DOCSLIB.ORG

John Zorn Et À Son Label (Tzadik : L'esthétique Discographique Selon John Zorn, Paru En 2015)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
John Zorn Et À Son Label (Tzadik : L'esthétique Discographique Selon John Zorn, Paru En 2015) 1 2 PRÉSENTATION DU CONFÉRENCIER François-Xavier Féron est musicologue, titulaire d’un master en acoustique musicale (Paris VI- IRCAM) et d’un doctorat en musicologie (Paris IV). Après avoir enseigné à l’université de Nantes, il a travaillé successivement, en tant que chercheur postdoctoral, au CIRMMT (Université McGill, Montréal) et dans l’équipe Analyse des Pratiques Musicales à l’IRCAM (Paris). En 2013, il intègre le CNRS et rejoint le LaBRI/SCRIME (Université de Bordeaux). Ses recherches se concentrent sur les pratiques musicales aux XXème et XXIème siècles et plus spécifiquement sur l’impact des recherches en acoustique sur les processus de création artistique. Il a dirigé le numéro de la revue Circuit : musiques contemporainesconsacré à John Zorn et à son label (Tzadik : l'esthétique discographique selon John Zorn, paru en 2015) 3 JOHN ZORN Né à New York en 1953, John Zorn se passionne dès l'enfance pour toutes sortes de musiques, via la radio et les disques de son père. Il apprend le piano et la guitare en autodidacte et entre en 1967 à la United Nations International School de Manhattan, où il commence à étudier la composition, études poursuivies à la Webster University de Saint Louis (Missouri). S'il s'intéresse aux travaux de John Cage, Karlheinz Stockhausen, Luigi Nono, il demeure un auditeur d'une insatiable curiosité. Jacques Coursil, qui fut son professeur, dit de lui : "Les musiques, il les a toutes entendues : Zorn a le monde entier dans la tête et il est libre."* C'est également un passionné de cinéma qui envisage un temps une carrière de réalisateur. A vingt ans, la découverte d'Anthony Braxton l'incite à apprendre le saxophone. Il quitte bientôt l'université pour se frotter aux musiciens de la scène Downtown new-yorkaise. De cette scène expérimentale, où le rock côtoie improvisation libre et performances diverses, il devient vite une figure majeure. Totalement impliqué dans sa musique, non-conformiste, John Zorn multiplie les projets sous le double signe de l'éclectisme et de la radicalité. En témoignent la série d'albums Game pieces laissant une grande place à l’improvisation des musiciens, les expériences hardcore-métal-dub-ambient au sein de Painkiller, les albums de Naked City, qui font se télescoper jazz, punk, classique, grindcore, musiques de films, country, ou l’ensemble Masada, entre jazz, klezmer et musiques séfarades, décliné en de nombreuses formules… Soucieux de s'émanciper des contraintes commerciales inhérentes Wayne Horvitz + John Zorn + Joey Baron + Bill Frisell + Fred Frith aux maisons de disques, il fonde en 1995, avec Kazunori Sugiyama, = Naked City le label Tzadik. Cette entité lui permet d'enregistrer ses propres œuvres en gardant un contrôle artistique total. Tzadik devient également un refuge pour toute une communauté d'artistes gravitant autour de Zorn, et qu'il considère comme sa famille. Dès lors, les publications se succèdent à un rythme effréné. Rien que sous son nom (comme musicien ou compositeur), Zorn sort plusieurs albums par an, continuant à toucher à tous les styles, de la musique de film jusqu’à la musique de chambre, trouvant l'inspiration également dans la littérature, le mysticisme, le cinéma, les arts plastiques et l’avant-garde. La rigueur de sa démarche donne pourtant à l'ensemble une grande cohérence, renforcée par le visuel des pochettes créées pas Heung-Heung Chin, alias Chippy. Au niveau éditorial, le catalogue Tzadik est organisé en collections qui permettent de rassembler certains albums sous une même thématique : Radical Jewish Culture documente le versant moderne des musiques juives ; Oracles est réservée aux femmes de la musique expérimentale ; Spotlight héberge la nouvelle génération des aventuriers musicaux… 4 En marge du label, John Zorn est également directeur artistique du Stone, club à but non-lucratif situé à New York, qui programme les musiciens de la scène expérimentale. Considéré par beaucoup comme un parrain de l'avant-garde musicale, John Zorn ne se repose pas sur ses lauriers. Désormais sexagénaire, il poursuit inlassablement sa quête musicale au mépris de toute considération marchande. Par sa profusion, sa diversité et son intensité, l'œuvre qu'il continue de bâtir, qu’elle soit influente ou controversée, est déjà l'une des plus intrigantes et originales de la musique contemporaine, au sens large du terme. *Extrait d'un entretienavec F.-X. Féron,à retrouver dans Tzadik : l'esthétique discographique selon John Zorn : Circuit : musiques contemporaines, vol. 25 (n°3) 5 SÉLECTION DE DOCUMENTS Tous les documents de la sélection sont disponibles à l’espace musique de la médiathèque CD Albums de John Zorn (compositeur et/ou interprète) The Complete studio recordings/ Naked City Tzadik, 2005. Contient les albums : Naked City (1989) ; Torture garden (1989) ; Leng tch'e (1990) ; Grand Guignol (1992) ; Heretic : jeux de dames cruelles (1992) ; Radio (1993) ; Absinthe (1993). Naked CIty = John Zorn, Bill Frisell, Wayne Horvitz, Fred Frith, Joey Baron & Yamataka Eye. Avec le participations de : Bob Dorough & Mike Patton. Cote: 6 NAK. Talisman : live in Nagoya/ Painkiller Tzadik, 2002. Enr. 1994. - Painkiller = John Zorn, Bill Laswell, Mick Harris. Cote: 2 PAI 70. Execution ground/ Painkiller Subharmonic, 1994. Painkiller = John Zorn, Bill Laswell, Mick Harris Cote: 2 PAI 70. 2002 volume three : invitation to a suicide/ John Zorn, compositeur Tzadik, 2002. (Filmworks; 13) "Invitation to a suicide" : un film de Loren Marsh. Avec : Marc Ribot, guitare ; Rob Burger, accordéon ; Erik Friedlander, violoncelle ; Trevor Dunn, contrebasse ; Kenny Wollesen, vibraphone, marimba, batterie. Cote: 6 ZOR. Astronome/ John Zorn, compositeur Tzadik, 2006. Avec : Mike Patton, chant ; Trevor Dunn, basse ; Joey Baron, batterie. Cote: 6 ZOR. 6 Bar Kokhba : Masada chamber ensembles/ John Zorn, compositeur Tzadik, 1996. (Radical Jewish Culture) Avec : Mark Feldman, vl ; Erik Friedklander, vlc ; Greg Cohen, b ; Marc Ribot, guit. ; Anthony Coleman, p ; David Krakauer, clar. ; John Medeski, claviers ; Mark Dresser, b ; Kenny Wollesen, batt. ; Chris Speed, clar. ; Dave Douglas, trp. Cote: 6 ZOR. Belle de nature ; The New Rijksmuseum/ John Zorn, compositeur Tzadik, 2008. (Filmworks; 21) 1-7 : "Belle de Nature", un film de Maria Beatty. Musiciens : Marc Ribot, guitare ; Carol Emanuel, harpe ; Shanir Ezra Blumenkranz, contrebasse. 8-17 : "The New Rijksmuseum", un film de Oeke Hoogendijk. Musiciens : Uri Caine, clavecin, piano ; Kenny Wollesen, vibraphone, percussions ; Cyro Baptista, percussions ; John Zorn, clavecin, percussions. Cote: 6 ZOR. The Big gundown : John Zorn plays the music of Ennio Morricone/ John Zorn, arrangements, direction, saxophone, clavecin, voix, ... Nonesuch, 1986. Enr. 1984 - 85 Avec : Fred Frith, Anton Fier, Jody Harris, Robert Quine, Bill Frisell, Toots Thielmans, Big John Patton, Diamanda Galas, Christian Marclay, Michihiro Sato, Arto Lindsay, Wayne Horvitz, Vernon Reid, ... Cote: 6 ZOR. The Bribe : variations and extensions on Spillane/ John Zorn, compositeur, saxophone alto Tzadik, 1998. Enr. 1986. - Avec : Marty Ehrlich, Jim Staley, Zeena Parkins, Robert Quine, Anthony Coleman, Wayne Horvitz, Christian Marclay, David Hofstra, Bobby Previte, ... Cote: 6 ZOR. The Circle Maker/ John Zorn, compositeur Tzadik, 1998. (Radical Jewish Culture; 22) "Zevulun" avec : Mark Feldman, vl. ; Erik Friedlander, vlc ; Greg Cohen, b ; Marc Ribot, guit. ; Cyro Baptista, perc. ; Joey Baron, batt. "Issachar" avec : Mark Feldman, vl. ; Erik Friedlander, vlc ; Greg Cohen, b Cote: 6 ZOR. The Classic guide to strategy, vol. 1 & 2/ John Zorn, saxos & anches Tzadik, 1996. Enr. 1983 & 1985. - Part 1 ; Part 2 (Cartoon music) ; Aoyama Michi ; Enoken ; Katsumi Shigeru ; Kondo Toshinori ; Togawa Jun ; Mori Ikue. Cote: 6 ZOR. Cobra : John Zorn's game pieces, vol. 2/ John Zorn, compositeur, direction Tzadik, 2002. (Archival series) Avec : Jennifer Choi & Mark Feldman, violon ; Erik Friedlander, violoncelle ; Trevor Dunn & Mark Dresser, basse ; Josh Roseman, trombone ; Marcus Rojas, tuba ; Ikue Mori, ordinateur ; Annie Gosfield, sampleur ; Jamie Saft, claviers ; Sylvie Courvoisier, piano ; Cyro Baptista, percussions ; Susie Ibarra, batterie ; Derek Bailey, guitare. Cote: 6 ZOR. 7 Commedia dell'arte/ John Zorn, compositeur Tzadik, 2016. Interprété par différents ensembles de musique de chambre : quintet de cuivres, quatuor de violoncelles, trio avec piano, quatuor vocal et instruments à vent. Cote: 6 ZOR. The Crucible/ John Zorn, saxophone alto Tzadik, 2008. Avec : Mike Patton, voix ; Trevor Dunn, basse ; Joey Barron, batterie ; Marc Ribot, guitare. Cote: 6 ZOR. The Dreamers/ John Zorn, saxophone alto Tzadik, 2008. Avec : Marc Ribot, guitare ; Jamie Saft, claviers ; Kenny Wollesen, vibraphone ; Trevor Dunn, contrebasse ; Joey Baron, batterie ; Cyro Baptista, percussions Cote: 6 ZOR. The Gift/ John Zorn, compositeur, arrangements Tzadik, 2001. (Music Romance) Avec : John Zorn, Marc Ribot, Jamie Saft, Trevor Dunn, Cyro Baptista, Joey Baron, Dave Douglas, Mike Patton, Greg Cohen, ... Cote: 6 ZOR. The Gnostic preludes : music of splendors/ John Zorn, compositeur Tzadik, 2012. Avec : Carol Emanuel, harpe ; Bill Frisell, guitare ; Kenny Wollesen, vibraphone, cloches. Cote: 6 ZOR. The Hermetic organ, vol. 4 : St. Bart's, NYC : office n°14/ John Zorn, orgue Tzadik, 2016. (Archival series) Cote: 6 ZOR. In search of the miraculous : hymns, prayers and sacred dances/ John Zorn, composition, arrangements, direction Tzadik, 2010. Avec : Rob Burger, piano, orgue ; Kenny Wollesen, vibraphone ; Greg Cohen,
Load more

Recommended publications
  • FRIDAY the 13TH: the MICROS PLAY MONK (Cuneiform Rune 310)
    Bio information: THE MICROSCOPIC SEPTET Title: FRIDAY THE 13TH: THE MICROS PLAY MONK (Cuneiform Rune 310) Cuneiform promotion dept: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com (Press & world radio); radio [-at-] cuneiformrecords.com (North American radio) http://www.cuneiformrecords.com FILE UNDER: JAZZ / THELONIOUS MONK / THE MICROSCOPIC SEPTET “If the Micros have a spiritual beacon, it’s Thelonious Monk. Like the maverick bebop pianist, they persevere... Their expanding core audience thrives on the group’s impeccable arrangements, terse, angular solos, and devil-may-care attitude. But Monk and the Micros have something else in common as well. Johnston tells a story: “Someone once walked up to Monk and said, “You know, Monk, people are laughing at your music.’ Monk replied, ‘Let ‘em laugh. People need to laugh a little more.” – Richard Gehr, Newsday, New York 1989 “There is immense power and careful logic in the music of Thelonious Sphere Monk. But you might have such a good time listening to it that you might not even notice. …His tunes… warmed the heart with their odd angles and bright colors. …he knew exactly how to make you feel good… The groove was paramount: When you’re swinging, swing some more,” he’d say...” – Vijay Iyer, “Ode to a Sphere,” JazzTimes, 2010 “When I replace Letterman… The band I'm considering…is the Microscopic Septet, a New York saxophone-quartet-plus-rhythm whose riffs do what riffs are supposed to do: set your pulse racing and lodge in your skull for days on end. … their humor is difficult to resist.
    [Show full text]
  • Lawrence D. “Butch” Morris
    Lawrence D. “Butch” Morris American Cornetist, Composer & Conductor (February 10, 1947 – January 22, 2013) 1 Track listing 1. title: Conduction #1: Current Trends in Racism in Modern America (Part 1 (cont.)) personnel: Butch Morris (conductor), Frank Lowe (saxophone), John Zorn (saxophone, game calls), Christian Marclay (turntables), Thurman Barker (marimba), Curtis Clark (piano), Brandon Ross (guitar), Zeena Parkins (harp), Eli Fountain (vibraphone), Tom Cora (cello), Yasunao Tone (vocal) album title (format): Current Trends in Racism in Modern America (lp) label (country) (catalog number): Sound Aspects Records (Germany) (SAS 4010) recording location and date: New York, USA, February 1st, 1985 release date: 1986 duration: 12:12 2. title: Ozone – Burning Blue personnel: Butch Morris (cornet), Lê Quan Ninh (percussion), J.A. Deane (trombone, flute, electronics) album title (format): Burning Cloud label (country) (catalog number): Free Music Productions (Germany) (FMP CD 77 ) recording location and date: Berlin, Germany, October 29, 1993 release date: 1996 duration: 18:27 3. title: Conduction #26, E personnel: Butch Morris (conductor), Hasan Esen (kemence), Mehmet Emin Bitmez (ud), Göskel Baktagir (kanun), Süleyman Erguner (ney), Lê Quan Ninh (percussion), Bryan Carrott (vibraphone), J.A. Deane (trombone, electronics, drum machine), Elizabeth Panzer (harp), Brandon Ross (acoustic guitar), Steve Colson (piano), Hugh Ragin (pocket trumpet) album title (format): Testament: A Conduction Collection Disc 5 (cdx10+book+box) label (country) (catalog
    [Show full text]
  • Full Biography
    Gina Leishman – Full Biography Composer and multi-instrumentalist Gina Leishman was born in England, studied music at the Vienna Conservatory and Edinburgh University (B.Mus.Hons.), and made her home in the U.S., first on the west coast and since the early ‘90s in New York City. She has written for theater, opera, dance, film, TV and the concert stage. Ms. Leishman was composer-in-residence at the Akrai Residency Program in Sicily, 2014, and at Montalvo Arts Center, Saratoga CA, in 2009 and 2010; also Artist in Residence at Colgate University in 2012. She has been the recipient of grants from the NEA, Meet The Composer, Lila Wallace/Readers Digest Fund, Rockefeller Foundation, Arts International, Chamber Music America, Doris Duke Foundation, American Music Center, Duffy Institute for new Opera and the California Arts Council, amongst others. She is co-founder of the septet Kamikaze Ground Crew. Together for over 30 years, they celebrated their 20th anniversary with a commission from Chamber Music America’s New Works: Creation and Presentation Program. Portraits was premiered at the 2007 San Francisco Jazz Festival. Other performances include Earshot Jazz Festival (Seattle), Frankfurt Jazz Festival and Donaueschingen New Music Festival (Germany) (who also commissioned new work), Vossa Jazz Festival (Norway), Merkin Hall and Joe’s Pub (New York), as well as regular gigs in and around downtown New York and Brooklyn. She also co-leads the Mr. Wau-Wa band, a quintet dedicated to the songs of Bertolt Brecht, for which she is the chief arranger and lead singer. Her work as a singer/songwriter includes Geography (2018), Baseless Rumors (2011), In My Skin (2007) and Bed Time (2004), all explorations of the Leishman Songbook.
    [Show full text]
  • Short Takes Jazz News Festival Reviews Jazz Stories Interviews Columns
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC SHORT TAKES JAZZ NEWS FESTIVAL REVIEWS JAZZAMANCA 2020 JAZZ STORIES PATTY WATERS INTERVIEWS PETER BRÖTZMANN BILL CROW CHAD LEFOWITZ-BROWN COLUMNS NEW ISSUES - REISSUES PAPATAMUS - CD REVIEWS OBITURARIES Volume 46 Number 2 April May June Edition 2020 Ed Schuller (bassist, composer) on GM Recordings My name is Eddy I play the bass A kind of music For the human race And with beauty and grace Let's stay on the case As we look ahead To an uncertain space Peace, Music Love and Life" More info, please visit: www.gmrecordings.com Email: [email protected] GM Recordings, Inc. P.O. Box 894 Wingdale, NY 12594 3 | CADENCE MAGAZINE | APRIL MAY JUNE 2016 L with Wolfgang Köhler In the Land of Irene Kral & Alan Broadbent Live at A-Trane Berlin “The result is so close, so real, so beautiful – we are hooked!” (Barbara) “I came across this unique jazz singer in Berlin. His live record transforms the deeply moving old pieces into the present.” (Album tip in Guido) “As a custodian of tradition, Leuthäuser surprises above all with his flawless intonation – and that even in a live recording!” (Frankfurter Allgemeine Zeitung) “Leuthäuser captivates the audience with his adorable, youthful velvet voice.” (JazzThing) distributed by www.monsrecords.de presents Kądziela/Dąbrowski/Kasper Tom Release date: 20th March 2020 For more information please visit our shop: sklep.audiocave.pl or contact us at [email protected] The latest piano trio jazz from Quadrangle Music Jeff Fuller & Friends Round & Round Jeff Fuller, bass • Darren Litzie, piano • Ben Bilello, drums On their 4th CD since 2014, Jeff Fuller & Friends provide engaging original jazz compositions in an intimate trio setting.
    [Show full text]
  • Джоð½ Зоñ€Ð½ Ð​лÐ
    Джон Зорн ÐÐ​ »Ð±ÑƒÐ¼ ÑÐ​ ¿Ð¸ÑÑ​ ŠÐº (Ð ´Ð¸ÑÐ​ ºÐ¾Ð³Ñ€Ð°Ñ„иÑÑ​ ‚а & график) The Big Gundown https://bg.listvote.com/lists/music/albums/the-big-gundown-849633/songs Spy vs Spy https://bg.listvote.com/lists/music/albums/spy-vs-spy-249882/songs Buck Jam Tonic https://bg.listvote.com/lists/music/albums/buck-jam-tonic-2927453/songs https://bg.listvote.com/lists/music/albums/six-litanies-for-heliogabalus- Six Litanies for Heliogabalus 3485596/songs Late Works https://bg.listvote.com/lists/music/albums/late-works-3218450/songs https://bg.listvote.com/lists/music/albums/templars%3A-in-sacred-blood- Templars: In Sacred Blood 3493947/songs https://bg.listvote.com/lists/music/albums/moonchild%3A-songs-without-words- Moonchild: Songs Without Words 3323574/songs The Crucible https://bg.listvote.com/lists/music/albums/the-crucible-966286/songs Ipsissimus https://bg.listvote.com/lists/music/albums/ipsissimus-3154239/songs The Concealed https://bg.listvote.com/lists/music/albums/the-concealed-1825565/songs Spillane https://bg.listvote.com/lists/music/albums/spillane-847460/songs Mount Analogue https://bg.listvote.com/lists/music/albums/mount-analogue-3326006/songs Locus Solus https://bg.listvote.com/lists/music/albums/locus-solus-3257777/songs https://bg.listvote.com/lists/music/albums/at-the-gates-of-paradise- At the Gates of Paradise 2868730/songs Ganryu Island https://bg.listvote.com/lists/music/albums/ganryu-island-3095196/songs The Mysteries https://bg.listvote.com/lists/music/albums/the-mysteries-15077054/songs A Vision in Blakelight
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • Some Notes on John Zorn's Cobra
    Some Notes on John Zorn’s Cobra Author(s): JOHN BRACKETT Source: American Music, Vol. 28, No. 1 (Spring 2010), pp. 44-75 Published by: University of Illinois Press Stable URL: http://www.jstor.org/stable/10.5406/americanmusic.28.1.0044 . Accessed: 10/12/2013 15:16 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of Illinois Press is collaborating with JSTOR to digitize, preserve and extend access to American Music. http://www.jstor.org This content downloaded from 198.40.30.166 on Tue, 10 Dec 2013 15:16:53 PM All use subject to JSTOR Terms and Conditions JOHN BRACKETT Some Notes on John Zorn’s Cobra The year 2009 marks the twenty-fifth anniversary of John Zorn’s cele- brated game piece for improvisers, Cobra. Without a doubt, Cobra is Zorn’s most popular and well-known composition and one that has enjoyed remarkable success and innumerable performances all over the world since its premiere in late 1984 at the New York City club, Roulette. Some noteworthy performances of Cobra include those played by a group of jazz journalists and critics, an all-women performance, and a hip-hop ver- sion as well!1 At the same time, Cobra is routinely played by students in colleges and universities all over the world, ensuring that the work will continue to grow and evolve in the years to come.
    [Show full text]
  • Poslovno Poroĉilo CD Za Leto 2009 1 I POSLOVANJE
    Poslovno poroĉilo CD za leto 2009 I POSLOVANJE CANKARJEVEGA DOMA V LETU 2009 .................................................. 3 1.1 ZAKONSKE IN DRUGE PODLAGE, KI POJASNJUJEJO DELOVNO PODROĈJE 3 1.2 ORGANI ZAVODA ........................................................................................................ 3 1.3 URESNIĈITEV DOLGOROĈNIH IN LETNIH CILJEV POSLOVANJA .................... 5 1.4 POSLOVNO OKOLJE CD ............................................................................................ 10 1.5 ĈLOVEŠKI VIRI ........................................................................................................... 12 1.6 ŠTEVILO PRIREDITEV IN OBISKOVALCEV .......................................................... 18 1.7 ZASEDENOST DVORAN ............................................................................................ 20 1.8 FINANĈNO POSLOVANJE V LETU 2009, PRIMERJAVE Z OSNOVAMI ............ 24 1.9 INVESTICIJE, NAKUPI OPREME, INVESTICIJSKO VZDRŢEVANJE ................. 35 1.10 PREGLED MEDIJSKEGA POJAVLJANJA IN MARKETINŠKIH PRIJEMOV ..... 39 1.11 PRODAJA VSTOPNIC ZA PRIREDITVE JAVNE SLUŢBE V LETU 2009 ........... 42 II KULTURNO – UMETNIŠKI PROGRAM CANKARJEVEGA DOMA ........................... 44 2 RESNA GLASBA IN OPERA ............................................................................................ 44 2.1 SIMFONIĈNA GLASBA .............................................................................................. 44 2.2 GLASBENO-SCENSKA DEJAVNOST .....................................................................
    [Show full text]
  • A G Lim P S E Thrzough T
    A G l i m p s e T h r z o u g h T 2A Thursday, February 20,1988 Daily Nexus Join us Thursdays at 5:30 PM for : paI o o o o o o o o ooooooooooooooo G 9 Id $ 5 No Golden Ponies Here Who on earth are The Golden Palominos? The core of bites. the band is drummer and producer Anton Fier and bass Apart from these three songs, the rest of Visions of guitarist Bill Laswell. Visions o f Excess also boasts a Excess shows little promise. “ B oy(G o)” has a full, lengthy list of guest appearances, including Richard heavy sound — a wall of percussion. If it contained more Thompson, John Lydon (a.k.a. Johnny Rotten), Benue melody, it would sound more like R.E.M. Stipe’s voice is Worrel of Talking Heads fame and R.E.M.’s Michael unmistakable but this stuff is just not of the same Stipe. I have never heard of Syd Straw before but she has caliber. The different vocal levels may prevent a sense a unique voice — a lot like Chrissie Hynde, Exene of complete repetitiveness but the song is overly in- 2/20 The New Male-Female Cervenka and Stevie Nicks all in one. cantatory in places. “ Clustering Train” is similar, with Relationship Despite the impressive name-dropping, the album is, too much guitar accompanying Stipe’s drawn-out whine Janice and John Baldwin, Ph.D. as a whole, a bit mediocre. A few songs, however, to be true R.E.M.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Singe De L'encre
    SINGE DE L’ENCRE STEVE LACY SONGBOOK [NOUVELLE CRÉATION] www.freddymorezon.org 17 place intérieure Saint-Cyprien, 31300 Toulouse +33 (0)5 67 00 23 55 [email protected] Licences d’entrepreneur de spectacles 2-1091291 et 3-1091292 - SIRET 47872189700039 - APE 9001Z STEVE LACY SONGBOOK [NOUVELLE CRÉATION] Singe de l’encre est un quintet formé en 2020, leur première création s’intitule « Steve Lacy Songbook » : un hommage au saxophoniste soprano américain Steve Lacy (1934-2004). Il est ici question d’un regard porté sur la musique de Steve Lacy, et, plus spécifiquement, de “chansons” qu’il composait et jouait avec sa compagne, Irene Aebi. Dans ce projet, « Steve Lacy Songbook », on n’entend pas rejouer la musique du « maître » telle qu’il le faisait, mais plutôt créer une musique actuelle et inouïe. Se laisser traverser par la beauté et l’intelligence originales de cette œuvre, pour lui donner aujourd’hui une résonance nouvelle, une prolongation vivante et enthousiaste. Nourris de diverses cultures, allant de la pop, du rock, au jazz libre, à la musique improvisée et contemporaine, les cinq musiciens se dédient joyeusement à ce beau projet, et mettent collectivement leurs langages en question dans l’élaboration de cette re-création. Un quintet d’aujourd’hui investit et prolonge de façon vivace et actuelle la musique d’un « maître ». CATHERINE JAUNIAUX CHANT, VOIX, OBJETS BETTY HOVETTE CLAVIERS BENOÎT BURELLO BASSE, CHANT MARC DÉMEREAU SAX BARYTON ET ALTO, SCIE MUSICALE, CHANT FABIEN DUSCOMBS BATTERIE www.freddymorezon.org 17 place intérieure Saint-Cyprien, 31300 Toulouse +33 (0)5 67 00 23 55 [email protected] Licences d’entrepreneur de spectacles 2-1091291 et 3-1091292 - SIRET 47872189700039 - APE 9001Z Cet animal abonde dans les régions du nord ; il a quatre ou cinq pouces de long ; il est doué d’un instinct curieux ; ses yeux sont comme des cornalines, et son poil est noir de jais, soyeux et flexible, suave comme un oreiller.
    [Show full text]
  • John Zorn. the Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003)
    Brigham Young University BYU ScholarsArchive Faculty Publications 2008-01-01 John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild Christian T. Asplund [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the Music Commons BYU ScholarsArchive Citation Asplund, Christian T., "John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild" (2008). Faculty Publications. 914. https://scholarsarchive.byu.edu/facpub/914 This Peer-Reviewed Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. RecordingReviews 129 JohnZorn. TheGift; Songs from the Hermetic Theatre (2001). Chimeras;Mas- ada Guitars(2003). Masada Recital;Magick (2004). Rituals (2005). Astronome; MasadaRock; Moonchild (2006). Each of these recordings appears on John Zorn'sown label,Tzadik. Once the unrulyupstart, John Zorn is now a MacArthurfellow, whose formi- dable catalogdivides easily intoearly, middle, and late periods.The earlyperiod dates fromthe mid-1970s to themid-1980s, when Zorn pioneeredthe practice of "comprovisation,"a termused to describe"the making of new compositionsfrom recordingsof improvised material/'1 Ultimately, Zorn's comprovisationblurs the lines between active listenerand composer,since both createnew works when theyimpose structureon foundsonic material.His earlystructuralist-modernist approach to comprovisationproduced esoteric,often severely pointillist music, and evolved into thegame pieces of the late 1970s and early 1980s,culminating in themasterpiece of strategy,Cobra (1984), the last early-periodwork.
    [Show full text]