The Ithacan, 2004-03-04
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Melvins / Decrepit Birth Prosthetic Records / All
METAL ZINE VOL. 6 SCIONAV.COM MELVINS / DECREPIT BIRTH PROSTHETIC RECORDS / ALL SHALL PERISH HOLY GRAIL STAFF SCION A/V SCHEDULE Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker MARCH Creative Direction: Scion March 13: Scion A/V Presents: The Melvins — The Bulls & The Bees Art Direction: BON March 20: Scion A/V Presents: Meshuggah — I Am Colossus Contributing Editor: J. Bennett March 31: Scion Label Showcase: Profound Lore, featuring Yob, the Atlas Moth, Loss, Graphic Designer: Gabriella Spartos Wolvhammer and Pallbearer, at the Glasshouse, Pomona, California CONTRIBUTORS Writer: Etan Rosenbloom Photographer: Mackie Osborne CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Mail Stop WC12 APRIL Torrance, CA 90501 $WODV0RWK³<RXU&DOP:DWHUV´ Phone: 866.70.SCION / Fax: 310.381.5932 &RUURVLRQRI&RQIRUPLW\³3V\FKLF9DPSLUH´ Email: Email us through the Contact page located on scion.com 6DLQW9LWXV³/HW7KHP)DOO´ Hours: M-F, 6am-5pm PST / Online Chat: M-F, 6am-6pm PST 7RPEV³3DVVDJHZD\V´ Scion Metal Zine is published by BON. $SULO6FLRQ$93UHVHQWV0XVLF9LGHRV For more information about BON, email [email protected] April 3: Scion A/V Presents: Municipal Waste April 10: Scion A/V Presents: All Shall Perish — Company references, advertisements and/or websites The Past Will Haunt Us Both (in Spanish) OLVWHGLQWKLVSXEOLFDWLRQDUHQRWDI¿OLDWHGZLWK6FLRQ $SULO6FLRQ$93UHVHQWV3URVWKHWLF5HFRUGV/DEHO6KRZFDVH OLYHUHFRUGLQJ unless otherwise noted through disclosure. April 24: Municipal Waste, “Repossession” video Scion does not warrant these companies and is not liable for their performances or the content on their MAY advertisements and/or websites. May 15: Scion A/V Presents: Relapse Records Label Showcase (live recording) May 19: Scion Label Showcase: A389 Records Showcase, featuring Integrity, Ringworm, © 2012 Scion, a marque of Toyota Motor Sales U.S.A., Inc. -
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert. -
John Zorn. the Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003)
Brigham Young University BYU ScholarsArchive Faculty Publications 2008-01-01 John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild Christian T. Asplund [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the Music Commons BYU ScholarsArchive Citation Asplund, Christian T., "John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild" (2008). Faculty Publications. 914. https://scholarsarchive.byu.edu/facpub/914 This Peer-Reviewed Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. RecordingReviews 129 JohnZorn. TheGift; Songs from the Hermetic Theatre (2001). Chimeras;Mas- ada Guitars(2003). Masada Recital;Magick (2004). Rituals (2005). Astronome; MasadaRock; Moonchild (2006). Each of these recordings appears on John Zorn'sown label,Tzadik. Once the unrulyupstart, John Zorn is now a MacArthurfellow, whose formi- dable catalogdivides easily intoearly, middle, and late periods.The earlyperiod dates fromthe mid-1970s to themid-1980s, when Zorn pioneeredthe practice of "comprovisation,"a termused to describe"the making of new compositionsfrom recordingsof improvised material/'1 Ultimately, Zorn's comprovisationblurs the lines between active listenerand composer,since both createnew works when theyimpose structureon foundsonic material.His earlystructuralist-modernist approach to comprovisationproduced esoteric,often severely pointillist music, and evolved into thegame pieces of the late 1970s and early 1980s,culminating in themasterpiece of strategy,Cobra (1984), the last early-periodwork. -
La Musica Salottiera D'avanguardia Di Zorn
My Space Il Museo www.myspace.com/thecoral www.museomemoriaustica.it 41 DOMENICA Canzoni, foto Dedicato alla memoria delle 11 LUGLIO e appuntamenti della band vittime della strage 2010 Roberto Carlos I Am Kloot I più suonati a Radio Città del Capo TOP 10 ALBUM www.radiocittadelcapo.it (Bologna) Operazione nostalgia Notturno autunnale Anouar Brahem 02 Mario Brunello Odusia Roberto Carlos I Am Kloot I miei successi Sky At Night The astounding eyes of Rita 03 Vic Chesnutt At the cut Columbia Pias Il suonatore di oud ** *** 04 Dinosaur Jr Farm 05 Dj Spooky The secret song 06 Dente L’amore non è bello Se siete oltre i 40, un rigurgito nostalgico Esce ora il nuovo cd del trio cult man- saràinevitabile riascoltandol’artistabrasilia- cuniano,ma sarebbestato più adattoposti- 07 Mike Patton Mondo cane no, molto noto in Italia dagli anni 60 ai 70. ciparlo di qualche mese. Perché è nottur- Ecco A che serve volare (col classico «rom- no e malinconico, morbido e romantico, 08 Souljazz Orchestra Rising sun bo»sullo sfondo)e ilbeat ingenuodi La don- ironico e pensoso, con l’ispirata voce del na di un amico mio, ma anche Testardo io e leader John Bramwell in evidenza. Ideale 09 Tinariwe Imidiwan Canzone per te (di Endrigo). Peccato per la per l’autunno, insomma: conservatelo per scarna confezione e gli errori sparsi. D.P. le prime uggiose giornate di pioggia. D.P. 10 John Zorn O,o La musica salottiera Musica e memoria GIORDANO MONTECCHI seo, il pubblico aspetta in silenzio, allo scoccare dei trent’anni, l’ini- zio de «La ventunesima ora»: due d’avanguardia di Zorn concerti ideati dal Festival Angeli- ca con musiche di Karlheniz Exotica e cool-jazz, surf strumentale, klezmer stilizzato.. -
Bryan Adams Christina Aguilera Zachary Alford Duke Amayo Stuart
Bryan Adams Garth Brooks Christina Aguilera Steph Brown Zachary Alford Luqman Brown Duke Amayo Buffalo Brown Stuart Argabright Guillermo Brown Saint Asonia Tine Bruhn Sebastian Aymanns Jason Burger Eszter Balint David Burnett Shawn Banks T Bone Burnett Estate of Count Basie Daren Burns Vagabond Alexander Carter Burwell Beaumont Jeff Byrd Noah Bellamy David Byrne Jay Bellerose Marilyn Carino Angelo Bermudez Hayes Carll Tony Bennett Neko Case Eric Bent Rosanne Cash Michael Bisio Michelle Casillas Jim Black Beth Nielsen Chapman Marc Black Kenny Chesney Michael Stephen Blake Keefus Ciancia Benny Blanco Vongole Cine Emma Blankenship Ty Citerman Stuart Bogie Jem Cohen Jon Bon Jovi Steve Cole Karen Borca CJ Martin Coleman Pavel Borodin Bootsy Collins Joseph Bowie Jennifer Condos Dougie Bowne Holly Conlan Michelle Branch David Conrad Angelo Branford Elizabeth Cook Black Veil Brides Chauncey Cool Blue Oyster Cult Chris Cornell Danielle Brisebois Elvis Costello Kwame Coston Sylvie Courvoisier Michael Crevier Estate of Judy Garland Eli Crews Siedah Garrett Juli Crockett-Feldman Rebecca Gates Connie Crothers Mary Gauthier Sheryl Crow Brian Gempp Chelsea Crowell Melvin Gibbs Rodney Crowell Lauren Gilbert Reid Cummings Amy Grant Gabriel Cyr CeeLo Green Dave Matthews Band Leon Gruenbaum deadmau5 Sohrab Habibion Jack Dejohnette Matthew Hager Amy Denio Emmylou Harris Daniel Louis D'Errico Jerome Harris Jack DeSalvo Jesse Harris Jon Diaz Emerson Hart Estate of Ronnie James Dio Chris Haskett Marigrace Dineen David Henderson Carla Dirlikov Paula Henderson -
A Creator's View of the Music Ecosystem and DMCA
A Creator’s View of the Music Ecosystem and DMCA Creating music that matters is more than just a labor of love – it takes all the joy, loss, courage, fear, and humanity that we have. But whether it’s a Platinum megahit or a lonely ballad written for just one heart, we are grateful for the chance to share our stories and our truth. We see much to celebrate in today’s music landscape – including vibrant digital services that help fans connect with the songs they love. But we also see profound obstacles facing young artists and songwriters hoping to find their voice and build a sustainable career. One of the biggest hurdles is an outdated and ineffective law called the Digital Millennium Copyright Act. Many big tech companies have figured out how to game this law – hiding behind its sweeping immunities while earning billions off of our work. Meanwhile, too many working artists, musicians, songwriters, and producers are left to fight for digital scraps. Thanks to the DMCA, a single video service has swallowed up almost every other form of listening, while paying among the lowest royalties in the business – rates it extracts from creators who have no effective way to keep unlicensed copies off the service if they refuse. The DMCA leaves creators at the mercy of rogue websites that operate at the farthest reaches of US law – and beyond – and offers no meaningful way to hold repeat offenders to account. And forces us to stand by helpless as billions of dollars in advertising is sold around illegal copies of our work. -
Julyissuesingle.Pdf
The Independent Journal ofCreative Improvised Music cadence Vol 38 No3 JUL AUG SEP 2012 The New York City Jazz Record EXCLUSIVE CONTENT ON JAZZ & IMPROVISED MUSIC IN NEW YORK CITY COMPETITIVE & EFFECTIVE ADVERTISING: [email protected] SUBSCRIPTIONS AND GENERAL INFO: [email protected] FOLLOW US ON TWITTER: @NYCJAZZRECORD www.nycjazzrecord.com Cadence The Independent Journal of Creative Improvised Music July - August - September 2012 ABBREVIATIONS USED Vol. 38 No. 3 (401) IN CADENCE Cadence ISSN01626973 is published quarterly online acc: accordion and annually in print by as: alto sax Cadence Media LLC, bari s : baritone sax P.O. Box 282, Richland, OR 97870 b cl: bass clarinet bs: bass sax PH 315-289-1444 bsn: bassoon cel: cello Email: [email protected] cl: clarinet cga: conga www.cadencejazzmagazine.com cnt: cornet d: drums Subscriptions: 1 year: el: electric First Class USA: $65 elec: electronics Outside USA : $70 Eng hn: English horn PDF Link and Annual Print Edition: $50, Outside USA $55 euph: euphonium Coordinating Editor: David Haney flgh: flugelhorn Copy Editors: Kara D. Rusch, Jeffrey D. Todd flt: flute Transcriptions: Colin Haney, Paul Rogers, Rogers Word Fr hn: French horn Services g: guitar Art Director: Alex Haney hca: harmonica Crosswords: Ava Haney Martin kybd: keyboards Promotion and Publicity: Tiffany Rozee ldr: leader Advisory Committee: ob: oboe Jeanette Stewart org: organ Colin Haney perc: percussion Robert D. Rusch p: piano Abe Goldstein pic: piccolo rds: reeds ALL FOREIGN PAYMENTS: Visa, Mastercard, Pay Pal, and ss: soprano sax Discover accepted. sop: sopranino sax POSTMASTER: Send address change to Cadence Magazine, P.O. synth: synthesizer Box 282, Richland, OR 97870 ts: tenor sax © Copyright 2012 Cadence Magazine tbn: trombone Published by Cadence Media, LLC. -
Bad Alchemy 45 I
BAD ALCHEMY 45 I. Andante un poco mosso - attacca 1 1984 2004 2 Ein Labelporträt von Michael Zinsmaier Eines Tages, so die Anekdote, betraten zwei gestylte Jugendliche den sagenumwobenen WAVE-Plat- tenladen in der Rue De Soeurs Macaron in Nancy um vielleicht in den Regalen nach dem neuesten Schmus zu suchen. Im Geschäft lief gerade die CD einer japanischen Noise-Band und die Disharmonien veranlassten einen der Beiden zu der Bemerkung, was das denn für eine Scheiße sei. Woraufhin der La- deninhaber ohne mit der Wimper zu zucken und ohne ein Wort zu verlieren die Lautstärke bis zur Uner- träglichkeit hochdrehte bis die Beiden die Flucht ergriffen. Dies sagt Einiges aus über Konsequenz und Philosophie von DSA. Der Ladeninhaber war Gérard Nguyen, 1951 als Sohn eines vietnamesischen Vaters und einer deut- schen Mutter geboren, in der von Rokoko-Prunk und Industrie gleichermaßen geprägten lothringschen 100 000-Einwohner-Stadt Nancy aufgewachsen und schon früh vom Morbus Musica Experimentalis befallen. Naturgemäß wenig linientreu zu den stilprägenden US-amerikanischen und britischen unabhängigen Labels wie Ralph Records, Rough Trade oder Recommended Records, versuchten die franko- phonen Vertreter der Free Musik und des Punks Anfang der 80er Jahre andere Wege zu gehen. Illusion Prod., Nato, AYAA oder das Kassetten-Label Tago Mago versprachen bezüglich Design und Grad an Strangeness weitere Verheißungen (aufgrund der Kunst- und Philosophiereferenzen gar eine Be- wusstseinserweiterung?) Vor zwanzig Jahren gegründet ist Gérard Nguyens Label (1988 kam der Laden in Nancy, 1998 der in Paris hinzu) heute allerdings eine der wenigen noch existierenden Firmen aus dieser Zeit mit Avantgar- de-Ausrichtung. Der Labelkatalog selbst liest sich heutzutage einerseits wie ein Kompendium der alter- nativen Avantgardeströmungen der letzten 30 Jahre, aber auch wie ein der Qualitätskontrolle verpflich- teter Gradmesser aktueller Tendenzen. -
Fantômas Dvd and Live Album, the Director’S Cut Live: a New Year’S Revolution, Set for Sept
FANTÔMAS DVD AND LIVE ALBUM, THE DIRECTOR’S CUT LIVE: A NEW YEAR’S REVOLUTION, SET FOR SEPT. 6 RELEASE SAN FRANCISCO, JULY 21 – Fantômas, the eclectic supergroup featuring Mike Patton (Faith No More, Tomahawk, Peeping Tom), Buzz Osborne (Melvins), Trevor Dunn (Mr. Bungle, MadLove) and Melvins' drummer Dale Crover filling in for Dave Lombardo (Slayer), release The Director’s Cut Live: A New Year’s Revolution on DVD and as a standalone audio download on Sept. 6 via Ipecac Recordings. Filmed at San Francisco’s Great American Music Hall, the DVD features audio commentary by comedian Neil Hamburger. Fantômas released the studio version of The Director’s Cut in July of 2001. The album tackles a collection of beloved and eerie film compositions including Nino Rota’s “The Godfather,” Bernard Herrmann’s “Cape Fear” and Jerry Goldsmith’s “The Omen (Ave Satani).” Upon its release, Pitchfork said the release was “as cinematic as its source material” and NME called it “gleeful butchering.” Two songs featured on The Director's Cut Live: A New Year's Revolution were not in the original release of The Director's Cut: Al Green's "Simply Beautiful" and Marc Bolan & T. Rex's "Chariot Choogle." The Director’s Cut Live: A New Year’s Revolution track listing: 1. The Godfather 2. Night of the Hunter 3. Cape Fear 4. Experiment in Terror 5. One Step Beyond 6. Rosemary’s Baby 7. The Devil Rides Out 8. Spider Baby 9. The Omen (Ave Satani) 10. Henry: Portrait Of A Serial Killer 11. Vendetta 12. Investigation Of A Citizen Above Suspicion 13. -
John Zorn Et À Son Label (Tzadik : L'esthétique Discographique Selon John Zorn, Paru En 2015)
1 2 PRÉSENTATION DU CONFÉRENCIER François-Xavier Féron est musicologue, titulaire d’un master en acoustique musicale (Paris VI- IRCAM) et d’un doctorat en musicologie (Paris IV). Après avoir enseigné à l’université de Nantes, il a travaillé successivement, en tant que chercheur postdoctoral, au CIRMMT (Université McGill, Montréal) et dans l’équipe Analyse des Pratiques Musicales à l’IRCAM (Paris). En 2013, il intègre le CNRS et rejoint le LaBRI/SCRIME (Université de Bordeaux). Ses recherches se concentrent sur les pratiques musicales aux XXème et XXIème siècles et plus spécifiquement sur l’impact des recherches en acoustique sur les processus de création artistique. Il a dirigé le numéro de la revue Circuit : musiques contemporainesconsacré à John Zorn et à son label (Tzadik : l'esthétique discographique selon John Zorn, paru en 2015) 3 JOHN ZORN Né à New York en 1953, John Zorn se passionne dès l'enfance pour toutes sortes de musiques, via la radio et les disques de son père. Il apprend le piano et la guitare en autodidacte et entre en 1967 à la United Nations International School de Manhattan, où il commence à étudier la composition, études poursuivies à la Webster University de Saint Louis (Missouri). S'il s'intéresse aux travaux de John Cage, Karlheinz Stockhausen, Luigi Nono, il demeure un auditeur d'une insatiable curiosité. Jacques Coursil, qui fut son professeur, dit de lui : "Les musiques, il les a toutes entendues : Zorn a le monde entier dans la tête et il est libre."* C'est également un passionné de cinéma qui envisage un temps une carrière de réalisateur. -
Ecclesiastes Et Psychosoma (2015) : Deux Manuscrits Inédits De John Zorn François-Xavier Féron
Document generated on 09/30/2021 9:37 a.m. Circuit Musiques contemporaines Ecclesiastes et Psychosoma (2015) : deux manuscrits inédits de John Zorn François-Xavier Féron Tzadik : l’esthétique discographique selon John Zorn Volume 25, Number 3, 2015 URI: https://id.erudit.org/iderudit/1034499ar DOI: https://doi.org/10.7202/1034499ar See table of contents Publisher(s) Les Presses de l’Université de Montréal ISSN 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this document Féron, F.-X. (2015). Ecclesiastes et Psychosoma (2015) : deux manuscrits inédits de John Zorn. Circuit, 25(3), 75–77. https://doi.org/10.7202/1034499ar Tous droits réservés © Les Presses de l’Université de Montréal, 2015 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ document Ecclesiastes et Psychosoma (2015) : deux manuscrits inédits de John Zorn Introduction de François-Xavier Féron En 2006, Zorn réunit Mike Patton (voix), Trevor Dunn (basse) et Joey Baron (batterie) le temps d’un cycle de chansons sans paroles, définitivement hard- core. Moonchild, le titre de l’album, devient celui de cet incroyable trio autour duquel Zorn va finalement concevoir une septologie (encore le chiffre 7 !) qu’il achèvera en 20141. -
Eddie Gomez • Faruq Z. Bey • Blue Music Group • Event Calendar
NEW YORK May 2010 | No. 97 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com PAT METHENY ONE MAN’S BAND IN MEMORIAMHERB1921-2010 ELLIS Eddie Gomez • Faruq Z. Bey • Blue Music Group • Event Calendar NEW YORK Lest one needs a reminder of the globalization of the world in general and music in particular, last month’s eruption of a volcano under Iceland’s Eyjafjallajokull glacier was a particularly effective one. Lost in all the news reports of stranded New York@Night travelers on both sides of the Atlantic were the many musicians whose tour plans 4 were disrupted by the thousands of cancelled flights. The modern musician is a world traveller by necessity in the 21st century; there just aren’t enough audiences Interview: Eddie Gomez in any one city for players not to tour. And given how long it takes to book these 6 by Donald Elfman overseas gigs (in either direction), the effect of this recent natural disaster may be devastating to some artists. That we can’t control nature is becoming increasingly Artist Feature: Faruq Z. Bey obvious but what we can do is make our best effort to see live music as much as 7 by Wilbur MacKenzie possible. In other sad news, we report on the passing of guitar legend Herb Ellis (Aug. On The Cover: Pat Metheny 4th, 1921 – Mar. 28th, 2010). The impact of his work in many situations but 9 by Tom Greenland perhaps most famously as a long-tenured member of pianist Oscar Peterson’s trio Encore: Lest We Forget: with bassist Ray Brown is still felt today.