Oyster Shell Jewelry and Gifts 901-756-9339

Total Page：16

File Type：pdf, Size：1020Kb

Oyster Shell Jewelry and Gifts 901-756-9339

Oyster Shell Jewelry And Gifts www.classiclegacy.com 901-756-9339 Hand-made Chinoiserie, Beach, Fleur de Lis, Palm Tree, and Crown theme Oyster Shell Jewelry, Gifts, and Wine Bottle Stoppers Wholesale Catalog Opening order $300 www.classiclegacy.com 901-756-9339 OSJD-China1 $19 each Oyster Shell Jewelry Dish OSJD-China2-$19 each Oyster Shell Jewelry Dish Each Oyster Shell is unique so each shape will be slightly different. The image of each style will be as shown but may be cropped differently. These are hand-made with gold gilding on each edge. OSJD-Shell1 $19 each OSJD-Shell2 $19 each OSJD-Shell3 $19 each OSJD-Shell4 $19 each Back of Oyster Shell jewelry dish is the OSJD-Shell 5 $19 each natural state. OSJD-BWPattern1 $19 each Our hand made oyster shell necklaces are one of a kind. This style features the blue and white ikat design. The chain is a faux pearl link with a toggle clasp. Each necklace is one of a kind because we use real oyster shells. The length of the shell is from 3”-4” and the necklace is 15”. OSJN-BlueIkeat $22 each 15” $25 each 30” Back of Shell is Gold Leaf OSJD-Seigaiha $19 each This blue and white pattern is called “Seigaiha” The "Seigaiha: or wave is a pattern of layered concentric circles creating arches, symbolic of waves or water and representing surges of good luck. It is a typical Japanese pattern. OSJD-Anchor $19 each OSJD-Bird $19 each OSJD-Flowers $19 each OSJD-China3 $19 OSJD-China4 $19 OSJD-China5 $19 OSJD-SCPalm $19 each OSJD-LAPelican $19 each OSJD-Crowns $19 each OSJD-Fleur $19 each OSJD-MardiGras $19 each OSJD-Pink Ikat $19 each OSJD-Flamingos $19 each OSJD-Pineapple $19 each OSJN-PinkIkat $22 All the oyster shell jewelry dish pattern designs can be used on wine bottle stoppers. This is just a sample of some of the designs. WBS-BWShell $14 WBS-BWPattern1 $14 WBS-LAPelican $14 WBS-China1 $14 I am Catherine Tatum, the owner and designer of Classic Legacy Custom Gifts. The new collection of the oyster shell jewelry dishes is one of my favorites! Each shell is different, and the designs are all hand-made. Let me know any questions or special requests. I look forward to serving you! 901-756-9339 [email protected].

Copy Link

Recommended publications

The Jewelry Department
I)1:PARTMEM STORE MERCll'Vs'DlSE TWA-NUALS i-,:i!.iiililliliiil!i:i: Courtesy of International Studio Coml) in Gold and Horn ( Frcncli Design) DEPARTMENT STORE MERCHANDISE MANUALS THE JEWELRY DEPARTMENT BEULAH ELFRETH KENNARD, M.A. Editor of Series; Director of Department Store Courses, New York University; Chairman of Committee on Merchan- dise Courses for New York City Public Schools; Former Educational Director of the Department Store Education Association. ASSISTED BY E. LILLIAN HUTCHINSON, B. A. Secretary Department Store Education Association CONSULTING EDITOR LEE GALLOWAY, Ph.D. Associate Professor Commerce and Industry, New York University; Secretary of National Association of Corpora- tion Schools; Director Educational Courses, National Commercial Gas Association. NEW YORK THE RONALD PRESS COMPANY 1917 40fX>G Copyright, 1917, by The Ronald Press Company ^^ \"\ X Sljia ^tv\SB tfl Sfbtrat^b to Mrs. Henry Ollesheimer, Miss Virginia Potter, Miss Anne Mor- gan, and other organizers of the Department Store Education As- sociation, who desiring to give greater opportunity for advance- ment to commercial employees and believing that all business efficiency must rest upon a solid foundation of training and education gave years of enthusiastic service to the testing of this belief. EDITOR'S PREFACE This series of department store manuals has been pre- pared for the purpose of imparting definite and authen- tic information to that growing army of salespeople who are not satisfied to be mere counter servers — to those who realize that their vocation is one of dignity and opportunity, and that to give satisfactory service to the customer they must possess a thorough knowledge of the goods they sell, as well as a knowledge of how best to P^ f\ sell them.
[Show full text]
THE JEWELRY of POTTERY MOUND with a Comparison To
THE JEWELRY OF POTTERY MOUND With a Comparison to Tijeras Pueblo By Lucy C. Schuyler Maxwell Museum Technical Series No. 26 Maxwell Museum of Anthropology University of New Mexico 2016 TABLE OF CONTENTS Page LIST OF FIGURES......................................................................................................................... v LIST OF TABLES......................................................................................................................... vii ACKNOWLEDGMENTS.............................................................................................................. xi 1. INTRODUCTION....................................................................................................................... 1 Excavations at Pottery Mound............................................................................................. 2 Methods................................................................................................................................3 Overview of the Artifacts.....................................................................................................4 2. JEWELRY AND RELATED ARTIFACTS IN THE COLLECTIONS..................................... 5 Beads.................................................................................................................................... 6 Bone......................................................................................................................... 6 Shell........................................................................................................................
[Show full text]
Pottery Mound, and a Comparison of Jewelry Found at the Two Sites
THE JEWELRY OF TIJERAS PUEBLO By Lucy C. Schuyler Maxwell Museum Technical Series No. 15 Maxwell Museum of Anthropology MSC01, 1050, 1 University of New Mexico Albuquerque, New Mexico 87131-0001 www.unm.edu/~maxwell 2010 (Revised 2011) Note added November 2011 In November, 2011, five turquoise pieces that had been on display at the Albuquerque Museum of Art and History (Figure A.1) were returned to the Maxwell Museum. These pieces were not available for close examination during my study, so the exact identity of certain artifacts was uncertain (see Page 84). Once the five pieces were returned to the Maxwell Museum, the pendant listed in the report as Catalogue No. 78.67.397 was found to correspond to Catalogue No. 78.67.111, listed as “unavailable for examination.” Likewise, the pendant listed as Catalogue No. 78.67.141B was found to correspond to Catalogue No. 78.67.397. The Tijeras jewelry Excel spreadsheet and master artifact spreadsheet have been updated to reflect the new information. As a result of these revisions, the number of artifacts originally reported is overstated by one. The total collection includes 450 specimens, 390 jewelry artifacts, and 92 pendants. L.C.S. ii TABLE OF CONTENTS Page List of Figures.................................................................................................................................. v List of Tables...................................................................................................................................vi Foreword......................................................................................................................................
[Show full text]
POLYNESIAN BLACK PEARLS by Marisa Goebel and Dona Mary Dirlam
POLYNESIAN BLACK PEARLS By Marisa Goebel and Dona Mary Dirlam Historically, natural black pearls have he 1980s have seen an explosion of interest in the been one of the rarest and most exotic of Tcultured blaclz pearls of French Polynesia, five groups gem materials. In the 1960s, however, a of island archipelagos in the South Pacific. Twenty years black-pearl culturing industry was initi- ago, blaclz pearls were a mere curiosity appreciated by a ated. Today, cultured black pearls play a handful of people. Today, cultured blaclz pearls, often called prominent role throughout the interna- Tahitian pearls or Tahitian cultured pearls, can be found in tional jewelry community. This article re- views the history of Polynesian blaclz fine jewelry stores throughout the world. pearls, the development of culturing and The large black-lipped oyster that produces blaclz the techniques involved, grading, treat- pearls, Pinctada marguritifera, is found in the coastal ments and identification, and the factors waters of Peru, Baja California, Panama, Indonesia, Micro- responsible for their growing popularity in nesia, the Red Sea, the Philippines, and Olzinawa (a the 1980s. prefecture of Japan), as well as French Polynesia. Yet natural blaclz pearls are extremely rare compared to their white counterparts. In the 1960s, however, with the aid of Japanese technicians, pearl farmers in French Polynesia mastered the culturing of blaclz pearls. Like the natural black pearls, the Polynesian cultured pearls are large and often noted for their superb luster and orient, as well as for the unusual gray-to-black range of color (figure 1).To this day, the vast majority of black-pearl culturing is in Polynesia.
[Show full text]
November Annex Auction
November Annex Auction Michaan's Auctions Monday, November 16, 2020, 10am 2701 Monarch Street (lots 1- 751) Alameda, CA 94501 Phone: (800)380-9822 or Tuesday, November 17, 2020, 10am (510) 740-0220 (lots 752 - 1503) Fax: (510) 749-7517 www.michaans.com Wednesday, November 18, 2020, 10am [email protected] (lots 1504 - 2255) Previews November 1510am - 5pm** Days of sale from 9am to end of auction Bid Increments Minimum Value Maximum Value Expected Bid Increment from US $ 0 to US $ 49 US $ 5 from US $ 50 to US $ 199 US $ 10 from US $ 200 to US $ 499 US $ 25 from US $ 500 to US $ 999 US $ 50 from US $ 1,000 to US $ 1,999 US $ 100 from US $ 2,000 to US $ 4,999 US $ 250 from US $ 5,000 to US $ 9,999 US $ 500 from US $ 10,000 to US $ 19,999 US $ 1,000 from US $ 20,000 and above US $ 2,500 Michaan’s Auctions - Terms and Conditions of Sale STANDARD CONDITIONS OF SALE DEFINITIONS These Conditions of Sale are binding on all purchasers at Auction. Please Hammer price: The highest bid received for a lot upon the fall of the read carefully. auctioneer’s hammer. By registering to bid at auction, in person, or through an agent, by absentee Buyer’s premium: The amount paid by the buyer as a percentage of the bid, or telephone or any other means including the Internet and e-mail, hammer price and in addition thereto. you agree to be bound by these Conditions of Sale (and changes made as Purchase price: The aggregate of the hammer, buyer’s premium and ap- noted below.) plicable taxes or other fees, if any, as may be required by law.
[Show full text]
Celebrating the Celtic Imagination Midsummer 2008
Celebrating the Celtic Imagination Midsummer 2008 52 NEW Items! welcome to gaelsong Midsummer 2008 Midsummer night has always been a night for love magic…as the heat of the sun gives way to the cool of the evening, lovers meet in the enchanted air and make merry in song and dance all the night long. It is a time to envision the future and revel in the present. A walk through the dew on midsummer morn brings Colleen Connell, magical rewards, as we delight in the beauty of Founder the new day. At GaelSong, we hope to add beauty and magic to your life. We present beautiful gifts in the Celtic style, made all over the world. Many items we offer are hand-crafted by artisans devoted actual size to keeping traditional Celtic handiwork and design alive. Whether you seek wisdom by reflecting on the past or seek beauty and inspiration in the present, we hope our products will warm and enchant you. NEW! TRINITY KN O T BLOSSOM FAIRY HOUSES … A trinity knot and sparkling gem form an ever-flowering EV E RY W H ERE ! silver blossom on a delicate tendril of silver vine. Discover a world of Framed in sunny 14k gold or moonlight Sterling silver. whimsical habitats constructed from J1037 Trinity Knot Blossom Earrings, sterling $48 natural materials. J2055 Trinity Knot Blossom Pendant, sterling $48 Building diminutive J1042 Trinity Knot Blossom Earrings, houses from found 14k gold and sterling $248 materials (twigs, J2056 Trinity Knot Blossom Pendant, shells, pinecones and 14k gold and sterling $248 such) is a delightful pastime—and a sweet way to invite FLOWER FAIRIES the fairies.
[Show full text]
Shell Crafts
Shell Crafts around shells. There's free-form wrapping, where no pattern is involved. Most wire wrapped jewelry, however, involves patterned techniques. Surface looping is a knitting-based technique featured in the Mexican flat scallop shell pendant, and basket-weaving in the round is featured in the lantern-caged true harp shell pendant. No matter which technique you choose, Tools used for making jewelry. Top to it's important to first bottom: chain nose pliers, flush cutter, round nose pliers Wire wrapped shell jewelry acquire a general understanding of the properties and characteristics of wire DIY Shell Jewelry: so that you know which ones to choose for your wire shell capture project. Wire Shell Capture Most of us are familiar with round wire, but wire comes by Lily Rose in other shapes: half-round, square, flat and twisted, all of which lie differently against your shell and provide distinct ire shell capture is the process of design elements. Most beginner projects use basic round setting shells into a caged frame W wire which is what I used for all the designs featured in using wire-wrapping techniques. Wire this article. provides one of the most beautiful When purchasing wire, check for its gauge, hardness, ways to "capture" the beauty of a shell malleability and rigidity. Gauge refers to the thickness because it can be bent, shaped and of the wire. Thin wire in 28 and 24 gauge is mostly used textured in numerous ways, allowing for wrapping. The thicker gauges- 22, 20, 18 and 16- are you to showcase as much of your shell generally used to create wire frames around which to wrap as possible within a frame.
[Show full text]
JEWELRY of the 1980S: a RETROSPECTIVE by Elise B
JEWELRY OF THE 1980s: A RETROSPECTIVE By Elise B. Misiorowski Fluctuations in the diamond market he 1980s was an exciting, and at times turbulent, era brought a new focus in jewelry on small Tfor the gem and jewelry world. In 1980, prices for diamonds and colored stones. The large large, fine diamonds were at an all-time high. The boom, quantities of blue topaz, amethyst, and and subsequent bust, of this segment of the diamond citrine available made these gem mate- market had a profound effect on the jewelry world: It rials especially popular. Cultured pearls saw a phenomenal rise, especially early in shifted the focus to pearls and colored stones, as well as to the decade. A broad mix of design trends smaller, commercial-grade diamonds. The emergence of included a return to older metal tech- new cuts for gems, the increased use of pave- and channel- niques such as granulation, as well as set melee diamonds, and the continued interest in new experimentation in new metals and textures and coloration techniques for metals characterize rnetal-working techniques. While classical jewelry of the 1980s. As the decade advanced, the fashion European houses were credited with some trend of wearing many little items of jewelry gradually important new designs, exciting innova- changed to wearing fewer but more important pieces that tions emerged from elsewhere in Europe made bolder fashion statements, reflecting the wearer's as well as Asia and the U.S. individual taste and style. In the 1980s, more women than ever before pursued careers and high-profile positions.
[Show full text]
Mr. Gold Jewelry
MARKET (941)GUIDE 747-3794 1707 1st St. E., Bradenton, FL 34208 www.RedBarnFleaMarket.com Facebook.com/RedBarnFleaMarket (941) 747-3794 or (800) 274-FLEA Vol. XXXI - No. 1 January 2019 Free Copy Happy New Year From The Red Barn! The Red Barn Flea Market hopes everyone had a safe and Happy Holidays and New Year. Start the new year off right with a trip to the Red Barn and put some of that extra Christmas money to good use. Catch some of those great deals Please visit our Facebook page and like us at Facebook.com/RedBarnFleaMarket. The entire Market is open Four days a week thru April. The days of operation are Wed., Fri., Sat., & Sun. 8am to 4pm. The front row is open Tues. & Thurs. 10am to 4pm. Plaza Area Open Tuesday Thru Sunday 10am - 4pm For information on space availability or pricing, call the Red Barn rental office at (941) 747-3794 and the office staff will answer your questions and help you with your reservation. Entire Market Open Wednesday, Friday, Saturday & Sunday 8 am - 4 pm COUPON COUPON COUPON $2.00 Off Any Purchase Over $20.00 With This Coupon Tuesdays & Thursdays Only We Sell the Latest Women’s Fashions Casual, Evening, Cruise Wear & Much More! Open 6 Days Tues. - Sun. 750-9609 Booths 2, 3, 4, 5, 6, 80, 82, 84, 86, & 88 MR. GOLD JEWELRY & Silver by Dean Buying Gold, Silver, Diamonds, & Scrap Gold Jewelry RETAIL WHOLESALE GOLD - DIAMONDS - JEWELRY REPAIR BUY AND SELL ESTATE JEWELRY & DIAMONDS BUY AND SELL ROLEX WATCHES WE REPAIR EXPENSIVE WATCHES Stores R & S Front Row (941) 746-2949 Booth 938 Outside by Produce “THEY’RE
[Show full text]
Golani Jewelry from the Iron Age II Levant ORBIS BIBLICUS ET ORIENTALIS, Series Archaeologica
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 2013 Jewelry from the Iron Age II Levant Golani, Amir Abstract: Jewelry has always had an irresistible allure yet in the past also had a significance and function within society that went far beyond ornamentation. Jewelry is an important, if often forgotten facet of material culture. Its study is inter-disciplinary, involving archaeology, anthropology, art history, his- torical/textual studies, and research of materials and manufacturing techniques. While the renowned jewelry from regions such as Egypt and Mesopotamia has been studied, that of the southern Levant has received only limited attention, yet research of its archaeological/contextual, technological and socio- cultural perspectives is illuminating. The book is a final publication of the author‘s doctoral dissertation made available to the archaeological and academic community at large. It is geared to be a working tool for archaeologists dealing in this period and region and to scholars who study its arts and crafts. The book provides a handy typological structure for jewelry classification as well as a comprehensive andf useful catalogue for research in this and related fields. In addition, it illustrates the significance, meaning and functions of jewelry and the development of the jeweler‘s craft in the southern Levant during the first and second millennia BCE. Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-136771 Monograph Published Version Originally published at: Golani, Amir (2013). Jewelry from the Iron Age II Levant.
[Show full text]
Buyer Search Report.Pdf
Introduction Thank you for downloading our Buyer Search Report (December 2007) The report highlights the most popular keywords in buyer searches for products in your industry. However, there are still not enough listings for these products on Alibaba.com. Take this opportunity to fill the gap in your market. Make the right supplier you! Using the Buyer Search Report (December 2007) is easy! Step 1 Turn to the Contents Page Step 2 Click on your industry Step 3 Get the most popular keywords If you can supply any of these products, display them immediately on Alibaba.com. This is the right time to reach the right buyers. Don’t miss this fantastic opportunity! Index Introduction ...............................................................................................................................1 Agriculture ................................................................................................................................4 Apparel ......................................................................................................................................5 Automobile ................................................................................................................................5 Business Services ....................................................................................................................7 Chemicals ..................................................................................................................................8 Computer Hardware & Software .............................................................................................9
[Show full text]
5270-1 African Abalone Shells
5270-1 African Abalone Shells CLEANED & EDGED AFRICAN ABALONE SHELLS The cleaned and edged African Abalone Shells have been cleaned and polished on the inside. A diamond-tip grinder has been used to remove the rough edges. The outside is clean, but rough. We like these better than the Mexican abalone shells and believe that you will too. They are measured lengthwise. If you are interested in large quantities, please call for a quote. Orders for US$5,000 ex-works or more can be shipped directly from our associate’s factory in South Africa. 220-10-13B These shells are a by-product of the food industry. The abalone were not killed just for their shells. (Haliotis midae, ranch). Product of South Africa Code Description 1-23 24+ 220-10-13B African Abalone Shell:Mini:1”-3” Bleached $ 2.03 $ 1.74 220-10-13N African Abalone Shell:Mini:1”-3” Natural $ 1.74 $ 1.45 220-10-19+ African Abalone Shell:Cleaned & Edged:7.5”+ $14.58 $12.16 220-20-57B African Abalone Shell:Broken $ 2.14 $ 2.14 Code Description 1-23 24-99 100+ 220-10-1314 220-10-1013 African Abalone Shell:Cleaned & Edged:4”-5” $4.48 $3.74 $2.99 220-10-1314 African Abalone Shell:Cleaned & Edged:5”-5.5” $6.07 $5.05 $4.03 220-10-1415 African Abalone Shell:Cleaned & Edged:5.5”-6” $7.41 $6.17 $4.94 220-10-1516 African Abalone Shell:Cleaned & Edged:6”-6.5” $8.98 $7.49 $6.17 Great for use as Smudge Pots!! POLISHED AFRICAN ABALONE SHELLS The Polished African Abalone Shells have been highly polished to a beautiful sheen both inside and out.
[Show full text]