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Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J. -
Warhoon 16 Lu P P H O O P
WARHOON 16 LU P P H O O P ■ Warhoon, the quarterly of imaginative procrastination, is edited and published by Richard Bergeron at 110 Bank Street, New York City 1<+, New York. This is issue number 16, dated July 1962. It is produced with the expectation of being circulated in the 60th wailing of the Spectator Amateur Press Society and is available to contributors, writers of letters, in trade for your publi cation, or for 20^ per copy or 5 issues for $1. All material is written by the editor, unless otherwise credited, and represents his opinions and view points. Material that is credited expresses the opinions of the author. All letters will be considered for publication unless otherwise specified. CONTENTS The Harp That Once Or Twice........................ 9 The Fifth Column.................... u19 Accidentals and Nomics................................. 13 Mail Warp...................................................... 2^ The View From Down Under.............................16 Dissonant Discourse................................ *’t6 If I were president of the United States and the Communists had been as loudly demanding (as some fans have) that this magazine adopt a contents page, the above bit of appeasement would have surely cost me the next election. That may be an awkwardly realized sentence but it serves its purpose: if I'm to be forced into 'a position where I can be called Soft On Critics, people like Boggs, Lupoff, Baxter, Calkins and Donaho might as well be investigated on just as thin evidence. As you can see, how ever, criticism of this magazine is not entirely in vain -Individual barbs may lodge in an apparently impassive facade, but when enough of them collect something is some times done about it. -
FILE 770:38 2 Editorial Rambling Science Fiction Writer Mack Reynolds Died of Cancer January 31, According to Rick Katze
t YE OLDE COLOPHON FILE 770 is edited by Mike Glyer, at 5828 Woodman Ave. #2, Van Nuys CA 91401. This newzine serving science fiction fandom is published less often than Charlie Brown recommends, and more often than Andrew Porter can keep count (see item else where this issue), but to be more specific, shows up about every six weeks. While F77O can be obtained for hot news, sizzling rumors (printable or not), arranged trades with clubzines and newzines, and expensive Inng-distance phone calls (not collect), subscriptions are most highly prized. Rates: 5/$3 (US) will get your issues sent first-class in North America, and printed matter overseas. $1 per issue covers air printed matter mailing overseas. Direct those expensive, long-distance calls to (213) 787-5061. I’m never home Tuesday nights, so don’t kill yourselves trying to reach me then. I do have a message machine, if it comes down to that... Want back issues? Send request for info. Thanks for production help last issue to: Anne Hansen, Fran Smith, Dean Bell, Debbie Ledesma.______________________ ______ ROUNDMGS mihe glyer ~ — ORIENTATION FOR NEW READERS : Why is this fanzine titled FILE 770? Late in ‘■"z 1977, when I was nerving up to start a fannish newzine to succeed KARASS, I found it difficult to find a title that had not been previously used. I looked through dictionaries, and the Thesaurus. I scanned Bruce Pelz’ voluminous fanzine index. I declined offers to revive titles like FANAC and STARSPINKLE. It became my contention that all the good sf story references usable as newzine titles had been taken. -
Doctor Who: Frayed
FRAYED Tara Samms First published in England in 2003 by Telos Publishing Ltd 61 Elgar Avenue, Tolworth, Surrey KT5 9JP, England www.telos.co.uk ISBN: 1-903889-22-7 (standard hardback) Frayed © 2003 Tara Samms Foreword © 2003 Stephen Laws Icon © 2003 Nathan Skreslet ISBN: 1-903889-23-5 (deluxe hardback) Frayed © 2003 Tara Samms Foreword © 2003 Stephen Laws Frontispiece © 2003 Chris Moore Icon © 2003 Nathan Skreslet The moral rights of the author have been asserted 'DOCTOR WHO' word mark, device mark and logo are trade marks of the British Broadcasting Corporation and are used under licence from BBC Worldwide Limited. Doctor Who logo © BBC 1996. Certain character names and characters within this book appeared in the BBC television series 'DOCTOR WHO'. Licensed by BBC Worldwide Limited Font design by Comicraft. Copyright © 1998 Active Images/Comicraft 430 Colorado Avenue # 302, Santa Monica, Ca 90401 Fax (001) 310 451 9761/Tel (001) 310 458 9094 w: www.comicbookfonts.com e: [email protected] Typeset by TTA Press, 5 Martins Lane, Witcham, Ely, Cambs CB6 2LB, England w: www.ttapress.com e: [email protected] Printed in England by Antony Rowe Ltd, Bumper's Farm Industrial Estate, Chippenham, Wilts SN14 6LH 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 British Library Cataloguing in Publication Data. A catalogued record for this book is available from the British Library. This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out or otherwise circulated without the publisher's prior written consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser. -
Readercon 14
readercon 14 program guide The conference on imaginative literature, fourteenth edition readercon 14 The Boston Marriott Burlington Burlington, Massachusetts 12th-14th July 2002 Guests of Honor: Octavia E. Butler Gwyneth Jones Memorial GoH: John Brunner program guide Practical Information......................................................................................... 1 Readercon 14 Committee................................................................................... 2 Hotel Map.......................................................................................................... 4 Bookshop Dealers...............................................................................................5 Readercon 14 Guests..........................................................................................6 Readercon 14: The Program.............................................................................. 7 Friday..................................................................................................... 8 Saturday................................................................................................14 Sunday................................................................................................. 21 Readercon 15 Advertisement.......................................................................... 26 About the Program Participants......................................................................27 Program Grids...........................................Back Cover and Inside Back Cover Cover -
Vision, Desire and Economies of Transgression in the Films of Jess Franco
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 Journeys into Perversion: Vision, Desire and Economies of Transgression in the Films of Jess Franco Glenn Ward Doctor of Philosophy University of Sussex May 2011 2 I hereby declare that this thesis has not been, and will not be, submitted whole or in part to another University for the award of any other degree. Signature:……………………………………… 3 Summary Due to their characteristic themes (such as „perverse‟ desire and monstrosity) and form (incoherence and excess), exploitation films are often celebrated as inherently subversive or transgressive. I critically assess such claims through a close reading of the films of the Spanish „sex and horror‟ specialist Jess Franco. My textual and contextual analysis shows that Franco‟s films are shaped by inter-relationships between authorship, international genre codes and the economic and ideological conditions of exploitation cinema. Within these conditions, Franco‟s treatment of „aberrant‟ and gothic desiring subjectivities appears contradictory. Contestation and critique can, for example, be found in Franco‟s portrayal of emasculated male characters, and his female vampires may offer opportunities for resistant appropriation. -
The Culture of Wikipedia
Good Faith Collaboration: The Culture of Wikipedia Good Faith Collaboration The Culture of Wikipedia Joseph Michael Reagle Jr. Foreword by Lawrence Lessig The MIT Press, Cambridge, MA. Web edition, Copyright © 2011 by Joseph Michael Reagle Jr. CC-NC-SA 3.0 Purchase at Amazon.com | Barnes and Noble | IndieBound | MIT Press Wikipedia's style of collaborative production has been lauded, lambasted, and satirized. Despite unease over its implications for the character (and quality) of knowledge, Wikipedia has brought us closer than ever to a realization of the centuries-old Author Bio & Research Blog pursuit of a universal encyclopedia. Good Faith Collaboration: The Culture of Wikipedia is a rich ethnographic portrayal of Wikipedia's historical roots, collaborative culture, and much debated legacy. Foreword Preface to the Web Edition Praise for Good Faith Collaboration Preface Extended Table of Contents "Reagle offers a compelling case that Wikipedia's most fascinating and unprecedented aspect isn't the encyclopedia itself — rather, it's the collaborative culture that underpins it: brawling, self-reflexive, funny, serious, and full-tilt committed to the 1. Nazis and Norms project, even if it means setting aside personal differences. Reagle's position as a scholar and a member of the community 2. The Pursuit of the Universal makes him uniquely situated to describe this culture." —Cory Doctorow , Boing Boing Encyclopedia "Reagle provides ample data regarding the everyday practices and cultural norms of the community which collaborates to 3. Good Faith Collaboration produce Wikipedia. His rich research and nuanced appreciation of the complexities of cultural digital media research are 4. The Puzzle of Openness well presented. -
WSFA Journal 72 70-06 Mille
the WSFA journal 72 TH E W S F A J 0 U R N A L (The Official Organ of the Washington S. F. Association) Issue Number 72 June-August 1970 The JOURNAL Staff —; • Managing Editor & Publisher: Don Miller, 12315 Judson Rd., Wheaton, Md., USA, 20906. Associate Editors: ...........— Art Editor: Alexis Gilliland, 2126 Penna. Ave., N.W., Washington, D.C., *20037 Fiction Editors: ’ Doll' &’ Alexis Gilliland (address above). News Editor: OPEN. Overseas Agents: Australia: Michael O’Brien, 158 Liverpool St., Hobart, Tasmania, Australia, 7000. France: Patrice Duvic, 26 Rue de Launay, 91 Orsay, France. Scandinavia: Per Insulander, Midsommarv. 33, 126 35 Hagersten, Sweden. South Africa: A.B. Ackerman, POBox 6, Daggafontein, Transvaal, South Africa. United Kingdom: Peter Singleton, 6ohjj, Broadmoor Hospital, Blockh, Crowthorne, ’ Berks. RG11 7EG, Sigland. Needed for Germany, Spain, South America, • For names and addresses of Contributing Editors and Translators, and names of Consultants, see the TWJ DATA SHEET. Subscription Rates (from the Publisher, payable to ’’Donald L. Miller) — THE WSFA JOURNAL alone (Bi-monthly, 3rd-class/printed.matter): USA, $0# ea., 3/51*25 8/53*00; U.K., h/- ea., 3/10s, 10/30s; Other, 500 ea., 3/51720, 1O/$36O.* TWJ Mailings (includes TWJ, SON OF THE *WSA JOURNAL, and any other supplements pub lished since nrevious Mailing) (Bi-monthly, 3rd-class/printed matter): USA, ?0i ea.,. 5/$2\25, 10/ft.00; U.K., U/6 ea., 5/20s, 10/3js; Other, 55^ ea., . ;5/52.hO, 10/$li.20. SON OF THE WSFA JOURNAL alone (Monthly, Ist-class): USA, Ijd ea., 6/75$, 12/51.50. -
Bill Fawcett______24951 Middle Fork Road Barrington, Illinois 60010 U.S.A
Bill Fawcett___________________________________________________ 24951 Middle Fork Road Barrington, Illinois 60010 U.S.A. 8472779686 [email protected] Bill has been a professor, teacher, corporate executive, and college dean. His entire life has been spent in the creative fields and managing other creative individuals. He is one of the founders of Mayfair Games, a board and role play gaming company. As an author Bill has written or coauthored over a dozen books and dozens of articles and short stories. As a book packager, a person who prepares series of books from concept to production for major publishers, his company Bill Fawcett & Associates has packaged over 250 titles for virtually every major publisher. He founded, and later sold, what is now the largest hobby shop in Northern Illinois. Bill’s first commercial writing appeared as articles in the Dragon Magazine and include some of the earliest appearances of classes and monster types for dungeons and Dragons. With Mayfair Games created, wrote, and edited many of the over 50 “Role Aides” Role Playing Game modules and supplements released by Mayfair in the 1970s and 1980s. During this period he also designed almost a dozen board games, including several Charles Roberts Award (Gaming's Emmy) winners such as Empire Builder and Sanctuary. Bill Fawcett continues to develop new internet projects. His novl writing began with the juvenile series, Swordquest for Ace Penguin Putnam Publishing. He wrote or cowrote four fantasy novels, beginning with the Lord of Cragsclaw. The Fleet series he created with David Drake has become a classic of military science fiction. -
John Crowley Program Guide Program Guide
The conference on imaginative literature, third edition pfcADcTCOn 3 Lowell Hilton, Lowell, Massachusetts March 30 - April 1,1990 GoH: John Crowley Special Guest: Thomas M. Disch Past Master: T. H. White (In Memoriam) Program Guide Introduction and General Information...............2 Hotel Map........................................................... 4 Dealer’s Room Map............................................ 5 Con-At-a-Glance (= Pocket Program)...............6 Guests-At-A-Glance............................................ 9 The Program...................................................... 10 Friday............................................................. 10 Saturday.........................................................12 Sunday........................................................... 17 The Readercon Small Press Award Nominees. 20 About the Program Participants........................24 About Lowell.....................................................33 Help Wanted.....................................................33 Program Guide Page 2 Readercon 3 Introduction Volunteer! Welcome (or welcome back) to Readercon! Like the sf conventions that inspired us, This year, we’ve separated out everything you Readercon is entirely volunteer-run. We need really need to get around into this Program (our hordes of people to help man Registration and Guest material and other essays are now in a Information, keep an eye on the programming, separate Souvenir Book). The fact that this staff the Hospitality Suite, and to do about a Program is bigger than the combined Program I million more things. If interested, ask any Souvenir Book of our last Readercon is an committee member (black or blue ribbon); they’ll indication of how much our programming has point you in the direction of David Walrath, our expanded this time out. We hope you find this Volunteer Coordinator. It’s fun, and, if you work division of information helpful (try to check out enough hours, you earn a free Readercon t-shirt! the Souvenir Book while you’re at it, too). -