DOCSLIB.ORG

Folk Music Society Newsletter

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Folk Music Society Newsletter Folk Music Society of New York, Inc. June, 2018 vol. 53 No. 6 June Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, 8pm 6 Wed Folk Open Sing; 7pm in Brooklyn 10 Sun Upper West Side Song Swap; at HI­NY, Upper West Side, guest David Massengill 11 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 17 Sun Shanty Sing; Snug Harbor, Staten Island, 2­5pm 20 Wed Sunnyside Singers Club; perf. Jeremy Aaron, 8pm July Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club; Woodside, 8pm 3 Tue Newsletter Mailing, 7pm in Jackson Heights, Queens 4 Wed Folk Open Sing; 7pm in Brooklyn 9 Mon FMSNY Board of Directors Meeting; loc. tba, see p. 5 15 Sun Shanty Sing on Staten Island, 2­5 pm 18 Wed Sunnyside Singers Club; perf. Mike Agranoff, 8pm Details on pages 2­3 Table of Contents Events at a Glance.........................1 Repeating Events.........................11 Society Events Details...............2­3 Festival Listings..........................14 Topical Listing of Society Events. 3 Falcon Ridge Ad..........................20 From the Editor.............................4 Folk Music Society Info..............21 Bernie Stolls Memoriams..........4­5 Ashokan Acoustic Guitar Camp..22 Donatge with Amazon, et al..........5 Mark Hamburgh Ad....................22 Calendar Listings..........................6 Pinewoods Hot Line....................23 Calendar Location Info.................8 Membership Form ­ Join Us!......24 The Society's Web Page: www.folkmusicny.org facebook: https://www.facebook.com/FMSNY/ ­ 1 ­ Irish Traditional Music Session: every Monday, 8-11pm Tenor banjo, harmonica and fiddle player Don Meade and friends get together every Monday night for an Irish traditional music session in the back room of this historic Hell’s Kitchen bar/restaurant. Free admission; food and drink are available. Musicians, singers, and listeners welcome. At the Landmark Tavern, 626 11th Avenue (on 46th St), Manhattan; co­sponsored with and led by Don Meade; for info 212­247­2562 or www.blarneystar.com/ Featured Performers: to be announced Sunnyside Singers Club: every Wednesday, 8-11pm Come join us every Wednesday at 8pm for a 3­hour pub style sing­around. All songs are welcome, as are acoustic instruments. Co­sponsored with, and held at the Aubergine Cafe, 49­22 Skillman Avenue at the corner of 50th Street in Woodside, Queens. Occasionally there is a featured guest performer for part of the evening. Yummy desserts, sandwiches, salads, coffee, tea, wine, and beer are available. Free admission; a voluntary contribution is requested on guest nights. The nearest subway is 52nd St. on the #7 Flushing Local. Info: 718­899­1735. www. facebook.com/sunnysidesingersclub. Featured Performers: June 20; Jeremy Aaron, July 18, Mike Agranoff Folk Open Sing: Wednesdays, June 6th & July 4th; 7-10pm Join us on the first Wednesday of each month for an open sing. Bring your voice, instruments, friends, neighbors, and children. Drop by for a couple of songs or the whole evening. At the Ethical Culture Society, 53 Prospect Park West, Brooklyn (near 2nd St.). (If door is locked, ring the BSEC bell.) Directions: F or Q train to 7th Ave.; 2 or 3 train to Grand Army Plaza. Hosted by Ethical Culture Society, Folk Music Society of NY/NYPFMC, Alison Kelley, Frank Woerner, and Tom Weir. Info: 212­695­5924. Upper West Side Song Swap; Sunday, June 10th; 5-8pm The Upper West Side Song Swap is organized by FMSNY and PMN. Bring your voices and your songs, poems, stories, jokes, etc., for our regular round robin songswap. At Hostelling, International New York, 891 Amsterdam Avenue at 103rd Street, Manhattan 10025. Contributions welcome to help cover costs. Everyone is welcome. The special guest at this swap will be David Massengill. For more information call John Ziv at 212­662­6575. We will be taking the Summer off after this swap. See you in the Fall! Shanty Sing: Sunday, June 17th; 2-5pm We co­sponsor the Shanty Sing on the 3rd Sunday of every month. The William Main Doerflinger Memorial Sea Shanty Sessions at the Noble Maritime Collection (to give the official title) are from 2 to 5pm at the Noble Gallery, Building D, Snug Harbor Cultural Center, 1000 Richmond Terrace, Staten Island. Snug Harbor is accessible by the S40 bus from the Staten Island Ferry Terminal and by car. For more information about the Noble Collection, go to http://www. noblemaritime.org continued on next page ­ 2 ­ Events Details, continued from previous page ­­ click on "Visitor Information" for directions. For further information contact Bob Conroy: RConroy421(at)aol.com or 347­267­9394. See the documentary made of this event: vimeo.com/250883513; Password: harbortown. Newsletter Mailing: Tuesday, July 3rd; 7pm Join the merry band of volunteers that sticks on the stamps and labels, and seals the pages to mail out this newsletter. Be sure to call and check before coming, as it may be changed. At the home of Don Wade and Eileen Pentel, 35­41 72nd Street, Jackson Heights (Queens). Near the 74th St. Station of the #7 line or the Roosevelt Ave­Jackson Heights Station of the E, F, M, and R trains. Info: 718­672­6399. Topical Listing of Society Events For details of current events see pages 2­3 Weekends Oct. 26­28: Fall Folk Music Weekend at Hudson Valley Resort and Spa Traditional Music & Dance Camp (TradMaD Camp) Aug. 25­31: Sign up now for a spot on the waiting list. see www.tradmadcamp.org Sings and Informal Jams Chantey & Folk Song & Music Session: John St. Ch., 2pm ­ resumes in October Folk Open Sing: First Wednesday of each month, (June 6, July 4, etc.), 7­10 pm; Ethical Culture Society in Park Slope, Brooklyn. Irish Traditional Music Session: every Monday, 8­11 pm, Landmark Tavern, 11th Ave. & 46th Street; free, featured performers to be announced Upper West Side Song Swap at HI­NY, 891 Amsterdam Ave; 5­8 pm, Second Sunday of each month, (June 10, with special guest David Massengill). Then resumes in the Fall. Shanty Sing: on the 3rd Sunday, 2­5 pm on Staten Island, (June 17, July 15, etc.) Sunnyside Singers Club: Wednesdays, 8­11 pm, Aubergine Cafe, Woodside, Queens. Special guests: June 20, Jeremy Aaron; July 18, Mike Agranoff; August 15, Anne Price & Steve Suffet, September 26, T.R.Dallas Business Meetings, etc. Newsletter Mailing: Tuesday, July 3 (tentative); in Queens ­­ see page 3. Board of Directors Meeting: the second Monday (except August) at 7:15pm, June 11 at Upper West Side location. Info: Evy at 718­549­1344, after 11 AM. Updated FMSNY events information (online) is available on our website at: http://www.folkmusicny.org PRENEWAL Your membership expiration date is printed on your newsletter mailing label. If you send in your renewal before it expires, you will save wear and tear on Tom, our Membership Chair, and also save the club the cost of mailing you a reminder. Address to send to is on the back cover membership blank. ­ 3 ­ June is bursting out all over as the song says, and music is all around us. We look forward to some exciting events. The usual Irish Traditional Music Sessions continue, as does the Sunnyside Singers Club and the Folk Open Sing. In addition, we have the Upper West Side Song Swap and the Shanty Sing. June also begins a number of Folk Festivals throughout the country. Check out the Festival Listings to help you plan your summer. We have some sad news. Bernie Stolls passed away this month. We will miss him. Among his many accomplishments, Bernie put together the pickup dance band for the weekend dances, and we were able to dance to live music He was always cheerful and encouraging to instrumentalists and everyone else in general. See the articles about him. For the May issue we tried something new. The Newsletter was mailed out by a service; there were problems and the newsletter went out a bit late. We hope everything is now resolved. We are trying again with this (June) issue. If it doesn’t work out, we will be back to mailing out our newsletters the old way. Be sure to call 718­672­6399 to check out if the July 3rd mailing will be happening. In Memoriam: Bernie Stolls: 1936­2018 It is with great sadness that I write that we’ve lost another dear friend: Bernie Stolls, long time FMSNY member. Bernie passed away on May 6 of end­stage heart disease after a long illness. He died peacefully while in hospice care, attended by his devoted children Amy and Eric, and his brother Jerry. His wife of 50 years, Myrna, predeceased him in 2012. He had been retired for many years after a career as a high school math teacher and math department programming chairman in Queens. Bernie was involved with music since his childhood, from his days as a young music counselor (“Bernie Banjo”) at Camp Arcady in New York …….to co­ authoring a banjo instruction book ……to leading and arranging music for the LITMA (Long Island Traditional Music Association) orchestra for many years…….to organizing and leading the contradance pick­up band at the FMSNY weekends ……..to composing and recording many tunes, both instrumental and vocal. He was proficient on the hammered dulcimer, 5 string banjo, and dobro banjo. He was a member of the FMSNY for over 50 years and attended Pinewoods Camp regularly for over 40 years. He often led singing sessions at FMSNY weekends and instrumental workshops at various venues. In addition to his children and brother, Bernie leaves behind 4 devoted grandchildren. He will be greatly missed by all who knew him.
Load more

Recommended publications
  • Seeing (For) Miles: Jazz, Race, and Objects of Performance
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2014 Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park anderson College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African American Studies Commons, and the American Studies Commons Recommended Citation anderson, Benjamin Park, "Seeing (for) Miles: Jazz, Race, and Objects of Performance" (2014). Dissertations, Theses, and Masters Projects. Paper 1539623644. https://dx.doi.org/doi:10.21220/s2-t267-zy28 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Seeing (for) Miles: Jazz, Race, and Objects of Performance Benjamin Park Anderson Richmond, Virginia Master of Arts, College of William and Mary, 2005 Bachelor of Arts, Virginia Commonwealth University, 2001 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program College of William and Mary May 2014 APPROVAL PAGE This Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Benjamin Park Anderson Approved by T7 Associate Professor ur Knight, American Studies Program The College
    [Show full text]
  • Traditional Song
    3 TraditionalSong l3-9 Traditional Song Week realizes a dream of a comprehensive program completely devoted to traditional styles of singing. Unlike programs where singing takes a back seat to the instrumentalists, it is the entire focus of this week, which aims to help restore the power of songs within the larger traditional music scene. Here, finally, is a place where you can develop and grow in confidence about your singing, and have lots of fun with other folks devoted to their own song journeys. Come gather with us to explore various traditional song genres under the guidance of experienced, top-notch instructors. When singers gather together, magical moments are bound to happen! For Traditional Song Week’s ninth year and our celebration of The Swannanoa Gathering’s 25th Anniversary, we are proud to present a gathering of highly influential singers and musicians who have remained devoted over the years to preserving and promoting traditional song. Tuesday evening will be our big Hoedown for a Traditional Country, Honk-Tonk, Western Swing Song and Dance Night. Imagine singing to a house band of Josh Goforth, Robin and Linda Williams and Ranger Doug or Tim May, Tim O’Brien, and Mark Weems! So, bring your boots and hats, your voices and instruments, and get ready to bring on the fun! Our Community Gathering Time each day just after lunch affords us the opportunity to experience together, as one group, diverse topics concerning our shared love of traditional song. This year’s spotlight will feature folks who have been “on the road” and singing for quite a while.
    [Show full text]
  • April May June
    May 2005 vol 40, No.5 April 30 Sat Songs and Letters of the Spanish Civil War, co-sponsored with and at the Peoples’ Voice Cafe May 1 Sun Sea Music Concert: Dan Milner, Bob Conroy & Norm Pederson + NY Packet; 3pm South St.Melville Gallery 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 9 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Sacred Harp Singing at St. Bart’s, Manhattan; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church, Bronx 20 Fri Bill Staines, 8pm at Advent Church ☺ 21 Sat For The Love of Pete; at Community Church 22 Sun Gospel & Sacred Harp Sing, 3pm: location TBA 22 Sun Balkan Singing Workshop w/ Erica Weiss in Manhattan 22 Sun Sunnyside Song Circle in Queens; 2-6pm 27-30 Spring Folk Music Weekend --see flyer in centerfold June 1WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 2 Thur Newsletter Mailing; at Club office, 450 7th Ave, #972, 7 pm 7 Tue Sea Music Concert: Mick Moloney + NY Packet; 6pm South Street Seaport Melville Gallery 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm 13 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Tue Sea Music Concert: The NexTradition + NY Packet; 6pm 16 Thur: Sara Grey & Kieron Means; location to be announced 19 Sun Sacred Harp Singing at St.
    [Show full text]
  • Music Programs NEW! the Lisak Group
    Membership Information Creative Aging’s mission is to provide arts and humanities programs that have a positive impact on the quality of life of older adults in the Greater Cincinnati Area. Creative Aging accomplishes its mission by bringing local area professional artists, performers and educators to present one hour long programs at senior centers, retirement communities, adult day care centers, and nursing homes in Cincinnati and surrounding areas. Programs are designed to stimulate participant’s minds, creativity and sense of self as well as educate, engage, enrich and entertain. Facilities that join Creative Aging choose one of three levels that will allow between 6-18 programs to be booked within their facility. Membership is available to all facilities in the Greater Cincinnati area who serve Senior Citizens, those 60 years of age and older. 2013 Memberships Three Options from which to choose: Platinum Level • 18 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Gold Medal Level • 12 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Silver Medal Level • 6 In-Facility Programs • Your Facility Name & Hyperlink (provided by facility) on our Website • Your Facility Name on Creative Aging Cincinnati brochures & programs Pricing Platinum Level - $1900 Gold Medal Level - $1300 Silver Medal Level - $700 Creative Aging Cincinnati is committed to serving seniors regardless of the ability to pay. Please contact us for information on our membership assistance program. * Please note that some artists charge an additional fee on holidays which would be the responsibility of the facility.
    [Show full text]
  • University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • The Cowl Vol
    Weekend Forecast: Spring! Sunny, near 60 degrees The Cowl Vol. LX No. 19 Providence College - Providence, Rhode Island April 18,1996 Murphy’s Election Controversy Memory the election on March 28, people be­ Arms presided. A number of witnesses by Theresa Edo ‘96 gan making comments to her concern­ appeared for both sides of the argu­ Editor-In-Chief ing further improper practices in the ment. Walsh was additionally repre­ After a hearing held on Tuesday, campaign. On Saturday, March 30, she sented by Matthew Albanese ’94, and Kept filed a complaint with Mike Dever ’98, April 9, newly elected Student Con­ his father, Daniel M. Walsh III PC '64. gress Executive Board President, Mike Chairperson of the Committee on Leg- “There were a lot of inconsistencies Walsh ’97, was suspended from his du­ and flaws in the process,” said Alive ties on Congress until November of Albanese. “The issue was raised about 1996. Until that time Maureen Lyons whether certain students could associ­ ate with other students. This is a vio­ by Erin Piorek ‘96 ’97, the newly elected Vice President lation of basic liberties and free News Writer of Student Congress, will preside over the 47th Congress. This action follows speech,” he continued. The Senior Class Giving Program is a an unprecedented legislative process Kateri Walsh, Mike’s mother, also three year program at Providence College within the Student Congress. attended the proceedings and was vis­ set up to raise money for scholarships and On April 9, The Committee on Leg­ ibly disturbed. “Their purpose is to in­ financial aid.
    [Show full text]
  • December 2016
    Traditional Folk Song Circle goers to hear Potomac Accordion Ensemble December 10 December 2016 Inside this issue: From the President 2 Open Mics 3 Pics from Sunday Open Stage 4 Traditional Folk Song Circle 5 The Songs We Sing 6 Comfortable Concerts 7 Hill Chapel Concert 9 Gear of the Month 10 Pull up a Chair 12 Other Music Orgs of interest 13 Member Ads 14 Open Mic Photos 16 Board of Directors 18 F.A.M.E. Goals 18 Membership Renewal/App 18 Poster art courtesy of Todd C Walker Page 2 From the President I don’t know whose thought this is, but I read somewhere that “music is the wheels of a movement. I know that music made a tremendous difference in the anti- war movement of the 60s as well as the civil rights movement. Music is a powerful force that is often unrecognized. A song has a way of inspiring folks that nothing else comes even close to. We are in need of inspiring songs. One of the roles of a songwriter is not only to reflect on what is happening in the present but also to provide a vision of the future. What is your vision of the future? For some it is nihilistic bleakness – a very cynical response to our world. For others, it is filled with hope – we are somehow going to be able to figure out how we can live together and with all of creation. If you are a performer, I want to challenge you to get out of yourself and add songs that reflect your vision of the future to your repertoire.
    [Show full text]
  • The Tuttles with AJ Lee Bio 2013
    The Tuttles with AJ Lee Authentic bluegrass & roots music from the next generation! !The next generation of bluegrass is here: The Tuttles with AJ Lee! This young, super talented band is composed of singers and multi-instrumentalists who have been playing music since they were barely old enough to hold a pick. The band has received numerous awards: Best Band for two years in a row from The Northern California Bluegrass Society; Molly Tuttle voted Best Guitarist, Michael Tuttle the Best Mandolin Player, and Jack Tuttle the Best Fiddler. Best Vocalist awards went to AJ Lee in 2010, 2011 and 2013 and Molly in 2012. This band receives standing ovations wherever they play because of their youthful, vibrant performances of old traditional tunes and tasteful new originals. What People are Saying Pete Wernick, Hot Rize, "A.J. Lee and Molly Tuttle are the kind of singers who can bring you into a song, and create a duet blend that makes the senses stand at attention. Molly’s younger brothers, Sullivan and Michael, are playing strong and agile leads. Jack Tuttle, one of the most respected music teachers in Northern California, helps bluegrass take root in the next generation.” Bluegrass Music Association of Canada, Dave Porter Vice-President, "At Gettysburg they received 3 standing O's and were introduced for their second set as the surprise and discovery of the festival. The reception was the same at Wind Gap...neither TheTuttlesWithAJLee.com YouTube nor their well-produced CD's do them justice...their instrumental wizardry almost made me laugh out loud in sheer amazement." The Band Members !!A.J.
    [Show full text]
  • Senate Hearings Before the Committee on Appropriations
    S. HRG. 114–178 Senate Hearings Before the Committee on Appropriations Commerce, Justice, Science, and Related Agencies Appropriations Fiscal Year 2016 114th CONGRESS, FIRST SESSION H.R. 2578 BUREAU OF ALCOHOL, TOBACCO, FIREARMS AND EXPLOSIVES DEPARTMENT OF COMMERCE—OFFICE OF THE SECRETARY DEPARTMENT OF JUSTICE—OFFICE OF THE ATTORNEY GENERAL DRUG ENFORCEMENT ADMINISTRATION FEDERAL BUREAU OF INVESTIGATION NATIONAL AERONAUTICS AND SPACE ADMINISTRATION NONDEPARTMENTAL WITNESSES UNITED STATES MARSHALS SERVICE Commerce, Justice, Science, and Related Agencies Appropriations, 2016 (H.R. 2578) S. HRG. 114–178 COMMERCE, JUSTICE, SCIENCE, AND RELATED AGENCIES APPROPRIATIONS FOR FISCAL YEAR 2016 HEARINGS BEFORE A SUBCOMMITTEE OF THE COMMITTEE ON APPROPRIATIONS UNITED STATES SENATE ONE HUNDRED FOURTEENTH CONGRESS FIRST SESSION ON H.R. 2578 AN ACT MAKING APPROPRIATIONS FOR THE DEPARTMENTS OF COM- MERCE AND JUSTICE, AND SCIENCE, AND RELATED AGENCIES FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2016, AND FOR OTHER PURPOSES Bureau of Alcohol, Tobacco, Firearms and Explosives Department of Commerce—Office of the Secretary Department of Justice—Office of the Attorney General Drug Enforcement Administration Federal Bureau of Investigation National Aeronautics and Space Administration Nondepartmental Witnesses United States Marshals Service Printed for the use of the Committee on Appropriations ( Available via the World Wide Web: http://www.gpo.gov/fdsys/browse/ committee.action?chamber=senate&committee=appropriations U.S. GOVERNMENT PUBLISHING OFFICE 93–106 PDF WASHINGTON : 2016 For sale by the Superintendent of Documents, U.S. Government Publishing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 COMMITTEE ON APPROPRIATIONS THAD COCHRAN, Mississippi, Chairman MITCH McCONNELL, Kentucky BARBARA A.
    [Show full text]
  • Pt.BI ISHTAR ~IKAIBKRS
    ASCAP "S 2006 DART CLADI Pt.BI ISHTAR ~IKAIBKRS WiD AFFILIATED FOREIG& SOCIETIKS 3 OLC&IE I OF III P U B L I S H E R .357 PUBLISHING (A) S1DE UP MUSIC $$ FAR BEYOND ENTERTAINMENT $3.34 CHANGE OF THE BEAST ? DAT I SMELL MUS1C 'NANA PUDDIN PUBL1SHING A & N MUSIC CORP A & R MUSIC CO A A B A C A B PUBLISH1NG A A KLYC 4 A A P PUBLISHING A AL1KE PUBLiSHING A ALIKES MUSIC PUBLISHING A AND F DOGZ MUSIC A AND G NEALS PUBLiSHER A AND L MUS1C A AND S MUSICAL WORKS AB& LMUSIC A B A D MUZIC PUBLISHING A B ARPEGGIO MUSIC ABCG I ABCGMUSIC A B GREER PUBLISH1NG A B REAL MUSIC PUBLISHING A B U MUSIC A B WILLIS MUS1C A BAGLEY SONG COMPANY A BALLISTIC MUSIC A BETTER HISTORY PUBLISH1NG A BETTER PUBL1SHING COMPANY A BETTER TOMORROM A BIG ATT1TUDE INC A BIG F-YOU TO THE RHYTHM A BILL DOUGLAS MUSIC A BIRD AND A BEAR PUBLISHING A BLACK CLAN 1NC A BLONDE THING PUBLISHING A BOCK PUBLISHING A BOMBINATION MUSIC A BOY AND HIS DOG A BOY NAMED HO A BRICK CALLED ALCOHOL MUSIC A BROOKLYN PROJECT A BROS A BUBBA RAMEY MUSIC A BURNABLE PUBLISHING COMPANY A C DYENASTY ENT A CARPENTER'S SON A CAT NAMED TUNA PUBLISHING A CHUNKA MUSIC A CIRCLE OF FIFTHS MUSIC A CLAIRE MlKE MUSIC A CORDIS MUSIC A CREATI VE CHYLD ' PUB L I SHING A CREATIVE RHYTHM A CROM FLIES MUSIC INC A .CURSIVE MEMDR1ZZLE A D D RECORDiNGS A D G MUSICAL PUBLISHING INC A D HEALTHFUL LIFESTYLES A D SIMPSON OWN A D SMITH PUBLISHING P U B L I S H E R A D TERROBLE ENT1RETY A D TUTUNARU PUBLISHING A DAISY IN A JELLYGLASS A DAY XN DECEMBER A DAY XN PARIS MUSIC A DAY W1TH KAELEY CLAIRE A DELTA PACIFIC PRODUCTION A DENO
    [Show full text]
  • The Louisiana Musician “The Official Journal of the Louisiana Music Educators Association” Volume 81 Number 2 November 2015
    The Louisiana Musician “The Official Journal of the Louisiana Music Educators Association” Volume 81 Number 2 November 2015 2015 Annual LMEA Professional Development Conference John W. Stafford Hall of Fame Louisiana State University 2016 TEACHER OF THE YEAR DEGREE OFFERINGS CONGRATULATIONS TO LSU Bachelor of Arts in Music Master of Music ALUMNA KELLY M. STOMPS Bachelor of Music Master of Music Education Bachelor of Music Education Doctor of Musical Arts Minor in Music Doctor of Philosophy in Music BECOME A STUDENT! APPLICATION DEADLINES Undergraduate: Nov. 15 Graduate: Jan. 1 225-578-9291 music.lsu.edu/admissions WIND7991 CSVR Clarinet LMU.qxp_Layout 1 10/1/15 2:49 PM Page 1 THE LOUISIANA MUSICIAN PAGE 1 Demand a Higher Standard Introducing the NEW CSVR The Yamaha YCL-CSVR clarinet is the result of years of development dedicated to a clearly focused concept: crafting a Custom clarinet that has a beautiful sound, consistent quality, and an affordable price. Both student and professional clarinetists require a rich sound and comfortable playability. These qualities were combined with the high level of consistency that only Yamaha can provide, allowing clarinetists to demand a higher standard than ever before. • Redesigned keys offer comfortable, ergonomic hand placement. In addition, the new keys have thicker silver-plating for a dark and resonant sound quality. • Durable leather pads ensure a precise seal between pad and tone hole for ease of response throughout the entire range of the clarinet. • A new Custom barrel design provides the CSVR with a well-balanced response and rich, warm tonal colors that will elevate the progressing clarinetist’s playing.
    [Show full text]
  • PRESS RELEASE...For Immediate Release Thomas Point Beach
    PRESS RELEASE...For Immediate Release Thomas Point Beach brings Bluegrass to Brunswick Performers Include The Earls of Leicester presented by Jerry Douglas, The Legendary Larry Sparks, The Gibson Brothers, Balsam Range, Sierra Hull, and many, many more Brunswick, ME- August 9, 2018 – The Thomas Point Beach Bluegrass Festival will be held August 30, 31, September 1 & 2, continuing a Labor Day weekend tradition of nearly 40 years. The Thomas Point Beach Bluegrass Festival has solidified itself as a premiere event for both bluegrass aficionados and those new to the genre. It is recognized internationally for its fine line-up and beautiful venue. The Thomas Point Beach Bluegrass Festival was established in 1979 by Pati Crooker, of Brunswick, Maine, with the goal of bringing traditional bluegrass music to her coastal home. Since its inception, the Thomas Point Beach Bluegrass Festival has hosted over 200 of the best performers in Bluegrass music on its historic stage, from old down-home favorites to internationally renowned acts. Following Pati’s passing in 2016 her son and daughter-in-law, Michael and Jennifer Mulligan, decided to bring back the event with the help and support of long-time festival associate Shari Elder, as well as other park staff, industry experts, family, and friends. “Last year, we gave it a shot, we took a gamble, and it was the best decision we could have made” said Michael Mulligan. “After the festival was over, we took time to consider the future, and there didn’t seem to be much of a doubt that we would be doing it again in 2018.” Throughout the four day event, the stage show blends regional favorites with bluegrass legends and award winners, as well as a solid mix of traditional and the contemporary styles.
    [Show full text]