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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Razorcake Issue #09
PO Box 42129, Los Angeles, CA 90042 www.razorcake.com #9 know I’m supposed to be jaded. I’ve been hanging around girl found out that the show we’d booked in her town was in a punk rock for so long. I’ve seen so many shows. I’ve bar and she and her friends couldn’t get in, she set up a IIwatched so many bands and fads and zines and people second, all-ages show for us in her town. In fact, everywhere come and go. I’m now at that point in my life where a lot of I went, people were taking matters into their own hands. They kids at all-ages shows really are half my age. By all rights, were setting up independent bookstores and info shops and art it’s time for me to start acting like a grumpy old man, declare galleries and zine libraries and makeshift venues. Every town punk rock dead, and start whining about how bands today are I went to inspired me a little more. just second-rate knock-offs of the bands that I grew up loving. hen, I thought about all these books about punk rock Hell, I should be writing stories about “back in the day” for that have been coming out lately, and about all the jaded Spin by now. But, somehow, the requisite feelings of being TTold guys talking about how things were more vital back jaded are eluding me. In fact, I’m downright optimistic. in the day. But I remember a lot of those days and that “How can this be?” you ask. -
Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE. -
FS Master List-10-15-09.Xlsx
Festival Sounds Song List by Artist - Updated 10-15-09 A B 1 Artist Song 2 1 King Of House 3 112 U Already Know 4 112 Peaches And Cream (Remix) 5 112 Peaches and Cream [Clean] 6 112 Dance With Me 7 311 All mixed up 8 311 Down 9 311 Beautiful Disaster 10 311 Come Original 11 311 I'll Be Here A While (Breakbeat Remix) 12 311 I'll Be here a while 13 311 Love Song 14 311 It's Alright 15 311 Amber 16 311 Beyond The Grey Sky 17 311 Prisoner 18 311 Rub-A-Dub 19 311 Don't Tread on Me 20 702 Where My Girls At(Radio Edit) 21 Arabic Greek 22 10,000 maniacs Trouble 23 10,000 Maniacs Because The Night 24 100 Songs for Kids Ten Little Indians 25 100% SALSA S Grupo Niche-Lluvia 26 2 Live Crew Face Down Ass Up 27 2 Live Crew Shake a Lil Somthing 28 2 Live Crew Hoochie Mama 29 2 Pac Hit 'Em Up 30 2 Pac California Love 31 2 Pac and Snoop Doggy Dogg 2 Of Americas Most Wanted 32 2 pac f/Notorious BIG Runnin' 33 2 pac Shakur Hit 'Em Up 34 20thfox Fanfare 35 2pac Ghetto Gospel Feat. Elton John 36 2XL feat. Nashay The Kissing Game 37 3 Doors Down It's Not My Time 38 3 Doors Down Be Like That (AmericanPieEdit) 39 3 Doors Down Let me Go 40 3 Doors Down Let Me Go 41 3 Doors Down It's Not My Time 42 3 Doors Down Here Without You 43 3 Libras A Perfect Circle 44 36 mafia Lollipop 45 38 Special Hold on Loosley 46 38 Special Back To Paradise 47 38 Special If Id Been The One 48 38 Special Like No Other Night Festival Sounds Song List by Artist - Updated 10-15-09 A B 1 Artist Song 49 38 Special Rockin Into The Night 50 38 Special Saving Grace 51 38 Special Second Chance 52 38 Special Signs Of Love 53 38 Special The Sound Of Your Voice 54 38 Special Fantasy Girl 55 38 Special Caught Up In You 56 38 Special Back Where You Belong 57 3LW No More 58 3OH!3 Don't Trust Me 59 4 Non Blondes What's Up 60 50 Cent Just A Lil' Bit 61 50 Cent Window Shopper (Clean) 62 50 Cent Thug Love (ft. -
Playing the Bass W Ith Three Left Hands
PLAYING THE BASS BASS THE PLAYING WITH THREE LEFT HANDS WILL CARRUTHERS ‘ Will Carruthers’ Playing The Bass With Three Left Hands is at the least the funniest rock memoir since Andrew Matheson’s Sick on You. Carruthers is a wonderfully droll narrator and the book is effectively a series of well-wrought comic set pieces’ Uncut, 9/10 Cover Playing the Bass.indd 1 25-8-2016 13:16:35 Playing the Bass with Th ree Left Hands I can confi rm that should you ever fi nd yourself on stage play- ing the bass guitar with tree left hands, it is usually he one in the middle that is the real one. Th e other two are probably phantoms. Playing the Bass with Th ree Left Hands tells the story of one of the most infl uential, revered and ultimately demented British bands of the 1980s, Spacemen 3. In classic rock n roll style they split up on the brink of their major breakthrough. As the decade turned sour and acid house hit the news, Rug- by’s fi nest imploded spectacularly, with Jason Pierce (aka Jason Spaceman) and Pete Kember (aka Sonic Boom) going their se- parate ways. Here, Will Carruthers tells the whole sorry story and the segue into Spirtualized in one of the funniest and most memorable memoirs committed to the page. Specifi cs Playing the Bass with Th ree Left Hands was published in Septem- ber 2016 by Faber Social 308 pages Agency Michaël Roumen: T: + 31 6 42136212 E: [email protected] Oscar van Gelderen: T: + 31 6 46096823 E: [email protected] Will Carruthers Playing the Bass with Th ree Left Hands Lebowski Agency, 2016 © Will Carruthers, 2016 © Lebowski Agency, Amsterdam 2016 Cover design: Peter de Lange Photograph of the author: © Fransesca Sara Cauli Typesetting: Crius Group, Hulshout www.lebowskipublishers.nl www.overamstel.com Lebowski Publishers is an imprint of Overamstel Publishers bv All rights reserved. -
The Portrayal of African American Women in Hip-Hop Videos
Western Michigan University ScholarWorks at WMU Master's Theses Graduate College 6-2005 The Portrayal of African American Women in Hip-Hop Videos Ladel Lewis Follow this and additional works at: https://scholarworks.wmich.edu/masters_theses Part of the Sociology Commons Recommended Citation Lewis, Ladel, "The Portrayal of African American Women in Hip-Hop Videos" (2005). Master's Theses. 4192. https://scholarworks.wmich.edu/masters_theses/4192 This Masters Thesis-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Master's Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. THE PORTRAYAL OF AFRICAN AMERICAN WOMEN IN HIP-HOP VIDEOS By Ladel Lewis A Thesis Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Master of Arts Department of Sociology Western Michigan University Kalamazoo, Michigan June 2005 Copyright by Ladel Lewis 2005 ACKNOWLEDGEMENTS I wish to thankmy advisor, Dr. Zoann Snyder, forthe guidance and the patience she has rendered. Although she had a course reduction forthe Spring 2005 semester, and incurred some minor setbacks, she put in overtime in assisting me get my thesis finished. I appreciate the immediate feedback, interest and sincere dedication to my project. You are the best Dr. Snyder! I would also like to thank my committee members, Dr. Douglas Davison, Dr. Charles Crawford and honorary committee member Dr. David Hartman fortheir insightful suggestions. They always lent me an ear, whether it was fora new joke or about anything. -
Melvins / Decrepit Birth Prosthetic Records / All
METAL ZINE VOL. 6 SCIONAV.COM MELVINS / DECREPIT BIRTH PROSTHETIC RECORDS / ALL SHALL PERISH HOLY GRAIL STAFF SCION A/V SCHEDULE Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker MARCH Creative Direction: Scion March 13: Scion A/V Presents: The Melvins — The Bulls & The Bees Art Direction: BON March 20: Scion A/V Presents: Meshuggah — I Am Colossus Contributing Editor: J. Bennett March 31: Scion Label Showcase: Profound Lore, featuring Yob, the Atlas Moth, Loss, Graphic Designer: Gabriella Spartos Wolvhammer and Pallbearer, at the Glasshouse, Pomona, California CONTRIBUTORS Writer: Etan Rosenbloom Photographer: Mackie Osborne CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Mail Stop WC12 APRIL Torrance, CA 90501 $WODV0RWK³<RXU&DOP:DWHUV´ Phone: 866.70.SCION / Fax: 310.381.5932 &RUURVLRQRI&RQIRUPLW\³3V\FKLF9DPSLUH´ Email: Email us through the Contact page located on scion.com 6DLQW9LWXV³/HW7KHP)DOO´ Hours: M-F, 6am-5pm PST / Online Chat: M-F, 6am-6pm PST 7RPEV³3DVVDJHZD\V´ Scion Metal Zine is published by BON. $SULO6FLRQ$93UHVHQWV0XVLF9LGHRV For more information about BON, email [email protected] April 3: Scion A/V Presents: Municipal Waste April 10: Scion A/V Presents: All Shall Perish — Company references, advertisements and/or websites The Past Will Haunt Us Both (in Spanish) OLVWHGLQWKLVSXEOLFDWLRQDUHQRWDI¿OLDWHGZLWK6FLRQ $SULO6FLRQ$93UHVHQWV3URVWKHWLF5HFRUGV/DEHO6KRZFDVH OLYHUHFRUGLQJ unless otherwise noted through disclosure. April 24: Municipal Waste, “Repossession” video Scion does not warrant these companies and is not liable for their performances or the content on their MAY advertisements and/or websites. May 15: Scion A/V Presents: Relapse Records Label Showcase (live recording) May 19: Scion Label Showcase: A389 Records Showcase, featuring Integrity, Ringworm, © 2012 Scion, a marque of Toyota Motor Sales U.S.A., Inc. -
Une Bibliographie Commentée En Temps Réel : L'art De La Performance
Une bibliographie commentée en temps réel : l’art de la performance au Québec et au Canada An Annotated Bibliography in Real Time : Performance Art in Quebec and Canada 2019 3e édition | 3rd Edition Barbara Clausen, Jade Boivin, Emmanuelle Choquette Éditions Artexte Dépôt légal, novembre 2019 Bibliothèque et Archives nationales du Québec Bibliothèque et Archives du Canada. ISBN : 978-2-923045-36-8 i Résumé | Abstract 2017 I. UNE BIBLIOGraPHIE COMMENTÉE 351 Volet III 1.11– 15.12. 2017 I. AN ANNOTATED BIBLIOGraPHY Lire la performance. Une exposition (1914-2019) de recherche et une série de discussions et de projections A B C D E F G H I Part III 1.11– 15.12. 2017 Reading Performance. A Research J K L M N O P Q R Exhibition and a Series of Discussions and Screenings S T U V W X Y Z Artexte, Montréal 321 Sites Web | Websites Geneviève Marcil 368 Des écrits sur la performance à la II. DOCUMENTATION 2015 | 2017 | 2019 performativité de l’écrit 369 From Writings on Performance to 2015 Writing as Performance Barbara Clausen. Emmanuelle Choquette 325 Discours en mouvement 370 Lieux et espaces de la recherche 328 Discourse in Motion 371 Research: Sites and Spaces 331 Volet I 30.4. – 20.6.2015 | Volet II 3.9 – Jade Boivin 24.10.201 372 La vidéo comme lieu Une bibliographie commentée en d’une mise en récit de soi temps réel : l’art de la performance au 374 Narrative of the Self in Video Art Québec et au Canada. Une exposition et une série de 2019 conférences Part I 30.4. -
Catalogo-Festivaldorio-2015.Pdf
Sumário TABLE OF CONTENTS 012 APRESENTAÇÃO PRESENTATION 023 GALA DE ABERTURA OPENNING NIGHT GALA 025 GALA DE ENCERRAMENTO CLOSING NIGHT GALA 033 PREMIERE BRASIL PREMIERE BRASIL 079 PANORAMA GRANDES MESTRES PANORAMA: MASTERS 099 PANORAMA DO CINEMA MUNDIAL WORLD PANORAMA 2015 141 EXPECTATIVA 2015 EXPECTATIONS 2015 193 PREMIERE LATINA LATIN PREMIERE 213 MIDNIGHT MOVIES MIDNIGHT MOVIES 229 MIDNIGHT DOCS MIDNIGHT DOCS 245 FILME DOC FILM DOC 251 ITINERÁRIOS ÚNICOS UNIQUE ITINERARIES 267 FRONTEIRAS FRONTIERS 283 MEIO AMBIENTE THREATENED ENVIRONMENT 293 MOSTRA GERAÇÃO GENERATION 303 ORSON WELLS IN RIO ORSON WELLS IN RIO 317 STUDIO GHIBLI - A LOUCURA E OS SONHOS STUDIO GHIBLI - THE MADNESS AND THE DREAMS 329 LIÇÃO DE CINEMA COM HAL HARTLEY CINEMA LESSON WITH HAL HARTLEY 333 NOIR MEXICANO MEXICAN FILM NOIR 343 PERSONALIDADE FIPRESCI LATINO-AMERICANA DO ANO FIPRESCI’S LATIN AMERICAN PERSONALITY OF THE YEAR 349 PRÊMIO FELIX FELIX AWARD 357 HOMENAGEM A JYTTE JENSEN A TRIBUTE TO JYTTE JENSEN 361 FOX SEARCHLIGHT 20 ANOS FOX SEARCHLIGHT 20 YEARS 365 JÚRIS JURIES 369 CINE ENCONTRO CINE CHAT 373 RIOMARKET RIOMARKET 377 A ETERNA MAGIA DO CINEMA THE ETERNAL MAGIC OF CINEMA 383 PARCEIROS PARTNERS AND SUPPLIES 399 CRÉDITOS E AGRADECIMENTOS CREDITS AND AKNOWLEDGEMENTS 415 ÍNDICES INDEX CARIOCA DE CORPO E ALMA CARIOCA BODY AND SOUL Cidade que provoca encantamento ao olhar, o Rio Enchanting to look at, Rio de Janeiro will once de Janeiro estará mais uma vez no primeiro plano again take centre stage in world cinema do cinema mundial entre os dias 1º e 14 de ou- between the 1st and 14th of October. -
Franks Paints Musical Poetry
franks paints musical poetry By Gary Serrao The side closes out with "Jardin If you ever get the feeling that you're Botanico, '' a samba-style selection about just about fed up with the disco or pop escaping wintertime in the city and rock thats been blasting from your stereo flying let me offer an alternative. Michael Franks, Tiger in the Rain, will ' ' .. to the Southern Hemisphere serve up some balmy orchestations Where the sky is clear . coupled with a casual, often nonchalant, Beneath banana trees ... vocal delivery that will induce a kind of Upon the cool Copacabana slow motion, laid back and mellow effect breeze ... ' ' in even the most strung-out disco/rock That's the perfect prescription for an junkies. overworked college student. Someone who can rhyme "nude" with The flip side starts up with "pulchritude" in a song titled "Popsicle " Underneath the Apple Tree," a gentle, Toes" can't help but offer an alternative quick-stepping ode to to today's often mundane music scene. Armed with a doctorate in the music "Sunnin' in our birthday suits field (he did his doctoral dissertation on Eatin' that forbidden fruit _.. '' Contemporary Songwriting and How it An interesting idea to try this summer. Relates to Society) Franks uses his The track is highlighted by a six-piece education to a subtle advantage. horn section with some especially lively Sprinkled with references from Dante to flute- and sax solos. · · Vivaldi, from Chagall to the African The title track, ''Tiger in the Rain,'' Queen, Franks' music has a kind of was inspired by a Henri Rousseau sensuous literacy that is his trademark painting and is featured on the album on the pop music scene. -
Art Athina'08
22 - 28 ª∞´√À 2008 . Δ∂ÀÃ√™ 213 . 210 ∏ ºø¡∏ Δ∏™ ∞£∏¡∞™ . WWW.ATHENSVOICE.GR . FREE PRESS ∫∞£∂ ¶∂ª¶Δ∏ ATHENS voice ÕÓˆ ¶·Ù‹ÛÈ· °È· ·ÁˆÙfi ÛÙË X·Ú¿ T˘ B¿ÛÈ·˜ T˙·Ó·Î¿ÚË, ÛÂÏ. 28 K·ÈÓÔ‡ÚÁÈ· ™Ù‹ÏË Travel Voice T˘ ™ÙÂÏϛӷ˜ K·ÚÚ¿, ÛÂÏ. 52 AÊȤڈ̷ ART ATHINA’08 H ÁÈÔÚÙ‹ Ù˘ Ù¤¯Ó˘ ÛÙËÓ Helexpo Î·È ÛÙȘ ÛÂÏ›‰Â˜ Ù˘ A.V. T˘ °ÈÒÙ·˜ AÚÁ˘ÚÔÔ‡ÏÔ˘, ÛÂÏ. 37 TÔ ¿ÎÔ˘Û· ÛÙ· «Y¤ÚÔ¯· Ï¿ÛÌ·Ù·» TÔ˘ ¢ËÌ‹ÙÚË ¶¿ÓÙÛÔ˘, ÛÂÏ. 32 2 ATHENS VOICE 22 - 28 ª∞´√À 2008 22 - 28 ª·˝Ô˘ 2008 ¶∂ƒπ∂Ã√ª∂¡∞ ∂ÈÎfiÓ· Â͈ʇÏÏÔ˘: ™Ù¤Ê·ÓÔ˜ ƒfiÎÔ˜ £∂ª∞Δ∞ ™Δ∏§∂™ 08 ∑ˆÓÙ·Ófi˜ ÛÙËÓ ∞ı‹Ó·: 16 O ¯ÔÚfi˜ ÙˆÓ Ï˘Î·ÓıÚÒˆÓ Δ˘ ª·Ó›Ó·˜ ∑Ô˘ÌÔ˘Ï¿ÎË TÔ˘ N›ÎÔ˘ °ÂˆÚÁÈ¿‰Ë 10 Info-diet: E‚‰ÔÌ·‰È·›Ô ¯ÚËÌ·ÙÈÛÙ‹ÚÈÔ ·ÍÈÒÓ ·fi ÙË ™Ù·˘ÚԇϷ ¶·Ó·ÁȈٿÎË 11 ∞·ÓÙ‹ÛÂȘ ÙÔ˘ Forrest Gump: 18 MÈÎÚ¿ ÔÏÈÙÈο Û¯fiÏÈ· ΔÔ˘ N›ÎÔ˘ Z·¯·ÚÈ¿‰Ë TÔ˘ ¢ËÌ‹ÙÚË º‡ÛÛ· 13 City lover: To˘ ¢ËÌ‹ÙÚË º‡ÛÛ· 14 Shoot me: To˘ ∫ˆÓÛÙ·ÓÙ›ÓÔ˘ ƒ‹ÁÔ˘ 20 Hungry like the wolf 17 ∂ÓÂÚÁfi˜ ¶ÔÏ›Ù˘: ΔÔ˘ Δ¿ÎË ™ÎÚÈ‚¿ÓÔ˘ TÔ˘ ¶ÚÔÎfiË ¢Ô‡Î· 18 ™Î›ÙÛÔ: ΔÔ˘ °È¿ÓÓË πˆ¿ÓÓÔ˘ 20 Δ˙ȯ¿ÓÙ: ΔˆÓ Õ. ΔÛ¤ÎÂÚË, °. ∫˘Ú›ÙÛË 22 PÂÔÚÙ¿˙ ¯ˆÚ›˜ Û‡ÓÔÚ· Î·È 48 Δ¤¯ÓË: T˘ °ÈÒÙ·˜ ∞ÚÁ˘ÚÔÔ‡ÏÔ˘ ¯ˆÚ›˜ ÂÎÔÌ‹ 52 Travel Voice: T˘ ™ÙÂÏϛӷ˜ ∫·ÚÚ¿ TÔ˘ ¢ËÌ‹ÙÚË º‡ÛÛ· 56 MÔ˘ÛÈ΋: TÔ˘ °È¿ÓÓË N¤Ó 24 I LAST EXIT 59 Techie Chan: To˘ ™Ù¿ıË ™Ù·ÛÈÓÔ‡ 24 Last exit 60 0231: To˘ ™Ù¤Ê·ÓÔ˘ ΔÛÈÙÛfiÔ˘ÏÔ˘ OÈ ı¿Ó·ÙÔÈ ·fi Ó·ÚΈÙÈο ·˘Í¿ÓÔÓÙ·È 66 Taste Police: T˘ ¡ÂӤϷ˜ °ÂˆÚÁÂϤ TÔ˘ B·Û›ÏË BÂÓÈ˙¤ÏÔ˘ 68 ¶Ô‡ ÙÚÒÌÂ: T˘ ∑È˙‹˜ ™Ê˘Ú‹ 80 G&L: ΔÔ˘ §‡Ô ∫·ÏÔ‚˘ÚÓ¿ 28 P·ÓÙ‚ԇ ÛÙË X·Ú¿ 90 T·Èӛ˜: ΔÔ˘ °ÈÒÚÁÔ˘ KÚ·ÛÛ·ÎfiÔ˘ÏÔ˘ MÈ· ‚fiÏÙ· ÛÙ· ÕÓˆ ¶·Ù‹ÛÈ· 91 MÔ˘ÛÈ΋: TÔ˘ ª¿ÎË ªËÏ¿ÙÔ˘ T˘ B¿ÛÈ·˜ T˙·Ó·Î¿ÚË 92 £¤·ÙÚÔ: Δ˘ ¢‹ÌËÙÚ·˜ ∞Ó·ÁÓÒÛÙÔ˘ 93 μȂϛÔ: Δ˘ ∞ÁÁÂÏÈ΋˜ ªÈÚÌ›ÏË Aı‹Ó· 210 O‰ËÁfi˜ 32 TÔ ¿ÎÔ˘Û· 61 97 ∂lements of style: T˘ ÃÚÈÛÙȿӷ˜ ª¿Î· ÛÙ· «Y¤ÚÔ¯· Ï¿ÛÌ·Ù·» EÈÏÔÁ¤˜ Ù˘ ‚‰ÔÌ¿‰·˜. -
THE DAILY NEWS % R' B
J.':, THE DAILY NEWS % r' B. C, TUESDAY, MAY 23, 1»05 VOL. 4 Provincial Library. NO. 28 four will bo moved tomorrow by sir were played In his usual manner and were detachment east of the railroad ap grounds tomorrow when there will be an loudly applauded. The accompanist, H. S. Henry Campbell-Baunermau, t proached tlie village of Sbahotse and nil day match between Great and Greater Bodmer. contributed in very large measure was attacked by a force of Japanese Britain, Ed. Mason and judge Porlre cap to the success of tho affair, His opening Loudon, May 23.—It Is understood PROGRESS OF from the coal mines south of that taining the sides. Mr. justice Morrison XIMMONS solo set a high standard for the evening. place. has promised to wield the willow nml is HYMAN IS that a colonial conference will meet in snld to be uuite a wicket keeper by those London early in 19011, who knew him In his sulnd days ln Cape Tlie liberal papers this morning Inter Breton. Stumps will be pitched at 11 pret premier Balfour's remarks on the WRECK ON THE ELEVATED ROJYmEET COUNCIL RESCIND VOTE o'clock ami drawn at 1 o'clock in the even INJJPROAR subject in the house of commons yes ing. It is requested that as many as pos SWORN IN terday as showing that some sort of PASSENGERS IN PERILOUS PASS MAYOR'S POWER TO MAKR DISMIS sible he on the ground at 9 o'clock tomor compact has been arrived at between FOR A,FEW MOMENTS.