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Beat Ecopoetry and Prose in Stewart Brand's Whole Earth Publications
UNIVERSITY OF CALIFORNIA Los Angeles Sustainable Gardens of the Mind: Beat Ecopoetry and Prose in Stewart Brand's Whole Earth Publications A dissertation submitted in partial satisfaction of the requirements for the degree in Doctor of Philosophy in English by Susan Elizabeth Lewak 2014 © Copyright by Susan Elizabeth Lewak 2014 ABSTRACT OF THE DISSERTATION Sustainable Gardens of the Mind: Beat Ecopoetry and Prose in Stewart Brand's Whole Earth Publications By Susan Elizabeth Lewak Doctor of Philosophy in English University of California, Los Angeles, 2014 Professor Michael A. North, Chair Stewart Brand’s Whole Earth publications (The Whole Earth Catalog, The Supplement to the Whole Earth Catalog, CoEvolution Quarterly, The Whole Earth Review, and Whole Earth) were well known not only for showcasing alternative approaches to technology, the environment, and Eastern mysticism, but also for their tendency to juxtapose radical and seemingly contradictory subjects in an “open form” format. They have also been the focus of notable works of scholarship in the social sciences. Areas of exploration include their relationship to the development of the personal computer, the environmental movement and alternative technology, the alternative West Coast publishing industry, Space Colonies, and Nanotechnology. What is perhaps less well known is Brand’s interest in the Beat poetry of Jack Kerouac, Gary Snyder, Allen Ginsberg, Michael McClure, Lawrence Ferlinghetti, Gregory Corso, Robert Creeley, David Meltzer, and Peter Orlovsky beginning with CoEvolution Quarterly in 1974. Brand’s decision to include ecologically based free-verse Beat poems is also indicative of ii a particular way of seeing science and technology. The term “coevolution” itself is biological in origin and refers to the evolutionary relationship between predator and prey: a lizard may turn green to fade into the grass, but an eagle, with its highly developed vision, will be able to spot the lizard hiding among the green blades. -
Ca Quarterly of Art and Culture Issue 40 Hair Us $12 Canada $12 Uk £7
c 1 4 0 5 6 6 9 8 9 8 5 3 6 5 US Issue 40 a quarterly of art and culture $12 c anada $12 ha I r u K £7 “Earthrise,” photographed by Apollo 8 on 12 December 1968. According to NASA, “this view of the rising Earth … is displayed here in its original orientation, though it is more commonly viewed with the lunar surface at the bottom of the photo.” FroM DIsc to sphere a permit for the innovative shell, which was deemed Volker M. Welter to be a fire risk, and so the event took place instead in a motel parking lot in the city of Hayward. there, a In october 1969, at the height of the irrational fears four-foot-high inflatable wall delineated a compound about the imminent detonation of the population within which those who were fasting camped. the bomb, about one hundred hippies assembled in the press and the curious lingered outside the wall, joined San Francisco Bay area to stage a “hunger show,” by the occasional participant who could no longer bear a week-long period of total fasting. the event was the hunger pangs, made worse by the temptations of a inspired by a hashish-induced vision that had come to nearby Chinese restaurant. the founder of the Whole Earth Catalog, Stewart Brand, Symbolically, the raft also offered refuge for planet when reading Paul ehrlich’s 1968 book The Population earth. A photograph in the Whole Earth Catalog from Bomb. the goal was to personally experience the bodi- January 1970 shows an inflated globe among the ly pain of those who suffer from famine and to issue a spread-out paraphernalia of the counter-cultural gather- warning about the mass starvations predicted for the ing, thus making the hunger show one of the earliest 1970s. -
Whole Earth Catalog
WHOLE EARTH CATALOG access to tools h^y' Spring 1969 #'?' amH •'"v; * : WHOLE EARTH CATALOG FUNCTION The WHOLE EARTH CA TALOG functions as an evaluation and access device. With it, the user should know better what is worth getting and where and how to do the getting. An item is listed in the CA TALOG if it is deemed: 1) Useful as a tool, 2) Relevant to independent education, 3) High quality or low cost, 4) Easily available by mail. CA TA L OG listings are continually revised according to the experience and suggestions of CAT A L OG users and staff. PURPOSE We are as gods and might as well get good at it. So far, remotely done power and glory--as via government, big business, formal education, church-has succeeded to the point where gross defects obscure actual gains. In response to this dilemma and to these gains a realm of intimate, personal power is developing-power of the individual to conduct his own education, find his own inspiration, shape his own environment, and share his adventure with whoever is interested. Tools that aid this process are sought and promoted by the WHOLE EARTH CATALOG. RETAINING SUBSCRIBERS Mark Albert San Francisco, California John Doss San Francisco, California Edmund Scientific Company Barrington, New Jersey Henry Jacobs & Associates Sausalito, California Edward Rosenfeld New York, New York St. George Bryan Maui, Hawaii Geoffrey Gates New York. New York Peter Cornell Berkeley, California Second Printing August 1969 © 1969 Portola Institute, Inc. All rights reserved under Pan-American and International copyright -
HL90 Prospective Syllabus
Wired In: Computers and Post-45 American Culture History & Literature 90, Harvard University Instructor: J. Schnepf Course Description This course explores digital culture in the United States after 1945. In the span of only a few decades, the role of computers in society dramatically transformed from a complicated tool serving bureaucratic and militaristic aims during World War II to a children’s toy found in the domestic space of the American home by the 1980s. Against this backdrop, we will draw on a diverse set of cultural sources ranging from classic midcentury novels by Kurt Vonnegut and Thomas Pynchon, to Looney Tunes cartoons and DC Comics to examine the many ways these digital devices help us think about labor, gender, sexuality, and national identity in the information age. Course Requirements and Breakdown of Grades Research Scavenger Hunt* 5 Close-Reading Short Essay 15 Final Essay Proposal* 5 Show and Tell Assignment* 5 Final Essay Draft* 10 Final Essay 35 Participation 25 *You will receive full marks for completing the Research Scavenger Hunt, Show and Tell Assignment, Final Essay Proposal, and Final Essay Draft 1 Course Schedule Week 1 Computers Before Computers In class Look up definitions of “Computer” in the Oxford English Dictionary Ada Augusta, Countess of Lovelace, “Notes,” October 1842 Alan Turing, “Computing Machinery and Intelligence,” MIND, October 1950 View The Machine that Changed the World, Part I (1992, documentary film) Week 2 Building a Better Brain: Harvard’s History of Computers To read and view for class today Kurt Vonnegut, The Player Piano (1952), Chapter 1 - 18 “Robot Works Problems Never Before Solved,” Popular Mechanics, October 1944 “The Thinking Machine” Time. -
Franks Paints Musical Poetry
franks paints musical poetry By Gary Serrao The side closes out with "Jardin If you ever get the feeling that you're Botanico, '' a samba-style selection about just about fed up with the disco or pop escaping wintertime in the city and rock thats been blasting from your stereo flying let me offer an alternative. Michael Franks, Tiger in the Rain, will ' ' .. to the Southern Hemisphere serve up some balmy orchestations Where the sky is clear . coupled with a casual, often nonchalant, Beneath banana trees ... vocal delivery that will induce a kind of Upon the cool Copacabana slow motion, laid back and mellow effect breeze ... ' ' in even the most strung-out disco/rock That's the perfect prescription for an junkies. overworked college student. Someone who can rhyme "nude" with The flip side starts up with "pulchritude" in a song titled "Popsicle " Underneath the Apple Tree," a gentle, Toes" can't help but offer an alternative quick-stepping ode to to today's often mundane music scene. Armed with a doctorate in the music "Sunnin' in our birthday suits field (he did his doctoral dissertation on Eatin' that forbidden fruit _.. '' Contemporary Songwriting and How it An interesting idea to try this summer. Relates to Society) Franks uses his The track is highlighted by a six-piece education to a subtle advantage. horn section with some especially lively Sprinkled with references from Dante to flute- and sax solos. · · Vivaldi, from Chagall to the African The title track, ''Tiger in the Rain,'' Queen, Franks' music has a kind of was inspired by a Henri Rousseau sensuous literacy that is his trademark painting and is featured on the album on the pop music scene. -
Jason Sussberg
WE ARE AS GODS “WE ARE AS GODS and might as well get good at it” Stewart Brand wrote in ‘68. A legendary pioneer of LSD, cyberspace, futurism, and modern environmentalism now urges people to use our god-like powers to fight extinction by reviving lost species, but his former allies in the environmental movement vow to stand in his way. A Film By DAVID ALVARADO & JASON SUSSBERG 4k cinema Dolby 5.1 [Press Contact] SYLVIA DESROCHERS [email protected] [Sales Contact] JOSH BRAUN [email protected] Submarine WE ARE AS GODS AND MIGHT AS WELL GET GOOD AT IT. FILM SYNOPSIS THE WHOLE EARTH BUTTON WE ARE AS GODS offers a deep dive into the many sides of Stewart Brand— creator of The Whole Earth Catalog, an influential member of Ken Kesey’s I’m sitting around March of 1966, and it’s kind of a tedious afternoon in my apartment “The Merry Pranksters,” and founder of the modern environmental in North Beach. Maybe I’ll just go up on the roof and see what LSD movement. Brand’s approach to his work and life influenced does for the afternoon. So I’m looking out at San Francisco many, including Steve Jobs, who have gone on to with my LSD-enhanced, fisheye lens. I imagined that shape our modern world. Now in his 80’s, the buildings that are parallel downtown are not he looks to leave a legacy for the long-term quite parallel. They’re actually slightly diverged future with his efforts to rewild ecosystems because they’re on the curved surface of the Earth. -
Grounding the Counterculture: Post-Modernism, the Back-To- The-Land Movement, and Authentic Enviroments of Memory
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Grounding The Counterculture: Post-Modernism, The Back-To- The-Land Movement, And Authentic Enviroments Of Memory Jonathan Bowdler University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the History Commons Recommended Citation Bowdler, Jonathan, "Grounding The Counterculture: Post-Modernism, The Back-To-The-Land Movement, And Authentic Enviroments Of Memory" (2013). Electronic Theses and Dissertations. 629. https://egrove.olemiss.edu/etd/629 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. GROUNDING THE COUNTERCULTURE: POST-MODERNISM, THE BACK-TO-THE- LAND MOVEMENT, AND AUTHENTIC ENVIROMENTS OF MEMORY A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of History The University of Mississippi by JONATHAN A. BOWDLER May 2013 Copyright Jonathan A. Bowdler 2013 ALL RIGHTS RESERVED ABSTRACT This thesis will explore the regional and cultural dimensions of the Back-to-the-Land movement during the 1970s in an effort to move scholarship away from applying theoretical constructs such as post-modernism to diverse social movements. By drawing on the three main Back-to-the-Land publications, namely the Whole Earth Catalog, Mother Earth News, and the Foxfire books, this paper will demonstrate the varying impulses and regional nuances of the movement as well as the continuity and discontinuity of the back-to-nature tradition in America. -
The Whole Earth California and the Disappearance of the Outside
The Whole Earth The Whole California and the Disappearance of the Outside the Disappearance of the and California The Whole Earth California and the Disappearance of the Outside Alex Slade Nextera SEGS VI-IX/Harper Lake Wildlife Viewing Area, Lockhart, CA Calenergy Geothermal Generating Plants/Sonny Bono Salton Sea National Wildlife Refuge, Calipatria, CA Cogentrix SEGS II/Yarrow Ravine Rattlesnake Habitat Area, Daggett, CA 2013 | Photographs | each 122 × 153 cm | Courtesy the artist 2 Eleanor Antin Going Home from Roman Allegories 2004 | Chromogenic print | 124 × 260 cm Courtesy Anonymous Collection Image Courtesy Ronald Feldman Fine Arts, New York and Anonymous Collection 3 TABLE OF CONTENTS Foreword Navigating in and Bernd M. Scherer with the System 6 Sabeth Buchmann 60 The Whole Earth Diedrich Diederichsen Visual Essay Anselm Franke Frontier: 8 At the Pacific Wall 72 Earthrise and the Disappearance of the Outside Plan the Planet Anselm Franke John Palmesino and 12 Ann-Sofi Rönnskog / Territorial Agency Pop Music and the 82 Counterculture Diedrich Diederichsen From Here to California 20 Laurence A. Rickels 91 Visual Essay Universalism Visual Essay 36 Whole Systems 100 The Politics of the Whole Fred Turner A Thousand Ecologies 43 Erich Hörl 121 Whole Earths, 1968–1980 Norman M. Klein 54 4 TABLE OF CONTENTS The Limit of The Power of Information Limitlessness Mercedes Bunz Eva Meyer 172 132 Visual Essay Visual Essay Self Incorporated / Boundless Interior Networks and the Long Boom 137 177 “After we knew that the Visual Essay Earth was a sphere” The Earth is Not Whole Flora Lysen 187 150 Musical Stations Medium Earth of the Counterculture Kodwo Eshun 189 159 Installation Views Visual Essay Biographies Apocalypse, Babylon, Simulation Acknowledgments 163 Colophon 192 On the Californian Utopia / Ideology Maurizio Lazzarato 166 5 Foreword — In the mid-1960s, several years into America’s space came the point of reference for Brand’s project. -
Vom “Whole Earth Catalog” Zum “Whole Waste Catalog” Raphael Perret (Zürich)
© 2018, die Autor_innen. Dieser Artikel darf im Rahmen der „Creative Commons Namensnennung – Nicht kommerziell – Keine Bearbeitungen 4.0 International“ Lizenz (CC BY-NC-ND 4.0) weiter verbreitet werden. Vom “Whole Earth Catalog” zum “Whole Waste Catalog” Raphael Perret (Zürich) Zusammenfassung: Der Artikel befasst sich mit einer App für illegale, infor- melle Recycler in Delhi, Indien. Er zeigt auf, wie durch die sich rasant aus- weitende Verbreitung von Smartphones, das emanzipatorische Potenzial von elektronischen Medien für Personen nutzbar wird, welche sich um die von der Informationsgesellschaft verursachten Abfälle kümmern. Schlüsselwörter: Schrott, Bildung, Indien Schrott Seit 2012 beschäftige ich mich in meiner künstlerischen Tätig keit mit Elek tro schrott und dessen illegalem und informellem Recycling in Delhi, Indien. Durch die langjährige Arbeit an elektronischen Kunstinstallationen und Objekten ent stand ein Interesse für den Verbleib und das Nachleben der verwendeten Bau teile und Geräte, die in immer kürzeren Abständen von noch besseren und noch schnelleren Versionen überholt werden. Im Verlauf dieser Auseinandersetzung entstanden Arbeiten in unterschiedlichen Formaten wie Installationen, Videos, Foto grafien und eine Publikation mit verschiedenen Texten, die sich jeweils einem Teil aspekt der Thematik annehmen. In den Fotografien von Platinen und Tasta turen interessierte mich z. B. die für uns weitgehend unbekannte Ästhetik von technologischem Zerfall als Ergänzung und Kehrseite zu den weitaus vertrauteren glänzenden -
Counterculture, Cyberculture, and the Third Culture: Reinventing Civilization, Then and Now Lee Worden 1
Counterculture, cyberculture, and the Third Culture: Reinventing civilization, then and now Lee Worden 1. Reinventing Civilization Stewart Brand was raised in Rockford, Illinois, an industrial town specializing in heavy machinery, machine tools, and metal toys. He learned early to fear the Communists. “In the early ’50s somebody compiled a list of prime targets for Soviet nuclear attack, and we were seven, because of the machine tools,” Brand recalls. Like many children of his generation, he was awoken at night by nightmares about nuclear Armageddon. His diary from 1957, his freshman year at Stanford, records his continuing worries about Soviet invasion: That my life would necessarily become small, a gear with its place on a certain axle of the Communist machine. That my mind would no longer be my own . That I would lose my will. After his education at Phillips Exeter and Stanford, and a few years as an Army parachutist and photographer, Brand joined the emerging counterculture of the 1960s as a multimedia performance artist, producing experimental public events and mingling with the New York art scene. An intelligent, ambitious young man concerned with making sense of the postwar world, the gathering intimations of social change, and the perplexing questions of how to resist the pressures of bureaucracy and conformity, he turned to the writing of Marshall McLuhan, Buckminster Fuller, and the cybernetic theorists such as Norbert Weiner and Heinz von Foerster. Inspired by Fuller’s Operating Manual for Spaceship Earth, Brand launched an ambitious project to expose the public to NASA’s new photographs of the whole planet, to catalyze awareness of humanity’s role as stewards of the planet. -
Thing-Makers, Tool Freaks and Prototypers: How the Whole Earth Catalog’S Optimistic Message Reinvented the Environmental Movement in 1968
History Faculty Publications History 7-17-2018 Thing-makers, Tool Freaks and Prototypers: How the Whole Earth Catalog’s Optimistic Message Reinvented the Environmental Movement in 1968 Andy Kirk University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/history_fac_articles Part of the Community Psychology Commons, Family, Life Course, and Society Commons, Natural Resources and Conservation Commons, and the Sustainability Commons Repository Citation Kirk, A. (2018). Thing-makers, Tool Freaks and Prototypers: How the Whole Earth Catalog’s Optimistic Message Reinvented the Environmental Movement in 1968. The Conversation https://digitalscholarship.unlv.edu/history_fac_articles/175 This Magazine is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Magazine in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Magazine has been accepted for inclusion in History Faculty Publications by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. 10/15/2019 Thing-makers, tool freaks and prototypers: How the Whole Earth Catalog's optimistic message reinvented the environmental move… Academic rigor, journalistic flair ‘Earthrise,’ which appeared on the cover of the second and third Whole Earth Catalog, was taken by Apollo 8 astronaut Bill Anders during lunar orbit, Dec. -
I Friday 1 \Saturday She Characterized Their Music As 'Earthy
•; Don't miss the Spring Fest this » Saturday —Union/ Wish' for bands fulfilled Rec Center/Garvey Park. 12 p.m.until By Anne L. McNeils including Morrow, Trans W o r l d HRIM dub and many others ha v e Copy Editor magazine and K2. Hurd said planned a variety of a c t i v i t i e s for 8 p.m. Morrow andiK2 have donated tile festival. "It's one of the biggest things snowboards and apparel for The vendors and other activi- Reactions to formal letters Page^S that t h i s campus has seen in a long raffles. The demonstration will ties will be located in Garvey Park, time," said MSG Vice President take place on trampolines at 1:30 in front o f the Union and in front Kristen Hunt. She's talking about p.m. 4 of the Rec and Athletic Centers. ft v*• • I Va!oK*X the Spring Fest which is sched- The step show begins at 3 pan. The festival costs $3 for uled for tills S a t u r d a y , beginning and will take place in the Athletic Mercyhurst students and $5 for at 12:30 p.m. Center. The AKAs and Alphas of the public. Students w h o are work- The festival will benefit the Edinboro University will be per- ing at the festival must pay ad- JUL Make-A-Wish Foundation, an forming. mission. Tickets can be purchased organization w h i c h grants w i s h es There will also be a number of in the Student Union office from to terminally ill children.