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Beat Ecopoetry and Prose in Stewart Brand's Whole Earth Publications
UNIVERSITY OF CALIFORNIA Los Angeles Sustainable Gardens of the Mind: Beat Ecopoetry and Prose in Stewart Brand's Whole Earth Publications A dissertation submitted in partial satisfaction of the requirements for the degree in Doctor of Philosophy in English by Susan Elizabeth Lewak 2014 © Copyright by Susan Elizabeth Lewak 2014 ABSTRACT OF THE DISSERTATION Sustainable Gardens of the Mind: Beat Ecopoetry and Prose in Stewart Brand's Whole Earth Publications By Susan Elizabeth Lewak Doctor of Philosophy in English University of California, Los Angeles, 2014 Professor Michael A. North, Chair Stewart Brand’s Whole Earth publications (The Whole Earth Catalog, The Supplement to the Whole Earth Catalog, CoEvolution Quarterly, The Whole Earth Review, and Whole Earth) were well known not only for showcasing alternative approaches to technology, the environment, and Eastern mysticism, but also for their tendency to juxtapose radical and seemingly contradictory subjects in an “open form” format. They have also been the focus of notable works of scholarship in the social sciences. Areas of exploration include their relationship to the development of the personal computer, the environmental movement and alternative technology, the alternative West Coast publishing industry, Space Colonies, and Nanotechnology. What is perhaps less well known is Brand’s interest in the Beat poetry of Jack Kerouac, Gary Snyder, Allen Ginsberg, Michael McClure, Lawrence Ferlinghetti, Gregory Corso, Robert Creeley, David Meltzer, and Peter Orlovsky beginning with CoEvolution Quarterly in 1974. Brand’s decision to include ecologically based free-verse Beat poems is also indicative of ii a particular way of seeing science and technology. The term “coevolution” itself is biological in origin and refers to the evolutionary relationship between predator and prey: a lizard may turn green to fade into the grass, but an eagle, with its highly developed vision, will be able to spot the lizard hiding among the green blades. -
Ca Quarterly of Art and Culture Issue 40 Hair Us $12 Canada $12 Uk £7
c 1 4 0 5 6 6 9 8 9 8 5 3 6 5 US Issue 40 a quarterly of art and culture $12 c anada $12 ha I r u K £7 “Earthrise,” photographed by Apollo 8 on 12 December 1968. According to NASA, “this view of the rising Earth … is displayed here in its original orientation, though it is more commonly viewed with the lunar surface at the bottom of the photo.” FroM DIsc to sphere a permit for the innovative shell, which was deemed Volker M. Welter to be a fire risk, and so the event took place instead in a motel parking lot in the city of Hayward. there, a In october 1969, at the height of the irrational fears four-foot-high inflatable wall delineated a compound about the imminent detonation of the population within which those who were fasting camped. the bomb, about one hundred hippies assembled in the press and the curious lingered outside the wall, joined San Francisco Bay area to stage a “hunger show,” by the occasional participant who could no longer bear a week-long period of total fasting. the event was the hunger pangs, made worse by the temptations of a inspired by a hashish-induced vision that had come to nearby Chinese restaurant. the founder of the Whole Earth Catalog, Stewart Brand, Symbolically, the raft also offered refuge for planet when reading Paul ehrlich’s 1968 book The Population earth. A photograph in the Whole Earth Catalog from Bomb. the goal was to personally experience the bodi- January 1970 shows an inflated globe among the ly pain of those who suffer from famine and to issue a spread-out paraphernalia of the counter-cultural gather- warning about the mass starvations predicted for the ing, thus making the hunger show one of the earliest 1970s. -
EH9.3 JULYL04 Gallery.Pmd
gallery NEIL MAHER ON SHOOTING THE MOON ON 22 APRIL 1970, the first Earth Day, citizens paraded, rallied, and protested for the environment with drawings, paintings, and illustrations—but not with photographs—of the entire Earth. No such photograph existed. In 1970, the reigning iconic image of the Earth from space was the first picture shown here, Earthrise, taken by Apollo 8 in late December of 1968. On 7 December 1972, an Apollo 17 astronaut snapped the second photograph below, which quickly replaced Earthrise as the image of Earth from space for an American public ready to “Think Globally, Act Locally.” This essay explores the connections between technology, nature, and narrative in the production and reception of these two popular NASA photographs. While both these pictures are familiar to Americans today, the stories they tell are less well known, surprisingly divergent, and indicate that whether we are hiking close to home with map and compass or rocketing toward the Moon, technology mediates our contact with the environment and in doing so shapes the stories we tell about nature. As important, these extraterrestrial tales also suggest how the relationship between nature and technology in American culture shifted during four of the most turbulent years of the postwar period.1 The technology used to create and publicize these two photographs was nearly identical. Both the Apollo 8 and Apollo 17 missions depended on three-stage Saturn 5 rockets, developed by NASA’s Wernher Von Braun, to transport astronauts far enough from Earth—approximately 240,000 nautical miles—to peer back at the entire planet. -
HL90 Prospective Syllabus
Wired In: Computers and Post-45 American Culture History & Literature 90, Harvard University Instructor: J. Schnepf Course Description This course explores digital culture in the United States after 1945. In the span of only a few decades, the role of computers in society dramatically transformed from a complicated tool serving bureaucratic and militaristic aims during World War II to a children’s toy found in the domestic space of the American home by the 1980s. Against this backdrop, we will draw on a diverse set of cultural sources ranging from classic midcentury novels by Kurt Vonnegut and Thomas Pynchon, to Looney Tunes cartoons and DC Comics to examine the many ways these digital devices help us think about labor, gender, sexuality, and national identity in the information age. Course Requirements and Breakdown of Grades Research Scavenger Hunt* 5 Close-Reading Short Essay 15 Final Essay Proposal* 5 Show and Tell Assignment* 5 Final Essay Draft* 10 Final Essay 35 Participation 25 *You will receive full marks for completing the Research Scavenger Hunt, Show and Tell Assignment, Final Essay Proposal, and Final Essay Draft 1 Course Schedule Week 1 Computers Before Computers In class Look up definitions of “Computer” in the Oxford English Dictionary Ada Augusta, Countess of Lovelace, “Notes,” October 1842 Alan Turing, “Computing Machinery and Intelligence,” MIND, October 1950 View The Machine that Changed the World, Part I (1992, documentary film) Week 2 Building a Better Brain: Harvard’s History of Computers To read and view for class today Kurt Vonnegut, The Player Piano (1952), Chapter 1 - 18 “Robot Works Problems Never Before Solved,” Popular Mechanics, October 1944 “The Thinking Machine” Time. -
THE CLOCK of the LONG NOW - a Talk by Stewart Brand
THE CLOCK OF THE LONG NOW - A Talk by Stewart Brand http://www.edge.org/3rd_culture/brand/ The Third About Edge Edge Home Features Press Subscribe Culture Edge Editions Search THE CLOCK OF THE LONG NOW A Talk by Stewart Brand [11.24.98] Introduction by John Brockman When Danny Hillis first started talking about his 10,000 year clock, many of his friends worried that he was going through some kind of mid-life crisis. I was one of them. But eventually we all started listening. A group of Danny's friends, led by Stewart Brand, got together and created "The Long Now Foundation" (http://www.longnow.org/) to build the clock, and also to begin to address the bigger issue involved: how to get people to think in a longer term, how to stretch out their sense of time. It's fitting that Stewart Brand got behind Danny's project. When I met him in 1965 he was sporting a button on which was printed: "America Needs Indians." His next conceptual piece was his 1968 campaign for a picture of "The Whole Earth", which led, in no small part, to the creation of the ecology movement. In the 1983 he urged me to get involved with something called "online conferencing." This led to "The WELL," (the Whole Earth 'Lectronic Link"), a precursor of the radical changes that our use of the Internet is bringing to human communications. Stewart is the king of initially obscure, ultimately compelling conceptual art. Call it reality. A couple of years ago he was featured on the cover of The Los Angeles Times Magazine: "Always two steps ahead of others.....(he) is the least recognized, most influential thinker in America." No question about it. -
Jason Sussberg
WE ARE AS GODS “WE ARE AS GODS and might as well get good at it” Stewart Brand wrote in ‘68. A legendary pioneer of LSD, cyberspace, futurism, and modern environmentalism now urges people to use our god-like powers to fight extinction by reviving lost species, but his former allies in the environmental movement vow to stand in his way. A Film By DAVID ALVARADO & JASON SUSSBERG 4k cinema Dolby 5.1 [Press Contact] SYLVIA DESROCHERS [email protected] [Sales Contact] JOSH BRAUN [email protected] Submarine WE ARE AS GODS AND MIGHT AS WELL GET GOOD AT IT. FILM SYNOPSIS THE WHOLE EARTH BUTTON WE ARE AS GODS offers a deep dive into the many sides of Stewart Brand— creator of The Whole Earth Catalog, an influential member of Ken Kesey’s I’m sitting around March of 1966, and it’s kind of a tedious afternoon in my apartment “The Merry Pranksters,” and founder of the modern environmental in North Beach. Maybe I’ll just go up on the roof and see what LSD movement. Brand’s approach to his work and life influenced does for the afternoon. So I’m looking out at San Francisco many, including Steve Jobs, who have gone on to with my LSD-enhanced, fisheye lens. I imagined that shape our modern world. Now in his 80’s, the buildings that are parallel downtown are not he looks to leave a legacy for the long-term quite parallel. They’re actually slightly diverged future with his efforts to rewild ecosystems because they’re on the curved surface of the Earth. -
North American Artists' Groups, 1968–1978 by Kirsten Fleur Olds A
Networked Collectivities: North American Artists’ Groups, 1968–1978 by Kirsten Fleur Olds A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History of Art) in The University of Michigan 2009 Doctoral Committee: Professor Alexander D. Potts, Chair Professor Matthew N. Biro Associate Professor Rebecca Zurier Assistant Professor Kristin A. Hass © Kirsten Fleur Olds All rights reserved 2009 To Jeremy ii Acknowledgments This dissertatin truly resembles a “third mind” that assumed its own properties through collaborations at every stage. Thus the thanks I owe are many and not insignificant. First I must recognize my chair Alex Potts, whose erudition, endless patience, and omnivorous intellectual curiosity I deeply admire. The rich conversations we have had over the years have not only shaped this project, but my approach to scholarship more broadly. Moreover, his generosity with his students—encouraging our collaboration, relishing in our projects, supporting our individual pursuits, and celebrating our particular strengths—exemplifies the type of mentor I strive to be. I would also like to acknowledge the tremendous support and mentorship provided by my committee members. As I wrote, I was challenged by Rebecca Zurier’s incisive questions—ones she had asked and those I merely imagined by channeling her voice; I hope this dissertation reveals even a small measure of her nuanced and vivid historicity. Matt Biro has been a supportive and encouraging intellectual mentor from my very first days of graduate school, and Kristin Hass’sscholarship and guidance have expanded my approaches to visual culture and the concept of artistic medium, two themes that structure this project. -
Earth and Beyond in Tumultous Times: a Critical Atlas of the Anthropocene
Gál, Löffler (Eds.) Earth and Beyond in Tumultous Times EARTH BEYOND GÁL LÖFFLER Earth and Beyond in Tumultuous Times Future Ecologies Series Edited by Petra Löffler, Claudia Mareis and Florian Sprenger Earth and Beyond in Tumultuous Times: A Critical Atlas of the Anthropocene edited by Réka Patrícia Gál and Petra Löffler Bibliographical Information of the German National Library The German National Library lists this publication in the Deutsche Nationalbibliografie (German National Bibliography); detailed bibliographic information is available online at http://dnb.d-nb.de. Published in 2021 by meson press, Lüneburg, Germany www.meson.press Design concept: Torsten Köchlin, Silke Krieg Cover image: Mashup of photos by Edgar Chaparro on Unsplash and johndal on Flickr Copy editing: Selena Class The print edition of this book is printed by Lightning Source, Milton Keynes, United Kingdom. ISBN (Print): 978-3-95796-189-1 ISBN (PDF): 978-3-95796-190-7 ISBN (EPUB): 978-3-95796-191-4 DOI: 10.14619/1891 The digital editions of this publication can be downloaded freely at: www.meson.press. This Publication is licensed under the CC-BY-SA 4.0 International. To view a copy of this license, visit: http://creativecommons.org/licenses/by-sa/4.0/. Contents Series Foreword: Future Ecologies 9 Caucho 13 Mátyás Sirokai [ 1 ] Introduction 15 Réka Patrícia Gál and Petra Löffler Plant-time 45 Kornélia Deres [ 2 ] Memory Regimes and the Anthropocene: Tracing Causes and Responsibilities under Flood Risk Scenarios in Ancash, Peru 47 Tomás J. Usón Archipalego 73 -
Stewart Brand - John Tierney - an Early Environmentalist, Em
Stewart Brand - John Tierney - An Early Environmentalist, Em... http://www.nytimes.com/2007/02/27/science/earth/27tier.html?... February 27, 2007 FINDINGS An Early Environmentalist, Embracing New ‘Heresies’ By JOHN TIERNEY Correction Appended Stewart Brand has become a heretic to environmentalism, a movement he helped found, but he doesn’t plan to be isolated for long. He expects that environmentalists will soon share his affection for nuclear power. They’ll lose their fear of population growth and start appreciating sprawling megacities. They’ll stop worrying about “frankenfoods” and embrace genetic engineering. He predicts that all this will happen in the next decade, which sounds rather improbable — or at least it would if anyone else had made the prediction. But when it comes to anticipating the zeitgeist, never underestimate Stewart Brand. He divides environmentalists into romantics and scientists, the two cultures he’s been straddling and blending since the 1960s. He was with the Merry Pranksters and the Grateful Dead at their famous Trips Festival in San Francisco, directing a multimedia show called “America Needs Indians.” That’s somewhere in the neighborhood of romantic. But he created the shows drawing on the cybernetic theories of Norbert Wiener, the M.I.T. mathematician who applied principles of machines and electrical networks to social institutions. Mr. Brand imagined replacing the old technocratic hierarchies with horizontal information networks — a scientific vision that seemed quaintly abstract until the Internet came along. Mr. Brand, who is now 68 and lives on a tugboat in Sausalito, Calif., has stayed ahead of the curve for so long — as a publisher, writer, techno-guru, enviro-philosopher, supreme networker — that he’s become a cottage industry in academia. -
Volume 11, Number 8
Eastern Illinois University The Keep The Post Amerikan (1972-2004) The Post Amerikan Project 12-1982 Volume 11, Number 8 Post Amerikan Follow this and additional works at: https://thekeep.eiu.edu/post_amerikan Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, Journalism Studies Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons BULK RATE ""' .. ADDRESS COR RECTION REQUESTED POST-AMERIKAN U.S. POSTAGE PAID POST OF FICE BOX 3452 BLOOMINGTON, IL 61701 PERMIT NO. 168 BLOOMINGTON, IL 61701 ... � "��i-.\.; .... · � Q] :t.>J10d :lo I .al'If,.,., . 1-. I .... \. :\\( j N I \7� V �l'llf':IJJVH �J.I '::l�JH-;J :>SZ 1nm.ION:·1UOl�U!W00{8 sdeJt uoa6!d '�neJ dJ'1'1N 'wJeM 6u!daa}t 'sa!nnq s,po� ..... page 2 Post-Amerikan December 1982-January 1983 Post Sellers Vol. 11, No . 8 About us BLOOMINGTON The Post-Amerikan is a worker con all stories and tips for stories, trolled collective that puts out this which you can mail to our office. The Amtrak station , 1200 W. Front paper. If you'd like to help, give The Back Porch , 402� N. Main deadline for the next issue is January 20. us a call and leave your name with our Biasi 's Drugstore , 217 N. Main wonderful answering machine . Then Bus Depot , 523 East We like to print your letters •. Try to N. we 'll call you back and give you the be brief. If you write a short The Coffee Shop, s. Main, Blm. rap about the Post. You start work at ab usive letter , it's likely to get in Common Ground , 516 N. -
Grounding the Counterculture: Post-Modernism, the Back-To- The-Land Movement, and Authentic Enviroments of Memory
University of Mississippi eGrove Electronic Theses and Dissertations Graduate School 2013 Grounding The Counterculture: Post-Modernism, The Back-To- The-Land Movement, And Authentic Enviroments Of Memory Jonathan Bowdler University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/etd Part of the History Commons Recommended Citation Bowdler, Jonathan, "Grounding The Counterculture: Post-Modernism, The Back-To-The-Land Movement, And Authentic Enviroments Of Memory" (2013). Electronic Theses and Dissertations. 629. https://egrove.olemiss.edu/etd/629 This Thesis is brought to you for free and open access by the Graduate School at eGrove. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of eGrove. For more information, please contact [email protected]. GROUNDING THE COUNTERCULTURE: POST-MODERNISM, THE BACK-TO-THE- LAND MOVEMENT, AND AUTHENTIC ENVIROMENTS OF MEMORY A Thesis presented in partial fulfillment of requirements for the degree of Master of Arts in the Department of History The University of Mississippi by JONATHAN A. BOWDLER May 2013 Copyright Jonathan A. Bowdler 2013 ALL RIGHTS RESERVED ABSTRACT This thesis will explore the regional and cultural dimensions of the Back-to-the-Land movement during the 1970s in an effort to move scholarship away from applying theoretical constructs such as post-modernism to diverse social movements. By drawing on the three main Back-to-the-Land publications, namely the Whole Earth Catalog, Mother Earth News, and the Foxfire books, this paper will demonstrate the varying impulses and regional nuances of the movement as well as the continuity and discontinuity of the back-to-nature tradition in America. -
Against the Anthropocene: TJ Demos
Against the Anthropocene: Visual Culture and Environment Today TJ Demos 1SPPGT/PUGPS$JSDVMBUJPO +BOVBSZ Welcome to the Anthropocene! *O B TJOHMF MJGFUJNF XF IBWF HSPXO JOUP B QIFOPNFOBM HMPCBM GPSDF 8F NPWF NPSF TFEJNFOU BOE SPDL BOOVBMMZ UIBO BMM OBUVSBMQSPDFTTFTTVDIBTFSPTJPOBOESJWFST8FNBOBHFUISFF RVBSUFSTPGBMMMBOEPVUTJEFUIFJDFTIFFUT(SFFOIPVTFHBTMFWFMT UIJT IJHI IBWF OPU CFFO TFFO GPS PWFS POF NJMMJPO ZFBST 5FNQFSBUVSFTBSFJODSFBTJOH8FIBWFNBEFBIPMFJOUIFP[POF MBZFS8FBSFMPTJOHCJPEJWFSTJUZ.BOZPGUIFXPSMETEFMUBTBSF TJOLJOHEVFUPEBNNJOH NJOJOH BOEPUIFSDBVTFT4FBMFWFMJT SJTJOH 0DFBO BDJEJGJDBUJPO JT B SFBM UISFBU 8F BSF BMUFSJOH &BSUIT OBUVSBM DZDMFT 8F IBWF FOUFSFE UIF "OUISPQPDFOF B OFXHFPMPHJDBMFQPDIEPNJOBUFECZIVNBOJUZ Chapter One 6 7 Chapter One Welcome to the Anthropocene massive reforestation and consequent carbon uptake by vegeta- tion and soils, defining a major geological event measurable in the stratigraphic record, known as the “Orbis spike.”3 If that explana- tion is correct, we, as the video voice-over tells us, then “entered the So explains the voice-over of the video Welcome to the Anthro- Anthropocene, a new geological epoch dominated by humanity.” pocene, hosted on a website that claims to be the “world’s first Notwithstanding the fact that this geological designation still educational Web portal on the Anthropocene,” one dedicated to awaits official confirmation by the Subcommission on Quaternary popularizing scientific discourse. Developed and sponsored by an Stratigraphy’s Working Group on the Anthropocene,4 we might international group of research organizations, the video was com- pause to ask: How does this new epoch—if it is indeed granted missioned by the 2012 Planet Under Pressure conference that epoch-status—and its discursive framework relate to image tech- occurred in London.2 Through its PR-style promotional media, nologies, including the photographic, the video-based, the satellite- we learn that we are now in a new geological epoch, the kind nor- imaged, the website-delivered, and the network-dispersed? How mally measured in millions of years.