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Book by Marshall Brickman and Rick Elice Music And
BOOK BY MARSHALL BRICKMAN AND RICK ELICE MUSIC AND LYRICS BY ANDREW LIPPA BASED ON CHARACTERS CREATED BY CHARLES ADDAMS ORIGINALLY PRODUCED ON BROADWAY BY STUART OKEN, ROY FURMAN, MICHAEL LEAVITT, FIVE CENT PRODUCTIONS, STEPHEN SCHULER, DECCA THEATRICALS, SCOTT M. DELMAN, STUART DITSKY, TERRY ALLEN KRAMER, STEPHANIE P. MCCLELLAND, JAMES L. NEDERLANDER, EVA PRICE, JAM THEATRICALS/MARY LUROFFE, PITTSBURGH CLO/GUTTERMAN-SWINSKY, VIVEK TIWARY/GARY KAPLAN, THE WEINSTEIN COMPANY/CLARENCE, LLC, ADAM ZOTOVICH/TRIBE THEATRICALS BY SPECIAL ARRANGEMENT WITH ELEPHANT EYE THEATRICAL DIRECTED BY LAURA NEGRAEFF MUSIC DIRECTION BY SHAUN BZDEL & ANDREW LINSLEY CHOREOGRAPHY BY MEGHAN MCDONALD THE ADDAMS FAMILY A NEW MUSICAL is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide 1180 Avenue of the Americas, Suite 640, New York, NY 10036. www.theatricalrights.com It is with gratitude and humility that Saskatoon Summer Players acknowledges that we create and perform on Treaty Six Territory which is the traditional territory of many First Nations and is the homeland of the Metis. In particularly difficult times such as these, we are thankful for the support of the businesses and granting organizations who stand with arts organizations like Saskatoon Summer Players to ensure that the show goes on. We offer our sincere thanks to these organizations. This production would not have been possible without the generous support of our community partners. They have helped us when we needed access to space, equipment, and expertise. We are eternally grateful for their generosity and for their commitment to making theatre happen in our community at this difficult time. -
Volume 44 Number 4 Oct Nov Dec 2018
THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC ODEAN POPE PHIL MINTON SKETY SCOTT ROBINSON STEVE COHN KEIKO JONES MONTREAL JAZZ FESTIVAL 2018 INTERNATIONAL JAZZ NEWS CD REVIEWS BOOK REVIEWS DVD REVIEWS OBITUARIES Volume 44 Number 4 Oct Nov Dec 2018 New Releases on CNM Records POCKET ACES, CULL THE HEARD (CNM032) - OUT NOW. - Pocket Aces emerged from the jazz trio tradition; where each voice balances the others through contrast, and surprise. Although freely improvised, the music of Pocket Aces is consciously compositional, given to bouts of form, groove, and crafty melodies. Distillation of ideas with a premium on space and tone provides a strong coherence as the trio navigates the familiar and unfamiliar. HOFBAUER/ROSENTHANL QUARTET, HUMAN RESOURCES (CNM033) - RELEASE DATE NOV. 9 THE HOFBAUER/ROSENTHAL QUARTET, unites four imaginative improvisors from Boston’s eclectic jazz scene. There’s a non-hierarchal notion of the ensemble in this project, an ideal of equality and a selfless determination built into every musical inclination, as they unabashedly swing at the intersection between the clarity and control of bop and the brash freedom of the avant-garde. ERIC HOFBAUER QUARTET, PREHISTORIC JAZZ VOL. 4: REMINISCING IN TEMPO - OUT NOW. Reimagining of the rarely heard 1935 long form Duke Ellington composition. "It's a musical jungle gym for the guitar fan, a close listening to Hofbauer's note choices and abstract connections to the song's structure is absolutely required listening." - Paul Acquaro, Free Jazz Blog. All Albums on Bandcamp.com, Amazon.com or Erichofbauer.com - Visit erichofbauer.com for album details, audio samples, press and more. -
International Choral Bulletin Is the Official Journal of the IFCM
2011-2 ICB_ICB New 5/04/11 17:49 Page1 ISSN 0896 – 0968 Volume XXX, Number 2 – 2nd Quarter, 2011 ICB International CIhoCral BulBletin First IFCM International Choral Composition Competition A Great Success! Results and Interview Inside Dossier Choral Music in Malaysia, Indonesia, Singapore and Macau 2011-2 ICB_ICB New 5/04/11 17:49 Page2 International Federation for Choral Music The International Choral Bulletin is the official journal of the IFCM. It is issued to members four times a year. Managing Editor Banners Dr Andrea Angelini by Dolf Rabus on pages 22, 66 & 68 Via Pascoli 23/g 47900 Rimini, Italy Template Design Tel: +39-347-2573878 - Fax: +39-2-700425984 Marty Maxwell E-mail: [email protected] Skype: theconductor Printed by Imprimerie Paul Daxhelet, B 4280 Avin, Belgium Editor Emerita Jutta Tagger The views expressed by the authors are not necessarily those of IFCM. Editorial Team Michael J. Anderson, Philip Brunelle, Submitting Material Theodora Pavlovitch, Fred Sjöberg, Leon Shiu-wai Tong "When submitting documents to be considered for publication, please provide articles by CD or Email. Regular Collaborators The following electronic file formats are accepted: Text, Mag. Graham Lack – Consultant Editor RTF or Microsoft Word (version 97 or higher). ([email protected] ) Images must be in GIF, EPS, TIFF or JPEG format and be at Dr. Marian E. Dolan - Repertoire least 350dpi. Articles may be submitted in one or more of ([email protected] ) these languages: English, French, German, Spanish." Dr. Cristian Grases - World of Children’s and Youth Choirs ( [email protected] ) Reprints Nadine Robin - Advertisement & Events Articles may be reproduced for non-commercial purposes ([email protected] ) once permission has been granted by the managing Dr. -
Part V Soloists, Guest Ensembles, and Guest Conductors, 1926-2001
174 Part V Soloists, Guest Ensembles, and Guest Conductors, 1926-2001 The following list does not include soloists for staged opera performances. I have also excluded soloists who performed art songs or chamber works. This list does include “Pops” performers, even though their repertoire might be listed only as “selections” and thus excluded from Part II. See the table of contents (p.iii) for the organization of the following. Pippa Borisey (Steenbock Award - twice) Piano Beethoven, Concerto No.1 for Piano and Steve Allen Orchestra (first mvt.) / 3/11/84(y) Pops soloist / 5/7/77(p) Schumann, Concerto for Piano and Orchestra Augustin Anievas (first mvt.) / 5/18/86(y) Rachmaninoff, Rhapsody on a Theme of Paganini, Gerald Borsuk for Piano and Orchestra / 10/24/70 Beethoven, Concerto No.2 for Piano and Claudio Arrau Orchestra (first mvt.) / 2/19/35 Beethoven, Concerto No.5 for Piano and Gershwin, Concerto in F for Piano and Orchestra / Orchestra, "Emperor" / 2/3/79 4/11/51 David Askins (Steenbock Award) John Browning Mozart, Concerto No.20 for Piano and Orchestra, Barber, Concerto for Piano and Orchestra / K.466 (first movement) / 4/6/74(y) 10/9/99 Emmanuel Ax Beethoven, Concerto No.3 for Piano and Chopin, Concerto No.1 for Piano and Orchestra / Orchestra / 12/8/73 9/29/79 Mozart, Concerto No.23 for Piano and Orchestra, Paul Badura-Skoda K.488 / 10/15/77 Beethoven, Concerto No.5 for Piano and Prokofiev, Concerto No.3 for Piano and Orchestra Orchestra, "Emperor" / 4/10/68 / 4/27/91 Allen Barker Ravel, Concerto in D Major for Piano Left Hand, -
2015 Year in Review
Ar#st Album Record Label !!! As If Warp 11th Dream Day Beet Atlan5c The 4onthefloor All In Self-Released 7 Seconds New Wind BYO A Place To Bury StranGers Transfixia5on Dead Oceans A.F.I. A Fire Inside EP Adeline A.F.I. A.F.I. Nitro A.F.I. Sing The Sorrow Dreamworks The Acid Liminal Infec5ous Music ACTN My Flesh is Weakness/So God Damn Cold Self-Released Tarmac Adam In Place Onesize Records Ryan Adams 1989 Pax AM Adler & Hearne Second Nature SprinG Hollow Aesop Rock & Homeboy Sandman Lice Stones Throw AL 35510 Presence In Absence BC Alabama Shakes Sound & Colour ATO Alberta Cross Alberta Cross Dine Alone Alex G Beach Music Domino Recording Jim Alfredson's Dirty FinGers A Tribute to Big John Pa^on Big O Algiers Algiers Matador Alison Wonderland Run Astralwerks All Them Witches DyinG Surfer Meets His Maker New West All We Are Self Titled Domino Jackie Allen My Favorite Color Hans Strum Music AM & Shawn Lee Celes5al Electric ESL Music The AmazinG Picture You Par5san American Scarecrows Yesteryear Self Released American Wrestlers American Wrestlers Fat Possum Ancient River Keeper of the Dawn Self-Released Edward David Anderson The Loxley Sessions The Roayl Potato Family Animal Hours Do Over Self-Released Animal Magne5sm Black River Rainbow Self Released Aphex Twin Computer Controlled Acous5c Instruments Part 2 Warp The Aquadolls Stoked On You BurGer Aqueduct Wild KniGhts Wichita RecordinGs Aquilo CallinG Me B3SCI Arca Mutant Mute Architecture In Helsinki Now And 4EVA Casual Workout The Arcs Yours, Dreamily Nonesuch Arise Roots Love & War Self-Released Astrobeard S/T Self-Relesed Atlas Genius Inanimate Objects Warner Bros. -
The Addams Family” Information Night
“The Addams Family” Information Night May 22 – 7:30 p.m. @ Christ Church (1700 Mazo Crescent, Mississauga) Book by MARSHALL BRICKMAN and RICK ELICE Music and Lyrics by ANDREW LIPPA Based on Characters Created by Charles Addams THE ADDAMS FAMILY features an original story, and it’s every father’s nightmare. Wednesday Addams, the ultimate princess of darkness, has grown up and fallen in love with Lucas Beineke, a sweet, smart young man from a respectable family – a man her parents (Mal and Alice) have never met. And if that weren’t upsetting enough, Wednesday confides in her father and begs him not to tell her mother. Now, Gomez Addams must do something he’s never done before – keep a secret from his beloved wife, Morticia. Meanwhile, Fester will not allow the Family Ancestors back into the crypt until love triumphs. Things get worse when the rest of the household (Grandma, Lurch, Pugsley) get involved in a “Full Disclosure” of more zany misadventures. Everything will change for both families on this one fateful night. Original music includes: “When You’re an Addams”, Tango de Amor”, The Moon” and, of course, “The Addams Family Theme song”. Join us, for a creepy, spooky and all together “ooky” good time. We really are a scream, The Addams Family! Presented in cooperation with Theatrical Rights Worldwide Producers Rita Ferguson, Christine McMahon, Susan Wray Toogood Artistic Director Rob Gorican Choreographer Bob Riddell Music Director Jenny Peace Stage Manager John Dalgleish Set Designer Bruce Brown Costumes Alex Amini Lights Jim Smagata Props Chris Filippelli Sound Greg Salisbury pg. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
RIGHTS CLAIMS THROUGH MUSIC a Study on Collective Identity and Social Movements
RIGHTS CLAIMS THROUGH MUSIC A study on collective identity and social movements Dzeneta Sadikovic Department of Global and Political Studies Human Rights III (MR106S) Bachelor thesis, 15hp 15 ETC, Fall/2019 Supervisor: Dimosthenis Chatzoglakis Abstract This study is an analysis of musical lyrics which express oppression and discrimination of the African American community and encourage potential action for individuals to make a claim on their rights. This analysis will be done methodologically as a content analysis. Song texts are examined in the context of oppression and discrimination and how they relate to social movements. This study will examine different social movements occurring during a timeline stretching from the era of slavery to present day, and how music gives frame to collective identities as well as potential action. The material consisting of song lyrics will be theoretically approached from different sociological and musicological perspectives. This study aims to examine what interpretative frame for social change is offered by music. Conclusively, this study will show that music functions as an informative tool which can spread awareness and encourage people to pressure authorities and make a claim on their Human Rights. Keywords: music, politics, human rights, freedom of speech, oppression, discrimination, racism, culture, protest, social movements, sociology, musicology, slavery, civil rights, African Americans, collective identity List of Contents 1. Introduction p.2 1.1 Topic p.2 1.2 Aim & Purpose p.2 1.3 Human Rights & Music p.3 1.4 Research Question(s) p.3 1.5 Research Area & Delimitations p.3 1.6 Chapter Outline p.5 2. Theory & Previous Research p.6 2.1 Music As A Tool p.6 2.2 Social Movements & Collective Behavior p.8 2.2.1 Civil Rights Movement p.10 3. -
Milwaukee Holiday Lights Festival
MILWAUKEE HOLIDAY LIGHTS FESTIVAL — 20 SEASONS OF LIGHTS & SIGHTS — NOVEMBER 15, 2018 - JANUARY 1, 2019 DOWNTOWN MILWAUKEE • milwaukeeholidaylights.com IT’S THE MOST WONDERFUL TIME OF THE Y’EAR! MILWAUKEE HOLIDAY LIGHTS FESTIVAL – MILWAUKEE HOLIDAY LIGHTS FESTIVAL 20 SEASONS OF LIGHTS & SIGHTS KICK-OFF EXTRAVAGANZA November 15, 2018 – January 1, 2019 Thu, November 15 | 6:30pm Nobody does the holidays quite like Milwaukee! In celebration of our 20th Pre-show entertainment beginning at 5:30pm season, we’re charging up the town to light millions of faces. From all-day Pere Marquette Park adventures to evening escapes, guests of all ages will delight in our merry In celebration of 20 seasons, we’re delivering measures. So hop to something extraordinary! a magical lineup full of holiday cheer. Catch performances by Platinum, Prismatic Flame, #MKEholidaylights Milwaukee Youth Symphony Orchestra, Jenny Thiel, Young Dance Academy, and cast members from Milwaukee Repertory Theater’s “A Christmas Carol” and Black Arts MKE’s “Black Nativity” presented by Bronzeville Arts Ensemble. Fireworks and a visit from Santa will top off the night. Plus, after the show, take in downtown’s newly lit scenes with free Jingle Bus rides presented by Meijer and powered by Coach USA. If you can’t make the party, tune into WISN 12 for a live broadcast from 6:30pm to 7pm. “WISN 12 Live: Holiday Lights Kick-Off” will be co-hosted by Adrienne Pedersen and Sheldon Dutes. 3RD 2ND SCHLITZ PARK TAKE IN THE SIGHTS ABOARD THE JINGLE BUS CHERRY presented by meijer LYON Thu – Sun, November 15 – December 30 | 6pm to 8:20pm VLIET WATER OGDEN PROSPECT AVENUE FRANKLIN Plankinton Clover Apartments – 161 W. -
December 2016
Traditional Folk Song Circle goers to hear Potomac Accordion Ensemble December 10 December 2016 Inside this issue: From the President 2 Open Mics 3 Pics from Sunday Open Stage 4 Traditional Folk Song Circle 5 The Songs We Sing 6 Comfortable Concerts 7 Hill Chapel Concert 9 Gear of the Month 10 Pull up a Chair 12 Other Music Orgs of interest 13 Member Ads 14 Open Mic Photos 16 Board of Directors 18 F.A.M.E. Goals 18 Membership Renewal/App 18 Poster art courtesy of Todd C Walker Page 2 From the President I don’t know whose thought this is, but I read somewhere that “music is the wheels of a movement. I know that music made a tremendous difference in the anti- war movement of the 60s as well as the civil rights movement. Music is a powerful force that is often unrecognized. A song has a way of inspiring folks that nothing else comes even close to. We are in need of inspiring songs. One of the roles of a songwriter is not only to reflect on what is happening in the present but also to provide a vision of the future. What is your vision of the future? For some it is nihilistic bleakness – a very cynical response to our world. For others, it is filled with hope – we are somehow going to be able to figure out how we can live together and with all of creation. If you are a performer, I want to challenge you to get out of yourself and add songs that reflect your vision of the future to your repertoire. -
Audition Notice for the Village Youth Theater's Production Of
Audition Notice for the Village Youth Theater’s Production of Book by: Marshall Brickman Book by: Rick Elice Music & Lyrics by: Andrew Lippa Produced with permission from TRW Audition Date: Saturday, March 24, Two Sessions. Check in starting at 9:00 a.m., auditions begin at 9:30, Or, Check in starting at noon, auditions begin at 12:30. Callbacks will be held EITHER Saturday, March 24, starting about 2:00 OR Monday, March 26 from 4 – 6. We will announce on Saturday, March 24 when callbacks will be held. Audition/Callback Location: The Playhouse of the Village Players, 34660 Woodward Ave., Birmingham. Audition Requirements: All actors should recite a one-minute monologue that demonstrates your acting skills. Memorization is preferred as that will allow you perform without holding a sheet of paper. Music Cuts - Audition music cuts are attached to this notice. Be prepared to sing the cuts for the roles in which you are interested. Cuts are as follows (songs, role and start and stop markings are indicated): Chorus Only – The Addams Family Theme All Leads (be familiar with harmonies) – Crazier Than you Wednesday – Crazier Than You Lucas – Crazier Than You Gomez – Happy Sad Fester – The Moon and Me Morticia – Just Around the Corner Alice – Waiting Puglsey – What If All Auditioners - One Normal Night Wednesday – Pulled Show Dates – June 21 – 24, Two shows on Saturday, June 23. Matinee on Sunday, June 24. Additionally, all cast members and one family member must stay to strike on Sunday, June 24. Family members are also required to volunteer for two shows or dress rehearsals. -
The Swingle Singers Swingle Singers Swingle
Ikon Arts Management Ltd Suite 114, Business Design Centre 52 Upper Street , London N1 0QH t: +44 (0)20 7354 9199 f: +44 (0)870 130 9646 [email protected] www.ikonarts.com The Swingle Singers Biography Vocal Ensemble “their precision is awesome, their technique impeccable” Classic Fm Magazine Website www. swinglesingers.com Contact Jessica Hill Email jessica @ikonarts.com For 50 years, the Swingle Singers have set a standard for what the human voice can achieve. Their signature blend of vocal agility and captivating showmanship has thrilled generations of fans worldwide. As they embark on the next chapter of their story, these pioneers of the genre are once again reshaping the possibilities of vocal music to create immersive and exhil arating experiences for audiences. The group’s history is a remarkable tale of renewal. In 1963, American 'born Ward Swingle assembled a group of Parisian session singers to sing Bach’s keyboard music. The resulting album, Jazz Sebastian Bach, launched the Swingle Singers to fame. Over five decades the group has sustained a level of international popularity beyond its founder’s wildest dreams, with each new singer bringing something fresh to the Swingle sound. The seven extraordinary voices that make up t oday’s young, London 'based Swingle Singers are the inheritors of an unbroken lineage going back to 1963 and share the original group’s innovative spirit. Their repertoire spans pop, classical, folk, latin and jazz music – and, for the first time in many ye ars, powerful original songs. All are delivered with unflagging passion and precision, using the human voice alone.