DOCSLIB.ORG

If Everybodys Happy Why Then Be Good to Me

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
If Everybodys Happy Why Then Be Good to Me WORDS DY WIJFINZLL MU.SIC E>Y GEO. ll. fINZLL 54{ dCROML n.RrnlCK ~ @_ NtW YOf\K · DtTROIT . "We•Parted by the , . , River;.Grace and "I" By. STANLEY. CRAWFORD. ... The ·companion song' ~ fo , '-~In the Shade of the .Old Apple Tree" . \. \ ,', ( • ' I "We Parted by the River, Grace and I," is beautiful ballad, pleasing in melody and pure in sentiment. ··: ·' ---------------------------------­ ,f ~ongu tbat Will ~ltaut WE PARTED BY THE RIVER, GRACE AND I. -t ~ Irish Molly 0-Cha.i;acteristic Song I ;The Gondolier-"\Serenade CHORUS. .- •' Dv STANLEY CRAWFORD ·Back, Back, Back .to Baltimore . , , -Coon Song 'When we part - ed by the riv • er, Grace and I, --- T:lle The Sweetest Girl in Dixie-Ballad Farewell, N t. llie, Mine-Mar.ch Song On a Summer Night-Wraltz Song Won't You · Fondle Me-· Coon Song Stella-Ballad- . In Zanziba1i-Coon ~ ovelty Do~n on the Brandywine I . .. l Ni~colini-Waltz Song ; ',, "' ..., ~ ~ - • - Nobody Seems,to.Love Me. Now-Ballad sun - shine:seemed.to fade a - way and die, And the Hush, Honey, Hush-Lull~by II Tennesse·e-Coon Song - ! ·- - ~ ... .,. My Hindoo Man-Humorous "I ~ '!-' '!-' ~ "I , 1 ~~; ~ .. _) In the Shade of the Old Apple Tree . I ~ -. - · -Pathetic Ballad .. r--:;::: • ·~ My Irish Indian-Novelty Humorous D ~- My Sweet Little Caraboo-Indian The Troubadour _Song-Serenade Sombrero-Ballad' · 11011g-bird's.·sweet-esi lay, :Brought no joy to me 'that day, When we /':'\ ,-:Jerome ff.Remick & Co. I •, t •I • '"t 1: . Proprjetors of The WhitnPy-Warner Pub. Co. "NEW YORK DETROIT j 'b 'et:\ p· 45 W. 28th Street -to With~rell Street jP l JJ ~ f ' 11 1'4lrl • ~d by- the ri'v - er, Grace anll l. ____.__ " , ASK YOUR DEALER ~oi>yright MCMV by JER,OME H.REMitK & Co. _ . _ _ ·ProprietorS:of The WliU.ney w~rnerPub.Co./- -Detro1t-NewYo~ B11.ti'fta.aeeo1111il_g[O.lict •!lhe."P.ar?ftmenl or 0~11abin lht> I•ar MCMY,b:y Jero!Jj.e ·JJ.Realclt ll; Oo., liiitho · lif»~•llU&h( AcdftllllS Send for beauttfullv illustrated catalog free . ' 3 If everybody's happy why then be good to me Words by W1P .. FINZEL Music by GEO. H. FINZEL Moder a to fl .u. _,..--.....,_ ,. - - . .,. - ~- - - -- ,. , - , I I - ...- - -· - -- • ~ • - ,. - .. - r r .. @) .. ' - - Sam John - son was_ a gam - bling man,_ He He played the ra - ces one fine day_ And )till ready fl J9 .... ~ -. ' ~ - I ... - - - - - II .... - -""" .... - - . ... ,. •J - - - - - -,... ,... - .. .. - .. - 1.....__....1 - -.....__..... - ~~ e i---- .......__,.1 .. 'I • • • p r t • • .... ... I .. - - - - -· - ': ...- - - - - ' - - - - .... - .. ' .... tl ~ .,, ,_ , - ~ .-. - - ,_ ...• • - -- • ~ • - - - - r J - @ - - r I I I .. r played at eve - ry g~me. And win or lose- it Sam - my he__ did Wlll. And then to cap __ the fl .u.... - - ~ .. -~ - ~- . -- - ~ - • - ~ - - ' cJ ---- - - - - -- - -.....__.....- c- • 1, ~ J " - .. 1 - .. .... • .. • ~-I l -· .,, - - ·- . - I "'" -- ,... ' --·· - - - - - - ... - -• .... Copyright MCMVIlby JER\:>ME H. REMICK & Co. Proprietors of Detroit. - The Whitney Warner Pub. Co. - New York. Entered according to act of the Parliament of Canada in the year MCMVI by Jerome H. Remick & Co., in the Department of Agriculture. 4 '1 ~ .. ....-... l I \ LL - I ~- .... .... '' .-- -- T - - ... ~- ....- ...• • r - ' I - - @.) - r I - • made no odds,_ Old Sam - my was_ the same. He cli - max He __ filled up on Hol - land gin, He ,_,,,-- - ~ ~ ~ I - _.I I - !: - - - . ... • • • ' - ! ! - '~ - • -- - ~- - l @) ---..._..... - ... - ... ... t ~ .. - ..._..... -I I I • ~ J .l .J. ,,. I ... ~ - ~- - -· ~ ::;. ........ - := - ....- - ' - - ""' - - .. .. I I I ,,--... ~ ~.... - ...., - ~- .... - ~· .. ,_ •' . ... I -- - - ....- - r ... - ... ... ---J "' - "' - - "" r I I I 4• J - - - I drank and smoked and laughed and joked Was hap - py aH_ the day When then went home con - tent - ed,_ His wife was at_ the door. With ~ ~ ~ - - ,,.,,,,,- I .. ~ .,. I -- - .-- - ,,....__- - - - -- -- ~- - ~ -~ r r- r- - - - .41 - --.....__...- - - - - ~, = ~ 1 --l'-1 • • --- • ----.....__... - ftC.~· ,,. ,,. • • ~ I • -.. .. ~ I -· .,. -= ~ . - •• M - - ,, - ~ .. --- - ... - - - ~ - - - - - - - T .... • ll trou ble it came a - round, Why this is what he'd say. club rn hand_ she did com - mand But Sam -uel he did roar. If evtirybody's happy etc.- 3 5 CHORUS "1~ . r.J - - -· - - - - - - - . I .- ·- -. - - ...- .... .... .... .- .... I ' " -• -- -/ - - - - -- -/ - , I . I I I I I - I I I I I - - - ~ - If_ eve - ry bo-dy's hap -py, That's what I'd like to know. If_ ;::.... "1 JJ, - I I I I ;::.... 'I I - _, _, .... .... - •- ·- . - ..- .,,- .... .... .,.- --. .... .,,- .... .,,- ...- -- ""'.... '\. v " - I~ - - - = .... ""' ... - ·- - ""' """"' - - - - - v - - - ·- - lt ~ 'll • • ft • - " - • 'll • ff• - • I "11 • • I I I ,_ I I :: I I I I ... ,_ ,... - ' • • • . .... ,,_ .... ,_ .... ...... ,_ 111 I ..... _, ,_ • II - ,_ -··I - .-- . - - - ... - ... - - -- -- .... - -- - .... ' r r - r- r- - tl ~ I I I , I I I - .-- - •- -- ...- - ,, ,, . - ' ,, - - - - @.' I eve - ry bo - dys hap - py, why tell me so. - This 1 l JJ, I I I I - - ~=- ' •- - • .,. .,. - v"".,.. , - • ' - • - - - - - - • - - @.I -j• q..- II • .. ... • r ~r r ~ I I I r.J H'" , J,J, .. - .... I -••.. -M ...... - - -- - ,. - .... -- T - - I - I ~ - - -ti fl JJ, I . I I I - .. ' - - ~ - , . .... .... u. - - . - - - . T - - - ' ., - - Tl - - - - - - I I ~) - I I I - life lS as you make it, I'm hap - PY as can be If_ ,.. "1 ~ I I - .. _, ,. _ ""_, - - - r .,. .,, v .... • -,_ - 1.- - •- - - .... -~ - ... - I ~ - ' = - "' ""- - - - -.. - - (- - - - - ·1 ..... ,__,- - t ~ • • - • • • 111 • • • htt.-. • • - .. .... I I .. ,_• ,_• ,_• ,_ -••, -M - - • .... ... - .... ... ... .... - ... - - - -- - - fJ JJ, .. ,, I .. - _, .... •- ....--- ... ... ...- ...- .... - - .... •HI '"' J - I - - - - .. I I I - - - ~ I I I I I eve - ry bo - dy's hap -py, why_ then_ be good to me.' A fl ~ I r I , .. .... - . - .,. .,, .,. ...- ~ - - • ""' - - - "'- - .... - ..- - ... .. .. '"' J - - .. "" - "" - - - - I!) ff• - " - - • - q.- .. - ~t - • ~r ~ .. - •-1~ • , ~ l I I I , ... - .... ...... .,_ ,.. --· - - -- - - - ...• - . - - -- -- - - - -- - l,1111 - - ' r r - .. 'll .. - "11 If everybody's happy etc.- 3 ,\ NEW SONGS IOLA. New Marches, Words by Music by JAMES O'DEA. CHAS. L. JOHNSON That Will Please ,, REFRAIN Waltzes ~ Dances Iola, Indian love song tJ , r r - ~ Iola, Intermezzo My sweet I 0 . la,_ 1- o . la, list to me.-- My dream Camp l\Ieetin' Time, Coon song of Fascination, Two-step I Like Y()(l, Too, A pleasing novelty ,, ,...._ .... ----.... ~ I Owatonna, Serenade song ~"" • ... - - Dear Old Farm, A rural comic song Autumn, Idyll I _:!' .. .. • Linda, Won't You Throw a Kiss To Me? "' f ~ p Silver Heels, Indian Interme Sweet Julienne, Sentimental ballad - -- I J - Poppies, Two-step Somebody Is \Vaiting For You, \Valtz - - Song .... Moonlight, Serenade Why Don't You Try, Novelty Song - Happy Ilcinie, Two-step Sympathy, Coon song ,, Hearts Haven ·waltzes When the l\foc\:':ng Birds Are Singing Chicken Chowder, Ragtime Two-step In the \Vildwood, Ballad Eyes of the Soul, Reverie Jessamine, Coon Song tJ be, __ Come throw a .. fo ,.. ' - I11 Dear Olcl Georgia, Ballad bliss to kiss to me__ or you, Im wait. ing,_ Dainty Dames, Novelette The. Little House That Love Built, _...., Shy-Try, Two-step ,, ~ ... -~ Novelty Song Dance of the Demons Cheyenne, Cowboy song .. "" """ v - ·- - I"' I I Dance of the June Ilugs Moonlight, Song ~-- - ..__ - ----- - - - - f - Cherry, Intermezzo Two-step On An Automobile Honeymoon, Ham r-,. I I Tree ! Lazarre \Valtzes Drummer Song, Ham Tree \Vedding of the \Vi1Hls, \Valtzes Goocl-bye I'>ear Ohl Manhattan Isle, -- - .. Ham Tree The Gunmaster, March Mandy J,,ou, Serenade coon song ,, . Golden Sunset \Valtzes Silver Heels, Indian coon song _ __, Dance of the Brownies T>yo ' Little Sailor Boys, March ballad tJ - 7' - The Gondolier, Two-step Alice, Where Art Thou Going? March Here 'neath the stars a. ---shine___ My love please dont de. cllne,_ Song - Breath of the Rose, Waltz ,, ~- & ... I Syhia, \Valtzes \Von 't You Come Over to My House? - .. - - Ballad Dixie Blossoms, Rag-time The I .ittle Chauffeur, Vanderbilt Cup tJ 1..--1 -: J' -..__.. p- - - Sleepy Lou, Slow Rag My House Boat Beau, Vanderbilt Cup Baby Blue, A cham!ing high grade song - - Louise, \Valtzes 3ally, A humorous waltz song .. Lady Fingers, Novelette fwo Little Sailor Boys, March ballad - - Red Riding Hoorl, \Valtzes Down in the Everglacle. Novelty song Snow-flakes, N ovelette _(f I Only H ad The Nerve, - J 2 I The Sea Is My Sweetlieart, (Bass song) " : Shoulder Straps, Two-step High grade tJ , I ,, Idle Hours, Novelette A Rose, Beautiful high grade waltz song I . o • la mine. Mys~ee! 'i - mine. Belles of Dixie, Two-step \Vanda From Anaconda, Cowboy song ,, - ,,,ll L An Autumn \Vooing, Two-step I Ain't Going Back To Baltimore No I .. ~ I ~ l\Iore, Comic coon song Dixie Doodle Girle, Two-step .,. I ,,,_ T·avelling, Topical song "' ~- - - - ""- - '~ • Zira, Intem1ezzo Be There At Twilight, Novelty coon song - Murmuring \\'aters, \Valtz Stingy Moon, Novelty song Melody at Twi'ight, Two-step CLerry Song, Intermezzo How I Love My Teacher - ~ Hey Rube, C:iaracteristic '1 wo-step Tell Me, Novelty song Copyright l!CMVI by Jerome• H. Remick & Co. v Love is King, Waltzes JEROME tt.I\EMICK & (Q, NEWYORK. Ask. Your Dealer PROPRIETOR~ Or The WnITNEY-WARNEQ PUr>.CO. netroit.M1ett: .
Load more

Recommended publications
  • Off the Beaten Track
    Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious.
    [Show full text]
  • December 2016
    Traditional Folk Song Circle goers to hear Potomac Accordion Ensemble December 10 December 2016 Inside this issue: From the President 2 Open Mics 3 Pics from Sunday Open Stage 4 Traditional Folk Song Circle 5 The Songs We Sing 6 Comfortable Concerts 7 Hill Chapel Concert 9 Gear of the Month 10 Pull up a Chair 12 Other Music Orgs of interest 13 Member Ads 14 Open Mic Photos 16 Board of Directors 18 F.A.M.E. Goals 18 Membership Renewal/App 18 Poster art courtesy of Todd C Walker Page 2 From the President I don’t know whose thought this is, but I read somewhere that “music is the wheels of a movement. I know that music made a tremendous difference in the anti- war movement of the 60s as well as the civil rights movement. Music is a powerful force that is often unrecognized. A song has a way of inspiring folks that nothing else comes even close to. We are in need of inspiring songs. One of the roles of a songwriter is not only to reflect on what is happening in the present but also to provide a vision of the future. What is your vision of the future? For some it is nihilistic bleakness – a very cynical response to our world. For others, it is filled with hope – we are somehow going to be able to figure out how we can live together and with all of creation. If you are a performer, I want to challenge you to get out of yourself and add songs that reflect your vision of the future to your repertoire.
    [Show full text]
  • Teenie Weenie in a Too Big World: a Story for Fearful Children Free
    FREE TEENIE WEENIE IN A TOO BIG WORLD: A STORY FOR FEARFUL CHILDREN PDF Margot Sunderland,Nicky Hancock,Nicky Armstrong | 32 pages | 03 Oct 2003 | Speechmark Publishing Ltd | 9780863884603 | English | Bicester, Oxon, United Kingdom ບິ ກິ ນີ - ວິ ກິ ພີ ເດຍ A novelty song is a type of song built upon some form of novel concept, such as a gimmicka piece of humor, or a sample of popular culture. Novelty songs partially overlap with comedy songswhich are more explicitly based on humor. Novelty songs achieved great popularity during the s and s. Novelty songs are often a parody or humor song, and may apply to a current event such as a holiday or a fad such as a dance or TV programme. Many use unusual Teenie Weenie in a Too Big World: A Story for Fearful Children, subjects, sounds, or instrumentation, and may not even be musical. It is based on their achievement Teenie Weenie in a Too Big World: A Story for Fearful Children a UK number-one single with " Doctorin' the Tardis ", a dance remix mashup of the Doctor Who theme music released under the name of 'The Timelords. Novelty songs were a major staple of Tin Pan Alley from its start in the late 19th century. They continued to proliferate in the early years of the 20th century, some rising to be among the biggest hits of the era. We Have No Bananas "; playful songs with a bit of double entendre, such as "Don't Put a Tax on All the Beautiful Girls"; and invocations of foreign lands with emphasis on general feel of exoticism rather than geographic or anthropological accuracy, such as " Oh By Jingo! These songs were perfect for the medium of Vaudevilleand performers such as Eddie Cantor and Sophie Tucker became well-known for such songs.
    [Show full text]
  • "WEIRD AL" YANKOVIC: POLKAS, PARODIES and the POWER of SATIRE by Chuck Miller Originally Published in Goldmine #514
    "WEIRD AL" YANKOVIC: POLKAS, PARODIES AND THE POWER OF SATIRE By Chuck Miller Originally published in Goldmine #514 Al Yankovic strapped on his accordion, ready to perform. All he had to do was impress some talent directors, and he would be on The Gong Show, on stage with Chuck Barris and the Unknown Comic and Jaye P. Morgan and Gene Gene the Dancing Machine. "I was in college," said Yankovic, "and a friend and I drove down to LA for the day, and auditioned for The Gong Show. And we did a song called 'Mr. Frump in the Iron Lung.' And the audience seemed to enjoy it, but we never got called back. So we didn't make the cut for The Gong Show." But while the Unknown Co mic and Gene Gene the Dancing Machine are currently brain stumpers in 1970's trivia contests, the accordionist who failed the Gong Show taping became the biggest selling parodist and comedic recording artist of the past 30 years. His earliest parodies were recorded with an accordion in a men's room, but today, he and his band have replicated tracks so well one would think they borrowed the original master tape, wiped off the original vocalist, and superimposed Yankovic into the mix. And with MTV, MuchMusic, Dr. Demento and Radio Disney playing his songs right out of the box, Yankovic has reached a pinnacle of success and longevity most artists can only imagine. Alfred Yankovic was born in Lynwood, California on October 23, 1959. Seven years later, his parents bought him an accordion for his birthday.
    [Show full text]
  • Wont You Love Me Just a Little (1906)
    --· - ·- -~------------- "We Parted_~y_ the River, GraCe and1\ By STANLEY CRAWFORD \ The companion song to "In the Shade oft.he Old Apple Tree" ''We Parted by.the River, Grace and I," is beautiful ballad, pleasing in melody and pure in sentiment. ~otigt) tbat Will ~ltaut My Irish Molly 0-Characteristic Song WE PARTED BY_ THE RIVER,GRACE AND l. The Gondolier-Serenade CHORUS. Bv STANLEY CRAWFORD. Back, Back, Back to Baltimore -Coon Song 'Wh~n we part· - ed by the ri-.r - er, Grace and l, ___ The The Sweetest Girl in Dixie-Ballad Farewell, Nellie Mine-March Song On a Summer Night- Waltz Song Won't You Fondle Me-Coon Song Stella-Ballad In Zanzibar-Coon N o.velty Do~n on the Brandywine N iccolini-Waltz Song Nobody Seems to Love Me Now-Ballad sun - shine:seemed to fade a - way and die, And the Hush, Honey, Hush-Lullaby Tennessee-Coon Song My Hindoo Man-Humorous In the ·Shade of the Old Apple Tree -:Pathetic Ballad My Irish Indian-Novelty Humorous My Sweet Little Caraboo-Indian The Troubadour Song-Serenade Sombrero-Ballad l!lO~-bi·rd's. · sweet-esi lay, J3rought ·no jby- _to me 'that day, When we (':'\ Jerome ff.Remick & ~o. Proprietors of The-· W1'iitnPy-Warner Pub. Co• . NEW YORK .. DETROIT 4S W. 28th Street to Witherell Street ri.V - . er, Grace - and I.--~- ' " . ASK YOUR DEALER ~ojiyrigM MCMV:-by JEROME H.REMICK & Co, . ·Proprietura. at Tht:t Whitney Warn8r Pub.Co . ;-..De.troit-NewYor~ Ba.rftti . aeeo~4lll~iii Mt Oflh~ 'l>Arlf~menl ot C11uda In lh<> ze~r KC.llV,b;r Joro111oe JI.Remick.!: Uo., !nlhe ·D•1-rt111e11l of Afrlonlt1'1 S~nd.
    [Show full text]
  • Ang Novelty Song Sa Pilipinas*
    Ang Novelty Song Sa Pilipinas* New Era University Fame Pascua, M.A. Panimula ng musika ay isang sining na bahagi ng kultura ng bawat tao o grupo ng tao. Ito ay nasa anyo ng pagkanta ng mga himig at liriko at/o pagtugtog ng mga musikal na instrumento na lumilikha ng mga tunog at himig. Ayon kay Delia Gamboa Besa sa kanyang sanaysay na “Contemporary Philippine Music” (1998), ang musikaA sa Pilipinas ay sinasalamin ang mayamang kulturang nag-uugat pareho sa katutubong pinagmulan at sa impluwensya mula sa labas, at gayundin sa resulta ng pag-aangkop dito at Pascua... pagsasanib ng mga ito. Dahil dito, nauri ni Besa ang musika sa Pilipinas sa tatlo: (1) ang katutubo, (2) ang may impluwensyang1 Espansyol, at (3) ang may impluwensyang Amerikano. Mapapansin na ang ganitong pag-uuri ng musika sa Pilipinas ay sinusundan ang tipikal na kronolohiya ng kasaysayan ng Pilipinas bagama’t ang uri ng musika ay hindi lamang nakakulong sa partikular na peryodisasyon. Maari itong magpatuloy o hindi, mangibabaw pa o hindi na (bagamat umiiral pa rin) sa partikular na panahon. Gayunpaman, hindi kumpleto ang ganitong pag-uuri ng musika sa Pilipinas (kung tuluyang ibabatay sa kronolohiya ng kasaysayan ng Pilipinas) dahil sa walang banggit sa kung ano na o paano natin tatawagin ang musika ng mga Pilipino pagkatapos ng kolonyal na panahon? Bagamat nagbanggit ng “contemporary Philippine music” si Besa sa pamagat ng kanyang artikulo hindi naman ito nagliwanag sa kung “ano” ito o ang kumakatawan dito bagkus tumalakay sa sitwasyon ng “contemporary music”—na sa kabuuan, unti-unti nang napapamayanihan ng mga Filipino— gayunpaman ay nahaharap pa rin sa mga suliranin.
    [Show full text]
  • Headlines Most Added Lorraine Wraps up the Pd Gig at Waqx 1
    THE 4 Trading Post Way Medford Lakes. New Jersey 08055 HARD REPORT April 1, 1988 Issue #72 609-654-7272 FRONTRUNNERS NEIL YOUNG SCORPIONS "TEN MEN WORKIN' " "RHYTHM OF LOVE" "Neil has succeeded over "We've been waiting for it for the years with a wide range months, and we're knocked of musical directions, but out on first listen. It's heavy his most flattering style out of the box, with the could prove to be this Monsters Of Rock' Tour blues -based horn -soaked making it an even bigger assassin of a song". .. event".. Lin Brehmer, WXRT Reprise Mercury Pam Edwards, KGB -FM DIVINYLS RECORD OF THE WEEK "THE FLAME" "BACK TO THE WALL" Cheap Trick Of this week's #1 Most Added LAP OF LUXURY Including: track WVNF's Charlie Logan Ms. Amphlett may be the The Flame/All We Need Is A Dream only female rocker with Ghost Town/Let Go says, "This is just a marvelous pipes that could peel paint, song that will return Cheap but Mike Chapman has Trick to its rightful position as finally given them the moves to cross rock to pop. one of the best bands in the Chry universe". Epic NEW PLAY PRIORITIES... ZIGGY MARLEY PAT McLAUGHLIN IRON MAIDEN JETHRO TULL 10,000 MANIACS JETHRO TULL CREST OF A KNAVEK. Including' Steel Monkey/Farm On The Freeway Jump Start "Tomorrow People'. (Virgin) "No Problem" (Capitol) ' Can IPlay (Capitol) "Budapest" (Chrysalis) "Like The Weather" (Elektra) CHARTSTARS HEADLINES MOST ADDED LORRAINE WRAPS UP THE PD GIG AT WAQX 1. Cheap Trick "The Flame" Epic 88 2.
    [Show full text]
  • Music Markets and the Adoption of Novelty : Experimental Approaches Anna Bernard
    Music markets and the adoption of novelty : experimental approaches Anna Bernard To cite this version: Anna Bernard. Music markets and the adoption of novelty : experimental approaches. Economics and Finance. Université Panthéon-Sorbonne - Paris I, 2017. English. NNT : 2017PA01E020. tel- 01792982 HAL Id: tel-01792982 https://tel.archives-ouvertes.fr/tel-01792982 Submitted on 16 May 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Université Paris 1 - Panthéon Sorbonne U.F.R de Sciences Economiques Centre d’Economie de la Sorbonne Thèse Pour l’obtention du titre de Docteur en Sciences Economiques présentée et soutenue publiquement le 6 juin 2017 par Anna Bernard Music Markets and the Adoption of Novelty: Experimental Approaches Directeur de thèse Louis Lévy-Garboua Professeur à l’Université Paris 1 Panthéon-Sorbonne Jury Rapporteurs : Charles Noussair Professeur à The University of Arizona Paul Belleflamme Professeur à l’Université Aix Marseille Président : François Gardes Professeur à l’Université de Paris I Examinateurs : Matteo M. Galizzi Professeur Assistant à la London School of Economics Françoise Benhamou Professeure à l’Université Paris 13 L’Université Paris I Panthéon-Sorbonne n’entend donner aucune approbation, ni improbation aux opinions émises dans cette thèse; elles doivent être considérées comme propres à leur auteur.
    [Show full text]
  • Humor & (Classical) Music
    Humor & (Classical) Music: * 20th Century Parodists * October 22, 2020 Humor & Classical Music ● Quick Introductions ● Refresher on Humor/Satire/Parody ● 20th Century Parodists ● Q&A WHY & WHAT is something funny? WHY WHAT ● Broken Expectations! ● Music = Emotion with a side order of analytical ● thinking. Verisimilitude ● Humor = Analytical ● Context thinking with a side order of emotion. Types of Funny Music Many of these got started in Vaudeville: the world of NATIONAL MEDIA made it possible for performers to make their entire careers from satire/spoof/parody. ● Musical Jokes = Performed by a comedian, not usually a musician ● Musical Comedian = Comedian who chooses music as the medium ● Novelty Songs = Composed for the silly content ● Musical Parody & Satire ○ Spoof of pre-existing work/style with comic twist ● Musical Ridicule/Incompetence ○ Spoof of pre-existing work/style with demented twist ● Musical Comedy/Operetta = Feature length novelty song with plot and coherence ● Composed Humor = “Normal” composer tossing in something funny HOW is something in music funny? A. Slapstick Level a. Strange instruments, funny sounds, obvious musical gags b. Requires no musical background or context B. Moderately Keen Music Understanding a. Title humor, music theory gags b. Requires a certain level of musical background and context C. Musicological Esotheria a. Minutia jokes, structure and analysis gags, insider jokes b. Requires a deep understanding of music contexts Top scores go to those pieces that can combine all 3 at once! Spike Jones [A & B] ● Lindley Armstrong Jones born in CA in 1911. Called Spike early on. ● Percussion on original Bing Crosby “White Christmas” recording ● Joined the Feather Merchants, started to do the occasional silly recording, and in 1941 changed their name to The City Slickers (inspired by a Cindy Walker song Spike played on).
    [Show full text]
  • Tradition, Exoticism, and Cosmopolitism in Italian Popular Music (1950S-1980S)
    Differentia: Review of Italian Thought Number 2 Spring Article 15 1988 Tradition, Exoticism, and Cosmopolitism in Italian Popular Music (1950s-1980s) Paolo Prato Follow this and additional works at: https://commons.library.stonybrook.edu/differentia Recommended Citation Prato, Paolo (1988) "Tradition, Exoticism, and Cosmopolitism in Italian Popular Music (1950s-1980s)," Differentia: Review of Italian Thought: Vol. 2 , Article 15. Available at: https://commons.library.stonybrook.edu/differentia/vol2/iss1/15 This document is brought to you for free and open access by Academic Commons. It has been accepted for inclusion in Differentia: Review of Italian Thought by an authorized editor of Academic Commons. For more information, please contact [email protected], [email protected]. Tradition, Exoticism and Cosmopolitism in Italian Popular Music ( 1950s-1980s) Paolo Prato INTRODUCTION Richard Wolfe's ProfessionalFake Book (Columbia Pictures Pub­ lications, 1983), a compilation of over 1000 songs for the club pianist-Broadway's best, contemporary hits, folk songs, movie greats, classical themes, etc.-includes nine Italian pieces. There are Neapolitan evergreens (0 sole mio, Come Back to Sorrento and Malafemmena), one a love song (Santa Lucia), another a Sicilian folk song (Eh cumpari), another an opera highlight (La donna e mobile) and three "modern" songs (Volare, Ciao ciao bambina, Cara mia) from the 1950s. The list makes up an average package of what many people outside Italy consider to be Italian popular music. The songs are part of that "knowledge at hand" (Alfred Schutz) DIFFERENT/A 2 (Spring 1988) DIFFERENT/A 196 which is necessary to cope with what is strange within everyday life routines.
    [Show full text]
  • 77104716.Pdf
    ~~~kYourDealerfor JfROtfH·ROO[(~(OJ Laie~t PoblicatiooL fiITTIIEHABITf • NEW SONGS New Marches, Waltzes, That Will Please Captain Willie Brown. Words 4 lllusic by Intermezzos, Two-steps, Etc. There Never was a Gal Like You. Rus- .BENJ. HAPGOOD BUR.'t. tic Ballad. Ivanhoe. Intermezzo. Pride of the Prairie. Western Song. My Gal Irene. Rube Song. Prince Charming. Two-step. Hang Out the Front Door Key. Nov­ From left to right ___ Vinita. Indian Intermezzo. elty Song. From left to right ___ Tuxedo. Intermezzo. Capt. Willie Brown. Comic March Silver & Gold. Waltz. Song. Sahara. Novelty. Summer Time vValtzes. There Comes a Night. Topical Song. p Ma Belle Waltzes. Garden of Dreams. High-class Ballad. Merry Widow Waltz. Sweetheart Days. Ballad. J\!Iusette. Intermezzo. I'm Afraid to Come Home in the Dark. Novelty. Lovelight Waltzes. Rebecca. Yiddish Love Song. Dill Pickles. Rag. Has . Anybody Seen My Husband? Le Kie-King. Parisian Novelette. Comic. he'd march a - way With col - ors Tri-Color March. Musette. (Song.) he'd march a - way ____ Most ev - 'ry Lotus San. Japanese Novelty. Topeka. Two-step Intermezzo. Rain-in-the-Face. Indian Comic. Bombay. I-Jindoo Novelty. I Want a Gibson Man. "Novelty. Valse Rejane. Irish Fluffy Ruffles. Novelty. Enchantress vValtzes. 'Neath the Old Cherry Tree, Sweet Ma­ ri e. Ballad. Bogie Man. Novelty. In the Land of the ' Buffalo. Cowboy Innocence. vValtz Lente. Song. Uncle Hiram's Intermezzo. I'll Teach You How. Novelty Song. Whispered Thought. Two-step Inter- If Somebody Loved Me. Novelty Song. mezzo. Stingy Moon. Serenade. Dark Eyes. J\Iexican Intermezzo.
    [Show full text]
  • Youll-Never-Miss-The-Water-Till-The-Well-Runs-Dry SHEET MUSIC
    ------- JeRQf\e n.Ret'\l(K zx co. NtWYORK ~ - ""°"~ By.the Writers~ D11eanting, • · WOR.DS d b.W. HEISE~ . · MUSIC $° 4.ANIDN DAILEY ) qJ!ROMEH.REMICK & a>. IHW YO•K - O&Tlt~ITo • - ~Your ,Dealer mf JIRO?f ltRf.HI[i ~[IJ}. ~ PoblKatiooL 6UTHE ffABITI •· • NEW .SONGS SWEETHEART nAYS. New Marches, Waltzes, That Will Please BAt.tAD; Intermezzos, Two-1tep1, Etc. · There Never was a Gal Like You. Rus- tic Ballad. · a, tilt wrlten or"l>reamlnr!' Ivanhoe. Intermezzo. Sweetheart Days. Ballad. W~ l>~ · t..W. REISER. ' Music bJ J. ANTON DAILEY. Prince Charming. Two-step. Sahara. Novelty. <:Honus·. With fttllng, Vinita. Indian Intermezzo. I'm Afraid to Come Home in the Dark. Tuxedo. Intermezzo. Novelty. Rebecca. Yiddish Love Song. Silver &' Gold. Waltz. Has Anybody Seen My Husband? S"'et-lltart days, .aweet-htatt cl.iys, "lwfff·est l>f all are SWttt·beart daJS; Summer Ti111e Waltzes. Comic. Ma Belle Waltzes. Hang Out the Front Door Key. Nov­ Merry Widow Waltz. elty Song. My Gal Irene. Rube Song. Musette.. Intermezzo. Capt. Willie Brown. Comic March Song. Lovelight Waltzes. M usettc (song) . Dill Pickles. Rag. Lotus San. .Japanese Novelty. Le Kie-King. Parisian Novelette., Rai,n-in-the-Face. Indian Comic. I Want a Gibson Man. Novelty. Tri-Color March. · Irish Fluffy Ruffles. Novelty. Topeka, Two-step lntermez20. 'Neath the Ola Cherry Tree, Sweet Ma._ Still In our lie.arts these Bombay. Hindoo N ovr.hy. rie. Ballad. Valse Rejane. In the Land of the Buffalo. Cowboy Song. Enchantress Waltzes. · Pride of the Prairie. Western Song. Bogie Man. }fovelty.
    [Show full text]