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Folk Music Society Newsletter
Folk Music Society of New York, Inc. June, 2018 vol. 53 No. 6 June Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, 8pm 6 Wed Folk Open Sing; 7pm in Brooklyn 10 Sun Upper West Side Song Swap; at HINY, Upper West Side, guest David Massengill 11 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 17 Sun Shanty Sing; Snug Harbor, Staten Island, 25pm 20 Wed Sunnyside Singers Club; perf. Jeremy Aaron, 8pm July Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club; Woodside, 8pm 3 Tue Newsletter Mailing, 7pm in Jackson Heights, Queens 4 Wed Folk Open Sing; 7pm in Brooklyn 9 Mon FMSNY Board of Directors Meeting; loc. tba, see p. 5 15 Sun Shanty Sing on Staten Island, 25 pm 18 Wed Sunnyside Singers Club; perf. Mike Agranoff, 8pm Details on pages 23 Table of Contents Events at a Glance.........................1 Repeating Events.........................11 Society Events Details...............23 Festival Listings..........................14 Topical Listing of Society Events. 3 Falcon Ridge Ad..........................20 From the Editor.............................4 Folk Music Society Info..............21 Bernie Stolls Memoriams..........45 Ashokan Acoustic Guitar Camp..22 Donatge with Amazon, et al..........5 Mark Hamburgh Ad....................22 Calendar Listings..........................6 Pinewoods Hot Line....................23 Calendar Location Info.................8 Membership Form Join Us!......24 The Society's Web Page: www.folkmusicny.org facebook: https://www.facebook.com/FMSNY/ 1 Irish Traditional Music Session: every Monday, 8-11pm Tenor banjo, harmonica and fiddle player Don Meade and friends get together every Monday night for an Irish traditional music session in the back room of this historic Hell’s Kitchen bar/restaurant. -
April May June
May 2005 vol 40, No.5 April 30 Sat Songs and Letters of the Spanish Civil War, co-sponsored with and at the Peoples’ Voice Cafe May 1 Sun Sea Music Concert: Dan Milner, Bob Conroy & Norm Pederson + NY Packet; 3pm South St.Melville Gallery 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 9 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Sacred Harp Singing at St. Bart’s, Manhattan; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church, Bronx 20 Fri Bill Staines, 8pm at Advent Church ☺ 21 Sat For The Love of Pete; at Community Church 22 Sun Gospel & Sacred Harp Sing, 3pm: location TBA 22 Sun Balkan Singing Workshop w/ Erica Weiss in Manhattan 22 Sun Sunnyside Song Circle in Queens; 2-6pm 27-30 Spring Folk Music Weekend --see flyer in centerfold June 1WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 2 Thur Newsletter Mailing; at Club office, 450 7th Ave, #972, 7 pm 7 Tue Sea Music Concert: Mick Moloney + NY Packet; 6pm South Street Seaport Melville Gallery 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm 13 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Tue Sea Music Concert: The NexTradition + NY Packet; 6pm 16 Thur: Sara Grey & Kieron Means; location to be announced 19 Sun Sacred Harp Singing at St. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
December 2016
Traditional Folk Song Circle goers to hear Potomac Accordion Ensemble December 10 December 2016 Inside this issue: From the President 2 Open Mics 3 Pics from Sunday Open Stage 4 Traditional Folk Song Circle 5 The Songs We Sing 6 Comfortable Concerts 7 Hill Chapel Concert 9 Gear of the Month 10 Pull up a Chair 12 Other Music Orgs of interest 13 Member Ads 14 Open Mic Photos 16 Board of Directors 18 F.A.M.E. Goals 18 Membership Renewal/App 18 Poster art courtesy of Todd C Walker Page 2 From the President I don’t know whose thought this is, but I read somewhere that “music is the wheels of a movement. I know that music made a tremendous difference in the anti- war movement of the 60s as well as the civil rights movement. Music is a powerful force that is often unrecognized. A song has a way of inspiring folks that nothing else comes even close to. We are in need of inspiring songs. One of the roles of a songwriter is not only to reflect on what is happening in the present but also to provide a vision of the future. What is your vision of the future? For some it is nihilistic bleakness – a very cynical response to our world. For others, it is filled with hope – we are somehow going to be able to figure out how we can live together and with all of creation. If you are a performer, I want to challenge you to get out of yourself and add songs that reflect your vision of the future to your repertoire. -
Acoustic Guitar Songs by Title 11Th Street Waltz Sean Mcgowan Sean
Acoustic Guitar Songs by Title Title Creator(s) Arranger Performer Month Year 101 South Peter Finger Peter Finger Mar 2000 11th Street Waltz Sean McGowan Sean McGowan Aug 2012 1952 Vincent Black Lightning Richard Thompson Richard Thompson Nov/Dec 1993 39 Brian May Queen May 2015 50 Ways to Leave Your Lover Paul Simon Paul Simon Jan 2019 500 Miles Traditional Mar/Apr 1992 5927 California Street Teja Gerken Jan 2013 A Blacksmith Courted Me Traditional Martin Simpson Martin Simpson May 2004 A Daughter in Denver Tom Paxton Tom Paxton Aug 2017 A Day at the Races Preston Reed Preston Reed Jul/Aug 1992 A Grandmother's Wish Keola Beamer, Auntie Alice Namakelua Keola Beamer Sep 2001 A Hard Rain's A-Gonna Fall Bob Dylan Bob Dylan Dec 2000 A Little Love, A Little Kiss Adrian Ross, Lao Silesu Eddie Lang Apr 2018 A Natural Man Jack Williams Jack Williams Mar 2017 A Night in Frontenac Beppe Gambetta Beppe Gambetta Jun 2004 A Tribute to Peador O'Donnell Donal Lunny Jerry Douglas Sep 1998 A Whiter Shade of Pale Keith Reed, Gary Brooker Martin Tallstrom Procul Harum Jun 2011 About a Girl Kurt Cobain Nirvana Nov 2009 Act Naturally Vonie Morrison, Johnny Russel The Beatles Nov 2011 Addison's Walk (excerpts) Phil Keaggy Phil Keaggy May/Jun 1992 Adelita Francisco Tarrega Sep 2018 Africa David Paich, Jeff Porcaro Andy McKee Andy McKee Nov 2009 After the Rain Chuck Prophet, Kurt Lipschutz Chuck Prophet Sep 2003 After You've Gone Henry Creamer, Turner Layton Sep 2005 Ain't It Enough Ketch Secor, Willie Watson Old Crow Medicine Show Jan 2013 Ain't Life a Brook -
Ladyslipper Catalog
Ladyslipper Catalog -i. "•:>;;;-•, •iy. ?_.*.-• :':.-:xv«> -»W ' | 1 \ aw/ Resource Guide • Recordings WfiMEl by OCT . 8 1991 Women ll__y_i_iU U L_ . • 1992 Table of Contents Ordering Information 2 Native American 44 Order Blank 3 Jewish 46 About Ladyslipper 4 Calypso 47 Musical Month Club 5 Country 48 Donor Discount Club 5 Folk * Traditional 49 Gift Order Blank 6 Rock 55 Gift Certificates 6 R&B * Rap * Dance 59 Free Gifts 7 Gospel 60 Be A Slipper Supporter 7 Blues 61 Ladyslipper Mailing List 8 Jazz 62 Ladyslippers Top 40 8 Classical 63 Especially Recommended New Titles 9 Spoken 65 Womens Spirituality * New Age 10 Babyslipper Catalog 66 Recovery 22 "Mehn's Music" 70 Women's Music * Feminist Music 23 Videos 72 Comedy 35 Kids'Videos 76 Holiday 35 Songbooks, Posters, Grab-Bag 77 International: African 38 Jewelry, Books 78 Arabic * Middle Eastern 39 Resources 80 Asian 39 Calendars, T-Shirts, Cards 8J Celtic * British Isles 40 Extra Order Blank 85 European 43 Readers' Comments 86 Latin American 43 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 Ordering Info CUSTOMER SERVICE: 919-683-1570 M-F 9-6 FAX: 919-682-5601 Anytime! . PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are CHARGE CARD ORDERS: are processed as prepaid don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati orders, just like checks with your entire order billed schools). Make check or money order payable to cally back-order it unless you include alternatives up front. -
Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Calvin Trillin's Collection of Tales from the New Yorker, Explore Bizarre and Exotic Circumstances That Seem Remarkably Familiar* Page 2
Royal scam Does Prince's new album live up to his funky THE CHRONICLE legacy? See R&R. THURSDAY, OCTOBER 24,1991 © DUKE UNIVERSITY DURHAM, NORTH CAROLINA CIRCULATION: 15,000 VOL. 87, NO. 38 Public Safety makes arrest in flasher case From staff reports rested him, said Chief Robert Duke Public Safety arrested a Dean of Public Safety. Hillsborough resident Friday sus Moore was subsequently iden pected in three cases of indecent tified by both freshmen as the exposure on campus. person who exposed himself to Gary Boyd Moore of Economy them, Dean said. Motel at 1807 Interstate High A similar incident occurred Oct. way 86 was charged with inde 10 at the same location. Two stu cent exposure, invalid car regis dents reported seeing a man walk tration and invalid car inspec ing around naked from the waist tion. down at 1:25 p.m. Both students Moore is being held at the positively identified Moore, Dean Durham County Emergency Jail said. on a $5,500 secured bond. He had The student involved in another not made bond as of Wednesday indecent exposure incident on Oct. afternoon. 15 did not want to press charges, Earlier Friday two freshmen but the description she had given reported to Public Safety that a Public Safety matched Moore, man had dropped his pants and Dean said. exposed his genitals to them. The Oct. 15 incident occurred The incident occurred behind behind the Gross Chemistry Trent Dormitory on North Cam building on Science Drive. pus at 10:45 a.m. Friday, in the The student reported that a area by Flowers Drive and Erwin man following her dropped his Road. -
AMERICAN FOLK MUSIC Tradition
The AMERICAN FOLK MUSIC Tradition ED TRICKETT Folk-Legacy Recording Artist; Professor of Psychology, Emeritus, University of Illinois at Chicago with ROBERT P. GEORGE McCormick Professor of Jurisprudence; Director, James Madison Program, Princeton University Friday, NOVEMBER 17, 2017 James Madison Program in American Ideals and Institutions 7:00 - 9:00 p.m. 609-258-1122 Maeder Auditorium jmp.princeton.edu Andlinger Center for Energy and the Environment 86 Olden Street, Princeton, NJ ED TRICKETT has been collecting and performing folk songs for over 45 years. His early musical influences were Frank Proffitt, Larry Older, Bob and Evelyn Beers, George and Gerry Armstrong, and Howie Mitchell. Later, he learned from and sang with a number of other musicians whose commitment and talent were extraordinary: Gordon Bok, Bob Coltman, Cathy Barton, and Ann Mayo Muir. Each taught him that it’s the song, not the singer, that’s important. Over the years he has performed hundreds of concerts in coffee houses, at colleges, folk music festivals and varied other occasions in the United States, Canada, and the British Isles. He has also appeared on several radio programs across the country, including Garrison Keillor's Prairie Home Companion (St. Paul, MN) and Rich Warren’s (formerly Studs Terkel’s) Midnight Special on WFMT in Chicago. He has recorded four solo albums, beginning with The Telling Takes Me Home (Folk Legacy Records), the most recent being Echo on the Evening Tide (Azalia City Recordings). For 26 years he sang with Gordon Bok and Ann Mayo Muir throughout the United Sates, Canada, and the British Isles, producing ten CDs. -
Print Version (Pdf)
Special Collections and University Archives UMass Amherst Libraries Broadside (Mass.) Collection Digital 1962-1968 1 box (1.5 linear foot) Call no.: MS 1014 About SCUA SCUA home Credo digital Scope Inventory Broadside, vol. 1 Broadside, vol. 2 Broadside, vol. 3 Broadside, vol. 4 Broadside, vol. 5 Broadside, vol. 6 Broadside, vol. 7 Broadside and Free Press, vol. 8 Broadside and Free Press, vol. 9 Admin info Download xml version print version (pdf) Read collection overview When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. Assembled by Folk New England, the Broadside collection contains a nearly complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy. See similar SCUA collections: Folk music Massachusetts (East) Printed materials Background When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. The rapid growth of the folk scene in Boston during the mid- 1950s was propelled in part by the popularity of hootenannies held at the YMCA and local hotels, and by a growing number of live music venues, catching on especially in the city's colleges. -
Trad Music and Dance Camp
Folk Music Society of New York, Inc. June 2015 vol 50, No. 6 June Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 3 Wed Folk Open Sing, 7pm in Brooklyn 7 Sun Maritime Music & Song Session; 2pm, South St. Seaport 8 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 10 Wed Hudson River Rose 8pm; Sunnyside Singers Club 21 Sun Shanty Sing on Staten Island, 2-5 pm 29 Mon Newsletter Mailing; 7pm in Jackson Heights, Queens July Mondays: Irish Traditional Music Session at the Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, Queens, 8pm 1 Wed Folk Open Sing, 7pm in Brooklyn 10 Fri Ice Cream Social at OSA Hall, 220 E. 23 St 13 Mon FMSNY Board of Directors Meeting, 7:15pm; see p. 5 19 Sun Shanty Sing on Staten Island, 2-5 pm Details on pages 2-3 TradMaD Camp (Trad Music and Dance Camp) From August 29 to September 4, 2015, we'll be singing, picking, dancing, jam- ming, swimming, relaxing -- all the things we love about Pinewoods Camp. Staff list includes Sheila Kay Adams, Anita Best, Eliza Carthy, Andy Cohen, Amy Conley, Bob Dupré, Sue Dupré, Craig Edwards, Grand Picnic, Bennett Ham- mond, Lorraine Hammond, Scott Higgs, Allen Hopkins, Hubby Jenkins, John Kirk, Chris Koldewey, Jen Larson, Trish Miller, Emily O’Brien,Caroline Paton, Linnea Paton, John Roberts, Jacqueline Schwab, Ryan & Brennish Thomson, Bob Walser, Elissa Weiss, and more See the flier sent out with the March newsletter and/or check the website: www.tradmadcamp.org. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago.