean this isn’t real? – Neo† The Matrix is essentially a computer-generated dreamworld. It is the illusion of a world that no longer exists – a world of human technology and culture as it was at the end of the twentieth century. This illusion is pumped into the brains of millions of people who, in reality, are lying fast asleep in slime-filled cocoons. To them this virtual world seems like real life. They go to work, watch their televisions, and pay their taxes, fully believing that they are physically doing these things, when in fact they are doing them “virtually” – within their own minds. -
Facing the Absurd Existentialism for Humans and Programs
TWELVE 150 FACING THE ABSURD EXISTENTIALISM FOR HUMANS AND PROGRAMS The Matrix cannot tell you who you are. – Trinity†† Man is nothing else but what he makes of himself. Such is the first principle of existentialism. – Jean-Paul Sartre FACING THE ABSURD Of Gods and Architects Søren Kierkegaard, whose existentialist philosophy of faith was discussed in the previous chapter, requested that just two words be engraved on his tombstone at his death: THE INDIVIDUAL. This gesture nicely summarizes the main thrust of the existentialist movement in philosophy – which both begins and ends with the individual. Existentialism focuses on the issues that arise for us as separate and distinct persons who are, in a very profound sense, alone in the world. Its emphasis is on personal responsibility – on taking responsibility for who you are, what you do, and the meanings that you give to the world around you. While Kierkegaard’s existentialism was largely inspired by his religious commit- ments, atheism was the guiding assumption for many existentialist writers, includ- ing Martin Heidegger, Albert Camus, and Jean-Paul Sartre. In Existentialism as a Humanism, the French existentialist Jean-Paul Sartre explained how his philo- sophy was intimately tied to his atheism through the example of a paper-cutter. [H]ere is an object which has been made by an artisan whose inspiration came from a concept. He referred to the concept of what a paper-cutter is and likewise to a known method of production, which is part of the concept, something which by and large is a routine. Thus, the paper-cutter is at once an object produced in a certain way and, on the other hand, one having a specific use . -
The Matrix Trilogy's Postmodern Movie Messiah
Journal of Religion & Film Volume 9 Issue 2 October 2005 Article 7 October 2005 He is the One: The Matrix Trilogy's Postmodern Movie Messiah Mark D. Stucky [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Stucky, Mark D. (2005) "He is the One: The Matrix Trilogy's Postmodern Movie Messiah," Journal of Religion & Film: Vol. 9 : Iss. 2 , Article 7. Available at: https://digitalcommons.unomaha.edu/jrf/vol9/iss2/7 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. He is the One: The Matrix Trilogy's Postmodern Movie Messiah Abstract Many films have used Christ figures to enrich their stories. In The Matrix trilogy, however, the Christ figure motif goes beyond superficial plot enhancements and forms the fundamental core of the three-part story. Neo's messianic growth (in self-awareness and power) and his eventual bringing of peace and salvation to humanity form the essential plot of the trilogy. Without the messianic imagery, there could still be a story about the human struggle in the Matrix, of course, but it would be a radically different story than that presented on the screen. This article is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol9/iss2/7 Stucky: He is the One Introduction The Matrix1 was a firepower-fueled film that spin-kicked filmmaking and popular culture. -
Design@ND Fall / Winter 2008/09
A newsletter from the University of Notre Dame’s Graphic and Industrial Design Programs Design@ND inside... Fall 08/Winter 09 ISSUE NUMBER 7 1 News and Notes Industrial Design Top Five Internationally AGI Young Designer Conference In September, the Events and happenings with students With all the awards recently won by the department’s Alliance Graphique Internationale held a conference on campus and alumni around the world. industrial design students, it is no wonder that Notre for student designers in Chicago. Of the many schools Dame’s industrial design program has been ranked in attendance, Notre Dame made a significant showing 2 Notre Network among the top five international design programs with twenty-two design students who jumped at the Notre Dame graduates and student by BusinessWeek. Four Industrial Design Excellence opportunity to hear talks by legends in the design interns alike abound at Notre Dame’s Awards (IDEA) secured this ranking. These include a field. Hosted by Rick Valicenti at the Art Institute of own AgencyND. silver and bronze for Julia Burke (BFA ’06), and bronze Chicago, the conference featured notable speakers NEWS AND NOTES for both Brad Jolitz (BA ’05) and Mansour Ourasanah Paul Sahre, John Bielenberg, Niklaus Troxler, Michael Tenth Annual Alumni (BA ’07). Other recent awards that Notre Dame’s Vanderbyl, Jennifer Morla, Nicholas Blechman, Steff 3 Design Conference industrial design program has won are a Dr. Jacob Geissbuhler, and Christoph Niemann. Graduates from the class of 1998 return to campus to discuss the paths they have Bolotin Award by Fernando Carvalho’s (MFA ’09) taken since graduating ten years ago. -
Read Book the Matrix
THE MATRIX PDF, EPUB, EBOOK Joshua Clover | 96 pages | 12 Jun 2007 | British Film Institute | 9781844570454 | English | London, United Kingdom The Matrix – Matrix Wiki – Neo, Trinity, the Wachowskis And the special effects are absolutely amazing even if similar ones have been used in other movies as a result- and not explained as well. But the movie has plot as well. It has characters that I cared about. From Keanu Reeves' excellent portrayal of Neo, the man trying to come to grips with his own identity, to Lawrence Fishburne's mysterious Morpheus, and even the creepy Agents, everyone does a stellar job of making their characters more than just the usual action "hero that kicks butt" and "cannon fodder" roles. I cared about each and every one of the heroes, and hated the villains with a passion. It has a plot, and it has a meaning Just try it, if you haven't seen the movie before. Watch one of the fight scenes. Then watch the whole movie. There's a big difference in the feeling and excitement of the scenes- sure, they're great as standalones, but the whole thing put together is an experience unlike just about everything else that's come to the theaters. Think about it next time you're watching one of the more brainless action flicks If you haven't, you're missing out on one of the best films of all time. It isn't just special effects, folks. Looking for some great streaming picks? Check out some of the IMDb editors' favorites movies and shows to round out your Watchlist. -
Matrix Reloaded Explained
Matrix Reloaded Explained Matrix Reloaded Explained The Matrix Explained 1 The Matrix: Reloaded Explained.........................................................................................................................1 1.1 Contents...................................................................................................................................................1 2 Forward on disobedience.......................................................................................................................................3 3 Foundation of criticism..........................................................................................................................................5 4 The Architect..........................................................................................................................................................7 5 The rave scene......................................................................................................................................................11 6 The Oracle.............................................................................................................................................................13 7 Agent Smith..........................................................................................................................................................15 8 Story arc................................................................................................................................................................19 -
2003Year in Review
2003 Year In revIew A supplement to help you complete the “What Life Was Like…” and “Profile of…” Time Capsule books We suggest you use this Year In Review as a guide to help complete the book. You should copy the information into your book using your own handwriting so that the book looks uniform and complete. TOP 10 MUSIC HITS TOP 10 Tv SHOwS TOP 10 MOvIeS 1. In Da Club - 50 Cent 1. CSI 1. Finding Nemo 2. Ignition - R. Kelly 2. ER 2. Pirates of the Caribbean 3. Get Busy - Sean Paul 3. Friends 3. The Return of the King 4. Crazy In Love - Beyonce, Jay-Z 4. Survivor: Pearl Islands 4. The Matrix Reloaded 5. When I’m Gone - 3 Doors Down 5. CSI: Miami 5. Bruce Almighty 6. Unwell - Matchbox Twenty 6. Everybody Loves Raymond 6. X2: X-Men United 7. Right Thurr - Chingy 7. Law & Order 7. Elf 8. Miss You - Aaliyah 8. Without a Trace 8. T3: Rise of the Machines 9. Picture - Kid Rock, Sheryl Crow 9. Two and a Half Men 9. Bad Boys II 10. Bring Me To Life - Evanescence 10. Will & Grace 10. The Matrix Revolutions SOURCE: BILLBOARD MAGAZINE HOT 100 SOURCE: FALL 2003 BROADCAST SEASON. NIELSEN SOURCE: BOXOFFICE REPORT.COM MEDIA RESEARCH SPOrTS Super Bowl XXXVII: Tampa Bay Bucs Kentucky Derby: Funny Cide/J. Santos The Masters: Mike Weir Wimbledon: Roger Federer/Serena Williams World Series: Florida Marlins NCAA Men’s Basketball: Syracuse Stanley Cup: New Jersey Devils Indianapolis 500: Gil de Ferran NBA Championship: San Antonio Spurs Daytona 500: Michael Waltrip SOURCE: VARIOUS wHaT WAS In wHaT WAS OUT Pick your favorites from this list or add your own. -
The Matrix Revolution, Part I
The Matrix Revolution, Part 1 by Ben Sibelman with an excerpt from The Matrix and excerpts from two versions of The Matrix Reloaded script, by Larry and Andy Wachowski (Bold text in the excerpts indicates added material. Strikeouts and ellipses indicate skipped material.) Sources The Matrix transcript: http://www.ix625.com/matrixscript.html The Matrix Reloaded draft script: http://www.imsdb.com/scripts/Matrix-Reloaded,-The.html The Matrix Reloaded shooting script: http://www.horrorlair.com/movies/scripts/matrixreloaded.pdf The Matrix, its sequels, and all related characters, plots, images, and concepts are the property of the Wachowski brothers, Warner Brothers, and/or Village Roadshow Pictures. Consequently, this script cannot be used for commercial gain. It is free for your use and may be copied and distributed at will. SCENE 1 Total blackness. NEO (V.O. from the end of The Matrix) I know you're out there. I can feel you now. Down into the black screen comes a single column of glowing green symbols. It is quickly joined by many others as the camera closes in. NEO (cont’d) I know that you're afraid. You're afraid of us. You're afraid of change. 19 of the columns terminate in the letters of “THE MATRIX REVOLUTION.” The camera passes through the U, which extends back into a canyon of smaller symbols with gaps in its walls. 1 NEO (cont’d) I don't know the future. I didn't come here to tell you how this is going to end. I came here to tell you how it's going to begin. -
The Matrix Explained
The Matrix Explained http://www.idph.net 9 de fevereiro de 2004 2 IDPH The Matrix Esta é uma coletânea de diversos artigos publicados na Internet sobre a trilogia Matrix. Como os links na Internet desaparecem muito rapidamente, achei que seria in- teressante colocar, em um mesmo documento, as especulações mais provocati- vas sobre a trilogia. Cada um dos artigos contém o link onde o artigo original foi encontrado. Estas referências, em sua maior parte, foram obtidas no Google (http://www. google.com), buscando por documentos que contivessem, em seu título, as palavras “matrix explained”; intitle:"matrix explained" Infelizmente, estão todos em inglês. Em português existem dois livros muito bons sobre os filmes: • MATRIX – Bem-vindo ao Deserto do Real Coletânea de William Irwin Editora Madras • A Pílula Vermelha Questões de Ciência, Fiilosofia e Religião em Matrix Editora Publifolha Quem sabe vivemos mesmo em uma Matrix. Ao menos é o que diz um dos artigos do do livro “A Pílula Vermelha”. Espero que gostem ... http://www.idph.net IDPH 3 Matrix – Explained by Reshmi Posted on November 12, 2003 14:39 PM EST To understand “The Matrix Revolutions” we’re gonna have to go all the way back to the beginning. A time that was shown in the superior Animatrix shorts “The Second Renaissance Parts I & II. In the beginning there was man. Then man created machines. Designed in man’s likeness the machines served man well, but man’s jealous nature ruined that relationship. When a worker robot killed one of its own abusive masters it was placed on trial for murder and sentenced for destruction. -
Let-Down of the Year Awarded to “Matrix Revolutions”
The Pendulum A & E Thursday, November 13, 2003 wPage 19 Let-down of the year awarded to “Matrix Revolutions” Sean Hennen humanity and no amount of tired- “cineophile” should still feel Reviewer ly endless philosophic babble the loss. about choice, love and destiny can An addictive cycle of reclaim the feeling of the original. metaphoric introspections Everything that has a begin It’s all mere lip service and unfor and gunfights isn’t all that ning has an end, reads the tagline tunately the writing/directing attracted viewers way back for “The Matrix: Revolutions.” team of Larry and Andy when. It was the story of a This is a very apt statement, but Wachowski think they can gloss fallible hero named Neo one would have hoped that the over this absence with intellectual who was as uncertain about filmmakers behind “Revolutions” overkill. They can’t. his ability to save the day as would have strived for a superior For viewers who haven’t seen the audience. Say what you ending, instead of merely an ade the other movies, you have a lot will about Keanu Reeves’ quate one. of homework to do before you acting, but in that first At this point, it is safe to say think about sitting down for “The movie, he forced the audi that each film in the series has Matrix: Revolutions.” The movie ence to learn to believe in become successively tired and - doesn’t even consider pausing him as his character learned though it is hard to say - unorigi before diving right back into the to believe in himself.