CONSENT DECREE and PERMANENT INJUNCTION Re
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Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY
Canadian Movie Channel APPENDIX 4C POTENTIAL INVENTORY CHRONOLOGICAL LIST OF CANADIAN FEATURE FILMS, FEATURE DOCUMENTARIES AND MADE-FOR-TELEVISION FILMS, 1945-2011 COMPILED BY PAUL GRATTON MAY, 2012 2 5.Fast Ones, The (Ivy League Killers) 1945 6.Il était une guerre (There Once Was a War)* 1.Père Chopin, Le 1960 1946 1.Canadians, The 1.Bush Pilot 2.Désoeuvrés, Les (The Mis-Works)# 1947 1961 1.Forteresse, La (Whispering City) 1.Aventures de Ti-Ken, Les* 2.Hired Gun, The (The Last Gunfighter) (The Devil’s Spawn) 1948 3.It Happened in Canada 1.Butler’s Night Off, The 4.Mask, The (Eyes of Hell) 2.Sins of the Fathers 5.Nikki, Wild Dog of the North 1949 6.One Plus One (Exploring the Kinsey Report)# 7.Wings of Chance (Kirby’s Gander) 1.Gros Bill, Le (The Grand Bill) 2. Homme et son péché, Un (A Man and His Sin) 1962 3.On ne triche pas avec la vie (You Can’t Cheat Life) 1.Big Red 2.Seul ou avec d’autres (Alone or With Others)# 1950 3.Ten Girls Ago 1.Curé du village (The Village Priest) 2.Forbidden Journey 1963 3.Inconnue de Montréal, L’ (Son Copain) (The Unknown 1.A tout prendre (Take It All) Montreal Woman) 2.Amanita Pestilens 4.Lumières de ma ville (Lights of My City) 3.Bitter Ash, The 5.Séraphin 4.Drylanders 1951 5.Have Figure, Will Travel# 6.Incredible Journey, The 1.Docteur Louise (Story of Dr.Louise) 7.Pour la suite du monde (So That the World Goes On)# 1952 8.Young Adventurers.The 1.Etienne Brûlé, gibier de potence (The Immortal 1964 Scoundrel) 1.Caressed (Sweet Substitute) 2.Petite Aurore, l’enfant martyre, La (Little Aurore’s 2.Chat dans -
EL CASO DE EL INQUILINO (BELLOC – HITCHCOCK) Dossiers Feministes, 20,2015,211-224 Lynton De Davidontdaatje,Conalfredmolina, Hopedavis,Shanewest)
TRANSPOSICIÓN CON GÉNERO: EL CASO DE EL INQUILINO (BELLOC – HITCHCOCK) GENDER TRANSPOSITION: THE CASE OF THE LODGER (BELLOC - HITCHCOCK) Raquel Gutiérrez Estupiñán Universidad Autónoma de Puebla (México) RESUMEN Este trabajo se propone abordar la transposición de la novela de Marie Belloc Lowndes titulada El inquilino (1913) al filme homónimo realizado por Alfred Hitchcock (1926), desde una perspectiva de género. Hasta ahora, muchos estudios se han centrado en cuestiones relacionadas con el paso de una novela a la pantalla, pero rara vez se han abordado las implicaciones genéricas. En este trabajo me centraré en poner de relieve cómo se retoman los personajes femeninos de la novela (escrita por una mujer) en la película (realizada por un hombre). A partir de lo anterior aportaré elementos para dilucidar si algunos de los rasgos localizados en El inquilino persisten en películas posteriores de Hitchcock en cuanto al tratamiento de la figura femenina. Palabras clave: Género – transposición / adaptación – cine – literatura ABSTRACT The aim of this article is to examine the adaptation of Marie Belloc’s novel The Lodger (1913) into the film by Alfred Hitchcock (1926) from a gender perspective. Until now, numerous studies have focused DE CLAVE EN GÉNERO NARRATIVAS on the passage of a novel into the screen, but they rarely examine the gender implications of such pas- sage. In this article, I will shed light on how the feminine characters of the novel (written by a woman) are reprised in the film (directed by a man). This analysis will help me to establish whether some of the features identified for The Lodger are maintained in subsequent Hitchcock films in terms of how the fe- male figure is represented Key words: Gender– transposition / adaptation – cinema – literature SUMARIO Introducción. -
New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950'S
Bard College Bard Digital Commons Senior Projects Spring 2017 Bard Undergraduate Senior Projects Spring 2017 New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950's Peter McCormack Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2017 Part of the United States History Commons, and the Visual Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation McCormack, Peter, "New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950's" (2017). Senior Projects Spring 2017. 148. https://digitalcommons.bard.edu/senproj_s2017/148 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. From New York to Hollywood: Advertising, Narrative Formats, and Changing Televisual Space in the 1950’s Senior Project Submitted to The Division of Social Studies of Bard College by Peter McCormack Annandale-on-Hudson, New York May 2017 ii From New York to Hollywood iii Acknowledgements I would like to thank my parents first and foremost. I don’t think I’ve ever taken the time to bore them with the intimate details of this project. -
Download the Playbill
The 2018/2019 Season is generously sponsored by This production is generously sponsored in part by Carol Beauchamp, Kathy Gaona, Ronni Lacroute Diane Lewis, Linda Morrisson, Pat Reser & Bill Westphal & Jan Simmons OCT 4,5,6,7,11,12,13,14,18,19,20,21,25,26,27,28,29,30,31 DIRECTOR’S NOTES By Scott Palmer IRA LEVIN is no stranger to murder, his attention successfully to Broadway. upper crust New England convention; mayhem, terror, demons, the He adapted a now-forgotten book by Mac Ralph Lauren woolen sweaters, classical supernatural, or good old-fashioned blood Hyman – No Time For Sergeants – and the architecture, an attractive and supportive and gore. In fact, Levin’s career was 1955 play ran for over 700 performances wife, influential neighbors, with just a largely based on scaring the pants off on Broadway, launching the career of the hint of celebrity here and there; a fading people, and his iconic play, Deathtrap, is lead actor, Andy Griffith. Levin stayed with career and the recognition that younger, perhaps his greatest achievement. theatre for the next 10 years, although more energetic talents may soon eclipse less successfully. His work may not have you. In so many ways, these characters According to the UK’s Independent been hugely impactful for the theatre, are pretty commonplace. newspaper, Ira Levin was “the king of but it was for a number of Broadway the high-concept thriller.” Although he stars. Interlock (1958) starring Maximilian But underneath all of that convention produced more plays than he did novels Schell ran for four performances. -
„Yours Truly, Jack the Ripper”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Duisburg-Essen Publications Online „Yours truly, Jack the Ripper” Die interdiskursive Faszinationsfigur eines Serienmörders in Spannungsliteratur und Film Dissertation zur Erlangung des akademischen Grades Dr. phil. im Fach Germanistik am Institut für Geisteswissenschaften der Universität Duisburg-Essen Vorgelegt von Iris Müller (geboren in Dortmund) Erstgutachter: Prof. Dr. Jochen Vogt Zweitgutachter: Prof. Dr. Rolf Parr Tag der Disputation: 26. Mai 2014 Inhalt 1. Vorbemerkungen ..................................................................................... 4 1.1 Erkenntnisinteresse .............................................................................. 7 1.2 ‚Jack the Ripper‘ als interdiskursive Faszinationsfigur .......................... 9 1.3 Methodik und Aufbau der Arbeit ......................................................... 11 2. Die kriminalhistorischen Fakten ........................................................... 13 2.1 Quellengrundlage: Wer war ‚Jack the Ripper‘? ................................... 13 2.2 Whitechapel 1888: Der Tatort ............................................................. 14 2.3 Die Morde .......................................................................................... 16 2.3.1 Mary Ann Nichols ................................................................................................ 16 2.3.2 Annie Chapman .................................................................................................. -
Jack the Ripper in Film and Culture
Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith General Editor: Clive Bloom Crime Files Series Editor Clive Bloom Emeritus Professor of English and American Studies Middlesex University London Since its invention in the nineteenth century, detective fi ction has never been more popular. In novels, short stories, fi lms, radio, television and now in computer games, private detectives and psychopaths, poisoners and overworked cops, tommy gun gangsters and cocaine criminals are the very stuff of modern imagination, and their creators one mainstay of popular consciousness. Crime Files is a ground-breaking series offering scholars, students and discerning readers a comprehensive set of guides to the world of crime and detective fi ction. Every aspect of crime writing, detective fi ction, gangster movie, true-crime exposé, police procedural and post-colonial investigation is explored through clear and informative texts offering comprehensive coverage and theoretical sophistication. More information about this series at http://www.springer.com/series/[14927] Clare Smith Jack the Ripper in Film and Culture Top Hat, Gladstone Bag and Fog Clare Smith University of Wales: Trinity St. David United Kingdom Crime Files ISBN 978-1-137-59998-8 ISBN 978-1-137-59999-5 (eBook) DOI 10.1057/978-1-137-59999-5 Library of Congress Control Number: 2016938047 © The Editor(s) (if applicable) and The Author(s) 2016 The author has/have asserted their right to be identifi ed as the author of this work in accor- dance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
The Little Theatre-On the Square, Sullivan SEASON
The Little Theatre-On The Square, Sullivan "Central IllinoIs' Only Star Equity MusIc and Drama Theatre" Guy S. Little, Jr. presents 20 TH SEASON Established 1957 Guy S. Little, Jr, presents MICHAEL CALLAN in MEREDITH WILLSON'S "THE MUSIC MAN" Book, Music & Lyrics by: StDry by: MEREDITH MEREDITH WILLSON and WILLSON FRANKLIN LACEY with MELLISS KENWORTHY JOHN KELSO MARTHA LARRIMORE JOHN GALT Janet Peltz Phil Courington Steve Vujovic Robert Swan I Directed by ROBERT BAKER I Choreographed by HELEN BUTLEROFF Musical Direction by BRUCE KIRLE Production Designed by ROBERT D. SOULE Costumes Designed by DAVI D BESS Lighting Designed by Michael Ritoli Production Stage Manager Technical Director Assistant Musical Director Lee Geisel Michael Ritoli Robert Rodgers ENTIRE PRODUCTION UNDER THE SUPERVISION OF MR. LITTLE Cast Conductor JOHN SCOTT Charlie Cowell ......................................•.. STEPHEN ARNOLD Harold Hill MICHAEL CALLAN Mayor Shinn ...................•.......................JOHN KELSO Ewart Dunlop ..........................••........•.... PHIL COURINGTON Oliver Hix ...........................•....•........... WAYNE BAAR Jacey Squires STEVE VUJOVIC Olin Britt .........................•......•..•.......•. ROBERT SWAN Marcellus Washburn JOHN GALT Tommy Djilas ....................•.•................•..JOHN SCOTT Marion Paroo MELLISS KENWORTHY Mrs. Paroo .........................................•.. JANET PELTZ Amaryllis ......•.•.................................... DORLISA MARTIN Winthrop Paroo ............•.........................•. -
Sgt. Bilko, M*A*S*H and the Heyday of U.S
TV/Series 10 | 2016 Guerres en séries (II) “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/1764 DOI: 10.4000/tvseries.1764 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) », TV/Series [Online], 10 | 2016, Online since 01 December 2016, connection on 05 May 2019. URL : http://journals.openedition.org/tvseries/1764 ; DOI : 10.4000/ tvseries.1764 This text was automatically generated on 5 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and t... 1 “‘War… What Is It Good For?’ Laughter and Ratings”: Sgt. Bilko, M*A*S*H and the Heyday of U.S. Military Sitcoms (1955-75) Dennis Tredy 1 If the title of this paper quotes part of the refrain from Edwin Starr’s 1970 protest song, “War,” the song’s next line, proclaiming that war is good for “absolutely nothing” seems inaccurate, at least in terms of successful television sitcoms of from the 1950s to the 1970s. In fact, while Starr’s song was still an anti-Vietnam War battle cry, ground- breaking television programs like M*A*S*H (CBS, 1972-1983) were using laughter and tongue-in-cheek treatment of the horrors of war to provide a somewhat more palatable expression of the growing anti-war sentiment to American audiences. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
Download Package List As
Switch International CLASSIC MOVIES | 736 TITLES APPROX 1100 HOURS COMEDY MUSICAL FAMILY X167 a bride for henry.mp4 a farewell to arms.mp4 a star is born.mp4 adventure island.mp4 affairs of cappy ricks.mp4 against a crooked sky.mp4 alice adventures in wonderland.mp4 alice of wonderland in paris.mp4 all over town.mp4 angel on my shoulder.mp4 antonio.mp4 beat the devil.mp4 behave yourself.mp4 beyond tomorrow.mp4 bill cracks down.mp4 black tights.mp4 boys in the city.mp4 breakfast in hollywood.mp4 broadway limited.mp4 calender girl.mp4 career girl.mp4 catch me a spy.mp4 colonel effinghams raid.mp4 country gentleman.mp4 delightfully dangerous.mp4 dixiana.mp4 doll face.mp4 earthworm tractors.mp4 escape to paradise.mp4 eternally yours.mp4 fairplay.mp4 false pretensis.mp4 fiesta.mp4 flying wild.mp4 freckles comes home.mp4 ghost on the loose.mp4 ginger in the morning.mp4 good bye love.mp4 gullivers travels.mp4 hay foot.mp4 heading for heaven.mp4 her favorite patient aka bedside manner.mp4 here comes trouble.mp4 hi de ho.mp4 hi diddle diddle.mp4 his double life.mp4 his girl friday.mp4 his private secretary.mp4 hollywood and vine.mp4 hoosier schoolboy.mp4 i'm from akansas.mp4 it seemed likr a good idea at the time.mp4 kid dynamite.mp4 killer diller.mp4 king kelly of the usa.mp4 lay that rifle down.mp4 let's get tough.mp4 lets go collegate.mp4 life with father.mp4 lonely wives.mp4 lost honeymoon.mp4 lost in the stratosphere.mp4 love laughs at andy hardy.mp4 lovers and liars.mp4 made for each other.mp4 meet the mayor aka a fools advice.mp4 minstrel -
ROTC Cadets Put Thru Paces Will Recei\E Them
Sugar Is Congratulations OREXEL institute Back OF tec h n o lo g y Seniors Philadelphia, pa. VOLUME XXXV MAY 29. 1958 NUMBER 14 Class Officers Elected Institute Day Ceremonies Featured by For Forthcoming Year Class ofRcers for the forthcoin- Elliot Caplan, and Kirk Ruinmel Presentation of Scholarship Awards iii> year were officially announced from the sophomore class. I he 44tli animal ohsorvaiicc dI instituto Day wit! take placi' on 'I'liosday, Juiu' at 11:00 a.iit. in tlu' Atidiloriuni. :,i the Court last week. Recon- Junior class officers are: Fred - t tliat time, Dr. C rccso and the academic deans will iM osiile over the ceremony desiiiued to honor tliose underi’raduates (iimation is hereby made as well Straub, president; Frank Conway. wlio have excelled in the tield.s scholarshii), leadership, and service at Drexel. a s t h e a n vice president, 1 liis }e.u over 100 students from the schools ol Business Administration, llome I’.conomics. and l'',n).5ineerin)i nouncement of and Larry Ro will be the recipients of 58 awards and scholarshii)s. Ainoni’ the prizes heinn presented this year are the outstanding the new presi sen. secretary- scholarsiiip awards for the students who have maintained the highest averages in their respective classes and schools : dent of Men’s treasurer. Pre- the upperclass scliolarships : and the special awards I’iven I)y various or,i;anizations and industries to students who ex cel in their specific fields. Student Council juniors are elected at the headed l)y: Several new prizes will he added to the already loni; list at tiiis time, h'rom the sale of "Dinks.” ties, and buttons MSC-WSS Ban president.