Porno Tuvieron Sus Más Intempestivas Actuaciones

Total Page:16

File Type:pdf, Size:1020Kb

Porno Tuvieron Sus Más Intempestivas Actuaciones Visita nuestra página: www.gaceta.udg.mx Los ritmos Sensibilidad urbanos solar página 12-13 página 14 Lunes 10 de octubre de 2011 año 10, edición 674 ejemplar gratuito de la Universidad de Guadalajara 86 años de excelencia 5 Foto: Jorge Alberto Mendoza [email protected] Expresa tu opinión. Envía un mensaje a este correo con una extensión máxima de 200 palabras. Debe incluir nombre completo y teléfono. La gaceta se reserva el derecho de edición y publicación marle el de la edad promedio Esa parece ser una forma de Guadalajara. Es para muchos A buena hora de vida en nuestro país, la cual metáfora de lo que es, en este una oportunidad de agradecer de acuerdo con el Instituto Na- periodo administrativo, todo todo lo que ha logrado por la No es posible que a unos días cional de Estadística y Geogra- el pueblo: una verdadera ca- sociedad jalisciense esta casa de que comiencen los Juegos fía (INEGI) es de 75.4 años pro- lamidad. Calles en malas con- de estudios que, ya cumple 86 Panamericanos se esté repavi- medio; para las mujeres 77.8 diciones; basura por doquier; años de que su refundación mentando la avenida Hidalgo. años, y para los hombres, 73.1. cruces —como el de la glorieta (1925) con su primer rector En- No es posible que no se haya Asimismo, las entidades que de la “Mona”— sin semáforos, rique Díaz de León. De esa fe- planeado con anticipación este presentan la mayor esperanza pese a que esto resulta un ver- cha a este próximo aniversario tipo de acciones que ahora mo- de vida en el país son Quintana dadero riesgo tanto para los la universidad que, hablo por lestan. Roo (76.5 años), Distrito Fede- transeúntes como para los au- mí al menos, me permitió estu- Si bien nos falta una cultura ral (76.3), Baja California, Tlax- tomovilistas. Triste el paso de diar una carrera, se encuentra de la prevención, también es cala, Baja California Sur (76.2 la antorcha panamericana por en un crisis económica que no de la planeación, la cual pare- años) y Morelos (76.1). el pueblo de Tonalá, es en ver- ha podido salvar. Y la noticia ciera que quienes están en los Y otro dato más: se estima dad una pena, pues la escasa de que posiblemente se mani- escritorios no piensan en lo que para 2050 habrá alrededor atención que la administración fieste durante los Juegos Pa- que sufrimos los ciudadanos, de 51 millones de mexicanos ha tenido es un aporte a la me- namericanos resulta, en gran tal vez porque ellos no circulan en edad adulta que probable- diocre forma de gobernar un medida, una apuesta a favor de mucho por estas avenidas. mente no cuenten con pensión. pueblo tan rico en cultura que la sociedad y, también, a favor Pero bueno, qué más decir; MARCO SOLTERO sobrevive en el abandono de de un pensamiento combativo ahora a esperar a que terminen un gobierno municipal y esta- que parecía que ya no tenía y nosotros soportar el tránsito tal que ya es histórico. Quizás relevancia en nuestra insti- y congestionamientos. una de las buenas cosas de la tución. Si hay que marchar JUAN ARIAS La “Mona” y los presente administración to- para lograr que el gobierno le nalteca es que haya apoyado a otorgue el presupuesto que Panamericanos sus habitantes a que no se les le corresponde, es y será para cobrara el peaje que había im- muchos un honor y un agrade- Las personas puesto una empresa a la cual cimiento como personas que Una barda rotulada, en una se le concesionó la carretera, hemos obtenido un grado edu- mayores avenida que desemboca hacia que da entrada al pueblo don- cativo sólido en alguna de sus el monumento a la Alfarera, en de al parece ya ni el sol les da facultades. No deberíamos de- Tonalá, invita a los vecinos a a sus ya muy lastimados mora- jar pasar el momento si en su El director general del Insti- ver pasar la carrera que trae a dores. caso es convocada la sociedad tuto Nacional de las Personas Guadalajara la antorcha de los JUAN RODOLFO MENDIOLA universitaria a realizar una Adultas Mayores (Inapam), Juegos Panamericanos. Aten- marcha en protesta. Asistir, Alejandro Orozco, informó que tos al bienestar de la ciudada- para mí, sería un honor. todos los días 800 personas nía, los integrantes del ayun- ROBERTO VALENZUELA cumplen 60 años, por lo que se tamiento tonalteca han hecho Aniversario de la incrementa la población de la sus preparativos: han podado tercera edad en México. el alto pastizal en los costa- Universidad De manera, que más de 10 dos de esta artería, su trabajo millones de mexicanos actual- parece eficaz, sin embargo la mente tienen más de 60 años, calle no podría estar en pero- Este 12 de octubre, además de lo que representa casi 9 por res condiciones pese a que han recordarse el “descubrimien- ciento de la población, y se es- tratado de ocultar los desper- to” de América y, por tanto Día pera que para 2050 sea más de fectos, baches y la pintura de de la Raza, también se recuer- 30 por ciento. algunas bardas que dividen las da la refundación de nuestra correo-e A este tema habría que su- calles viales de este espacio. Alma Mater, la Universidad de directorio UNIVERSIDAD DE GUADALAJARA • Rector general: Dr. Marco Antonio Cortés Guardado • Vicerrector: Dr. Miguel Ángel Navarro Navarro • Secretario general: Lic. José Alfredo Peña Ramos • Director General de Medios: Mtro. David Rogelio Campos Cornejo • Director de Información: José Alonso Torres Vázquez • LA GACETA: Director: José Luis Ulloa Luna: [email protected] • Editor: Cristian Zermeño: cristian.zermeno@ redudg.udg.mx • Jefe de diseño: Fernando Ocegueda Luna: [email protected] • Diagramación: Miriam Mairena Navarro, Diana Puig Valenzuela • Corrección: Víctor Manuel Pazarín, Miguel García Ascencio, Fanny Enrigue • Distribución: Víctor Valdez • Telefono de oficina: 3134-2222 ext. 12616 • Edición electrónica: www.gaceta.udg.mx. Número de reserva del Instituto Nacional de Derechos de Autor: 04-2009-061113265900-109. 2 lunes 10 de octubre de 2011 Cañón del basurero observatorio Foto: Julieta Marón Dónde quedan los derechos re- productivos y de la dignidad de la mujer, así como el libre albendrío sobre su propio cuerpo. Doctora Ruth Padilla Muñoz Directora del Sistema de Educación Media Superior Las máximas de LA MÁXIMA Si no nos movemos en tiempo y forma, no producimos. Maestra María Dolores del Río López, directora de la División de Diseño y Proyectos Centro Universitario de Arte, Arquitectura y Diseño lunes 10 de octubre de 2011 3 A 86 años de la refundación de la UdeG, la máxima casa de estudios de Jalisco ha logrado implementar propuestas educativas y de investigación acordes a las características de las diferentes regiones del estado, contribuyendo así a impulsar el desarrollo social, cultural y económico del occidente del país ALBERTO SPILLER/ JOSÉ DÍAZ BETANCOURT / KARINA ALATORRE / WENDY ACEVES o que en 1989 pareció a muchos una utopía, a 26 años de distancia se consolidó en un proyecto exito- so que logra llevar la educación a todos los rincones de Jalisco. La Red Universitaria, conformada junto con el nuevo centro universitario de To- Lnalá, 15 campus, y dos sistemas de educación: Media Superior y Virtual, es la exitosa respues- ta al reto que asumió la Universidad de Gua- dalajara de acercar el conocimiento a todos los jaliscienses. Desde el 12 de octubre de 1925, la máxima casa de estudios de Jalisco se ha posicionado como un motor de desarrollo para todo el es- tado. A partir del inicio de la red, en 1989, se ha potencializado la injerencia de la Univer- sidad, utilizando siempre los caminos del co- nocimiento para dejar huella en las diferentes regiones. En particular en sus ocho centros universitarios fuera de Guadalajara, los cuales en voz de sus rectores dan cuenta del impacto que han tenido en sus ámbitos de acción. 3Foto: Jorge Alberto Mendoza 4 lunes 10 de octubre de 2011 UdeG, el punto cardinal de Jalisco CUNorte: tecnología e intercultura Este centro realiza actividades de extensión CUValles: profesionalización de El desarrollo de procesos de conocimientos que universitaria en 14 municipios, entre la pobla- recursos humanos impacten en la profesionalización de los servi- ción vulnerable, con base en una coordinación Impulsar el desarrollo social, económico cios y el uso de tecnologías para el aprendiza- conjunta con los ayuntamientos y con el sector y cultural por medio de la profesionali- je, acordes con las necesidades de la región, es salud. “Creo que CUAltos y la Universidad de zación de recursos humanos en la región una de las características principales del CU- Guadalajara sí están impactando en el desarro- Valles, es uno de los objetivos que ha ve- Norte, con sede en Colotlán. llo de la región”. nido cumpliendo el Centro Universitario Esto se traduce en un modelo académico Otro aspecto a destacar es el cultural, pues de los Valles (CUValles) desde el año 2000, que atiende problemas concretos, como en el el centro universitario trabaja con artistas de la cuando fue instalado en el municipio de caso de las comunidades indígenas, explicó el región y cada mes efectúan alguna exposición Ameca. rector de este campus, maestro Alberto Bece- o actividad. Respecto a su matrícula, Avelar Ál- De acuerdo con la rectora de este centro, rra: “En los primeros 11 años de actividad tu- varez indicó que a 15 años de su fundación, su la maestra Mónica Almeida López, la inte- vimos en promedio solamente dos estudiantes cobertura se ha duplicado y llegó ya a tres mil gración de estos profesionales a las activi- de la etnia wixárika, mientras que actualmente alumnos.
Recommended publications
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson
    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
    [Show full text]
  • Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
    THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE.
    [Show full text]
  • Melvins / Decrepit Birth Prosthetic Records / All
    METAL ZINE VOL. 6 SCIONAV.COM MELVINS / DECREPIT BIRTH PROSTHETIC RECORDS / ALL SHALL PERISH HOLY GRAIL STAFF SCION A/V SCHEDULE Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker MARCH Creative Direction: Scion March 13: Scion A/V Presents: The Melvins — The Bulls & The Bees Art Direction: BON March 20: Scion A/V Presents: Meshuggah — I Am Colossus Contributing Editor: J. Bennett March 31: Scion Label Showcase: Profound Lore, featuring Yob, the Atlas Moth, Loss, Graphic Designer: Gabriella Spartos Wolvhammer and Pallbearer, at the Glasshouse, Pomona, California CONTRIBUTORS Writer: Etan Rosenbloom Photographer: Mackie Osborne CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Mail Stop WC12 APRIL Torrance, CA 90501 $WODV0RWK³<RXU&DOP:DWHUV´ Phone: 866.70.SCION / Fax: 310.381.5932 &RUURVLRQRI&RQIRUPLW\³3V\FKLF9DPSLUH´ Email: Email us through the Contact page located on scion.com 6DLQW9LWXV³/HW7KHP)DOO´ Hours: M-F, 6am-5pm PST / Online Chat: M-F, 6am-6pm PST 7RPEV³3DVVDJHZD\V´ Scion Metal Zine is published by BON. $SULO6FLRQ$93UHVHQWV0XVLF9LGHRV For more information about BON, email [email protected] April 3: Scion A/V Presents: Municipal Waste April 10: Scion A/V Presents: All Shall Perish — Company references, advertisements and/or websites The Past Will Haunt Us Both (in Spanish) OLVWHGLQWKLVSXEOLFDWLRQDUHQRWDI¿OLDWHGZLWK6FLRQ $SULO6FLRQ$93UHVHQWV3URVWKHWLF5HFRUGV/DEHO6KRZFDVH OLYHUHFRUGLQJ unless otherwise noted through disclosure. April 24: Municipal Waste, “Repossession” video Scion does not warrant these companies and is not liable for their performances or the content on their MAY advertisements and/or websites. May 15: Scion A/V Presents: Relapse Records Label Showcase (live recording) May 19: Scion Label Showcase: A389 Records Showcase, featuring Integrity, Ringworm, © 2012 Scion, a marque of Toyota Motor Sales U.S.A., Inc.
    [Show full text]
  • Jack Dejohnette's Drum Solo On
    NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
    [Show full text]
  • Krist Novoselic
    OVERNMENT G & E GRUNG KRIST NOVOSELIC THE ORAL HISTORY OF A WASHINGTON ROCKER WITH A CIVIC MISSION LEGACY PROJECT History through the people who lived it Krist Novoselic Research by John Hughes and Lori Larson Transcripti on by Lori Larson Interviews by John Hughes October 14, 2008 John Hughes: This is October 14, 2008. I’m John Hughes, Chief Oral Historian for the Washington State Legacy Project, with the Offi ce of the Secretary of State. We’re in Deep River, Wash., at the home of Krist Novoselic, a 1984 graduate of Aberdeen High School; a founding member of the band Nirvana with his good friend Kurt Cobain; politi cal acti vist, chairman of the Wahkiakum County Democrati c Party, author, fi lmmaker, photographer, blogger, part-ti me radio host, While doing reseach at the State Archives in 2005, Novoselic volunteer disc jockey, worthy master of the Grays points to Grays River in Wahkiakum County, where he lives. Courtesy Washington State Archives River Grange, gentleman farmer, private pilot, former commercial painter, ex-fast food worker, proud son of Croati a, and an amateur Volkswagen mechanic. Does that prett y well cover it, Krist? Novoselic: And chairman of FairVote to change our democracy. Hughes: You know if you ever decide to run for politi cal offi ce, your life is prett y much an open book. And half of it’s on YouTube, like when you tried for the Guinness Book of World Records bass toss on stage with Nirvana and it hits you on the head, and then Kurt (Cobain) kicked you in the butt .
    [Show full text]
  • John Zorn. the Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003)
    Brigham Young University BYU ScholarsArchive Faculty Publications 2008-01-01 John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild Christian T. Asplund [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the Music Commons BYU ScholarsArchive Citation Asplund, Christian T., "John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild" (2008). Faculty Publications. 914. https://scholarsarchive.byu.edu/facpub/914 This Peer-Reviewed Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. RecordingReviews 129 JohnZorn. TheGift; Songs from the Hermetic Theatre (2001). Chimeras;Mas- ada Guitars(2003). Masada Recital;Magick (2004). Rituals (2005). Astronome; MasadaRock; Moonchild (2006). Each of these recordings appears on John Zorn'sown label,Tzadik. Once the unrulyupstart, John Zorn is now a MacArthurfellow, whose formi- dable catalogdivides easily intoearly, middle, and late periods.The earlyperiod dates fromthe mid-1970s to themid-1980s, when Zorn pioneeredthe practice of "comprovisation,"a termused to describe"the making of new compositionsfrom recordingsof improvised material/'1 Ultimately, Zorn's comprovisationblurs the lines between active listenerand composer,since both createnew works when theyimpose structureon foundsonic material.His earlystructuralist-modernist approach to comprovisationproduced esoteric,often severely pointillist music, and evolved into thegame pieces of the late 1970s and early 1980s,culminating in themasterpiece of strategy,Cobra (1984), the last early-periodwork.
    [Show full text]
  • La Musica Salottiera D'avanguardia Di Zorn
    My Space Il Museo www.myspace.com/thecoral www.museomemoriaustica.it 41 DOMENICA Canzoni, foto Dedicato alla memoria delle 11 LUGLIO e appuntamenti della band vittime della strage 2010 Roberto Carlos I Am Kloot I più suonati a Radio Città del Capo TOP 10 ALBUM www.radiocittadelcapo.it (Bologna) Operazione nostalgia Notturno autunnale Anouar Brahem 02 Mario Brunello Odusia Roberto Carlos I Am Kloot I miei successi Sky At Night The astounding eyes of Rita 03 Vic Chesnutt At the cut Columbia Pias Il suonatore di oud ** *** 04 Dinosaur Jr Farm 05 Dj Spooky The secret song 06 Dente L’amore non è bello Se siete oltre i 40, un rigurgito nostalgico Esce ora il nuovo cd del trio cult man- saràinevitabile riascoltandol’artistabrasilia- cuniano,ma sarebbestato più adattoposti- 07 Mike Patton Mondo cane no, molto noto in Italia dagli anni 60 ai 70. ciparlo di qualche mese. Perché è nottur- Ecco A che serve volare (col classico «rom- no e malinconico, morbido e romantico, 08 Souljazz Orchestra Rising sun bo»sullo sfondo)e ilbeat ingenuodi La don- ironico e pensoso, con l’ispirata voce del na di un amico mio, ma anche Testardo io e leader John Bramwell in evidenza. Ideale 09 Tinariwe Imidiwan Canzone per te (di Endrigo). Peccato per la per l’autunno, insomma: conservatelo per scarna confezione e gli errori sparsi. D.P. le prime uggiose giornate di pioggia. D.P. 10 John Zorn O,o La musica salottiera Musica e memoria GIORDANO MONTECCHI seo, il pubblico aspetta in silenzio, allo scoccare dei trent’anni, l’ini- zio de «La ventunesima ora»: due d’avanguardia di Zorn concerti ideati dal Festival Angeli- ca con musiche di Karlheniz Exotica e cool-jazz, surf strumentale, klezmer stilizzato..
    [Show full text]
  • Krist Novoselic, Dave Grohl, and Kurt Cobain
    f Krist Novoselic, Dave Grohl, and Kurt Cobain (from top) N irvana By David Fricke The Seattle band led and defined the early-nineties alternative-rock uprising, unleashing a generation s pent-up energy and changing the sound and future of rock. THIS IS WHAT NIRVANA SINGER-GUITARIST KURT Cobain thought of institutional honors in rock & roll: When his band was photographed for the cover of Rolling Stone for the first time, in early 1992, he arrived wearing a white T-shirt on which he’d written, c o r p o r a t e m a g a z i n e s s t i l l s u c k in black marker. The slogan was his twist on one coined by the punk-rock label SST: “Corporate Rock Still Sucks.” The hastily arranged photo session, held by the side of a road during a manic tour of Australia, was later recalled by photogra­ pher Mark Seliger: “I said to Kurt, T think that’s a great shirt... but let’s shoot a couple with and without it.’ Kurt said, ‘No, I’m not going to take my shirt off.’” Rolling Stone ran his Fuck You un-retouched. ^ Cobain was also mocking his own success. At that moment, Nirvana - Cobain, bassist Krist Novoselic, and drummer Dave Grohl - was rock’s biggest new rock band, propelled out of a long-simmering postpunk scene in Seattle by its incendiary second album, N everm ind, and an improbable Top Ten single, “Smells Like Teen Spirit.” Right after New Year’s Day 1992, Nevermind - Nirvana’s first major-label release and a perfect monster of feral-punk challenge and classic-rock magne­ tism, issued to underground ecstacy just months before - had shoved Michael Jackson’s D angerous out of the Number One spot in B illboard.
    [Show full text]
  • THE MELVINS (USA) Album: «Hold It In» (Ipecac Recordings, VÖ: 10.10.2014)
    THE MELVINS (USA) Album: «Hold It In» (Ipecac Recordings, VÖ: 10.10.2014) The Melvins return with a brand new album: „Hold It In“ To Be released 10 October via Ipecac Recordings. "Hold It In“ is a refreshing piece of fiction in a boring world of fact and bullsh*t," said Buzz Osborne. http://www.themelvins.net/ https://www.facebook.com/melvinsarmy The ever prolific Melvins return with „Hold It In“, their first studio album as a quartet since 2010's The Bride Screamed Murder. Joining Buzz Osborne and Dale Crover for the 12-song album are Butthole Surfers' guitar player Paul Leary and bass player JD Pinkus. The album was recorded in both Los Angeles and Austin earlier this year. "Paul is one of the best guitar players I have ever heard and Pinkus has an outside the box type of approach to both guitar and bass that you just have to let it ride. I can't believe this actually happened. I'm thrilled." "It's very rare you get a chance to work with three folks from the 'Break A Wish' foundation, all at the same time," said Pinkus. "I believe they'll remember their experience with me forever (or until they finally all lose their fight with S.I.D.S)." “Brass Cupcake is possibly my favorite track on „Hold It In“ We wrote this song with Pinkus and Paul in mind, once we knew this project was a go,” explained Dale Crover. “It's our version of what we think pop music should sound like.
    [Show full text]
  • 3800 Love Drums Giveaway!
    $3,800 LOVE DRUMS GIVEAWAY! THE WORLD’S #1 DRUM MAGAZINE ANIMALS AS LEADERS’ MATT GARSTKA THE SOUL MACHINE 15 CARTER STEPS TO BEAUFORD MASTERING THREE GEARS UP OVER TWO + APRIL 2017 BILLY THOMAS • MATT CHAMBERLAIN • DALE CROVER KRISTEN GLEESON-PRATA • SEAN NOONAN • MEL BROWN REVIEWED: DIXON | ISTANBUL MEHMET | TAMA | TYCOON DRIVE Machined Chain Drive + Machined Direct Drive Pedals The drive to engineer the optimal drive system. mfg Geometry, fulcrum and motion become one. Direct Drive or Chain Drive, always The Drummer’s Choice®. U.S.A. www.DWDRUMS.COM/hardware/dwmfg/ 12 ©2017Modern DRUM Drummer WORKSHOP, June INC. ALL2014 RIGHTS RESERVED. MCD/MDD Drive AD - 2017 (DRUM).indd 1 1/19/17 11:33 AM DRUM11926 RC SD ad Revised Donald Barrett.qxp_Layout 1 1/30/17 12:06 PM Page 1 The Classic Redefined The classic Recording Custom Series has been redefined and redesigned in collaboration with legendary drummer and longtime Yamaha artist Steve Gadd. The simple design of these metal snare drums incorporates a heavy-duty Q-type strainer that is robust yet smooth and features a shell with an outer center bead which helps open up the tone of the drum for crisp, articulate performance. With seven sizes in 1.2mm aluminum, brass, and stainless steel, there is a Recording Custom snare drum to fit your style. But don't just take our word for it. See what other artists, like Donald Barrett, are saying about these snares: 4wrd.it/RC_DONALDBARRETT You’re going to want more than one. These five models have been staples in our back room for years, and while the name says ‘Modern Jazz,’ we’ve found that they are exceptional in almost any musical setting.
    [Show full text]
  • Bryan Adams Christina Aguilera Zachary Alford Duke Amayo Stuart
    Bryan Adams Garth Brooks Christina Aguilera Steph Brown Zachary Alford Luqman Brown Duke Amayo Buffalo Brown Stuart Argabright Guillermo Brown Saint Asonia Tine Bruhn Sebastian Aymanns Jason Burger Eszter Balint David Burnett Shawn Banks T Bone Burnett Estate of Count Basie Daren Burns Vagabond Alexander Carter Burwell Beaumont Jeff Byrd Noah Bellamy David Byrne Jay Bellerose Marilyn Carino Angelo Bermudez Hayes Carll Tony Bennett Neko Case Eric Bent Rosanne Cash Michael Bisio Michelle Casillas Jim Black Beth Nielsen Chapman Marc Black Kenny Chesney Michael Stephen Blake Keefus Ciancia Benny Blanco Vongole Cine Emma Blankenship Ty Citerman Stuart Bogie Jem Cohen Jon Bon Jovi Steve Cole Karen Borca CJ Martin Coleman Pavel Borodin Bootsy Collins Joseph Bowie Jennifer Condos Dougie Bowne Holly Conlan Michelle Branch David Conrad Angelo Branford Elizabeth Cook Black Veil Brides Chauncey Cool Blue Oyster Cult Chris Cornell Danielle Brisebois Elvis Costello Kwame Coston Sylvie Courvoisier Michael Crevier Estate of Judy Garland Eli Crews Siedah Garrett Juli Crockett-Feldman Rebecca Gates Connie Crothers Mary Gauthier Sheryl Crow Brian Gempp Chelsea Crowell Melvin Gibbs Rodney Crowell Lauren Gilbert Reid Cummings Amy Grant Gabriel Cyr CeeLo Green Dave Matthews Band Leon Gruenbaum deadmau5 Sohrab Habibion Jack Dejohnette Matthew Hager Amy Denio Emmylou Harris Daniel Louis D'Errico Jerome Harris Jack DeSalvo Jesse Harris Jon Diaz Emerson Hart Estate of Ronnie James Dio Chris Haskett Marigrace Dineen David Henderson Carla Dirlikov Paula Henderson
    [Show full text]
  • A Creator's View of the Music Ecosystem and DMCA
    A Creator’s View of the Music Ecosystem and DMCA Creating music that matters is more than just a labor of love – it takes all the joy, loss, courage, fear, and humanity that we have. But whether it’s a Platinum megahit or a lonely ballad written for just one heart, we are grateful for the chance to share our stories and our truth. We see much to celebrate in today’s music landscape – including vibrant digital services that help fans connect with the songs they love. But we also see profound obstacles facing young artists and songwriters hoping to find their voice and build a sustainable career. One of the biggest hurdles is an outdated and ineffective law called the Digital Millennium Copyright Act. Many big tech companies have figured out how to game this law – hiding behind its sweeping immunities while earning billions off of our work. Meanwhile, too many working artists, musicians, songwriters, and producers are left to fight for digital scraps. Thanks to the DMCA, a single video service has swallowed up almost every other form of listening, while paying among the lowest royalties in the business – rates it extracts from creators who have no effective way to keep unlicensed copies off the service if they refuse. The DMCA leaves creators at the mercy of rogue websites that operate at the farthest reaches of US law – and beyond – and offers no meaningful way to hold repeat offenders to account. And forces us to stand by helpless as billions of dollars in advertising is sold around illegal copies of our work.
    [Show full text]