Judith Merril Fonds Mg30-D
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For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
William Gibson Fonds
William Gibson fonds Compiled by Christopher Hives (1993) University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Biographical Sketch o Scope and Content o Notes File List Catalogue entry (UBC Library catalogue) Fonds Description William Gibson fonds. - 1983-1993. 65 cm of textual materials Biographical Sketch William Gibson is generally recognized as the most important science fiction writer to emerge in the 1980s. His first novel, Neuromancer, is the first novel ever to win the Hugo, Nebula and Philip K. Dick awards. Neuromancer, which has been considered to be one of the influential science fiction novels written in the last twenty-five years, inspired a whole new genre in science fiction writing referred to as "cyberpunk". Gibson was born in 1948 in Conway, South Carolina. He moved to Toronto in the late 1960s and then to Vancouver in the early 1970s. Gibson studied English at the University of British Columbia. He began writing science fiction short stories while at UBC. In 1979 Gibson wrote "Johnny Mnemonic" which was published in Omni magazine. An editor at Ace books encouraged him to try writing a novel. This novel would become Neuromancer which was published in 1984. After Neuromancer, Gibson wrote Count Zero (1986), Mona Lisa Overdrive (1988), and Virtual Light (1993). He collaborated with Bruce Sterling in writing The Difference Engine (1990). Gibson has also published numerous short stories, many of which appeared in a collection of his work, Burning Chrome (1986). Scope and Content Fonds consists of typescript manuscripts and copy-edited, galley or page proof versions of all five of Gibson's novels (to 1993) as well as several short stories. -
Judith Merril's Expatriate Narrative, 1968-1972 by Jolene Mccann a Thesis Submi
"The Love Token of a Token Immigrant": Judith Merril's Expatriate Narrative, 1968-1972 by Jolene McCann A thesis submitted in partial fulfillment of the requirements for the degree Master of Arts in The Faculty of Graduate Studies (History) THE UNIVERSITY OF BRITISH COLUMBIA April 2006 © Jolene McCann, 2006 Abstract Judith Merril was an internationally acclaimed science fiction (sf) writer and editor who expatriated from the United States to Canada in November 1968 with the core of what would become the Merril Collection of Science Fiction, Speculation and Fantasy in Toronto. Merril chronicled her transition from a nominal American or "token immigrant" to an authentic Canadian immigrant in personal documents and a memoir, Better to Have Loved: the Life of Judith Merril (2002). I argue that Sidonie Smith's travel writing theory, in particular, her notion of the "expatriate narrative" elucidates Merril's transition from a 'token' immigrant to a representative token of the American immigrant community residing in Toronto during the 1960s and 1970s. I further argue that Judith Merril's expatriate narrative links this personal transition to the simultaneous development of her science fiction library from its formation at Rochdale College to its donation by Merril in 1970 as a special branch of the Toronto Public Library (TPL). For twenty-seven years after Merril's expatriation from the United States, the Spaced Out Library cum Merril Collection - her love-token to the city and the universe - moored Merril politically and intellectually in Toronto. ii Acknowledgements I would like to thank my supervisor Dianne Newell for introducing me to the Merril Collection and sharing her extensive collection of primary sources on science fiction and copies of Merril's correspondence with me, as well as for making my visit to the Merril Collection at the Library and Archives of Canada, Ottawa possible. -
JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate. -
Canadian Fancyclopedia: C – Version 1 (May 2009)
The Canadian Fancyclopedia: C – Version 1 (May 2009) An Incompleat Guide To Twentieth Century Canadian Science Fiction Fandom by Richard Graeme Cameron, BCSFA/WCSFA Archivist. A publication of the British Columbia Science Fiction Association (BCSFA) And the West Coast Science Fiction Association (WCSFA). You can contact me at: [email protected] Canadian fanzines are shown in red, Canadian Apazines in Green, Canadian items in purple, Foreign items in blue. C CADRE / CAFP / CALENDAR / CAIRNLEA FARMS PRESENTS / CALCIUM LIGHT NIGHTS / THE CALGARY SF FORUM / THE CALL GOES OUT / CALLISTO RISING / CANADAPA / CANADIAN CAPERS / CANADIAN FANDOM / THE CANADIAN FANDOM HISTORY FACT SHEET / CANADIAN JOURNAL OF DENTOURNEMENT / THE CANADIAN SCIENCE FICTION ASSOCIATION / THE CANADIAN SCIENCE FICTION ASSOCIATION: A HISTORY / THE CANADIAN SCIENCE FICTION FAN / THE CANADIAN SPACE GAZETTE / CANFAAN AWARDS / CANFAN / CANFANDOM / CANFANTATOR / CANFAPA / CANVENTION / CARBONZINE / CARDZINE / CAREFULLY SEDATED / CARFAX / CARR, JOAN W. / CARTOON WAR / CASCADE / THE CASE OF THE LITTLE GREEN MEN / CASPERAPA / CASPERS / CAUSE CELEBRE / CENSORED / CENSORSHIP / THE CENTRAL GANGLION / CHAINZINE / CHECKMATE / CHRISTIAN SLANS READING SLANZINES / CHRISTMAS CARD / CHURCH OF HERBANGELISM / CINETIK / CIRCLE AMATEUR PUBLISHER'S ALLIANCE / CLAPTRAPA / CLASSIFICATION ( OF FANTASY) / CLEAN UP FANDOM CRUSADE / CLUBHOUSE / CLUBROOM / CLUB VIRUS / CLUBZINE / COA / COFF / COLUMBIA SCIENCE FANTASY SOCIETY / COLOPHON / COME HOLD THE MOON / COME WHAT MAY / COMMENT COVER / COMMUNIQUE -
A Night at the Garden (S): a History of Professional Hockey Spectatorship
A Night at the Garden(s): A History of Professional Hockey Spectatorship in the 1920s and 1930s by Russell David Field A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Exercise Sciences University of Toronto © Copyright by Russell David Field 2008 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-39833-3 Our file Notre reference ISBN: 978-0-494-39833-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Social Science Fiction from the Sixties to the Present Instructor: Joseph Shack [email protected] Office Hours: to Be Announced
Social Science Fiction from the Sixties to the Present Instructor: Joseph Shack [email protected] Office Hours: To be announced Course Description The label “social science fiction,” initially coined by Isaac Asimov in 1953 as a broad category to describe narratives focusing on the effects of novel technologies and scientific advances on society, became a pejorative leveled at a new group of authors that rose to prominence during the sixties and seventies. These writers, who became associated with “New Wave” science fiction movement, differentiated themselves from their predecessors by consciously turning their backs on the pulpy adventure stories and tales of technological optimism of their predecessors in order to produce experimental, literary fiction. Rather than concerning themselves with “hard” science, social science fiction written by authors such as Ursula K. Le Guin and Samuel Delany focused on speculative societies (whether dystopian, alien, futuristic, etc.) and their effects on individual characters. In this junior tutorial you’ll receive a crash course in the groundbreaking science fiction of the sixties and seventies (with a few brief excursions to the eighties and nineties) through various mediums, including the experimental short stories, landmark novels, and innovative films that characterize the period. Responding to the social and political upheavals they were experiencing, each of our authors leverages particular sub-genres of science fiction to provide a pointed critique of their contemporary society. During the first eight weeks of the course, as a complement to the social science fiction we’ll be reading, students will familiarize themselves with various theoretical and critical methods that approach literature as a reflection of the social institutions from which it originates, including Marxist literary critique, queer theory, feminism, critical race theory, and postmodernism. -
File 770 159 Pages 24-34
24 File 770: 159 Scene 7 THE ONLY GAMESHOW IN TOWN 150 Questions for the trufan Encore of the Fannish Trivia Quiz Compiled for Ditto 1 by Taral Wayne File 770 Edition 1 Q: Which Worldcons were held from 1942 to 1945? 8 Q: Which fannish divinity holds the colour A: None. purple holy? Why? A: GhuGhu, the god of hectographed fanzines. 2 Q: What fanzine was published “whenever a He marks his devotees with purple stains on their zombie awakens?” fingertips, transferred from the dyes on the A: Bob Tucker’s Le Zombie. masters. 3 Q: “Ackermanese” was what? 9 Q: Who originally edited Locus? A: An unsystematic style of skiffy-looking A: Ed Meskys, Dave Vanderwerf, and abbreviations, like “sci-fi”, and phonetic spelling Charlie Brown. invented by “4E” Ackerman for his fanzines, and used practically only by Forry. Unfortunately, he 10 Q: Who published these zines – successfully introduced the odious “sci-fi” to Holly Beabohema, Oopsla , and Grue ? wood, whose luminati took to it like morons to A: Frank Lunney, Gregg Calkins, and Dean drool. Grennell. 4 Q: What fanzine did Ed Wood throw away, 11 Q: What are “Soggies”? unopened. Why was this ironic? A: Humorous cartoon characters drawn by Terry A: He didn’t like fannish zines, and when he Jeeves for Eric Bentcliffe. threw away Hyphen he never knew he threw out some first rate sercon. 12 Q: What happened in Room 770? A: A terrific party, at the 1951 Nolacon. The bed 5 Q: What are the favorite fannish beverages fell in. of Ted White, Moshe Feder and Joyce Katz? A: Pepsi. -
Australian SF News 39
DON TUCK WINS HUGO Tasmanian fan and bibliophile, DONALD H.TUCK, has won a further award for his work in the science fiction and fantasy reference field, with his ENCYCLOPEDIA OF SCIENCE FICTION AND 'FANTASY Volume III, which won the Non-Fiction Hugo Award at the World SF Convention, LA-CON, held August 30th to September 3rd. Don was previously presented with a Committee Award by the '62 World SF Co, Chicon III; for his work on THE HANDBOOK OF SCIENCE FICTION AND FANTASY, which grew into the three volume encyclopedia published by Advent : Publishers Inc. in Chicago, Illinois,U.S.A. Winning the Hugo Award, the first one presented to an Australian fan or professional, is a fitting reward for the tremendous amount of time and effort Don has put into his very valuable reference work. ( A profile of Don appears on page 12.) 8365 People Attend David Brin's STARTIDE RISING wins DONALD H.TUCK C. D.H.Tuck '84 Hugo Best Novel Award L.A.CON, the 42nd World SF Convention, was the largest World SF Con held so far. The Anaheim Convention Centre in Anaheim California, near Hollywood, was the centre of the activities which apparently took over where the Olympic Games left off. 9282 people joined the convention with 8365 actually attending. 2542 people joined at the door, despite the memberships costs of $35 a day and $75 for the full con. Atlanta won the bld to hold the 1986 World SF Convention, on the first ballot, with 789 out of the total of valid votes cast of 1368. -
V – Version 1 (June 2009)
The Canadian Fancyclopedia: V – Version 1 (June 2009) An Incompleat Guide To Twentieth Century Canadian Science Fiction Fandom by Richard Graeme Cameron, BCSFA/WCSFA Archivist. A publication of the British Columbia Science Fiction Association (BCSFA) And the West Coast Science Fiction Association (WCSFA). You can contact me at: [email protected] Canadian fanzines are shown in red, Canadian Apazines in Green, Canadian items in purple, Foreign items in blue. V VANAPA / VANATIONS / VANCOUVER AREA FLYING SAUCER CLUB / VANCOUVER SF SOCIETY / VATI-CON III PROGRAM BOOK / VCBC BULLETIN / VCON / VELVET GLOVES AND SPIT / VENUS IN CONJUNCTION / VICTORY UPDATE / LA VIEILLE LOBELIA / THE VIEW FROM THE EPICENTRE / VILE PRO / VISIONS / VODKA ON THE ROCKS / VOGON POETRY CONTEST / THE VOICE / VOLDESFAN / VOLTA / VOM - VOICE OF THE IMAGI-NATION / VOMAIDENS / VOMB / VOMBI / VULCAN / VULCAN MAIL VANAPA -- Faneds (O.E.): Fran Skene & Shelly Lewis Gordy. The Vancouver APA, pubbed out of Vancouver, B.C. (Detail to be added) "VANAPA tends to be slightly more frivolous than BCAPA and to discourage political discussions, etc." - (RR) In her editorial in the last VANAPA (#34), Fran Skene wrote: "We have our answer. VANAPA has perished. However, it served a need for a while as a place for locals to turn to when they couldn't stand the arguments in BCAPA." 1978 - (#1 - Dec) 1979 - (#2 - Jan) (#3 - Feb) (#4 - Mar) (#5 - Apr) (#6 - May) (#7 - Jun) (#8 - Jul) (#9 - Aug) (#10 - Sep) (#11 - Oct) (#12 - Nov) (#13 - Dec) 1980 - (#14 - Jan) (#15 - Feb) (#16 - Mar) (#17 - Apr) (#18 - May) (#19 - Jun) (#20 - Jul) (#21 - Aug) (#22 - Sep) (#23 - Oct) (#24 - Nov) (#25 - dec) 1981 - (#26 - Jan) (#27 - Feb) (#28 - Mar) (#29 - Apr) (#30/31 - May/Jun) (#32 - Nov) 1982 - (#33 - Jan) (#34 - Jun) [ See BCAPA ] VANATIONS -- Faned: Norman G. -
Sol Rising Issue
Special Worldcon Issue $2.50 Free for members. Want to become a member? SOL RISING Check out the back page for more info. The Newsletter of The Friends of the Merril Collection of Science Fiction, Speculation and Fantasy SOL RISING Friends of the Merril Collection Number 29,August 2003 Inside Articles 1 My Residency 7 Inside the Merril Guestbook Columns 2 View from the Chair 3 From the Collection Head 5 So Bad They’re Good There’s always something interesting going on at the Merril, from readings by world famous Info Bits authors to our annual Pulps show and sale. Photos by Andrew Specht. 3 Events 3 Special Thanks 3 Worldcon Notes My Residency 6 Volunteers Needed! 8 Membership and By: Robert J. Sawyer Renewal n April, May, and June of 2003, I was writer-in-residence at the Merril Collection. Many people have thanked me for my generosity in doing this- Iso let’s start by setting the record straight. It was a paying job, funded by the Reach Us Toronto Public Library and the Friends of the Library’s South Region. They’re Friends of the Merril Collection, the heroes of this, and I am extremely grateful for their support. c/o Lillian H.Smith Branch, TPL, My residency began with a reception for library board members and staff at 239 College St. 3rd Floor, Toronto, the Toronto Reference Library, with refreshments provided by the Friends of the Ontario, M5T-1R5 Merril Collection (thank you!). At that event, I said that being writer-in-resi- www.tpl.toronto.on.ca/merril/home.htm dence at the Merril is “an honour without parallel” for an author of science fic- www.friendsofmerril.org/ tion. -
7.2 10Th Anniversary •Fi Part
INDEX Michael Winkler p. 2 Editorial p. 3 Al Purdy p. 4 Fernando Aguiar p. 7 Judith Merril p. 8 Albuquerque Mendes p. 12 bill bissett p. 13 Brigitta Bali p. 13 Dave Godfrey p. 14 Opal Louis Nations p. 17 James Gray p. 18 Karl Jirgens p. 20 Roland Sabatier p. 23 Rafael Barreto-Rivera p. 24 Frank Davey p. 25 Yves Troendle p. 26 / John Feckner p. 28 Doug Back/Hu Hohn/Norman White p. 30 "A" Battery "A" Group p. 32 Steven Smith p. 36 Nicholas Power p. 37 Ray DiPalma p. 38 Marina LaPalma p. 39 Kathy Fretwell p. 39 Raymond Souster p. 40 Robert Clayton Casto p. 42 John Donlan p. 43 Don Summerhayes p. 44 Merlin Homer p. 44 David UU p. 46 Jones p. 47 Elaine L. Corts p. 47 Gerry Gilbert p. 48 Libby Scheier p. 50 W. Mark Sutherland p. 51 Cola Franzen/Fernando de Rojas p. 52 Denis Vanier p. 53 Alain-Arthur Painchaud p. 54 Beverley Daurio p. 55 Monty Cantsin p. 56 Abigail Simmons p. 57 Kevin Connolly p. 58 George Bowering p. 63 bpNichol p. 64 Lola Lemire Tostevin p. 66 Huguette Turcotte p. 71 jwcurry p. 72 Books in Review p. 78 Contributors' Notes p. 80 Guillermo Deis/er p. 80 , Editorial I Editorial Process. A sinusoidal wave. Processus. Une vague sinusolilale. Welcome to the second Bienvenue a la deuxieme expression manifestation of our tenth du numero de notre dixieme anniversary issue. Rampike anniversaire. Rampike a vu le jour en initiated publication in 1979 and 1979, et est apparu dans les kiosques a appeared on the news/ands for journaux pour la premiere f ois en the first time in 1980.