The Folk Project April 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Seeing (For) Miles: Jazz, Race, and Objects of Performance
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College -
Folk Music Society Newsletter
Folk Music Society of New York, Inc. June, 2018 vol. 53 No. 6 June Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, 8pm 6 Wed Folk Open Sing; 7pm in Brooklyn 10 Sun Upper West Side Song Swap; at HINY, Upper West Side, guest David Massengill 11 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 17 Sun Shanty Sing; Snug Harbor, Staten Island, 25pm 20 Wed Sunnyside Singers Club; perf. Jeremy Aaron, 8pm July Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club; Woodside, 8pm 3 Tue Newsletter Mailing, 7pm in Jackson Heights, Queens 4 Wed Folk Open Sing; 7pm in Brooklyn 9 Mon FMSNY Board of Directors Meeting; loc. tba, see p. 5 15 Sun Shanty Sing on Staten Island, 25 pm 18 Wed Sunnyside Singers Club; perf. Mike Agranoff, 8pm Details on pages 23 Table of Contents Events at a Glance.........................1 Repeating Events.........................11 Society Events Details...............23 Festival Listings..........................14 Topical Listing of Society Events. 3 Falcon Ridge Ad..........................20 From the Editor.............................4 Folk Music Society Info..............21 Bernie Stolls Memoriams..........45 Ashokan Acoustic Guitar Camp..22 Donatge with Amazon, et al..........5 Mark Hamburgh Ad....................22 Calendar Listings..........................6 Pinewoods Hot Line....................23 Calendar Location Info.................8 Membership Form Join Us!......24 The Society's Web Page: www.folkmusicny.org facebook: https://www.facebook.com/FMSNY/ 1 Irish Traditional Music Session: every Monday, 8-11pm Tenor banjo, harmonica and fiddle player Don Meade and friends get together every Monday night for an Irish traditional music session in the back room of this historic Hell’s Kitchen bar/restaurant. -
Music Programs NEW! the Lisak Group
Membership Information Creative Aging’s mission is to provide arts and humanities programs that have a positive impact on the quality of life of older adults in the Greater Cincinnati Area. Creative Aging accomplishes its mission by bringing local area professional artists, performers and educators to present one hour long programs at senior centers, retirement communities, adult day care centers, and nursing homes in Cincinnati and surrounding areas. Programs are designed to stimulate participant’s minds, creativity and sense of self as well as educate, engage, enrich and entertain. Facilities that join Creative Aging choose one of three levels that will allow between 6-18 programs to be booked within their facility. Membership is available to all facilities in the Greater Cincinnati area who serve Senior Citizens, those 60 years of age and older. 2013 Memberships Three Options from which to choose: Platinum Level • 18 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Gold Medal Level • 12 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Silver Medal Level • 6 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Pricing Platinum Level - $1900 Gold Medal Level - $1300 Silver Medal Level - $700 Creative Aging Cincinnati is committed to serving seniors regardless of the ability to pay. Please contact us for information on our membership assistance program. * Please note that some artists charge an additional fee on holidays which would be the responsibility of the facility. -
The Cowl Vol
Weekend Forecast: Spring! Sunny, near 60 degrees The Cowl Vol. LX No. 19 Providence College - Providence, Rhode Island April 18,1996 Murphy’s Election Controversy Memory the election on March 28, people be Arms presided. A number of witnesses by Theresa Edo ‘96 gan making comments to her concern appeared for both sides of the argu Editor-In-Chief ing further improper practices in the ment. Walsh was additionally repre After a hearing held on Tuesday, campaign. On Saturday, March 30, she sented by Matthew Albanese ’94, and Kept filed a complaint with Mike Dever ’98, April 9, newly elected Student Con his father, Daniel M. Walsh III PC '64. gress Executive Board President, Mike Chairperson of the Committee on Leg- “There were a lot of inconsistencies Walsh ’97, was suspended from his du and flaws in the process,” said Alive ties on Congress until November of Albanese. “The issue was raised about 1996. Until that time Maureen Lyons whether certain students could associ ate with other students. This is a vio by Erin Piorek ‘96 ’97, the newly elected Vice President lation of basic liberties and free News Writer of Student Congress, will preside over the 47th Congress. This action follows speech,” he continued. The Senior Class Giving Program is a an unprecedented legislative process Kateri Walsh, Mike’s mother, also three year program at Providence College within the Student Congress. attended the proceedings and was vis set up to raise money for scholarships and On April 9, The Committee on Leg ibly disturbed. “Their purpose is to in financial aid. -
Senate Hearings Before the Committee on Appropriations
S. HRG. 114–178 Senate Hearings Before the Committee on Appropriations Commerce, Justice, Science, and Related Agencies Appropriations Fiscal Year 2016 114th CONGRESS, FIRST SESSION H.R. 2578 BUREAU OF ALCOHOL, TOBACCO, FIREARMS AND EXPLOSIVES DEPARTMENT OF COMMERCE—OFFICE OF THE SECRETARY DEPARTMENT OF JUSTICE—OFFICE OF THE ATTORNEY GENERAL DRUG ENFORCEMENT ADMINISTRATION FEDERAL BUREAU OF INVESTIGATION NATIONAL AERONAUTICS AND SPACE ADMINISTRATION NONDEPARTMENTAL WITNESSES UNITED STATES MARSHALS SERVICE Commerce, Justice, Science, and Related Agencies Appropriations, 2016 (H.R. 2578) S. HRG. 114–178 COMMERCE, JUSTICE, SCIENCE, AND RELATED AGENCIES APPROPRIATIONS FOR FISCAL YEAR 2016 HEARINGS BEFORE A SUBCOMMITTEE OF THE COMMITTEE ON APPROPRIATIONS UNITED STATES SENATE ONE HUNDRED FOURTEENTH CONGRESS FIRST SESSION ON H.R. 2578 AN ACT MAKING APPROPRIATIONS FOR THE DEPARTMENTS OF COM- MERCE AND JUSTICE, AND SCIENCE, AND RELATED AGENCIES FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2016, AND FOR OTHER PURPOSES Bureau of Alcohol, Tobacco, Firearms and Explosives Department of Commerce—Office of the Secretary Department of Justice—Office of the Attorney General Drug Enforcement Administration Federal Bureau of Investigation National Aeronautics and Space Administration Nondepartmental Witnesses United States Marshals Service Printed for the use of the Committee on Appropriations ( Available via the World Wide Web: http://www.gpo.gov/fdsys/browse/ committee.action?chamber=senate&committee=appropriations U.S. GOVERNMENT PUBLISHING OFFICE 93–106 PDF WASHINGTON : 2016 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 COMMITTEE ON APPROPRIATIONS THAD COCHRAN, Mississippi, Chairman MITCH McCONNELL, Kentucky BARBARA A. -
Pt.BI ISHTAR ~IKAIBKRS
ASCAP "S 2006 DART CLADI Pt.BI ISHTAR ~IKAIBKRS WiD AFFILIATED FOREIG& SOCIETIKS 3 OLC&IE I OF III P U B L I S H E R .357 PUBLISHING (A) S1DE UP MUSIC $$ FAR BEYOND ENTERTAINMENT $3.34 CHANGE OF THE BEAST ? DAT I SMELL MUS1C 'NANA PUDDIN PUBL1SHING A & N MUSIC CORP A & R MUSIC CO A A B A C A B PUBLISH1NG A A KLYC 4 A A P PUBLISHING A AL1KE PUBLiSHING A ALIKES MUSIC PUBLISHING A AND F DOGZ MUSIC A AND G NEALS PUBLiSHER A AND L MUS1C A AND S MUSICAL WORKS AB& LMUSIC A B A D MUZIC PUBLISHING A B ARPEGGIO MUSIC ABCG I ABCGMUSIC A B GREER PUBLISH1NG A B REAL MUSIC PUBLISHING A B U MUSIC A B WILLIS MUS1C A BAGLEY SONG COMPANY A BALLISTIC MUSIC A BETTER HISTORY PUBLISH1NG A BETTER PUBL1SHING COMPANY A BETTER TOMORROM A BIG ATT1TUDE INC A BIG F-YOU TO THE RHYTHM A BILL DOUGLAS MUSIC A BIRD AND A BEAR PUBLISHING A BLACK CLAN 1NC A BLONDE THING PUBLISHING A BOCK PUBLISHING A BOMBINATION MUSIC A BOY AND HIS DOG A BOY NAMED HO A BRICK CALLED ALCOHOL MUSIC A BROOKLYN PROJECT A BROS A BUBBA RAMEY MUSIC A BURNABLE PUBLISHING COMPANY A C DYENASTY ENT A CARPENTER'S SON A CAT NAMED TUNA PUBLISHING A CHUNKA MUSIC A CIRCLE OF FIFTHS MUSIC A CLAIRE MlKE MUSIC A CORDIS MUSIC A CREATI VE CHYLD ' PUB L I SHING A CREATIVE RHYTHM A CROM FLIES MUSIC INC A .CURSIVE MEMDR1ZZLE A D D RECORDiNGS A D G MUSICAL PUBLISHING INC A D HEALTHFUL LIFESTYLES A D SIMPSON OWN A D SMITH PUBLISHING P U B L I S H E R A D TERROBLE ENT1RETY A D TUTUNARU PUBLISHING A DAISY IN A JELLYGLASS A DAY XN DECEMBER A DAY XN PARIS MUSIC A DAY W1TH KAELEY CLAIRE A DELTA PACIFIC PRODUCTION A DENO -
The Louisiana Musician “The Official Journal of the Louisiana Music Educators Association” Volume 81 Number 2 November 2015
The Louisiana Musician “The Official Journal of the Louisiana Music Educators Association” Volume 81 Number 2 November 2015 2015 Annual LMEA Professional Development Conference John W. Stafford Hall of Fame Louisiana State University 2016 TEACHER OF THE YEAR DEGREE OFFERINGS CONGRATULATIONS TO LSU Bachelor of Arts in Music Master of Music ALUMNA KELLY M. STOMPS Bachelor of Music Master of Music Education Bachelor of Music Education Doctor of Musical Arts Minor in Music Doctor of Philosophy in Music BECOME A STUDENT! APPLICATION DEADLINES Undergraduate: Nov. 15 Graduate: Jan. 1 225-578-9291 music.lsu.edu/admissions WIND7991 CSVR Clarinet LMU.qxp_Layout 1 10/1/15 2:49 PM Page 1 THE LOUISIANA MUSICIAN PAGE 1 Demand a Higher Standard Introducing the NEW CSVR The Yamaha YCL-CSVR clarinet is the result of years of development dedicated to a clearly focused concept: crafting a Custom clarinet that has a beautiful sound, consistent quality, and an affordable price. Both student and professional clarinetists require a rich sound and comfortable playability. These qualities were combined with the high level of consistency that only Yamaha can provide, allowing clarinetists to demand a higher standard than ever before. • Redesigned keys offer comfortable, ergonomic hand placement. In addition, the new keys have thicker silver-plating for a dark and resonant sound quality. • Durable leather pads ensure a precise seal between pad and tone hole for ease of response throughout the entire range of the clarinet. • A new Custom barrel design provides the CSVR with a well-balanced response and rich, warm tonal colors that will elevate the progressing clarinetist’s playing. -
Byron Petty | Robert Stewart | Peter Homans
Click on or drag the upper page corners to view booklet BYRON PETTY | ROBERT STEWART | PETER HOMANS tendrils BYRON PETTY 1 A General Disturbance 6:13 Lisa Hennessy, flute; Emmanuel Feldman, cello; Karolina Rojahn, piano 2 Distant Actions 7:58 Lisa Hennessy, flute; Charles Sherba, violin; Emmanuel Feldman, cello Tracks 1 – 5 recorded at Futura Studios, Roslindale MA, 3 Connecting 4:10 Shuko Watanabe, piano engineered by John Weston, and mixed by Shaun Michaud 4 Distractions 6:07 Byron Petty, flute; Shuko Watanabe, piano Tracks 2, 3 and 5 produced by Bob Lord 5 Mythical Moments 3:58 Charles Sherba, violin; Emmanuel Feldman, cello; Karolina Rojahn, piano Tracks 1 and 4 produced by Shaun Michaud PETER HOMANS 6 Three Italian Songs 5:12 Tracks 6 and 7 engineered by Beverly Morgan, mezzo soprano ˘ Frank Cunningham and produced by Peter Homans 7 Bridges 13:19 Dinosaur Annex: Cyrus Vance, violin; Anne Black, viola; Michael Curry, cello; Donald Berman, piano Track 8 engineered by Chris Murphy, produced by Omega, and edited by Curt Wittig ROBERT STEWART 8 Idyll 17:08 The Virtuoso Strings: Christopher Kendall, conductor 3 4 Byron Petty Flutist, pianist, composer, and conductor Byron Petty holds a BM in flute performance from the Peabody Conservatory of Johns Hopkins University, where he studied with renowned flutist Britton Johnson. He is currently a Lecturer of Music (flute) at Washington and Lee University in Lexington, VA, where he has taught courses in composition and musical analysis as a Visiting Assistant Professor of Music. His compositions have been performed at regional conferences of 7 PHOTO BY LARRY STENE 6 the Southeastern Composers League, the College Institute & State University; the Toho Koto Society Music Society, and the National Conference of of Washington, D.C.; and others. -
SPLC Fights Back Against Bigotry in White House
Southern Poverty Law Center Non Profit Org. 400 Washington Avenue • Montgomery, AL 36104 U.S. Postage PAID www.splcenter.org Southern Poverty SPLC REPORT Law Center Published by the Southern Poverty Law Center Spring 2017 Fighting Hate • Teaching Tolerance • Seeking Justice Volume 47, Number 1 SPLC fights back against IN THIS ISSUE a a a a SPLC president on bigotry in White House extremism of Trump administration The Southern Poverty Law and closest advisers – including Many expressed the belief that it was “one of the most excit- Center took strong action to pro- Stephen Bannon, who helped they finally had a friend in the ing nights of my life. Make no PAGE 2 tect our country’s fundamental nurture a growing white White House. mistake … our people played a values following a presidential nationalist movement. HUGE role in electing Trump!” a a a a election that electrified far- The SPLC also began push- Racists rejoice Days later, about 200 white right extremists and ushered a ing back in the courts against a Former Ku Klux Klan leader nationalists met just a few blocks SPLC in court to white nationalist agenda into White House that appears set on David Duke, perhaps the nation’s from the White House and protect mentally ill the White House. rolling back decades of progress. best-known racist, wrote that shouted “Hail Trump! Hail Our Immediately after the vote, “Our country hasn’t seen this People! Hail Victory!” as their in Alabama prisons the SPLC exposed a wave of kind of extremism in the White leader quoted propaganda from PAGE 4 hate crimes and other bias-re- House in modern times, if ever,” the Third Reich and prompted PUBLISHED BY SPRING 2017 // ISSUE 162 lated incidents that swept SPLC President Richard Cohen THE SOUTHERN POVERTY LAW CENTER sieg heils from the audience. -
Imaginings of Africa in the Music of Miles Davis by Ryan
IMAGININGS OF AFRICA IN THE MUSIC OF MILES DAVIS BY RYAN S MCNULTY THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Music in Music with a concentration in Musicology in the Graduate College of the University of Illinois at Urbana-Champaign, 2015 Urbana, Illinois Advisor: Associate Professor Gabriel Solis Abstract Throughout jazz’s history, many American jazz musicians have alluded to Africa using both musical and extramusical qualities. In musicological literature that has sought out ties between American jazz and Africa, such as Ingrid Monson’s Freedom Sounds (2007) and Robyn Kelly’s Africa Speaks, America Answers (2012), the primary interest has thus far been in such connections that occurred in the 1950s and early 1960s with the backdrop of the Civil Rights movement and the liberation of several African countries. Among the most frequently discussed musicians in this regard are Art Blakey, Max Roach, and Randy Weston. In this thesis, I investigate the African influence reflected in the music of Miles Davis, a musician scantly recognized in this area of jazz scholarship. Using Norman Weinstein’s concept of “imaginings,” I identify myriad ways in which Davis imagined Africa in terms of specific musical qualities as well as in his choice of musicians, instruments utilized, song and album titles, stage appearance, and album artwork. Additionally (and often alongside explicit references to Africa), Davis signified African-ness through musical qualities and instruments from throughout the African diaspora and Spain, a country whose historical ties to North Africa allowed Davis to imagine the European country as Africa. -
The Nashville Musician's Survival Manual
i The Nashville Musician’s Survival Guide by Eric Normand Just Ducky Publishing 7051 HWY 70 S PMB # 330 Nashville, TN 37221-2207 www.SurviveNashville.com All rights reserved. no part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without written permission from the author, except for the inclusion of brief quotations in a review. Copyright © 2011 by Eric Normand. Cover design by Kelly Normand Interior design by Eric Normand Photography: Eric and Kelly Normand (unless otherwise noted) Copy Editors: Kelly Jacobs and Kelly Normand Proofreaders: Donna Harmon, Peter Speliotis Production Consultant: Sonja Chapman Website design by www.JustDuckyDesigns.com Disclaimer: The author and publisher specifically disclaim any responsibility for any liability, loss, or risk, personal or otherwise, which is incurred as a consequence, directly or in directly, of the use and application of any of the contents of this book. In short - if you sell the farm and move to Nashville with your family and life savings to pursue your musical dreams, the author of this book bears no responsibility whatsoever if it doesn’t work out. ii Acknowledgements Many people donated their expertise and time to this project by way of interviews, expert chapter reviews, feedback, photographs, and much-needed advice. You all went the extra mile for me and this project and I am eternally grateful. I would like to thank you for your invaluable -
Sovereign One Sheet
CHRIS MURPHY SOVEREIGN Los Angeles may be the City of Angels, but it’s the haunt of many a King and Queen of the music scene, too. Among the kingdom’s chief Lords of the Strings is the unassuming yet wildly prolific violin master Chris Murphy, whose latest full-length album, Sovereign, tips its crown to the rise and fall of the mighty and the meek in a 13-song cycle of tuneful Americana-inspired vocal arrangements and bustling rhythms from Celtic to Kansas City to Hill Country. Joining Murphy in this celebration of his subjects—wily wenches, the prison of desire, longing glances into the valley of hope—is a robust council of roots, rock, and world music royalty. The names read like an invite to a coronation: British art-rock giant Brian Augur; Elvis Costello drummer Pete Thomas; Cuban percussion great Walfredo Reyes, Jr.; sax colossus Dana Colley of Morphine; and Iggy Pop bass man Hal Cragin, are among the first guests to arrive. Cover art by Eric Stoner As befits a court so replete, Murphy’s electric guitar throne is no jester’s chair, either, National Street Date: June 30th, 2021 boasting Blues Traveler titan Chan Kinchla, along with John Mayer/Lucinda Williams alum Doug Pettibone, and Nate LaPointe (Bobby Womack, Cubensis). Also, in attendance at the Friendly Folk Records ball is L.A. art-punk bass icon Mike Watt (The Minutemen, fIREHOSE, The Stooges, Porno www.friendlyfolkrecords.org for Pyros) and the elegant Jenny Conlee of The Decemberists, who offers arch accordion on “Your Guess Is As Good As Mine.” Even primo percussionist Steven Hodges (Tom Waits, ALBUM: SOVEREIGN, music and lyrics by Chris Murphy Mavis Staples) drops in for a spell, as does old-timey stalwart Bruce Molsky on “Pear Inspired to produce music in spite of the pandemic lockdown, Blossom.” The much-loved Lord of Bluegrass Tim O’Brien mans-up on the mandolin and American singer/songwriter/violinist/mandolinist Chris Murphy sings gorgeous harmony on Murphy’s “Boxed In” and “Your Guess Is As Good As Mine”.