Fantômas Dvd and Live Album, the Director’S Cut Live: a New Year’S Revolution, Set for Sept

Total Page：16

File Type：pdf, Size：1020Kb

FANTÔMAS DVD AND LIVE ALBUM, THE DIRECTOR’S CUT LIVE: A NEW YEAR’S REVOLUTION, SET FOR SEPT. 6 RELEASE SAN FRANCISCO, JULY 21 – Fantômas, the eclectic supergroup featuring Mike Patton (Faith No More, Tomahawk, Peeping Tom), Buzz Osborne (Melvins), Trevor Dunn (Mr. Bungle, MadLove) and Melvins' drummer Dale Crover filling in for Dave Lombardo (Slayer), release The Director’s Cut Live: A New Year’s Revolution on DVD and as a standalone audio download on Sept. 6 via Ipecac Recordings. Filmed at San Francisco’s Great American Music Hall, the DVD features audio commentary by comedian Neil Hamburger. Fantômas released the studio version of The Director’s Cut in July of 2001. The album tackles a collection of beloved and eerie film compositions including Nino Rota’s “The Godfather,” Bernard Herrmann’s “Cape Fear” and Jerry Goldsmith’s “The Omen (Ave Satani).” Upon its release, Pitchfork said the release was “as cinematic as its source material” and NME called it “gleeful butchering.” Two songs featured on The Director's Cut Live: A New Year's Revolution were not in the original release of The Director's Cut: Al Green's "Simply Beautiful" and Marc Bolan & T. Rex's "Chariot Choogle." The Director’s Cut Live: A New Year’s Revolution track listing: 1. The Godfather 2. Night of the Hunter 3. Cape Fear 4. Experiment in Terror 5. One Step Beyond 6. Rosemary’s Baby 7. The Devil Rides Out 8. Spider Baby 9. The Omen (Ave Satani) 10. Henry: Portrait Of A Serial Killer 11. Vendetta 12. Investigation Of A Citizen Above Suspicion 13. Twin Peaks: Fire Walk With Me 14. Der Golem 15. Charade 16. Intermission 17. Simply Beautiful 18. Chariot Choogle .

Copy Link

Recommended publications

“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
[Show full text]
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
[Show full text]
Grunge Is Dead Is an Oral History in the Tradition of Please Kill Me, the Seminal History of Punk
THE ORAL SEATTLE ROCK MUSIC HISTORY OF GREG PRATO WEAVING TOGETHER THE DEFINITIVE STORY OF THE SEATTLE MUSIC SCENE IN THE WORDS OF THE PEOPLE WHO WERE THERE, GRUNGE IS DEAD IS AN ORAL HISTORY IN THE TRADITION OF PLEASE KILL ME, THE SEMINAL HISTORY OF PUNK. WITH THE INSIGHT OF MORE THAN 130 OF GRUNGE’S BIGGEST NAMES, GREG PRATO PRESENTS THE ULTIMATE INSIDER’S GUIDE TO A SOUND THAT CHANGED MUSIC FOREVER. THE GRUNGE MOVEMENT MAY HAVE THRIVED FOR ONLY A FEW YEARS, BUT IT SPAWNED SOME OF THE GREATEST ROCK BANDS OF ALL TIME: PEARL JAM, NIRVANA, ALICE IN CHAINS, AND SOUNDGARDEN. GRUNGE IS DEAD FEATURES THE FIRST-EVER INTERVIEW IN WHICH PEARL JAM’S EDDIE VEDDER WAS WILLING TO DISCUSS THE GROUP’S HISTORY IN GREAT DETAIL; ALICE IN CHAINS’ BAND MEMBERS AND LAYNE STALEY’S MOM ON STALEY’S DRUG ADDICTION AND DEATH; INSIGHTS INTO THE RIOT GRRRL MOVEMENT AND OFT-OVERLOOKED BUT HIGHLY INFLUENTIAL SEATTLE BANDS LIKE MOTHER LOVE BONE, THE MELVINS, SCREAMING TREES, AND MUDHONEY; AND MUCH MORE. GRUNGE IS DEAD DIGS DEEP, STARTING IN THE EARLY ’60S, TO EXPLAIN THE CHAIN OF EVENTS THAT GAVE WAY TO THE MUSIC. THE END RESULT IS A BOOK THAT INCLUDES A WEALTH OF PREVIOUSLY UNTOLD STORIES AND FRESH INSIGHT FOR THE LONGTIME FAN, AS WELL AS THE ESSENTIALS AND HIGHLIGHTS FOR THE NEWCOMER — THE WHOLE UNCENSORED TRUTH — IN ONE COMPREHENSIVE VOLUME. GREG PRATO IS A LONG ISLAND, NEW YORK-BASED WRITER, WHO REGULARLY WRITES FOR ALL MUSIC GUIDE, BILLBOARD.COM, ROLLING STONE.COM, RECORD COLLECTOR MAGAZINE, AND CLASSIC ROCK MAGAZINE.
[Show full text]
Kurt Cobain's Childhood Home
WASHINGTON STATE Department of Archaeology and Historic Preservation WWASHINGTON HHERITAGE RREGISTER A) Identification Historic Name: Cobain, Donald & Wendy, House Common Name: Kurt Cobain's Childhood Home Address: 1210 E. First Street City: Aberdeen County: Grays Harbor B) Site Access (describe site access, restrictions, etc.) The nominated home is located mid block near the NW corner of E 1st Street and Chicago Avenue in Aberdeen. The home faces southeast one block from the Wishkah River adjacent to an alleyway. C) Property owner(s), Address and Zip Name: Side One LLC. Address: 144 Sand Dune Ave SW City: Ocean Shores State: WA Zip: 98569 D) Legal boundary description and boundary justification Tax No./Parcel: 015000701700 - 11 - Residential - Single Family Boundary Justification: FRANCES LOT 17 BLK 7 / MAP 1709-04 FORM PREPARED BY Name: Lee & Danielle Bacon Address: 144 Sand Dune Ave SW City / State / Zip: Ocean Shores, WA 98569 Phone: 425.283.2533 Email: [email protected] Nomination June 2021 Date: 1 WASHINGTON STATE Department of Archaeology and Historic Preservation WWASHINGTON HHERITAGE RREGISTER E) Category of Property (Choose One) building structure (irrigation system, bridge, etc.) district object (statue, grave marker, vessel, etc.) cemetery/burial site historic site (site of an important event) archaeological site traditional cultural property (spiritual or creation site, etc.) cultural landscape (habitation, agricultural, industrial, recreational, etc.) F) Area of Significance – Check as many as apply The property belongs to the early settlement, commercial development, or original native occupation of a community or region. The property is directly connected to a movement, organization, institution, religion, or club which served as a focal point for a community or group.
[Show full text]
Melvins / Decrepit Birth Prosthetic Records / All
METAL ZINE VOL. 6 SCIONAV.COM MELVINS / DECREPIT BIRTH PROSTHETIC RECORDS / ALL SHALL PERISH HOLY GRAIL STAFF SCION A/V SCHEDULE Scion Project Manager: Jeri Yoshizu, Sciontist Editor: Eric Ducker MARCH Creative Direction: Scion March 13: Scion A/V Presents: The Melvins — The Bulls & The Bees Art Direction: BON March 20: Scion A/V Presents: Meshuggah — I Am Colossus Contributing Editor: J. Bennett March 31: Scion Label Showcase: Profound Lore, featuring Yob, the Atlas Moth, Loss, Graphic Designer: Gabriella Spartos Wolvhammer and Pallbearer, at the Glasshouse, Pomona, California CONTRIBUTORS Writer: Etan Rosenbloom Photographer: Mackie Osborne CONTACT For additional information on Scion, email, write or call. Scion Customer Experience 19001 S. Western Avenue Mail Stop WC12 APRIL Torrance, CA 90501 $WODV0RWK³<RXU&DOP:DWHUV´ Phone: 866.70.SCION / Fax: 310.381.5932 &RUURVLRQRI&RQIRUPLW\³3V\FKLF9DPSLUH´ Email: Email us through the Contact page located on scion.com 6DLQW9LWXV³/HW7KHP)DOO´ Hours: M-F, 6am-5pm PST / Online Chat: M-F, 6am-6pm PST 7RPEV³3DVVDJHZD\V´ Scion Metal Zine is published by BON. $SULO6FLRQ$93UHVHQWV0XVLF9LGHRV For more information about BON, email [email protected] April 3: Scion A/V Presents: Municipal Waste April 10: Scion A/V Presents: All Shall Perish — Company references, advertisements and/or websites The Past Will Haunt Us Both (in Spanish) OLVWHGLQWKLVSXEOLFDWLRQDUHQRWDI¿OLDWHGZLWK6FLRQ $SULO6FLRQ$93UHVHQWV3URVWKHWLF5HFRUGV/DEHO6KRZFDVH OLYHUHFRUGLQJ unless otherwise noted through disclosure. April 24: Municipal Waste, “Repossession” video Scion does not warrant these companies and is not liable for their performances or the content on their MAY advertisements and/or websites. May 15: Scion A/V Presents: Relapse Records Label Showcase (live recording) May 19: Scion Label Showcase: A389 Records Showcase, featuring Integrity, Ringworm, © 2012 Scion, a marque of Toyota Motor Sales U.S.A., Inc.
[Show full text]
Kurt Cobain: Montage of Heck Pdf, Epub, Ebook
KURT COBAIN: MONTAGE OF HECK PDF, EPUB, EBOOK Brett Morgen | 160 pages | 05 May 2015 | Insight Editions, Div of Palace Publishing Group, LP | 9781608875498 | English | San Rafael, United States Kurt Cobain: Montage of Heck PDF Book You must be a registered user to use the IMDb rating plugin. Kurt Cobain: Montage of Heck makes a persuasive case for its subject without resorting to hagiography -- and includes plenty of rare and unreleased footage for fans. Sign In. Rolling Stone. After Kurt Cobain is born in , his parents move to Aberdeen, Washington and shortly after his sister Kim is born. Kurt Cobain. Archived from the original on November 19, Book Category. After recording their next album, Nevermind , their song " Smells Like Teen Spirit " becomes a hit and the band is launched into the mainstream. Kurt Cobain: Montage Of Heck After a short while, Kurt breaks up with Tracy. Bleach Nevermind In Utero. Helen Razer. Nevertheless, Kyle Anderson of Entertainment Weekly praised the album, considering it as "a cultural artifact that provides an inside look at the creative process of an enigmatic genius. Cobain's mother, Wendy, had regret in relation to working on the film. Archived from the original on February 6, We would have known that story. Downloads Wrong links Broken links Missing download Add new mirror links. We get a very intimate glimpse of the beloved musician from his early years all the way up to , when he tragically took his own life at the age of After he attempts to have sex with the girl, his classmates begin insulting and shaming him.
[Show full text]
Game Session 55-66 Docx
1 Game Session Fifty five: Whispered secrets unfolding - 1 (played Dec 2 nd , 2012) March 28 th , 748 – 10h00 am The heroes put a table under the raised portcullis, to prevent it to close behind them after they passed under it. They anticipate that one of the evil spirits will be encountered in what looks like an oubliette, so they do healing before they enter. Opened iron doors line the walls of this room. In the middle, a ten-foot-square metal grating lies over a dark pit in the floor. A thick rope has been tied to the grating and dangles into the dark pit below... Entering the room, they realize they are the first living creature entering this place for decades... Suddenly, something gets out from the pit, through the metal grate and it shrieks madly, waving an axe over its head! His arms are very long and his legs bent at improbable angles. It’s the Lopper! Quickly, Austizel throws ghost touch arrows, and MacRazbunare hits it with a disrupt undead . But the Lopper hits Petrak and Varadan. The wounds from the ghost axe looks like profound cuts from a tiny hatchet, and it bleeds profusely. At their horror, the heroes notice some of the blood turning to smoke, and flying to the Lopper, and it seems to heal him! More ghost touch arrows from Exigu this time, and another disrupt undead from Varadan. Tora wants to hit it with positive healing but he doesn’t touch the Lopper. Then Petrak identified the Lopper as not being a haunt, like the others, but as a sinister wraith! More bleeding from the Lopper’s cuts fly back to the killer, healing him… Patu runs away, because he just saw a swarm of ghostly rats pass through the wall and attack Exigu.
[Show full text]
Jack Dejohnette's Drum Solo On
NOVEMBER 2019 VOLUME 86 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.
[Show full text]
Krist Novoselic
OVERNMENT G & E GRUNG KRIST NOVOSELIC THE ORAL HISTORY OF A WASHINGTON ROCKER WITH A CIVIC MISSION LEGACY PROJECT History through the people who lived it Krist Novoselic Research by John Hughes and Lori Larson Transcripti on by Lori Larson Interviews by John Hughes October 14, 2008 John Hughes: This is October 14, 2008. I’m John Hughes, Chief Oral Historian for the Washington State Legacy Project, with the Offi ce of the Secretary of State. We’re in Deep River, Wash., at the home of Krist Novoselic, a 1984 graduate of Aberdeen High School; a founding member of the band Nirvana with his good friend Kurt Cobain; politi cal acti vist, chairman of the Wahkiakum County Democrati c Party, author, fi lmmaker, photographer, blogger, part-ti me radio host, While doing reseach at the State Archives in 2005, Novoselic volunteer disc jockey, worthy master of the Grays points to Grays River in Wahkiakum County, where he lives. Courtesy Washington State Archives River Grange, gentleman farmer, private pilot, former commercial painter, ex-fast food worker, proud son of Croati a, and an amateur Volkswagen mechanic. Does that prett y well cover it, Krist? Novoselic: And chairman of FairVote to change our democracy. Hughes: You know if you ever decide to run for politi cal offi ce, your life is prett y much an open book. And half of it’s on YouTube, like when you tried for the Guinness Book of World Records bass toss on stage with Nirvana and it hits you on the head, and then Kurt (Cobain) kicked you in the butt .
[Show full text]
John Zorn. the Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003)
Brigham Young University BYU ScholarsArchive Faculty Publications 2008-01-01 John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild Christian T. Asplund [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the Music Commons BYU ScholarsArchive Citation Asplund, Christian T., "John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild" (2008). Faculty Publications. 914. https://scholarsarchive.byu.edu/facpub/914 This Peer-Reviewed Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. RecordingReviews 129 JohnZorn. TheGift; Songs from the Hermetic Theatre (2001). Chimeras;Mas- ada Guitars(2003). Masada Recital;Magick (2004). Rituals (2005). Astronome; MasadaRock; Moonchild (2006). Each of these recordings appears on John Zorn'sown label,Tzadik. Once the unrulyupstart, John Zorn is now a MacArthurfellow, whose formi- dable catalogdivides easily intoearly, middle, and late periods.The earlyperiod dates fromthe mid-1970s to themid-1980s, when Zorn pioneeredthe practice of "comprovisation,"a termused to describe"the making of new compositionsfrom recordingsof improvised material/'1 Ultimately, Zorn's comprovisationblurs the lines between active listenerand composer,since both createnew works when theyimpose structureon foundsonic material.His earlystructuralist-modernist approach to comprovisationproduced esoteric,often severely pointillist music, and evolved into thegame pieces of the late 1970s and early 1980s,culminating in themasterpiece of strategy,Cobra (1984), the last early-periodwork.
[Show full text]
La Musica Salottiera D'avanguardia Di Zorn
My Space Il Museo www.myspace.com/thecoral www.museomemoriaustica.it 41 DOMENICA Canzoni, foto Dedicato alla memoria delle 11 LUGLIO e appuntamenti della band vittime della strage 2010 Roberto Carlos I Am Kloot I più suonati a Radio Città del Capo TOP 10 ALBUM www.radiocittadelcapo.it (Bologna) Operazione nostalgia Notturno autunnale Anouar Brahem 02 Mario Brunello Odusia Roberto Carlos I Am Kloot I miei successi Sky At Night The astounding eyes of Rita 03 Vic Chesnutt At the cut Columbia Pias Il suonatore di oud ** *** 04 Dinosaur Jr Farm 05 Dj Spooky The secret song 06 Dente L’amore non è bello Se siete oltre i 40, un rigurgito nostalgico Esce ora il nuovo cd del trio cult man- saràinevitabile riascoltandol’artistabrasilia- cuniano,ma sarebbestato più adattoposti- 07 Mike Patton Mondo cane no, molto noto in Italia dagli anni 60 ai 70. ciparlo di qualche mese. Perché è nottur- Ecco A che serve volare (col classico «rom- no e malinconico, morbido e romantico, 08 Souljazz Orchestra Rising sun bo»sullo sfondo)e ilbeat ingenuodi La don- ironico e pensoso, con l’ispirata voce del na di un amico mio, ma anche Testardo io e leader John Bramwell in evidenza. Ideale 09 Tinariwe Imidiwan Canzone per te (di Endrigo). Peccato per la per l’autunno, insomma: conservatelo per scarna confezione e gli errori sparsi. D.P. le prime uggiose giornate di pioggia. D.P. 10 John Zorn O,o La musica salottiera Musica e memoria GIORDANO MONTECCHI seo, il pubblico aspetta in silenzio, allo scoccare dei trent’anni, l’ini- zio de «La ventunesima ora»: due d’avanguardia di Zorn concerti ideati dal Festival Angeli- ca con musiche di Karlheniz Exotica e cool-jazz, surf strumentale, klezmer stilizzato..
[Show full text]
METAL CATS by Alexandra Crockett
METAL CATS By Alexandra Crockett Published by To be released: May 2014 This PDF of Metal Cats is only a preview and an uncorrected proof. Lifting images from mechanical files is strictly prohibited. To see the complete version, please contact Nina Ventura, Publicist: [email protected] PHOTOGRAPHY BY ALEXANDRA CROCKETT Brooklyn, NY 10 11 18 19 30 31 34 35 40 41 44 45 66 67 84 85 94 95 INDEX INDEX p. 9 Johnny X (photo by Carli Davidson) p. 30-31 Dino Sommese & Short Bus; Dane Burke & Big Chicken and Mini Sklar of Winter Teeth and Illogical p. 95 Kyle Hegg p. 109 Michael Freiburger & Ham; p. 10-11 Brooks Blackhawk & Fred; of Ghoul, Dystopia, Carcinogen, Chicken, mountaineer, caver; Ryan Contraption Radio; Robert Williams; p. 96-97 Ben Kennedy, Dorando Hodous, of Throne of Bone and Brainscraper of Atriarch, DJ Blackhawk Splatterthrash, Insidious, and Patterson & Bill n’ Ted, of Addaura; Nick Necro Wilson & Roscoe, Chim Daniel Rochelle, and Aaron McGinnis p. 110 Jorge San Roman p. 13 Ollie Aldama & Garth, No othgrush Leon Del Muere & Mr. Fatso, Friday, Chim, and Pee Wee, of Gutsaw & Terry and Dean; p. 111 Obscure Doors King of the Universe; p. 32 John Hoppins & Gremlin and Simon, of Exhumed, Murder and Sacrificial Slaughter; Scott of Fungal Abyss, Lesbian, and Construct, Nausea, Impaled, and Bidwell of Heresiarch; Pete Majors & p. 113 Brett Hanson & Abigail; of Prey Darkness, bartender and Francesca; Gorgothian Sunrise of Evil Slime bicyclist Phobia; Clark After Dark, model; Abbath, Mayhem, Kian, and Rune, p. 14 Stephen Ray Tyson & The Daunce; p.
[Show full text]