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SFIIA Re"Ie. the Sfrareview (ISSN 1068-395X) Is Published Four Times a Year by the Science Fiction Research As III
#181 Sept/O~t/llorJOOT • Editor: Chrisiine Mains Hanaging Editor: Janice M. Bogsiad Nonfiction Reviews: Ed McKnighi Science Fiction Research fiction Reviews: Association Ed Carmien SFIIA Re"ie. The SFRAReview (ISSN 1068-395X) is published four times a year by the Science Fiction Research As III ... HIS ISSUE: sociation (SFRA) and distributed to SFRA members. Individual issues are not for sale; however, starting with issue #256, all issues will be published to SFRA's website no less than 10 weeks SFRA Business after paper publication. For information Editor's Message 3 about the SFRA and its benefits, see the President's Message 3 description at the back of this issue. For a membership application, contact SFRA Treasurer Donald M. Hassler or get one from the SFRA website: <www.sfra.org>. Non Fiction Reviews SFRA would like to thank the Univer sity of Wisconsin-Eau Claire for its as Counterfeit Worlds 4 sistance in producing the SFRAReview. E. T. Culture 5 Irwin Allen T.V. a SUBMISSIONS The SFRAReviewencourages all submis sions, including essays, review essays that cover several related texts, and inter Fiction Reviews views. If you would like to review non 8 fiction or fiction, please contact the Rash respective editor. Accidental Time Machine 8 Ivory 0 Christine Mains, Editor Box 66024 The Outback Stars 10 Calgary,AB TIN I N4 Futures from Nature II <[email protected]> Merchant's War 12 Janice M. Bogstad, Managing Editor Halting State 14 239 Broadway St. Ragamuffin I 5 Eau Claire WI 54703-5553 <[email protected]> Fiction Review-Essay Ed McKnight, Nonfiction Editor I 13 Cannon Lane Night watch I a Taylors SC 29687 <[email protected]> Ed Carmien, Fiction Editor 29 Sterling Road Princeton NJ 08540 <[email protected]> C~2 ___) ~--------------------~~ News Items: Due to the rapid decline of the U.S. -
Fantasy Illustration As an Expression of Postmodern 'Primitivism': the Green Man and the Forest Emily Tolson
Fantasy Illustration as an Expression of Postmodern 'Primitivism': The Green Man and the Forest Emily Tolson , Thesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at the University of Stellenbosch. Supervisor: Lize Van Robbroeck Co-Supervisor: Paddy Bouma April 2006 Stellenbosch University https://scholar.sun.ac.za Dedaratfton:n I, the undersigned, hereby declare that the work contained in this thesis is my own original work and that I have not previously in its entirety or in part submitted it at any Date o~/o?,}01> 11 Stellenbosch University https://scholar.sun.ac.za Albs tract This study demonstrates that Fantasy in general, and the Green Man in particular, is a postmodern manifestation of a long tradition of modernity critique. The first chapter focuses on outlining the history of 'primitivist' thought in the West, while Chapter Two discusses the implications of Fantasy as postmodern 'primitivism', with a brief discussion of examples. Chapter Three provides an in-depth look at the Green Man as an example of Fantasy as postmodern 'primitivism'. The fmal chapter further explores the invented tradition of the Green Man within the context of New Age spirituality and religion. The study aims to demonstrate that, like the Romantic counterculture that preceded it, Fantasy is a revolt against increased secularisation, industrialisation and nihilism. The discussion argues that in postmodernism the Wilderness (in the form of the forest) is embraced through the iconography of the Green Man. The Green Man is a pre-Christian symbol found carved in wood and stone, in temples and churches and on graves throughout Europe, but his origins and original meaning are unknown, and remain a controversial topic. -
New Alt.Cyberpunk FAQ
New alt.cyberpunk FAQ Frank April 1998 This is version 4 of the alt.cyberpunk FAQ. Although previous FAQs have not been allocated version numbers, due the number of people now involved, I've taken the liberty to do so. Previous maintainers / editors and version numbers are given below : - Version 3: Erich Schneider - Version 2: Tim Oerting - Version 1: Andy Hawks I would also like to recognise and express my thanks to Jer and Stack for all their help and assistance in compiling this version of the FAQ. The vast number of the "answers" here should be prefixed with an "in my opinion". It would be ridiculous for me to claim to be an ultimate Cyberpunk authority. Contents 1. What is Cyberpunk, the Literary Movement ? 2. What is Cyberpunk, the Subculture ? 3. What is Cyberspace ? 4. Cyberpunk Literature 5. Magazines About Cyberpunk and Related Topics 6. Cyberpunk in Visual Media (Movies and TV) 7. Blade Runner 8. Cyberpunk Music / Dress / Aftershave 9. What is "PGP" ? 10. Agrippa : What and Where, is it ? 1. What is Cyberpunk, the Literary Movement ? Gardner Dozois, one of the editors of Isaac Asimov's Science Fiction Magazine during the early '80s, is generally acknowledged as the first person to popularize the term "Cyberpunk", when describing a body of literature. Dozois doesn't claim to have coined the term; he says he picked it up "on the street somewhere". It is probably no coincidence that Bruce Bethke wrote a short story titled "Cyberpunk" in 1980 and submitted it Asimov's mag, when Dozois may have been doing first readings, and got it published in Amazing in 1983, when Dozois was editor of1983 Year's Best SF and would be expected to be reading the major SF magazines. -
The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree on April 26, 2009, the James Tiptree, Jr
Spring/Summer 2009 Volume 5 The Aqueduct Gazette Top Stories Filter House Co-Winner of the Tiptree H Filter House Wins the Tiptree On April 26, 2009, The James Tiptree, Jr. H New Essay Collection from Literary Award Council announced that the Ursula K. Le Guin 2008 Tiptree Award will be going to Patrick Special Features Ness’s young adult novel The Knife of Never Letting Go and Nisi Shawl’s Filter House, an H Hanging out along the Aqueduct…, by Nisi Shawl Aqueduct Press book. page 9 The Tiptree Award, an annual literary prize H L. Timmel Duchamp for science fiction or fantasy “that expands or Interviews Liz Henry about explores our understanding of gender,” will The WisCon Chronicles, Vol. 3 be presented on Memorial Day weekend at page 6 WisCon in Madison, Wisconsin. Each winner H Gwyneth Jones writes about will receive $1000 in prize money, an original The Buonarotti Quartet artwork created specifically for the winning page 2 novel or story, and a confection, usually choco- H Three Observations and a late. The 2008 jurors were Gavin J. Grant Dialogue by Sylvia Kelso page 2 (chair), K. Tempest Bradford, Leslie Howle, Roz Kaveney, and Catherynne M. Valente. In Other News The award is named for Alice B. Sheldon, who wrote under the pseudonym H Aqueduct Celebrates James Tiptree, Jr. By her impulsive choice of a masculine pen name, Sheldon 5th Anniversary cont. on page 5 page 8 H New Spring Releases New from Aqueduct: Ursula K. Le Guin, page 12 Cheek by Jowl Talks and Essays about How and Why Fantasy Matters The monstrous homogenization of our world has now almost destroyed the map, any map, by making every place on it exactly like every other place, and leaving no blanks. -
Full Celebration Overview
Center for the Study of Women in Society For Immediate Release Website: http://csws.uoregon.edu/ [email protected] 541-346-5077 “Celebrating Forty Years: Anniversary Event to Showcase Feminist Research, Activism, and Creativity” Eugene, OR – This fall, the Center for the Study of Women in Society (CSWS) celebrates the legacy of feminist research, teaching, activism, and creativity at the University of Oregon. Presented in collaboration with the Department of Women’s and Gender Studies and ASUO Women’s Center, CSWS’s 40th Anniversary Celebration will be held Nov. 7-9, 2013, in UO’s Erb Memorial Union. Free and open to the public (ticketing required), the event offers multiple opportunities to witness the long reach of feminist thought and production through engaging narratives about our past, present, and possible futures. On Thursday, Nov. 7, 3-6:30 p.m., the celebration kicks off with the premiere of Agents of Change, a documentary that chronicles the development of the Center for the Study of Women in Society, from its origins in the women’s movement to Fortune magazine editor William Harris’ gift that endowed it to the present moment Among the special guest speakers will be Eugene Mayor Kitty Piercy on women and leadership. On Friday, Nov. 8, 9 a.m.-5 p.m., the “Women’s Stories, Women’s Lives” Symposium explores four decades of feminist research and activism through the personal narratives, visual illustrations, and dialogue of more than twenty women activists, professionals, scholars, and community leaders. Among the symposium panelists, local activist Kate Barkley will talk about domestic violence and the creation of Womenspace in the 1970s, Eugene Mayor Kitty Piercy will lend insight into issues of reproductive rights in the 1980s, Eugene Weekly owner Anita Johnson will offer how changing legislation affected workplace equity in the 1990s, and Mobility International co-founder Susan Sygall will provide insight into women and the disability movement in the new millennium. -
S67-00097-N210-1994-03 04.Pdf
SFRA Reriew'210, MarchI April 1994 BFRAREVIEW laauB #210. march/Aprll1BB~ II THIIIIIUE: IFlllmlnll IFFIIII: President's Message (Mead) SFRA Executive Committee Meeting Minutes (Gordon) New Members & Changes of Address "And Those Who Can't Teach.. ." (Zehner) Editorial (Mallett) IEnEIll mIICEWn!l: Forthcoming Books (BarronlMallett) News & Information (BarronlMallett) FEITUREI: Feature Article: "Animation-Reference. History. Biography" (Klossner) Feature Review: Zaki. Hoda M. Phoenix Renewed: The Survival and Mutation of Utopian ThouFdlt in North American Science Fiction, 1965- 1982. Revised Edition. (Williams) An Interview with A E. van Vogt (Mallett/Slusser) REVIEWS: Fledll: Acres. Mark. Dragonspawn. (Mallett) Card. Orson Scott. Future on Fire. (Collings) Card. Orson Scott. Xenoclde. (Brizzi) Cassutt. Michael. Dragon Season. (Herrin) Chalker. Jack L. The Run to Chaos Keep. (Runk) Chappell. Fred. More Shapes Than One. (Marx) Clarke. Arthur C. & Gentry Lee. The Garden ofRama. (Runk) Cohen. Daniel. Railway Ghosts and Highway Horrors. (Sherman) Cole. Damaris. Token ofDraqonsblood. (Becker) Constantine. Storm. Aleph. (Morgan) Constantine. Storm. Hermetech. (Morf¥in) Cooper. Louise. The Pretender. (Gardmer-Scott) Cooper. Louise. Troika. (Gardiner-Scott) Cooper. Louise. Troika. (Morgan) Dahl. Roald. The Minpins. (Spivack) Danvers. Dennis. Wilderness. (Anon.) De Haven. Tom. The End-of-Everything Man. (Anon.) Deitz. Tom. Soulsmith. (posner) Deitz. Tom. Stoneskin's Revenge. (Levy) SFRA Review 1210, MarchI Apm 1994 Denning. Troy. The Verdant Passage. (Dudley) Denton. Bradley. Buddy HoDy ~ Ahire and WeD on Ganymede. (Carper) Disch. Tom. Dark Ver.s-es & Light. (Lindow) Drake. David. The Jungle. (Stevens) Duane. Diane & Peter Morwood. Space Cops Mindblast. (Gardiner-Scon) Emshwiller. Carol. The Start ofthe End oflt AU. (Bogstad) Emshwiller. Carol. The Start ofthe End oflt AU. -
Program Book Is Copyright © 199 File Science Fiction Assn., Inc., P.O Isville, KY 40268-0009
Jui^O-Ikl, IW B iCmtive West -Um Louisvim -Nmikw (w Of fclJII -Cw IB. Fjiibo {jin Guffi W -UoMM Pm £ -Poca fnm flw (lUBT (imw ill. WiLU-nms Trnim Ima Watt-C / Program Book is copyright © 199 file Science Fiction Assn., Inc., P.O isville, KY 40268-0009. WWW: http://memb 5rcon. Email: [email protected] ited by Bob Roel m. All rights reserved for the con thousand copies have been prints Beechmont Press Inc., Louisville, Kentucky. Addition railable for sale for $3.00 each. Rive is a non-profit, all ■volunteer organization dedicated ti of science fiction and sf fandom. r^^NCE AGAIN, FOR THE NEXT”TO“LAST TIME, We you have any news you'd like included in the news M welcome you to RiverCon. Enjoy yourselves, letter, leave it in the container marked for it at the k. -Jrelax, revel in our shared interest—even volunteers and information desk, which is located at passion—for all things science-fictional. the west end of the hallway opposite the Mary Room. Deadline for each morning's issue is 9:00 p.m. the With only two more RiverCons to go, we want previous evening. everyone to have the best experience possible. So let us know if there's anything we can do to make Information Tables your weekend more pleasant. Please come back Representatives of some upcoming Worldcons and next year for our final celebration. future convention bidders are expected to be at tables along the hallway near the registration area. They will Badges be happy to provide you with all the information you Everyone: PLEASE WEAR YOUR RIVERCON MEM need in order to make an informed choice in site BERSHIP BADGE! Any time you are in a convention selection voting. -
Abortlon: the Movie
7- INIL4 Abortlon: The Movie by Dean Markadakis board box covering the television, most students demonstrator looked pensively at the young boy and watched in sordid amazement at the highly manipu- issued a clever little response: "Have you ever seen a A group of pro-life demonstrators gathered at a lated images flashing before them. These images, cow being slaughtered? Have you ever seen a cow's table in the Union last Wednesday, using as their coupled with the heavenly ethereal choir tune play- throat being sliced , its blood drained, beaten and main attention-getter a gruesome 6-minute video ing in the background was enough to bring tears to skinned while it was still alive? I bet if you did, called "The Hard Truth." This video masterpiece, the oculars of even the most avid pro-choice advo- you'd never eat a hamburger again." As far as which, incidentally, does not appear on the shelves cates. grossing me out, this illustration was more than ade- of your local Blockbuster, attempts to portray the As demonstrations go, there was also a small quate. It's true, though-just because something is horror of abortion by showing taped footage of actu- group of counter-demonstrators wielding signs like, not pleasing aesthetically, it is not necessarily moral- al abortions being performed and aborted fetuses in "ABORTION SAVES, JESUS KILLS," and other ly wrong or sinful (or even bad for you). Open-heart jars and garbage cans. There was also literature less offensive slogans. This contingency was a bit surgery, when you think about it, is really gross. -
FOR IMMEDIATE RELEASE February 11, 2015
FOR IMMEDIATE RELEASE February 11, 2015 CONTACT: Meg Walker Gretchen Koss President, Dir. of Marketing President, Dir. of Publicity Tandem Literary Tandem Literary 212-629-1990 ext. 2 212-629-1990 ext. 1 [email protected] [email protected] 20th Annual Audie® finalists announced in thirty categories Winners announced at the Audie Awards Gala in New York City on May 28th hosted by award winning author Jack Gantos Philadelphia, PA – The Audio Publishers Association (APA) has announced finalists for its 2015 Audie Awards® competition, the only awards program in the United States devoted entirely to honoring spoken word entertainment. Winners will be announced at the Audies Gala on May 28, 2015, at the New York Academy of Medicine in New York. Newbery award winning author, and audiobook narrator extraordinaire, Jack Gantos will emcee the event and says "I'm thrilled to host the Audies. Unlike when I'm in the recording studio, while on stage at the Audies Gala I can wear a watch, have my stomach growl, jiggle pocket change, trip over my own tongue, laugh at my own jokes, completely screw up my lines and not have to worry about repeating myself-- again and again. It is an honor to be a part of recognizing all the incredible audio talent in the industry who do the hard work of controlling themselves in the studio every single day." This year there will be an additional category: JUDGES AWARD – SCIENCE & TECHNOLOGY. Janet Benson, Audies Competition Chair, says “Recognizing the constantly evolving nature of modern science and technology, the Audies Competition Committee wished to honor audiobooks which celebrate Science, Technology, Engineering, and Mathematics. -
Proquest Dissertations
Writing in subversive space: Language and the body in feminist science fiction in French and English Item Type text; Dissertation-Reproduction (electronic) Authors Sauble-Otto, Lorie Gwen Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 19:58:23 Link to Item http://hdl.handle.net/10150/279786 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. Photographs included in the original manuscript have been reproduced xerographicaliy in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. -
Bcsfazine #354
BCSFAzine #354 Vol. 30 No. 11 November, 2002 In this issue: * VCON 27 RESULTS * O VOI CHE SIETE IN PICCIOLETTA BARCA * * HEL ICOPTERING THROUGH THE HOLLOW EARTH * * NON IN COMMOTIONE DEUS * CON FLYERS FROM ARIZONA * * SF AWARD AND MARKET NEWS * CHE CHOROBIA * SHIGATA GA NAI * Colophon BCSFA Executive President: R. Graeme Cameron BCSFAzine -- Something to offend interest Vice President: -- everyone! Treasurer: Doug Finnerty Secretary: Alyx Shaw BCSFAzine © November 2002, Volume 30, #11, Archivist: R. Graeme Cameron Issue #354 is the club newsletter published by the Editor: Garth Spencer B.C. Science Fiction Association, a social Members at Large: Randy Barnhart, Alan Ferguson organization. Single copies $3.00 each. For comments, Keeper of FRED Book, Vcon Ambassador for Life: subscriptions, suggestions, and/or submissions, write Steve Forty to: BCSFAzine, c/o Box 15335, VMPO, Vancouver, BCSFA/VCS Webmaster and Modem Retrieval B.C. CANADA V6B 5B1, or email Specialist: David Hale ([email protected]) [email protected]. BCSFA membership rates: BCSFAzine is distributed monthly at WHITE DWARF BOOKS, 4368 West 10th Avenue, subscribe to .PDF version by e-mail: $15.00 Vancouver, B.C. V6R 2H7, tel. 604-228-8223; email New: $26.00 [email protected] Renewal: $25.00 New Family (2 votes): $32.00 BCSFA’s Web page may be viewed at http://www3.telus.net/dh2/bcsfa/ Above prices include subscription to BCSFAzine. Make cheques payable to WCSFA (West Coast BCSFA’s e-mail discussion list may be joined by Science Fiction Association), c/o 86 Warrick Street, emailing Coquitlam, B.C. CANADA V3K 5L4. [email protected] To post a message, email [email protected] BCSFAzine is also available by e-mail; please email To contact the list owner, email BCSFA- the editor at [email protected] if you wish to [email protected] receive our newsletter this way. -