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Relationship Between Literature & Politics in Selected Malay Novels
International Journal of Academic Research in Business and Social Sciences Vol. 9 , No. 12, December, 2019, E-ISSN: 2222-6990 © 2019 HRMARS Relationship between Literature & Politics in Selected Malay Novels Fatin Najla Binti Omar, Sim Chee Cheang To Link this Article: http://dx.doi.org/10.6007/IJARBSS/v9-i12/6826 DOI: 10.6007/IJARBSS/v9-i12/6826 Received: 14 November 2019, Revised: 22 November 2019, Accepted: 15 December 2019 Published Online: 28 December 2019 In-Text Citation: (Omar & Cheang, 2019) To Cite this Article: Omar, F. N. B., & Cheang, S. C. (2019). Relationship between Literature & Politics in Selected Malay Novels. International Journal of Academic Research in Business and Social Sciences, 9(12), 905–914. Copyright: © 2019 The Author(s) Published by Human Resource Management Academic Research Society (www.hrmars.com) This article is published under the Creative Commons Attribution (CC BY 4.0) license. Anyone may reproduce, distribute, translate and create derivative works of this article (for both commercial and non-commercial purposes), subject to full attribution to the original publication and authors. The full terms of this license may be seen at: http://creativecommons.org/licences/by/4.0/legalcode Vol. 9, No. 12, 2019, Pg. 905 - 914 http://hrmars.com/index.php/pages/detail/IJARBSS JOURNAL HOMEPAGE Full Terms & Conditions of access and use can be found at http://hrmars.com/index.php/pages/detail/publication-ethics 905 International Journal of Academic Research in Business and Social Sciences Vol. 9 , No. 12, December, 2019, E-ISSN: 2222-6990 © 2019 HRMARS Relationship between Literature & Politics in Selected Malay Novels Fatin Najla Binti Omar, Sim Chee Cheang University Malaysia Sabah Abstract It cannot be denied that politics has a connection with the field of literature as politics is often a source of ideas and literature a "tool" to politicians especially in Malaysia. -
Politik Dimalaysia Cidaip Banyak, Dan Disini Sangkat Empat Partai Politik
122 mUah Vol. 1, No.I Agustus 2001 POLITICO-ISLAMIC ISSUES IN MALAYSIA IN 1999 By;Ibrahim Abu Bakar Abstrak Tulisan ini merupakan kajian singkat seJdtar isu politik Islam di Malaysia tahun 1999. Pada Nopember 1999, Malaysia menyelenggarakan pemilihan Federal dan Negara Bagian yang ke-10. Titik berat tulisan ini ada pada beberapa isupolitik Islamyang dipublikasikandi koran-koran Malaysia yang dilihat dari perspektifpartai-partaipolitik serta para pendukmgnya. Partai politik diMalaysia cidaip banyak, dan disini Sangkat empat partai politik yaitu: Organisasi Nasional Malaysia Bersatu (UMNO), Asosiasi Cina Ma laysia (MCA), Partai Islam Se-Malaysia (PMIP atau PAS) dan Partai Aksi Demokratis (DAP). UMNO dan MCA adalah partai yang berperan dalam Barisan Nasional (BA) atau FromNasional (NF). PASdan DAP adalah partai oposisipadaBarisanAltematif(BA) atau FromAltemattf(AF). PAS, UMNO, DAP dan MCA memilikipandangan tersendiri temang isu-isu politik Islam. Adanya isu-isu politik Islam itu pada dasamya tidak bisa dilepaskan dari latar belakang sosio-religius dan historis politik masyarakat Malaysia. ^ ^ ^ ^ ^ ^^ ^ <•'«oJla 1^*- 4 ^ AjtLtiLl jS"y Smi]?jJI 1.^1 j yLl J J ,5j^I 'jiil tJ Vjillli J 01^. -71 i- -L-Jl cyUiLLl ^ JS3 i^LwSr1/i VjJ V^j' 0' V oljjlj-l PoUtico-Islnndc Issues bi Malays bi 1999 123 A. Preface This paper is a short discussion on politico-Islamic issues in Malaysia in 1999. In November 1999 Malaysia held her tenth federal and state elections. The paper focuses on some of the politico-Islamic issues which were pub lished in the Malaysian newsp^>ers from the perspectives of the political parties and their leaders or supporters. -
Redefining the Evolution of Ornamented Aesthetic Principles of Langkasukan Art of the Malay Peninsula, Malaysia
This paper is part of the Proceedings of the 1st International Conference on Islamic Heritage Architecture and Art (IHA 2016) www.witconferences.com Allegorical narratives: redefining the evolution of ornamented aesthetic principles of Langkasukan art of the Malay Peninsula, Malaysia Sabariah Ahmad Khan Faculty of Art and Design, University Technology MARA, West Malaysia Abstract The origin of the Malay motif of Langkasuka was believed to encrust in all forms of art objects as early as from the 2nd century AD. The Langkasukan ornamentation which embodies the surface articulation of artefacts enfolds the historical construction of its indigenous culture and ethnicity. With close embedded intention, the Langkasukan ornamentations signify the relationship and graphic expression based on national artistry, racial, creativity, technical skill and religious cultural properties. The Langkasukan motif, characterised by a spiral formulation derived from Hinduism–Buddhism is attributed through a process of modification and stylistic transformation by the artisans and craftsmen of the east coast of Malaysia. Through the web of influences from varied aesthetic sources generated through polity, migration, trade and commerce, a distinctive character in the composition of the patterns deem a rebirth of vernacular aesthetic principles contributing to an embracement of stylistic methodology, present to this day. The principles of Malay art decoded the hermeneutics adaptation and application. The paper attempts to present an analytical study of 100 Malay artefacts ranging from weaponry, woodcarving, puppetry and illuminated manuscripts. The studies would narrate the descriptive nature of the hybrid patterns and manifestations of the early 1800s, with the infusion of Islamic and the abstract norm of animism, Buddhist iconographic symbols overlapping with Hindu traditional motifs and a twist of local flavour. -
FBMK 2017 65 IR.Pdf
UNIVERSITI PUTRA MALAYSIA UNSUR TARBIAH DALAM NOVEL KOMSAS MAISARAH BINTI YAACOB FBMK 2017 65 UNSUR TARBIAH DALAM NOVEL KOMSAS UPM Oleh MAISARAH BINTI YAACOB COPYRIGHT © Tesis ini dikemukakan kepada Sekolah Pengajian Siswazah Universiti Putra Malaysia, sebagai memenuhi keperluan untuk Doktor Falsafah Februari 2017 Semua bahan yang terkandung dalam tesis ini, termasuk teks tanpa had teks, logo, ikon, gambar dan semua karya seni lain, adalah hak cipta Universiti Putra Malaysia kecuali dinyatakan sebaliknya. Penggunaan mana-mana bahan hanya boleh dibuat dengan kebenaran bertulis terdahulu yang nyata daripada Universiti Putra Malaysia. Hak cipta © Universiti Putra Malaysia UPM COPYRIGHT © DEDIKASI Bismillahirahmanirrahim, dengan kesyukuran yang tidak terhingga ke hadrat Ilahi kerana Kudrat dan Iradat-Nya tugasan ini dapat diselesaikan, segala cabaran dan dugaan mematangkan diri yang seterusnya menyedari betapa kerdilnya diri berada dalam peta kehidupan yang nyata. Bersyukur dengan anugerah Allah S.W.T dengan kelapangan masa, kekuatan semangat serta kesihatan yang membolehkan tugasan ini dapat disiapkan. Jutaan terima kasih kepada setiap insan yang berada dalam ruang kehidupan ini, yang mana sentiasa memberi semangat dan inspirasi dalam pelbagai situasi suka dan duka, malam dan siang. Suami tercinta, anak-anak, menantu, saudara mara dan rakan-rakan yang setia merasai pantas dan perlahannya denyut nadi ini meneruskan tugasan dan kehidupan. UPM Simpulan semangat yang jitu daripada kawan-kawan seperjuangan, pensyarah pembimbing, pihak pemeriksa, pengurusan sekolah siswazah dan insan-insan yang sering mendoakan. Kekuatan yang sangat memberi makna semoga menjadi simpulan kenangan sepanjang hayat. Semua yang menyumbang tanpa mengharapkan balasan, agar menjadi bekalan sepanjang perjalanan di akhirat kelak. COPYRIGHT © Abstrak tesis yang dikemukakan kepada Senat Universiti Putra Malaysia sebagai memenuhi keperluan ijazah Doktor Falsafah. -
Silat: a Muslim Traditional Martial Art in Southern Thailand 125
Silat: A Muslim Traditional Martial Art in Southern Thailand 125 Chapter 3 Silat: A Muslim Traditional Martial Art in Southern Thailand Bussakorn Binson Introduction In Thai nomenclature, silat has various written forms, e.g. zila, sila, shila, zilat, sila, shilat, and zzila. It can also be called dika, buedika, buezila, buerasila, padik, and bueradika. In this chapter, “silat” will be used in accordance with the Encyclopaedia of Cultures in Southern Thailand (Ruengnarong 1999:8029) to depict an art form that is a blend of martial arts, folk performing arts, sport, and an element of the ritual occult all belonging to the Muslim social group of the Malay Peninsula. The most prominent martial art among Thai-Muslim communities in Southern Thailand is known as pencak silat. According to the Pattani Malay dialect - Thai Dictionary, “silat” is derived from “bersila” or “ssila” which means a form of traditional Malaysian martial art. Some linguists postulate that “silat” is derived from the Sanskrit word “shila” which means a fight to support honesty. Silat spread northward from the Malay Peninsula into Southeast Asia sev- eral hundred years ago. Its origin, however, is still ambiguous among Thais due to the absence of written evidence. A few legends have been maintained over the generations by lineages of silat masters in Southern Thailand. Whilst the history of silat is neither clear nor concise, most scholars acknowledge the art form is the result of the blending of a mixture of religious influences from Islam, Hinduism, and Buddhism and cultural influences from Indonesia, India, and China. In this chapter the author will describe the characteristics of silat in Southern Thailand by describing its knowledge transfer and the related rites and beliefs in both practice and performance. -
Pemikiran Politik: Pemimpin Dan Kepemimpinan Dalam Novel Shahnon Ahmad
International Journal of the Malay WorldArba’ie and Civilisation Sujud, Salihahs (Iman Razak) 3(1), &2015: Siti Rabiatul67 - 78 Adawiah Jaffar 67 Pemikiran Politik: Pemimpin dan Kepemimpinan dalam Novel Shahnon Ahmad Political Thoughts: Leaders and Leadership in Shahnon Ahamad Novel ARBA’IE SUJUD, SALIHAHS RAZAK & SITI RABIATUL ADAWIAH JAFFAR ABSTRAK Makalah ini adalah untuk melihat pemikiran politik: pemimpin dan kepimpinan dalam novel Shahnon Ahmad iaitu novel Shit, dan Patriarch. Makalah ini didasarkan kepada sikap pemimpin politik yang sering ditimbulkan oleh pengarang dalam karyanya yang dikaitkan dengan pengalaman beliau sendiri dalam dunia politik tanah air. Selain itu makalah ini juga ingin melihat sejauh mana kepincangan dalam dunia politik akibat daripada sikap pemimpin kerana karya yang dihasilkan oleh beliau kebanyakannya melihat permasalahan dalam dunia politik yang dikaitkan dengan pengalaman beliau sendiri yang pernah terlibat dalam politik di tanah air dengan mengemukakannya dalam bentuk karya kreatif. Fokus kajian ini adalah untuk mengenal pasti dan menganalisis pemikiran politik pemimpin dan kepimpinan yang terdapat dalam novel-novel Shahnon Ahmad. Kaedah yang digunakan adalah kaedah kepustakaan, menganalisis kandungan teks dan pengaplikasian teori Konseptual Kata Kunci bagi menguatkan lagi hujah yang ingin disampaikan. Hasil kajian menunjukkan bahawa terdapat pemikiran politik dalam novel Shahnon Ahmad iaitu pemikiran politik tentang pemimpin dan kepimpinan yang melihat kepada sikap pemimpin yang berperwatakan negatif dalam menjalankan tanggungjawab yang diamanahkan. Rumusan daripada kajian ini menunjukkan bahawa kedua- dua buah novel Shahnon Ahmad mempunyai pemikiran politik pemimpin dan kepimpinan berdasarkan analisis teori Konseptual Kata Kunci. Kata kunci: Politik; pemimpin dan kepimpinan; kepincangan; sikap negative; teori konseptual kata kunci ABSTRACT This article examines the political thinking of leader and leadership in Shahnon Ahmad’s novels such as Shit and Patriarch. -
8. Belasungkawa
MELAYU: JURNAL ANTARABANGSA DUNIA MELAYU JILID 11 BIL. 1 JANUARI 2018 PERGINYA CENDEKIA PERMATA TINTA NEGARA: SASTERAWAN NEGARA PROFESOR EMERITUS DATUK SHAHNON AHMAD Rahimah A. Hamid [email protected] Pusat Pengajian Ilmu Kemanusiaan, Universiti Sains Malaysia. PENDAHULUAN Pada pagi Selasa, 26 Disember 2017, cendekiawan terbilang yang diumpamakan bagai permata tinta negara, iaitu Sasterawan Negara Profesor Emeritus Datuk Shahnon Ahmad pada usia 84 tahun telah kembali ke rahmatullah, akibat penyakit pneumonia pada pukul 7.30 pagi di Hospital KPJ Kajang. Jenazah dikebumikan di Tanah Perkuburan Islam Sungai Tangkas, Bandar Baru Bangi selepas disolatkan di Surau Madani yang letaknya tidak jauh dari tanah perkuburan tersebut. Shahnon meninggalkan isterinya, Datin Wan Fatimah Wan Salleh, 82, berserta tiga orang anak, 14 orang cucu dan tiga orang cicit. MENGENANG SHAHNON Apabila mengenangkan Shahnon, pelbagai kisah masa lalu semasa menjadi pelajarnya pada tahun 1991-1999 muncul kembali dalam ingatan. Shahnon yang lebih mesra dan lebih suka dipanggil “cikgu” selalu berkata kepada “kami”, pelajar Penulisan Kreatif yang dididiknya tentang siapakah antara beliau dengan isterinya yang begitu dikasihinya, Datin Wan Fatimah (yang lebih senang dipanggil “Mak Wan”), akan dijemput terlebih dahulu oleh Ilahi. Ada kerisauan yang disampaikan oleh Shahnon pada waktu itu kepada kami kalau-kalau Mak Wan yang pergi dahulu kerana semua anaknya telah mempunyai hala tuju hidup masing-masing. Kerisauan Shahnon itu sebenarnya lumrah dirasai oleh semua pasangan yang berusia. Shahnon juga ada menyebut, pengalaman menjaga ibunya, 138 Book 7/2/18 Jurnal Melayu NSK.indb 138 2/7/18 11:16 AM [BELASUNGKAWA] Hajah Kalsom Haji Mohd. Saman sehingga akhir hayat di rumahnya (Changkat 1, Minden Height) amat memberikan kesan kepada jiwanya tentang kerapuhan usia dan kematian. -
A Critical Analysis of Islamic Studies in Malay on Contemporary Issues; Malaysia*.Approximately 1975 to the Present Day
A CRITICAL ANALYSIS OF ISLAMIC STUDIES IN MALAY ON CONTEMPORARY ISSUES; MALAYSIA*.APPROXIMATELY 1975 TO THE PRESENT DAY By Md.Zaki bin Abd Manan A Thesis presented for the degree of DOCTOR OF PHILOSOPHY Faculty of Art at the School of Oriental and African Studies University of London Department of Language and Culture of South East Asia and the Islands 1994 ProQuest Number: 10673066 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673066 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT Abstract My thesis is divided into six chapters which include a general overview of the socio-political and economic background of the Malay Muslim society, a definition of the term Malay and Muslim and the various interpretations that arise from these definitions, the changes experienced by the Muslim society before and after Malaysia's Independence, the importance of Islam in the everyday life of the Muslims, the subsequent developments of the Malay textual tradition starting from the coming of Isl"am to Malaysia until the present day. -
Framing the Violence in Southern Thailand: Three Waves Of
FRAMING THE VIOLENCE IN SOUTHERN THAILAND: THREE WAVES OF MALAY-MUSLIM SEPARATISM A thesis presented to the faculty of the Center for International Studies of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Sara A. Jones June 2007 This thesis entitled FRAMING THE VIOLENCE IN SOUTHERN THAILAND: THREE WAVES OF MALAY-MUSLIM SEPARATISM by SARA A. JONES has been approved for the Center for International Studies by Elizabeth Fuller Collins Associate Professor of Classics and World Religions Drew O. McDaniel Interim Director, Center for International Studies Abstract JONES, SARA A., M.A., June 2007, Southeast Asian Studies FRAMING THE VIOLENCE IN SOUTHERN THAILAND: THREE WAVES OF MALAY-MUSLIM SEPARATISM (130 pp.) Director of Thesis: Elizabeth Fuller Collins This thesis examines how the Thai newspaper, The Nation (an English-language daily), portrays the violence in the Malay-Muslim South through the use of agenda- setting concepts and framing analyses in articles published about four events in 2004. Two of the events are examples of state aggression against southern insurgents whereas the other two are instances in which southern insurgents were the primary aggressors against the state and/or citizens. The history of the Malay-Muslim dominant provinces is reviewed, showing how the separatist movement has evolved into three distinct waves. The original secessionist movements focused on ethnic Malay identity; over time elements of Islamist ideology were introduced such that the current movement is not recognizably a separatist or Islamist movement. This thesis also includes a short analysis of articles published in Matichon sutsapd, a Thai-language weekly, and shows how Malay-Muslim Thais in the South demand justice. -
A Genome Wide Pattern of Population Structure and Admixture In
Hatin et al. The HUGO Journal 2014, 8:5 http://www.thehugojournal.com/content/8/1/5 ORIGINAL RESEARCH Open Access A genome wide pattern of population structure and admixture in peninsular Malaysia Malays Wan Isa Hatin1, Ab Rajab Nur-Shafawati1, Ali Etemad2, Wenfei Jin3, Pengfei Qin3, Shuhua Xu3, Li Jin3, Soon-Guan Tan4, Pornprot Limprasert5, Merican Amir Feisal6,7, Mohammed Rizman-Idid6, Bin Alwi Zilfalil1,2* and The HUGO Pan-Asian SNP Consortium Abstract Background: The Malays consist of various sub-ethnic groups which are believed to have different ancestral origins based on their migrations centuries ago. The sub-ethnic groups can be divided based on the region they inhabit; the northern (Melayu Kedah and Melayu Kelantan), western (Melayu Minang) and southern parts (Melayu Bugis and Melayu Jawa) of Peninsular Malaysia. We analyzed 54,794 autosomal single nucleotide polymorphisms (SNPs) which were shared by 472 unrelated individuals from 17 populations to determine the genetic structure and distributions of the ancestral genetic components in five Malay sub-ethnic groups namely Melayu Bugis, Melayu Jawa, Melayu Minang, Melayu Kedah, and Melayu Kelantan. We also have included in the analysis 12 other study populations from Thailand, Indonesia, China, India, Africa and Orang Asli sub-groups in Malay Peninsula, obtained from the Pan Asian SNP Initiative (PASNPI) Consortium and International HapMap project database. Results: We found evidence of genetic influx from Indians to Malays, more in Melayu Kedah and Melayu Kelantan which are genetically different from the other Malay sub-ethnic groups, but similar to Thai Pattani. More than 98% of these northern Malays haplotypes could be found in either Indians or Chinese populations, indicating a highly admixture pattern among populations. -
The Paradigm of Malayness in Literature
THE PARADIGM OF MALAYNESS IN LITERATURE IDA BAIZURA BAHAR Thesis submitted for the degree of PhD in the Languages and Cultures of South East Asia 2010 Department of South East Asia School of Oriental and African Studies University of London ProQuest Number: 11010464 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11010464 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 | SOAP LIRDARY 2 Declaration for PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the School of Oriental and African Studies concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. Signed: Ida Baizura Bahar Date: 7 December 2010 3 ABSTRACT This study is a study on the paradigm of Malayness in literature, taking as its point of departure the understanding of Malayness in Malaysia. -
Panji and Inao: Questions of Cultural and Textual History
Panji and Inao: Questions of Cultural and Textual History Stuart Robson* Abstract Rattiya Saleh's 1988 book Panji Thai dalam Perbandingan dengan Cerita-cerita Panji Melayu [The Thai Panji in Comparison with the Malay Panji Stories] presents us with a quantity of fresh information on the subject of the Panji literature and has the great advantage of approaching it from both the Malay and Thai sides. It is obviously a wide field, and difficult to master, so that Rattiya's insights are especially welcome. In particular, the link with Thailand had scarcely been touched upon in the past. Although the Panji stories have been the subject of scholarly interest for a long time, ever since W. H. Rassers's De Pandji-roman [The Panji Romance] of 1922, much subsequent comment was merely derivative, simply because not many examples had been edited, let alone translated or made more generally accessible. The starting point of interest in the Panji stories was, and is, the recognition that they represent a portion of the original creative production of the Javanese in the field of literature. Alongside themes borrowed from other regions, India in particular, this theme is one totally Javanese in inspiration. This assertion needs to be clarified against the background of the cultural history of Java. As has been said several times before, the group of stories which are dubbed "Panji stories" are not historical, but rather epic and romantic in character. However, it should be stated that they may well have links with a historical period, and that the places mentioned existed in specific geographical locations, which served as points of departure for further development and spread of the stories.