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Folk Music Society Newsletter
Folk Music Society of New York, Inc. June, 2018 vol. 53 No. 6 June Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, 8pm 6 Wed Folk Open Sing; 7pm in Brooklyn 10 Sun Upper West Side Song Swap; at HINY, Upper West Side, guest David Massengill 11 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 17 Sun Shanty Sing; Snug Harbor, Staten Island, 25pm 20 Wed Sunnyside Singers Club; perf. Jeremy Aaron, 8pm July Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club; Woodside, 8pm 3 Tue Newsletter Mailing, 7pm in Jackson Heights, Queens 4 Wed Folk Open Sing; 7pm in Brooklyn 9 Mon FMSNY Board of Directors Meeting; loc. tba, see p. 5 15 Sun Shanty Sing on Staten Island, 25 pm 18 Wed Sunnyside Singers Club; perf. Mike Agranoff, 8pm Details on pages 23 Table of Contents Events at a Glance.........................1 Repeating Events.........................11 Society Events Details...............23 Festival Listings..........................14 Topical Listing of Society Events. 3 Falcon Ridge Ad..........................20 From the Editor.............................4 Folk Music Society Info..............21 Bernie Stolls Memoriams..........45 Ashokan Acoustic Guitar Camp..22 Donatge with Amazon, et al..........5 Mark Hamburgh Ad....................22 Calendar Listings..........................6 Pinewoods Hot Line....................23 Calendar Location Info.................8 Membership Form Join Us!......24 The Society's Web Page: www.folkmusicny.org facebook: https://www.facebook.com/FMSNY/ 1 Irish Traditional Music Session: every Monday, 8-11pm Tenor banjo, harmonica and fiddle player Don Meade and friends get together every Monday night for an Irish traditional music session in the back room of this historic Hell’s Kitchen bar/restaurant. -
April May June
May 2005 vol 40, No.5 April 30 Sat Songs and Letters of the Spanish Civil War, co-sponsored with and at the Peoples’ Voice Cafe May 1 Sun Sea Music Concert: Dan Milner, Bob Conroy & Norm Pederson + NY Packet; 3pm South St.Melville Gallery 4WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 9 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Sat Chantey Sing at Seamen’s Church Institute, 8pm 15 Sun Sacred Harp Singing at St. Bart’s, Manhattan; 2:30 pm 19 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church, Bronx 20 Fri Bill Staines, 8pm at Advent Church ☺ 21 Sat For The Love of Pete; at Community Church 22 Sun Gospel & Sacred Harp Sing, 3pm: location TBA 22 Sun Balkan Singing Workshop w/ Erica Weiss in Manhattan 22 Sun Sunnyside Song Circle in Queens; 2-6pm 27-30 Spring Folk Music Weekend --see flyer in centerfold June 1WedFolk Open Sing; Ethical Culture Soc., Brooklyn, 7pm 2 Thur Newsletter Mailing; at Club office, 450 7th Ave, #972, 7 pm 7 Tue Sea Music Concert: Mick Moloney + NY Packet; 6pm South Street Seaport Melville Gallery 11 Sat Chantey Sing at Seamen’s Church Institute, 8pm 13 Mon NYPFMC Exec. Board Meeting 7:15pm at the club office, 450 7th Ave, #972D (34-35 St), info 1-718-575-1906 14 Tue Sea Music Concert: The NexTradition + NY Packet; 6pm 16 Thur: Sara Grey & Kieron Means; location to be announced 19 Sun Sacred Harp Singing at St. -
33 UCLA L. Rev. 379 December, 1985
UCLA LAW REVIEW 33 UCLA L. Rev. 379 December, 1985 RULES AND STANDARDS Pierre J. Schlag a1 © 1985 by the Regents of the University of California; Pierre J. Schlag INTRODUCTION Every student of law has at some point encountered the “bright line rule” and the “flexible standard.” In one torts casebook, for instance, Oliver Wendell Holmes and Benjamin Cardozo find themselves on opposite sides of a railroad crossing dispute.1 They disagree about what standard of conduct should define the obligations of a driver who comes to an unguarded railroad crossing. Holmes offers a rule: The driver must stop and look.2 Cardozo rejects the rule and instead offers a standard: The driver must act with reasonable caution.3 Which is the preferable approach? Holmes suggests that the requirements of due care at railroad crossings are clear and, therefore, it is appropriate to crystallize these obligations into a simple rule of law.4 Cardozo counters with scenarios in which it would be neither wise nor prudent for a driver to stop and look.5 Holmes might well have answered that Cardozo’s scenarios are exceptions and that exceptions prove the rule. Indeed, Holmes might have parried by suggesting that the definition of a standard of conduct by means of a legal rule is predictable and certain, whereas standards and juries are not. This dispute could go on for quite some time. But let’s leave the substance of this dispute behind and consider some observations about its form. First, disputes that pit a rule against a standard are extremely common in legal discourse. -
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand marking: or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Brave New World: Technology and Tort Practice
University of California, Hastings College of the Law UC Hastings Scholarship Repository Faculty Scholarship 2021 Brave New World: Technology and Tort Practice Richard L. Marcus UC Hastings College of the Law, [email protected] Follow this and additional works at: https://repository.uchastings.edu/faculty_scholarship Recommended Citation Richard L. Marcus, Brave New World: Technology and Tort Practice, 49 Sw. L. Rev. 455 (2021). Available at: https://repository.uchastings.edu/faculty_scholarship/1836 This Article is brought to you for free and open access by UC Hastings Scholarship Repository. It has been accepted for inclusion in Faculty Scholarship by an authorized administrator of UC Hastings Scholarship Repository. For more information, please contact [email protected]. BRAVE NEW WORLD: TECHNOLOGY AND TORT PRACTICE Richard Marcus* I am a civil procedure person, not an official torts person, but fairly often torts and civil procedure seem to be joined at the hip. And that seems particularly true with regard to the effects of technological change on tort litigation practice. I've been working on the Federal Rules of Civil Procedure for more than twenty years and find that it's usually the torts cases that are the focus of the most intense disputes regarding procedure issues. For this Symposium, I intend to focus on five topics, but the last one is mainly an advertisement for the second panel at the Symposium: (1) E-Discovery (2) The more general impact of technology on torts practice (3) The growing importance of technology on manner of proof (4) The MDL "boom" (5) TPLF -- third party litigation funding I. -
Download the Blackbird Anthology Here
In loving memory of David Riley (1955 – 2018), our much-missed colleague and friend. i Contents Editor’s Introduction, Darran McCann x Incandescence, Roisin Maguire x Four poems, Dawn Watson x Power In The Blood, Gary Hunter x Six poems, Adam Gittin x Hunger, Louise Kennedy x Five Poems, Toby Buckley x She Went By Birdie, Corinne McNulty x Six poems, Claire McSherry x The Long Spoon, Jim Simpson x Four poems, Bonnie Staines x Watching The News, Adeline Henry x Six poems, Emily Lee x Nighthawks, David Riley x The Day I Wore A Dress, Maisha Hossain x Four poems, Eva Isherwood-Wallace x Stan, Jo-Anne Foster x Three Poems, Francis Hesketh x A Fair Grief, Hannah King x Surplus Value, Katharine May x Veterinary Science, Stephanie Lyttle x Six poems, Milena Williamson x Postcard Stories, Shahminee Selvakannu x Nine poems, Andrew Soye x A Melody In The Wind, Roisin Turner x Five poems, Aswin Vijayan x Black Flag, Lesley Walsh x Author Profiles x Acknowledgements x iii Editor’s Introduction Editor’s Introduction Dr. Darran McCann Convenor of the M.A. in Creative Writing, 2013-18. This centre holds and spreads. Two years ago, I began and ended my foreword to the inaugural edition of Blackbird: New Writing From The Seamus Heaney Centre quoting this line from ‘Kinship,’ centrepiece of Heaney’s 1975 collection North. At the launch of the first book, I topped and tailed my speech with Dr. Darran McCann the line too. It has become the unofficial motto of the Centre his name adorns. -
The Terrible, Horrible, No Good, Very Bad Truth About Morality and What to Do About It, Doctoral Dissertation of Joshua D
9/03 Note to readers of The Terrible, Horrible, No Good, Very Bad Truth about Morality and What to Do About it, Doctoral Dissertation of Joshua D. Greene in the Department of Philosophy, Princeton University, June 2002. You are welcome to read this work, pass it on to others, and cite it. I only ask that if you pass on this work to someone else that it be passed on (1) in its entirety, (2) without modification, and (3) along with this note. I consider this a work in progress. It is currently under review in its present form at an academic press. I intend to revise and expand it substantially before publishing it as a book, so much so that the book and the dissertation will probably best be considered separate works. Comments are welcome. You can contact me by email ([email protected]) or by regular mail: Joshua Greene Department of Psychology Princeton University Princeton, NJ 08544 jdg THE TERRIBLE, HORRIBLE, NO GOOD, VERY BAD TRUTH ABOUT MORALITY AND WHAT TO DO ABOUT IT Joshua David Greene A DISSERTATION PRESENTED TO THE FACULTY OF PRINCETON UNIVERSITY IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY RECOMMENDED FOR ACCEPTANCE BY THE DEPARTMENT OF PHILOSOPHY NOVEMBER 2002 © Copyright by Joshua David Greene, 2002. All rights reserved. ii Abstract In this essay I argue that ordinary moral thought and language is, while very natural, highly counterproductive and that as a result we would be wise to change the way we think and talk about moral matters. First, I argue on metaphysical grounds against moral realism, the view according to which there are first order moral truths. -
Teenie Weenie in a Too Big World: a Story for Fearful Children Free
FREE TEENIE WEENIE IN A TOO BIG WORLD: A STORY FOR FEARFUL CHILDREN PDF Margot Sunderland,Nicky Hancock,Nicky Armstrong | 32 pages | 03 Oct 2003 | Speechmark Publishing Ltd | 9780863884603 | English | Bicester, Oxon, United Kingdom ບິ ກິ ນີ - ວິ ກິ ພີ ເດຍ A novelty song is a type of song built upon some form of novel concept, such as a gimmicka piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songswhich are more explicitly based on humor. Novelty songs achieved great popularity during the s and s. Novelty songs are often a parody or humor song, and may apply to a current event such as a holiday or a fad such as a dance or TV programme. Many use unusual Teenie Weenie in a Too Big World: A Story for Fearful Children, subjects, sounds, or instrumentation, and may not even be musical. It is based on their achievement Teenie Weenie in a Too Big World: A Story for Fearful Children a UK number-one single with " Doctorin' the Tardis ", a dance remix mashup of the Doctor Who theme music released under the name of 'The Timelords. Novelty songs were a major staple of Tin Pan Alley from its start in the late 19th century. They continued to proliferate in the early years of the 20th century, some rising to be among the biggest hits of the era. We Have No Bananas "; playful songs with a bit of double entendre, such as "Don't Put a Tax on All the Beautiful Girls"; and invocations of foreign lands with emphasis on general feel of exoticism rather than geographic or anthropological accuracy, such as " Oh By Jingo! These songs were perfect for the medium of Vaudevilleand performers such as Eddie Cantor and Sophie Tucker became well-known for such songs. -
"WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
"WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday. -
Apartheid Revolutionary Poem-Songs. the Cases of Roger Lucey and Mzwakhe Mbuli
Corso di Laurea magistrale (ordinamento ex D.M. 270/2004) in Lingue e Letterature Europee, Americane e Postcoloniali Apartheid Revolutionary Poem-Songs. The Cases of Roger Lucey and Mzwakhe Mbuli Relatore Ch. Prof. Marco Fazzini Correlatore Ch. Prof. Alessandro Scarsella Laureanda Irene Pozzobon Matricola 828267 Anno Accademico 2013 / 2014 ABSTRACT When a system of segregation tries to oppress individuals and peoples, struggle becomes an important part in order to have social and civil rights back. Revolutionary poem-songs are to be considered as part of that struggle. This dissertation aims at offering an overview on how South African poet-songwriters, in particular the white Roger Lucey and the black Mzwakhe Mbuli, composed poem-songs to fight against apartheid. A secondary purpose of this study is to show how, despite the different ethnicities of these poet-songwriters, similar themes are to be found in their literary works. In order to investigate this topic deeply, an interview with Roger Lucey was recorded and transcribed in September 2014. This work will first take into consideration poem-songs as part of a broader topic called ‘oral literature’. Secondly, it will focus on what revolutionary poem-songs are and it will report examples of poem-songs from the South African apartheid regime (1950s to 1990s). Its third part will explore both the personal and musical background of the two songwriters. Part four, then, will thematically analyse Roger Lucey and Mzwakhe Mbuli’s lyrics composed in that particular moment of history. Finally, an epilogue will show how the two songwriters’ perspectives have evolved in the post-apartheid era. -
Wont You Love Me Just a Little (1906)
--· - ·- -~------------- "We Parted_~y_ the River, GraCe and1\ By STANLEY CRAWFORD \ The companion song to "In the Shade oft.he Old Apple Tree" ''We Parted by.the River, Grace and I," is beautiful ballad, pleasing in melody and pure in sentiment. ~otigt) tbat Will ~ltaut My Irish Molly 0-Characteristic Song WE PARTED BY_ THE RIVER,GRACE AND l. The Gondolier-Serenade CHORUS. Bv STANLEY CRAWFORD. Back, Back, Back to Baltimore -Coon Song 'Wh~n we part· - ed by the ri-.r - er, Grace and l, ___ The The Sweetest Girl in Dixie-Ballad Farewell, Nellie Mine-March Song On a Summer Night- Waltz Song Won't You Fondle Me-Coon Song Stella-Ballad In Zanzibar-Coon N o.velty Do~n on the Brandywine N iccolini-Waltz Song Nobody Seems to Love Me Now-Ballad sun - shine:seemed to fade a - way and die, And the Hush, Honey, Hush-Lullaby Tennessee-Coon Song My Hindoo Man-Humorous In the ·Shade of the Old Apple Tree -:Pathetic Ballad My Irish Indian-Novelty Humorous My Sweet Little Caraboo-Indian The Troubadour Song-Serenade Sombrero-Ballad l!lO~-bi·rd's. · sweet-esi lay, J3rought ·no jby- _to me 'that day, When we (':'\ Jerome ff.Remick & ~o. Proprietors of The-· W1'iitnPy-Warner Pub. Co• . NEW YORK .. DETROIT 4S W. 28th Street to Witherell Street ri.V - . er, Grace - and I.--~- ' " . ASK YOUR DEALER ~ojiyrigM MCMV:-by JEROME H.REMICK & Co, . ·Proprietura. at Tht:t Whitney Warn8r Pub.Co . ;-..De.troit-NewYor~ Ba.rftti . aeeo~4lll~iii Mt Oflh~ 'l>Arlf~menl ot C11uda In lh<> ze~r KC.llV,b;r Joro111oe JI.Remick.!: Uo., !nlhe ·D•1-rt111e11l of Afrlonlt1'1 S~nd.