Sol Rising Issue

Total Page:16

File Type:pdf, Size:1020Kb

Sol Rising Issue Special Worldcon Issue $2.50 Free for members. Want to become a member? SOL RISING Check out the back page for more info. The Newsletter of The Friends of the Merril Collection of Science Fiction, Speculation and Fantasy SOL RISING Friends of the Merril Collection Number 29,August 2003 Inside Articles 1 My Residency 7 Inside the Merril Guestbook Columns 2 View from the Chair 3 From the Collection Head 5 So Bad They’re Good There’s always something interesting going on at the Merril, from readings by world famous Info Bits authors to our annual Pulps show and sale. Photos by Andrew Specht. 3 Events 3 Special Thanks 3 Worldcon Notes My Residency 6 Volunteers Needed! 8 Membership and By: Robert J. Sawyer Renewal n April, May, and June of 2003, I was writer-in-residence at the Merril Collection. Many people have thanked me for my generosity in doing this- Iso let’s start by setting the record straight. It was a paying job, funded by the Reach Us Toronto Public Library and the Friends of the Library’s South Region. They’re Friends of the Merril Collection, the heroes of this, and I am extremely grateful for their support. c/o Lillian H.Smith Branch, TPL, My residency began with a reception for library board members and staff at 239 College St. 3rd Floor, Toronto, the Toronto Reference Library, with refreshments provided by the Friends of the Ontario, M5T-1R5 Merril Collection (thank you!). At that event, I said that being writer-in-resi- www.tpl.toronto.on.ca/merril/home.htm dence at the Merril is “an honour without parallel” for an author of science fic- www.friendsofmerril.org/ tion. And it is: to be asked to take on a role that had only ever before been held Call for Submissions! Contact Sabrina ([email protected]) - continued on page 4 if you wish to submit articles, essays or art pieces. Be a part of SOL Rising, speak out! SOL RISING Friends of the Merril Collection View From the Chair Number 29, August 2003 Torcon 2003 By: Jamie Fraser Executive Committee s this column is for our special Worldcon issue it may contain material Athat is already familiar to some of our regular readers. Chair Worldcon, or TorCon 3 as we also know it, takes place in Toronto August 28th Jamie Fraser through September 1st, and is split between various locales across the downtown Vice Chair core. Thousands of people from across the globe will be attending this prestigious John Rose event, many of whom will be visiting the Merril Collection for the first time. It’s been thirty years since our last TorCon and much has changed since then. In Treasurer 1973, the Spaced Out Library was only three years old and hadn’t yet achieved its Ted Brown current status as one of the world’s best collections of speculative fiction and relat- ed non-fiction. An awful lot can happen in thirty years. Secretary Donald Simmons In 1990, The Spaced Out Library was changed to The Merril Collection of Science Fiction, Speculation and Fantasy, named after Judith Merril whose dona- Manager of Special tion of her personal library formed the basis for the original collection. The Collections Collection was moved to a newly built, custom designed library building in 1995. David Kotin The Friends of The Merril Collection was formed in 1981 by members of the science fiction community in order to support the Collection, to broaden public Members at Large awareness of the Collection and it’s holdings, especially the Canadian content, Mary Armstrong and work with the Toronto Public Library Board. 1987 saw the first issue of SOL Sabrina Fried Andrew Specht Rising, the Friends’ newsletter/magazine, which has become a popular and award winning publication. Past Chair Lucy White The Friends also encourage interest in the Merril Collection by sponsoring readings and publications, lectures and special events, and through cross promo- Editor / Designer tions and displays with other Special Collections of the Toronto Public Library. Sabrina Fried A sampling of some of the many authors to have appeared at the Merril Collection Head Collection over the past few years would include: Steven Brust, Orson Scott Card, Lorna Toolis Neil Gaiman, Terry Goodkind, David Hartwell, Nalo Hopkinson, Tanya Huff, Don Hutchison, Robert Jordan, Ursula Pflug, Robert J. Sawyer and Robert www.friendsofmerril.org/ Charles Wilson. SOL Rising, the newsletter of the Friends of the Merril Collection of Science Fiction and Fantasy, is published by the Friends of the Recent special events have included a lecture by Andrew Watt on the French Merril Collection, c/o Lillian H. Smith Branch, TPL, 239 College St. 3rd Floor, Toronto, fantasy artist Albert Robida; Dr. Elizabeth Miller gave a wonderful lecture and Ontario, M5T 1R5. This is issue number 29, August 2003. This newspaper is provided free - continued on page 4 of charge to members of The Friends; see back page for membership application from or write THE to the above address. All material contained herein that is credited is Copyright 2003 by the MERRIL COLLECTION OF author of the piece; all other material is SCIENCE FICTION Copyright 2003 by The Friends of the Merril AND Collection. “MC=(sf)2” is copyright 1994 by The SPECULATION FANTASY Friends of the Merril Collection. All Rights Reserved. Printed in Canada. LILLIAN H. SMITH BRANCH,TORONTO PUBLIC LIBRARY 3rd Floor 239 College St. Toronto, Ontario M5T1R5 Tel: 416.393-7748/9 Fax: 416.393.7741 [email protected] ISSN: 1199-2123 Hours: Monday - Friday 10-6, Saturday 9-5 For Inquiries Please Contact Above address c/o The Friends of the Merril Collection 2 From the Collection Head Collectors and Collecting: A Gentle Madnes SOL RISING By: Lorna Toolis Friends of the Merril Collection “I just want to check if you have any books by [insert the author’s name here] that I Number 29, August 2003 don’t have,” the person standing at the information desk tells me. This is a common Special Thanks exercise: a serious collector of a particular author will expend a great deal of effort to ensure that he or she owns everything by that author, everything. The Merril Collection of Science Fiction, Speculation and Fantasy orCon 3, the World Science Fiction Convention, will take place in wishes to thank the following donors Toronto over the Labour Day Weekend, in two weeks and change. This for their generous gifts: makes the members of the science fiction community extremely happy. T Prof. Elizabeth Cummins More precisely, it will make the book collectors extremely happy. The best part of Mr. Russell Howe any Worldcon, for a collector, is the dealers’ room, where everything they have Mr. David Kotin ever wanted to own in their lives may be found in one place. Rather like the Mr. Bill Vrantisidis Merril Collection, except that they can buy the books and take them home. It is hard to explain the passion for owning books to normal people, those being non- Events collectors. People who are addicted to drugs, rather than paper, are reasonable by comparison. August 21 to October 19, 2003 It is a very common pastime for members of the science fiction community. I Books on loan from the Merril remember attending a meeting of sf collectors in my early teens where the oldest will be part of the Other Worlds: member of the group was explaining, “You always need three copies: one to read, Get There From Here exhibit taking one to wrap in mylar and keep as your good copy, and one for trading, later.” place at the Toronto Reference Library At the time, this seemed to make perfect sense. The copy you read is going to August 27, 2003 be damaged by the body oils on your fingertips. (As I recall, he also advised turn- ing the pages with the tip of a fine pin, feeling that this was less invasive). Your The Merril will be hosting a panel mint copy you will wrap up and keep safe forever, and your trading copy you will discussion on the fantastic in reluctantly part with many years later, when making an arrangement with a fellow Canadian literature as part of the 2003 Academic Conference on collector, who will not be tempted by mere money. Canadian Science Fiction and Fantasy. Margaret Atwood will be in Some people who collect books read and re-read them. Others don’t read them attendence as the keynote speaker. at all, either because they don’t want to risk damaging the books, or because the joy of possession has replaced the need for intellectual understanding. This is the For more information contact Dr. Allan Weiss, Conference Chair, frame of reference which produces the T-shirt which says, “Whoever dies with the [email protected] most books, wins!” Worldcon Notes Both groups have a major problem, that being storage space. Long ago, I real- ized that I had to ignore the well-intentioned advice of my collector friend: not only could I not afford to buy three of every book I wanted, I didn’t have the The Friends of the Merril will have a table outside the dealers’ space to store them. (I should mention that my friend’s basement is packed wall room in the fan tables area at to wall with boxes of books, with anthill-like tunnels allowing access to the boxes. Worldcon this year. Friends T-shirts, His wife retains a corner of the basement for the washer and dryer). mugs, memberships and back issues of Sol Rising will be available for sale The issue of compact stacks in the stack area of the Merril Collection, some- at the table.
Recommended publications
  • For Fans by Fans: Early Science Fiction Fandom and the Fanzines
    FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays
    [Show full text]
  • Judith Merril's Expatriate Narrative, 1968-1972 by Jolene Mccann a Thesis Submi
    "The Love Token of a Token Immigrant": Judith Merril's Expatriate Narrative, 1968-1972 by Jolene McCann A thesis submitted in partial fulfillment of the requirements for the degree Master of Arts in The Faculty of Graduate Studies (History) THE UNIVERSITY OF BRITISH COLUMBIA April 2006 © Jolene McCann, 2006 Abstract Judith Merril was an internationally acclaimed science fiction (sf) writer and editor who expatriated from the United States to Canada in November 1968 with the core of what would become the Merril Collection of Science Fiction, Speculation and Fantasy in Toronto. Merril chronicled her transition from a nominal American or "token immigrant" to an authentic Canadian immigrant in personal documents and a memoir, Better to Have Loved: the Life of Judith Merril (2002). I argue that Sidonie Smith's travel writing theory, in particular, her notion of the "expatriate narrative" elucidates Merril's transition from a 'token' immigrant to a representative token of the American immigrant community residing in Toronto during the 1960s and 1970s. I further argue that Judith Merril's expatriate narrative links this personal transition to the simultaneous development of her science fiction library from its formation at Rochdale College to its donation by Merril in 1970 as a special branch of the Toronto Public Library (TPL). For twenty-seven years after Merril's expatriation from the United States, the Spaced Out Library cum Merril Collection - her love-token to the city and the universe - moored Merril politically and intellectually in Toronto. ii Acknowledgements I would like to thank my supervisor Dianne Newell for introducing me to the Merril Collection and sharing her extensive collection of primary sources on science fiction and copies of Merril's correspondence with me, as well as for making my visit to the Merril Collection at the Library and Archives of Canada, Ottawa possible.
    [Show full text]
  • JUDITH MERRIL-PDF-Sep23-07.Pdf (368.7Kb)
    JUDITH MERRIL: AN ANNOTATED BIBLIOGRAPHY AND GUIDE Compiled by Elizabeth Cummins Department of English and Technical Communication University of Missouri-Rolla Rolla, MO 65409-0560 College Station, TX The Center for the Bibliography of Science Fiction and Fantasy December 2006 Table of Contents Preface Judith Merril Chronology A. Books B. Short Fiction C. Nonfiction D. Poetry E. Other Media F. Editorial Credits G. Secondary Sources About Elizabeth Cummins PREFACE Scope and Purpose This Judith Merril bibliography includes both primary and secondary works, arranged in categories that are suitable for her career and that are, generally, common to the other bibliographies in the Center for Bibliographic Studies in Science Fiction. Works by Merril include a variety of types and modes—pieces she wrote at Morris High School in the Bronx, newsletters and fanzines she edited; sports, westerns, and detective fiction and non-fiction published in pulp magazines up to 1950; science fiction stories, novellas, and novels; book reviews; critical essays; edited anthologies; and both audio and video recordings of her fiction and non-fiction. Works about Merill cover over six decades, beginning shortly after her first science fiction story appeared (1948) and continuing after her death (1997), and in several modes— biography, news, critical commentary, tribute, visual and audio records. This new online bibliography updates and expands the primary bibliography I published in 2001 (Elizabeth Cummins, “Bibliography of Works by Judith Merril,” Extrapolation, vol. 42, 2001). It also adds a secondary bibliography. However, the reasons for producing a research- based Merril bibliography have been the same for both publications. Published bibliographies of Merril’s work have been incomplete and often inaccurate.
    [Show full text]
  • Social Science Fiction from the Sixties to the Present Instructor: Joseph Shack [email protected] Office Hours: to Be Announced
    Social Science Fiction from the Sixties to the Present Instructor: Joseph Shack [email protected] Office Hours: To be announced Course Description The label “social science fiction,” initially coined by Isaac Asimov in 1953 as a broad category to describe narratives focusing on the effects of novel technologies and scientific advances on society, became a pejorative leveled at a new group of authors that rose to prominence during the sixties and seventies. These writers, who became associated with “New Wave” science fiction movement, differentiated themselves from their predecessors by consciously turning their backs on the pulpy adventure stories and tales of technological optimism of their predecessors in order to produce experimental, literary fiction. Rather than concerning themselves with “hard” science, social science fiction written by authors such as Ursula K. Le Guin and Samuel Delany focused on speculative societies (whether dystopian, alien, futuristic, etc.) and their effects on individual characters. In this junior tutorial you’ll receive a crash course in the groundbreaking science fiction of the sixties and seventies (with a few brief excursions to the eighties and nineties) through various mediums, including the experimental short stories, landmark novels, and innovative films that characterize the period. Responding to the social and political upheavals they were experiencing, each of our authors leverages particular sub-genres of science fiction to provide a pointed critique of their contemporary society. During the first eight weeks of the course, as a complement to the social science fiction we’ll be reading, students will familiarize themselves with various theoretical and critical methods that approach literature as a reflection of the social institutions from which it originates, including Marxist literary critique, queer theory, feminism, critical race theory, and postmodernism.
    [Show full text]
  • 7.2 10Th Anniversary •Fi Part
    INDEX Michael Winkler p. 2 Editorial p. 3 Al Purdy p. 4 Fernando Aguiar p. 7 Judith Merril p. 8 Albuquerque Mendes p. 12 bill bissett p. 13 Brigitta Bali p. 13 Dave Godfrey p. 14 Opal Louis Nations p. 17 James Gray p. 18 Karl Jirgens p. 20 Roland Sabatier p. 23 Rafael Barreto-Rivera p. 24 Frank Davey p. 25 Yves Troendle p. 26 / John Feckner p. 28 Doug Back/Hu Hohn/Norman White p. 30 "A" Battery "A" Group p. 32 Steven Smith p. 36 Nicholas Power p. 37 Ray DiPalma p. 38 Marina LaPalma p. 39 Kathy Fretwell p. 39 Raymond Souster p. 40 Robert Clayton Casto p. 42 John Donlan p. 43 Don Summerhayes p. 44 Merlin Homer p. 44 David UU p. 46 Jones p. 47 Elaine L. Corts p. 47 Gerry Gilbert p. 48 Libby Scheier p. 50 W. Mark Sutherland p. 51 Cola Franzen/Fernando de Rojas p. 52 Denis Vanier p. 53 Alain-Arthur Painchaud p. 54 Beverley Daurio p. 55 Monty Cantsin p. 56 Abigail Simmons p. 57 Kevin Connolly p. 58 George Bowering p. 63 bpNichol p. 64 Lola Lemire Tostevin p. 66 Huguette Turcotte p. 71 jwcurry p. 72 Books in Review p. 78 Contributors' Notes p. 80 Guillermo Deis/er p. 80 , Editorial I Editorial Process. A sinusoidal wave. Processus. Une vague sinusolilale. Welcome to the second Bienvenue a la deuxieme expression manifestation of our tenth du numero de notre dixieme anniversary issue. Rampike anniversaire. Rampike a vu le jour en initiated publication in 1979 and 1979, et est apparu dans les kiosques a appeared on the news/ands for journaux pour la premiere f ois en the first time in 1980.
    [Show full text]
  • The Latest Issue of F&SF
    Including Venture Science Fiction NOVELET And Madly Teach LLOYD BIGGLE, JR. 4 SHORT STORIES Three For Carnival JOHN SHEPLEY 32 The Colony MIRIAM ALLEN deFORD 48 Breakaway House RON GOULART 61 Flattop GREG BENFORD 71 The Third Dragon ED M. CLINTON 100 Man of Parts H. L. GOLD 117 ARTICLE H. P. Lovecraft: The House and the Shadows J. VERNON SHEA 82 FEATURES Cartoon GAHAN WILSON 39 Books JUDITH MERRIL and FRITZ LEIBER 40 Beamed Power THEODORE L. THOMAS 70 Science: Time and Tide ISAAC ASIMOV 106 F&SF Marketplace 129 Cover by Mel Hunter (see page 116) Joseph W. Ferman, PUBLISHER Eduoard L. Ferman, EDITOR Ted White, ASSISTANT EDITOR Isaac Asimov, SCIENCE EDITOR Judith Merril, BOOK EDITOR Robert P. llfil/s, CONSULTING EDITOR Dale Beardalt, CIRCULATION MANAGER The Magazine of Fafltasy aftd Scitflct Fiction, Volume 30, No. 5, Whole No. 180, Ma;, 1966. Published monthly by Mercury Preu, Inc., at 50¢ a copy. Annual subscription $5.00; $5.50 in Canada and tht Pan American Uniofl, $6.00 in all other countries. PublicatioN office, 10 Ferry Street, Concord, N. H. 03302. Editorial and general mail should be sent to 347 East 53rd St., New York, N. Y. 10022. Second Clau postage paid at Concord, N. H. Printed in U.S.A. © 1966 by Mercury Preu, Inc. All rights including translatioou onto other languages,_ reservtd. Submissions must be accompanied by stamped, sel/·addreued nvelo;es; tlu rublishw .usumts no responsibilil' for return of Uftsolicited manuscripts. A college sophomore, applying for a summer ;ob, was asked to give the names of two professors as references.
    [Show full text]
  • An Evaluation of Small Press Genre Fiction Publishing in Canada
    LAUNCHING CONSTELLATE PUBLISHING: An Evaluation of Small Press Genre Fiction Publishing in Canada By Ellen Michelle B.A., Simon Fraser University, 2016 A.A., Kwantlen Polytechnic University, 2014 Project SubmitteD in Partial Fulfillment of the Requirements for the Degree of MASTER OF PUBLISHING in the Publishing Program Faculty of Communication, Art and Technology © Ellen Michelle 2019 SIMON FRASER UNIVERSITY Spring 2019 Creative Commons CC BY 4.0 This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ Approval Name Ellen Michelle Degree Master of Publishing Project Title Launching Constellate Publishing: An Evaluation of Small Press Genre Fiction Publishing in Canada Supervisory Committee ______________________________________ John Maxwell Senior Supervisor Associate Professor ______________________________________ Monique Sherrett Supervisor Visiting Faculty ______________________________________ Alexis Roumanis Industry Supervisor Publisher and Owner Engage Books Oliver, British Columbia Date Approved April 15, 2019 ii Abstract The small press genre fiction publishing community in Canada is a tight-knit group that supports anD promotes each other. After examining the neeD for increaseD awareness and accessibility to Canadian titles, I Decided to launch a new Digital publishing venture focused on Canadian speculative fiction content, Constellate Publishing. Using the business planning and launch of the Constellate E-zine as a case study, this report Discusses several topics relateD to small press genre fiction publishing in CanaDa anD Digital publishing more generally: CanaDians’ awareness of anD accessibility to CanaDian titles, the community of genre fiction publishing, ephemerality in Digital publications, anD using Patreon as a publishing platform.
    [Show full text]
  • NEW FRONTIERS NEW Hlomnibs
    NEW FRONTIERS NEW HlOMniBS. August i960. Voluao 1. Nuaber 3 Cover George Barr Good Science Fiction — GOOD SCIENCE FICTION — WHERE IS ITT Daaon Knight 3 ARXHAH HOUSE ENTERS ITS THIRD DECADE August I>rloth 8 Damon Knight SHERLOCK HOLMES AND SCIENCE FICTION Anthony Boucher 10 Where Is It? illustrated by Tea Walker On the SF Screen Miko Decklngor 15 I7th *,rld Flcu“ Con”"u»' The Cold Eye Arthur Wilcox 17 asked to speak. I wrotr^SroUor^s“v“2n^3“Xer on^ subjict^ Ud Forthrightly lou (we hope) 20 Books The Staff + Poul Anderson, Bjo, 33 Ted White, Jases Hlish 4 (toy Before I get into that, though, there’s something I have to exnlain Hunt. that^^T^ ln ,933’ 1 vaa roa^^ld^ And^T h ‘ oIhJOk<ht * Of * aclonco fiction nagaeino, and it hooked ao. I Editorial The Editor 55 »• covert - ^p£ btoTp^d^ Back Cover George Barr vlndlJr’ considering that this magazine Is twenty-six years Editor - .'<ohb Metcalf Expatriate Associate Editor - Bill Collins Expatriate Assistant Editor - Bill Shopes New Frontiers is published irregularly by Terra House, P.O. Box 336, Berkeley 1, California. Editorial address is Box 1262, Tyndall AFB, Florida. tables evo^thlne need out of solidified gas — Subscription rates: 4 issues for $1.00, single copies 30# (in the U.S. and Canada) England: 4 issues for 7/-. single copies 2/- to Jaes Groves, 29 Lathoa Road, East Han, London, 1.6., Fhgland Australia: 4 issues for 10/-. single copies 3/- to Donald H. Tuck, 139 East Riodon Road. LINDISFARNE, Tasaumia, Australia Sweden: 5 issues for 5 kronor, single copies 1 krona to Vpl 410722-49 C.
    [Show full text]
  • Home Truths: Women Writing Science in the Nuclear Dawn
    Home truths: women writing Keywords domestic Cold War science in the nuclear dawn history 1 natural science Diana Newell feminist literature science-fiction Abstract literature This paper develops a political reading of women writers’/writer-editors’ Rachel Carson involvement in the American atomic age, Cold War-era fields of science fiction atomic age and popular science writing. Judith Merril (1928-97) in her post-war 1 My thanks to Linda science-fiction writing and Rachel Carson (1907-64) in her international Lear, Leslie Paris, best-selling anti-pesticide polemic, Silent Spring (1962), capitalized on Arthur Ray, Jim Rupert, and Allan popular, mass-market literary genres as vehicles for social criticism in what Weiss for thoughtful Jessica Wang calls an ‘Age of Anxiety’ in which open criticism of American comments on this research. Versions of science, government, and the industrial-military complex carried high personal this paper were deliv- risk. Importantly, both explicitly politicized images of domesticity, thus ered at the 10th Biannual Swiss joining women’s history to some of the most sweeping changes of the twenti- Congress on eth century. Women’s History, ‘Gender and Knowledge’, The US atomic bombing of Hiroshima in 1945 engendered in members University of of the Anglo-American science fiction communities a certain glow of Misericorde, Fribourg, Switzerland, 18-19 self-congratulation for having brilliantly predicted a world-changing sci- February 2000; and entific development.2 The general mixed sense of elation among writers the International Conference on the and fans of science fiction is captured in British writer Brian Aldiss’s per- Nature of Gender and sonal reflection in the 1970s: ‘Whatever else the A-bomb meant to ..
    [Show full text]
  • Judith Merril Fonds Mg30-D
    JUDITH MERRIL FONDS MG30-D 326 Finding Aid No. 1651 / Instrument de recherche no 1651 Prepared between 1986 and 1988 and revised Préparé entre 1986 et 1988 et revisé en 2001 in 2001 and 2014 by the Social and Cultural et 2014 par les Archives sociales et culturelles Archives ii TABLE OF CONTENTS INVENTORY ENTRY ........................................................ iii NOTE ON THE FINDING AID ................................................. iv GENERAL CORRESPONDENCE ................................................ 1 JOURNALISM, PRINT ........................................................ 37 JOURNALISM, RADIO AND TELEVISION ...................................... 40 Doomsday Dialogues .................................................... 40 Japan ................................................................ 41 Doctor Who ........................................................... 42 Dream Cities .......................................................... 43 Miscellaneous Projects ................................................... 44 CBC Programming ..................................................... 82 LECTURES AND TEACHING ................................................. 44 RESEARCH, JAPAN AND KOREA ............................................. 45 Japan ................................................................ 45 Korea ................................................................ 51 SUBJECT FILES ....................................................... 51, 87, 89 PERSONAL CORRESPONDENCE .............................................
    [Show full text]
  • Feminist Pulp Science Fiction from 1927-1948
    City University of New York (CUNY) CUNY Academic Works Dissertations and Theses City College of New York 2014 Women in Space: Feminist Pulp Science Fiction From 1927-1948 Matthew Martin CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_etds_theses/231 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Women in Space: Feminist Pulp Science Fiction from 1927-1948 by Matthew Martin Harold Veeser, Adviser May 7, 2012 Submitted in partial fulfillment of the requirements for the degree of Master of Arts of the City College of the City University of New York Table of Contents A Note on Terms: 1 Introduction: Subversive Women: 2 Chapter One: Feminist PSF in a Historical Context: 7 Chapter Two: A Model of Imitation: 19 Chapter Three: When Women Rule: 29 Chapter Four: The Female-Alien: 44 Chapter Five: PSF as Advocacy: 63 Conclusion: 80 Bibliography: 83 Matthew Martin 1 A Note on Terms Science fiction is known by many names, I use two in the thesis. "SF," has become the standard term used in both casual reference to the genre as well as in both popular and scholarly criticism. I use "SF" to denote the genre as a whole, but I employ "PSF," which stands for pulp-science fiction, specifically to denote that science fiction which was written in the pulp era, defined by Mike Ashley in his three volume history, The History of Science Fiction Magazines (2000), as occurring between the years 1926- 1954.
    [Show full text]
  • Discussion About Frederik Pohl
    Science Fiction Book Club Interview with Michael Page (May 2020) Michael Page is the author of a number of books which examine the history and cultural importance of science fiction. He has published analyses on the life and works of Frederik Pohl, James E. Gunn, and edited a collection of stories by Miles J. Breuer a “forgotten” science fiction writer from the Pulp Era. He is a lecturer at the University of Nebraska, Lincoln, and regularly teaches courses on both science fiction and nineteenth century British literature. He also acts as the faculty advisor for Laurus, UNL's undergraduate literary magazine. Blaine Savini: There is a belief that most writers approach novels from one of two directions...either they write the first sentence and find out what happens as the story is written or they know how it will end and then explain how the ending occurred. Would either of these descriptions describe Mr. Pohl's writing style...why or why not? My sense is that Pohl primarily took the latter tactic. His adage was “four pages a day,” meaning that no matter what he was doing or how he was feeling, he always carved out some time to write those four pages each day. I’ll paraphrase what he says in The Way the Future Was: sometimes the four pages come fast and I’m done in half an hour; sometimes it might take 16 hours to grind them out. This is a different kind of discipline than the discipline of planning work out well in advance. That’s not to say that Pohl didn’t plan, but I think once he got started he’d let the story and the characters go in their own direction as he got going on a project.
    [Show full text]