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Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Folk Music Society Newsletter
Folk Music Society of New York, Inc. June, 2018 vol. 53 No. 6 June Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, 8pm 6 Wed Folk Open Sing; 7pm in Brooklyn 10 Sun Upper West Side Song Swap; at HINY, Upper West Side, guest David Massengill 11 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 17 Sun Shanty Sing; Snug Harbor, Staten Island, 25pm 20 Wed Sunnyside Singers Club; perf. Jeremy Aaron, 8pm July Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club; Woodside, 8pm 3 Tue Newsletter Mailing, 7pm in Jackson Heights, Queens 4 Wed Folk Open Sing; 7pm in Brooklyn 9 Mon FMSNY Board of Directors Meeting; loc. tba, see p. 5 15 Sun Shanty Sing on Staten Island, 25 pm 18 Wed Sunnyside Singers Club; perf. Mike Agranoff, 8pm Details on pages 23 Table of Contents Events at a Glance.........................1 Repeating Events.........................11 Society Events Details...............23 Festival Listings..........................14 Topical Listing of Society Events. 3 Falcon Ridge Ad..........................20 From the Editor.............................4 Folk Music Society Info..............21 Bernie Stolls Memoriams..........45 Ashokan Acoustic Guitar Camp..22 Donatge with Amazon, et al..........5 Mark Hamburgh Ad....................22 Calendar Listings..........................6 Pinewoods Hot Line....................23 Calendar Location Info.................8 Membership Form Join Us!......24 The Society's Web Page: www.folkmusicny.org facebook: https://www.facebook.com/FMSNY/ 1 Irish Traditional Music Session: every Monday, 8-11pm Tenor banjo, harmonica and fiddle player Don Meade and friends get together every Monday night for an Irish traditional music session in the back room of this historic Hell’s Kitchen bar/restaurant. -
Music Programs NEW! the Lisak Group
Membership Information Creative Aging’s mission is to provide arts and humanities programs that have a positive impact on the quality of life of older adults in the Greater Cincinnati Area. Creative Aging accomplishes its mission by bringing local area professional artists, performers and educators to present one hour long programs at senior centers, retirement communities, adult day care centers, and nursing homes in Cincinnati and surrounding areas. Programs are designed to stimulate participant’s minds, creativity and sense of self as well as educate, engage, enrich and entertain. Facilities that join Creative Aging choose one of three levels that will allow between 6-18 programs to be booked within their facility. Membership is available to all facilities in the Greater Cincinnati area who serve Senior Citizens, those 60 years of age and older. 2013 Memberships Three Options from which to choose: Platinum Level • 18 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Gold Medal Level • 12 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Silver Medal Level • 6 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Pricing Platinum Level - $1900 Gold Medal Level - $1300 Silver Medal Level - $700 Creative Aging Cincinnati is committed to serving seniors regardless of the ability to pay. Please contact us for information on our membership assistance program. * Please note that some artists charge an additional fee on holidays which would be the responsibility of the facility. -
Senate Hearings Before the Committee on Appropriations
S. HRG. 114–178 Senate Hearings Before the Committee on Appropriations Commerce, Justice, Science, and Related Agencies Appropriations Fiscal Year 2016 114th CONGRESS, FIRST SESSION H.R. 2578 BUREAU OF ALCOHOL, TOBACCO, FIREARMS AND EXPLOSIVES DEPARTMENT OF COMMERCE—OFFICE OF THE SECRETARY DEPARTMENT OF JUSTICE—OFFICE OF THE ATTORNEY GENERAL DRUG ENFORCEMENT ADMINISTRATION FEDERAL BUREAU OF INVESTIGATION NATIONAL AERONAUTICS AND SPACE ADMINISTRATION NONDEPARTMENTAL WITNESSES UNITED STATES MARSHALS SERVICE Commerce, Justice, Science, and Related Agencies Appropriations, 2016 (H.R. 2578) S. HRG. 114–178 COMMERCE, JUSTICE, SCIENCE, AND RELATED AGENCIES APPROPRIATIONS FOR FISCAL YEAR 2016 HEARINGS BEFORE A SUBCOMMITTEE OF THE COMMITTEE ON APPROPRIATIONS UNITED STATES SENATE ONE HUNDRED FOURTEENTH CONGRESS FIRST SESSION ON H.R. 2578 AN ACT MAKING APPROPRIATIONS FOR THE DEPARTMENTS OF COM- MERCE AND JUSTICE, AND SCIENCE, AND RELATED AGENCIES FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2016, AND FOR OTHER PURPOSES Bureau of Alcohol, Tobacco, Firearms and Explosives Department of Commerce—Office of the Secretary Department of Justice—Office of the Attorney General Drug Enforcement Administration Federal Bureau of Investigation National Aeronautics and Space Administration Nondepartmental Witnesses United States Marshals Service Printed for the use of the Committee on Appropriations ( Available via the World Wide Web: http://www.gpo.gov/fdsys/browse/ committee.action?chamber=senate&committee=appropriations U.S. GOVERNMENT PUBLISHING OFFICE 93–106 PDF WASHINGTON : 2016 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 COMMITTEE ON APPROPRIATIONS THAD COCHRAN, Mississippi, Chairman MITCH McCONNELL, Kentucky BARBARA A. -
Pt.BI ISHTAR ~IKAIBKRS
ASCAP "S 2006 DART CLADI Pt.BI ISHTAR ~IKAIBKRS WiD AFFILIATED FOREIG& SOCIETIKS 3 OLC&IE I OF III P U B L I S H E R .357 PUBLISHING (A) S1DE UP MUSIC $$ FAR BEYOND ENTERTAINMENT $3.34 CHANGE OF THE BEAST ? DAT I SMELL MUS1C 'NANA PUDDIN PUBL1SHING A & N MUSIC CORP A & R MUSIC CO A A B A C A B PUBLISH1NG A A KLYC 4 A A P PUBLISHING A AL1KE PUBLiSHING A ALIKES MUSIC PUBLISHING A AND F DOGZ MUSIC A AND G NEALS PUBLiSHER A AND L MUS1C A AND S MUSICAL WORKS AB& LMUSIC A B A D MUZIC PUBLISHING A B ARPEGGIO MUSIC ABCG I ABCGMUSIC A B GREER PUBLISH1NG A B REAL MUSIC PUBLISHING A B U MUSIC A B WILLIS MUS1C A BAGLEY SONG COMPANY A BALLISTIC MUSIC A BETTER HISTORY PUBLISH1NG A BETTER PUBL1SHING COMPANY A BETTER TOMORROM A BIG ATT1TUDE INC A BIG F-YOU TO THE RHYTHM A BILL DOUGLAS MUSIC A BIRD AND A BEAR PUBLISHING A BLACK CLAN 1NC A BLONDE THING PUBLISHING A BOCK PUBLISHING A BOMBINATION MUSIC A BOY AND HIS DOG A BOY NAMED HO A BRICK CALLED ALCOHOL MUSIC A BROOKLYN PROJECT A BROS A BUBBA RAMEY MUSIC A BURNABLE PUBLISHING COMPANY A C DYENASTY ENT A CARPENTER'S SON A CAT NAMED TUNA PUBLISHING A CHUNKA MUSIC A CIRCLE OF FIFTHS MUSIC A CLAIRE MlKE MUSIC A CORDIS MUSIC A CREATI VE CHYLD ' PUB L I SHING A CREATIVE RHYTHM A CROM FLIES MUSIC INC A .CURSIVE MEMDR1ZZLE A D D RECORDiNGS A D G MUSICAL PUBLISHING INC A D HEALTHFUL LIFESTYLES A D SIMPSON OWN A D SMITH PUBLISHING P U B L I S H E R A D TERROBLE ENT1RETY A D TUTUNARU PUBLISHING A DAISY IN A JELLYGLASS A DAY XN DECEMBER A DAY XN PARIS MUSIC A DAY W1TH KAELEY CLAIRE A DELTA PACIFIC PRODUCTION A DENO -
The Louisiana Musician “The Official Journal of the Louisiana Music Educators Association” Volume 81 Number 2 November 2015
The Louisiana Musician “The Official Journal of the Louisiana Music Educators Association” Volume 81 Number 2 November 2015 2015 Annual LMEA Professional Development Conference John W. Stafford Hall of Fame Louisiana State University 2016 TEACHER OF THE YEAR DEGREE OFFERINGS CONGRATULATIONS TO LSU Bachelor of Arts in Music Master of Music ALUMNA KELLY M. STOMPS Bachelor of Music Master of Music Education Bachelor of Music Education Doctor of Musical Arts Minor in Music Doctor of Philosophy in Music BECOME A STUDENT! APPLICATION DEADLINES Undergraduate: Nov. 15 Graduate: Jan. 1 225-578-9291 music.lsu.edu/admissions WIND7991 CSVR Clarinet LMU.qxp_Layout 1 10/1/15 2:49 PM Page 1 THE LOUISIANA MUSICIAN PAGE 1 Demand a Higher Standard Introducing the NEW CSVR The Yamaha YCL-CSVR clarinet is the result of years of development dedicated to a clearly focused concept: crafting a Custom clarinet that has a beautiful sound, consistent quality, and an affordable price. Both student and professional clarinetists require a rich sound and comfortable playability. These qualities were combined with the high level of consistency that only Yamaha can provide, allowing clarinetists to demand a higher standard than ever before. • Redesigned keys offer comfortable, ergonomic hand placement. In addition, the new keys have thicker silver-plating for a dark and resonant sound quality. • Durable leather pads ensure a precise seal between pad and tone hole for ease of response throughout the entire range of the clarinet. • A new Custom barrel design provides the CSVR with a well-balanced response and rich, warm tonal colors that will elevate the progressing clarinetist’s playing. -
Roman Lead Sealings
Roman Lead Sealings VOLUME I MICHAEL CHARLES WILLIAM STILL SUBMITTED FOR TIlE DEGREE OF PILD. SEPTEMBER 1995 UNIVERSITY COLLEGE LONDON INSTITUTE OF ARCHAEOLOGY (L n") '3 1. ABSTRACT This thesis is based on a catalogue of c. 1800 records, covering over 2000 examples of Roman lead sealings, many previously unpublished. The catalogue is provided with indices of inscriptions and of anepigraphic designs, and subsidiary indices of places, military units, private individuals and emperors mentioned on the scalings. The main part of the thesis commences with a history of the use of lead sealings outside of the Roman period, which is followed by a new typology (the first since c.1900) which puts special emphasis on the use of form as a guide to dating. The next group of chapters examine the evidence for use of the different categories of scalings, i.e. Imperial, Official, Taxation, Provincial, Civic, Military and Miscellaneous. This includes evidence from impressions, form, texture of reverse, association with findspot and any literary references which may help. The next chapter compares distances travelled by similar scalings and looks at the widespread distribution of identical scalings of which the origin is unknown. The first statistical chapter covers imperial sealings. These can be assigned to certain periods and can thus be subjected to the type of analysis usually reserved for coins. The second statistical chapter looks at the division of categories of scalings within each province. The scalings in each category within each province are calculated as percentages of the provincial total and are then compared with an adjusted percentage for that category in the whole of the empire. -
Roman North Africa North Roman
EASTERNSOCIAL WORLDS EUROPEAN OF LATE SCREEN ANTIQUITY CULTURES AND THE EARLY MIDDLE AGES Cilliers Roman North Africa Louise Cilliers Roman North Africa Environment, Society and Medical Contribution Roman North Africa Social Worlds of Late Antiquity and the Early Middle Ages The Late Antiquity experienced profound cultural and social change: the political disintegration of the Roman Empire in the West, contrasted by its continuation and transformation in the East; the arrival of ‘barbarian’ newcomers and the establishment of new polities; a renewed militarization and Christianization of society; as well as crucial changes in Judaism and Christianity, together with the emergence of Islam and the end of classical paganism. This series focuses on the resulting diversity within Late Antique society, emphasizing cultural connections and exchanges; questions of unity and inclusion, alienation and conflict; and the processes of syncretism and change. By drawing upon a number of disciplines and approaches, this series sheds light on the cultural and social history of Late Antiquity and the greater Mediterranean world. Series Editor Carlos Machado, University of St. Andrews Editorial Board Lisa Bailey, University of Auckland Maijastina Kahlos, University of Helsinki Volker Menze, Central European University Ellen Swift, University of Kent Enrico Zanini, University of Siena Roman North Africa Environment, Society and Medical Contribution Louise Cilliers Amsterdam University Press Cover illustration: Ruins of the Antonine Baths in Carthage © Dreamstime Stockphoto’s Cover design: Coördesign, Leiden Typesetting: Crius Group, Hulshout isbn 978 94 6298 990 0 e-isbn 978 90 4854 268 0 doi 10.5117/9789462989900 nur 684 © Louise Cilliers / Amsterdam University Press B.V., Amsterdam 2019 All rights reserved. -
The Britons in Late Antiquity: Power, Identity And
THE BRITONS IN LATE ANTIQUITY: POWER, IDENTITY AND ETHNICITY EDWIN R. HUSTWIT Thesis submitted for the degree of Doctor of Philosophy Bangor University 2014 Summary This study focuses on the creation of both British ethnic or ‘national’ identity and Brittonic regional/dynastic identities in the Roman and early medieval periods. It is divided into two interrelated sections which deal with a broad range of textual and archaeological evidence. Its starting point is an examination of Roman views of the inhabitants of the island of Britain and how ethnographic images were created in order to define the population of Britain as 1 barbarians who required the civilising influence of imperial conquest. The discussion here seeks to elucidate, as far as possible, the extent to which the Britons were incorporated into the provincial framework and subsequently ordered and defined themselves as an imperial people. This first section culminates with discussion of Gildas’s De Excidio Britanniae. It seeks to illuminate how Gildas attempted to create a new identity for his contemporaries which, though to a certain extent based on the foundations of Roman-period Britishness, situated his gens uniquely amongst the peoples of late antique Europe as God’s familia. The second section of the thesis examines the creation of regional and dynastic identities and the emergence of kingship amongst the Britons in the late and immediately post-Roman periods. It is largely concerned to show how interaction with the Roman state played a key role in the creation of early kingships in northern and western Britain. The argument stresses that while there were claims of continuity in group identities in the late antique period, the socio-political units which emerged in the fifth and sixth centuries were new entities. -
The Folk Project April 2019
The Folk Project April 2019 www.FolkProject.org TM Folk Project App Finally Available! The FP App Committee (FPAC) is proud to announce that the Folk Project App will be officially available on April 1, 2019. No more clumsy paper documents, searching through files, or asking humans for help. We are proud to list just some of the app’s features: ☛ Tells you which Folk Project events to avoid each month. ☛ Gives you a chance to sign up for Open Stage 2–3 years in advance. ☛ Our built-in locator function sometimes works to direct you to events. ☛ Name-o-meter keeps you updated on the current name of ongoing events. ☛ SnoreAlert helps you find the quietest roommates for the Getaway. ☛ Autoharp tuner ☛ Tumblr: helps you find your future mate. ☛ Cat pix: because you can’t resist. There will certainly be more features added regularly. We are open to your input. Tell us what you want the app to do, and we will immediately ask you to write the code. Compatible with the follow- ing systems: CP/M, AmigaOS, DOS, GEOS, and BeOS. We are working on updating to X and MonKEY, with an expected release date of never. 45th Annual New Jersey Folk Festival Come celebrate the 45th Anniversary of the New Jersey Folk Festival with friends and family at the 45th Annual New Jersey Folk Festival on Saturday, April 27, 2019, from 10am–6pm, rain or shine! The New Jersey Folk Festival is the only festival run entirely by students; it is also the longest con- tinuously running folk festival in all of New Jersey. -
Byron Petty | Robert Stewart | Peter Homans
Click on or drag the upper page corners to view booklet BYRON PETTY | ROBERT STEWART | PETER HOMANS tendrils BYRON PETTY 1 A General Disturbance 6:13 Lisa Hennessy, flute; Emmanuel Feldman, cello; Karolina Rojahn, piano 2 Distant Actions 7:58 Lisa Hennessy, flute; Charles Sherba, violin; Emmanuel Feldman, cello Tracks 1 – 5 recorded at Futura Studios, Roslindale MA, 3 Connecting 4:10 Shuko Watanabe, piano engineered by John Weston, and mixed by Shaun Michaud 4 Distractions 6:07 Byron Petty, flute; Shuko Watanabe, piano Tracks 2, 3 and 5 produced by Bob Lord 5 Mythical Moments 3:58 Charles Sherba, violin; Emmanuel Feldman, cello; Karolina Rojahn, piano Tracks 1 and 4 produced by Shaun Michaud PETER HOMANS 6 Three Italian Songs 5:12 Tracks 6 and 7 engineered by Beverly Morgan, mezzo soprano ˘ Frank Cunningham and produced by Peter Homans 7 Bridges 13:19 Dinosaur Annex: Cyrus Vance, violin; Anne Black, viola; Michael Curry, cello; Donald Berman, piano Track 8 engineered by Chris Murphy, produced by Omega, and edited by Curt Wittig ROBERT STEWART 8 Idyll 17:08 The Virtuoso Strings: Christopher Kendall, conductor 3 4 Byron Petty Flutist, pianist, composer, and conductor Byron Petty holds a BM in flute performance from the Peabody Conservatory of Johns Hopkins University, where he studied with renowned flutist Britton Johnson. He is currently a Lecturer of Music (flute) at Washington and Lee University in Lexington, VA, where he has taught courses in composition and musical analysis as a Visiting Assistant Professor of Music. His compositions have been performed at regional conferences of 7 PHOTO BY LARRY STENE 6 the Southeastern Composers League, the College Institute & State University; the Toho Koto Society Music Society, and the National Conference of of Washington, D.C.; and others. -
SPLC Fights Back Against Bigotry in White House
Southern Poverty Law Center Non Profit Org. 400 Washington Avenue • Montgomery, AL 36104 U.S. Postage PAID www.splcenter.org Southern Poverty SPLC REPORT Law Center Published by the Southern Poverty Law Center Spring 2017 Fighting Hate • Teaching Tolerance • Seeking Justice Volume 47, Number 1 SPLC fights back against IN THIS ISSUE a a a a SPLC president on bigotry in White House extremism of Trump administration The Southern Poverty Law and closest advisers – including Many expressed the belief that it was “one of the most excit- Center took strong action to pro- Stephen Bannon, who helped they finally had a friend in the ing nights of my life. Make no PAGE 2 tect our country’s fundamental nurture a growing white White House. mistake … our people played a values following a presidential nationalist movement. HUGE role in electing Trump!” a a a a election that electrified far- The SPLC also began push- Racists rejoice Days later, about 200 white right extremists and ushered a ing back in the courts against a Former Ku Klux Klan leader nationalists met just a few blocks SPLC in court to white nationalist agenda into White House that appears set on David Duke, perhaps the nation’s from the White House and protect mentally ill the White House. rolling back decades of progress. best-known racist, wrote that shouted “Hail Trump! Hail Our Immediately after the vote, “Our country hasn’t seen this People! Hail Victory!” as their in Alabama prisons the SPLC exposed a wave of kind of extremism in the White leader quoted propaganda from PAGE 4 hate crimes and other bias-re- House in modern times, if ever,” the Third Reich and prompted PUBLISHED BY SPRING 2017 // ISSUE 162 lated incidents that swept SPLC President Richard Cohen THE SOUTHERN POVERTY LAW CENTER sieg heils from the audience.