The Jewelry Department
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Hollow Comb Rivets Made from Stripdrawn Copper Wire and Two Possible Antler Draw Plates from 11Th–12Th C. Sigtuna, Sweden
Omslag 2019/2_Omslag 3/2004 (kopia) 2019-05-20 11:32 Sida 1 Innehåll F 57 Gardeła, L. et al. The spur goad from kort meddelande O R Skegrie in Scania, Sweden. Evidence of 115 Scheglov, A. Omarbetning av Olaus Petris N elite interaction between Viking Age krönika: Ett politiskt vittnesbörd – och V Ä Scandinavians and Western Slavs. heraldiskt? N N 75 Loftsgarden, K. The prime movers of iron E production in the Norwegian Viking and recensioner N 2 Middle Ages. 118 Larsson, B.T. & Broström, S-G. Nämforsens 0 1 9 88 Wärmländer, S.K.T.S. & Söderberg, A. Hällristningar – Sveriges största och äldsta / 2 Hollow comb rivets made from strip- hällristningsområde med 2600 figurer FORN drawn copper wire and two possible ant- (The rock of Nämforsen). Anmälan av ler draw plates from 11th–12th c. Sigtuna, V. Mantere. Sweden. 120 Ahlström, C. The Viking Age. A time of many faces. Anmälan av L. Gardeła. debatt 123 Ljung, C. Under runristad häll: Tidig- 100 Kjellström, R. Stalofrågan – en personlig kristna gravmonument i 1000-talets slutkommentar. Sverige. Anmälan av P. Carelli. VÄNNEN 107 Lovén, C. Var Beowulf gute? JOURNAL OF SWEDISH ANTIQUARIAN RESEARCH 2019/2 issn 0015-7813 Omslag 2019/2_Omslag 3/2004 (kopia) 2019-05-20 11:32 Sida 2 Utgiven av Till författaren Kungl. Vitterhets Historie och Antikvitets Akademien i samarbete med Historiska museet. fornvännen välkomnar manuskript i nordisk arkeologi och äldre tiders konstvetenskap med an grän sande Fornvännen finns på webben i sin helhet från första årgången och publiceras löpande där ämnen. Bidrag kan vara avfattade på de skandinaviska språken samt engelska, tyska och franska. -
Silverwork and Jewelry, H Wilson Edited by W R Lethaby, 1903
NYPL RESEARCH LIBRARIES 3 3433 07217841 V THE ARTISTIC CRAFTS SERIES OF TECHNICAL HANDBOOKS EDITED BY W. R. LETHABY SILVERWORK AND JEWELRY THE ARTISTIC CRAFTS SERIES OF TECHNICAL HANDBOOKS. Edited by W. R. Lethaby. TTHE series will appeal to handicraftsmen in the industrial -'- and mechanic arts. It will consist of authoritative state- ments by experts in every field for the exercise of ingenuity, taste, imagination—the whole sphere of the so-called "de- pendent arts." BOOKBINDING AND THE CARE OF BOOKS. A Handbook for Amateurs, Bookbinders, and Librarians. By Douglas Cpckerell. With 1 20 Illustrations and Diagrams by Noel Rooke, and 8 collotype reproductions of bindings. i2mo. net postage, 12 cents additional. ^1.25 ; SILVERWORK AND JEWELRY. a Text- Book for Students and Workers in Metal. By H. Wilson. With 160 Diagrams and 16 full-page Illustrations. i2mo. $1.40 net; postage, 12 cents additional. In Preparation : CABINET-MAKING AND DESIGNING. By C. Spooner. D. APPLETON AND COMPANY, NEW YORK. I THE NEW YORK PUBLIC LIBRAP'"' ASTOR, LENOX AND TILDEN FOUNDATIONS. Cambridge. The Foundress' Cup : Christ's College, SILVERWORK AND JEWELRY A TEXT-BOOK FOR STUDENTS AND WORKERS IN METAL BY H. WILSON. WITH DIAGRAMS BY THE AUTHOR AND OTHER ILLUSTRATIONS NEW YORK D. APPLETON AND COMPANY 1903 THE NEW YORK P!ir^''- LIBRARY 357689 ASTOR, LENOX AND T1LD€N FOUWPATION8. R 1503. L Copyright, 1903 By D. Appleton and Company c, .... -'y^ii fights reserved ' r c Published February, 1903 "An Art can only be learned in the workshop of those who are winning their bread by itJ*^ —Samuel Butler (* Erewhon "). -
THE JEWELRY of POTTERY MOUND with a Comparison To
THE JEWELRY OF POTTERY MOUND With a Comparison to Tijeras Pueblo By Lucy C. Schuyler Maxwell Museum Technical Series No. 26 Maxwell Museum of Anthropology University of New Mexico 2016 TABLE OF CONTENTS Page LIST OF FIGURES......................................................................................................................... v LIST OF TABLES......................................................................................................................... vii ACKNOWLEDGMENTS.............................................................................................................. xi 1. INTRODUCTION....................................................................................................................... 1 Excavations at Pottery Mound............................................................................................. 2 Methods................................................................................................................................3 Overview of the Artifacts.....................................................................................................4 2. JEWELRY AND RELATED ARTIFACTS IN THE COLLECTIONS..................................... 5 Beads.................................................................................................................................... 6 Bone......................................................................................................................... 6 Shell........................................................................................................................ -
Pottery Mound, and a Comparison of Jewelry Found at the Two Sites
THE JEWELRY OF TIJERAS PUEBLO By Lucy C. Schuyler Maxwell Museum Technical Series No. 15 Maxwell Museum of Anthropology MSC01, 1050, 1 University of New Mexico Albuquerque, New Mexico 87131-0001 www.unm.edu/~maxwell 2010 (Revised 2011) Note added November 2011 In November, 2011, five turquoise pieces that had been on display at the Albuquerque Museum of Art and History (Figure A.1) were returned to the Maxwell Museum. These pieces were not available for close examination during my study, so the exact identity of certain artifacts was uncertain (see Page 84). Once the five pieces were returned to the Maxwell Museum, the pendant listed in the report as Catalogue No. 78.67.397 was found to correspond to Catalogue No. 78.67.111, listed as “unavailable for examination.” Likewise, the pendant listed as Catalogue No. 78.67.141B was found to correspond to Catalogue No. 78.67.397. The Tijeras jewelry Excel spreadsheet and master artifact spreadsheet have been updated to reflect the new information. As a result of these revisions, the number of artifacts originally reported is overstated by one. The total collection includes 450 specimens, 390 jewelry artifacts, and 92 pendants. L.C.S. ii TABLE OF CONTENTS Page List of Figures.................................................................................................................................. v List of Tables...................................................................................................................................vi Foreword...................................................................................................................................... -
POLYNESIAN BLACK PEARLS by Marisa Goebel and Dona Mary Dirlam
POLYNESIAN BLACK PEARLS By Marisa Goebel and Dona Mary Dirlam Historically, natural black pearls have he 1980s have seen an explosion of interest in the been one of the rarest and most exotic of Tcultured blaclz pearls of French Polynesia, five groups gem materials. In the 1960s, however, a of island archipelagos in the South Pacific. Twenty years black-pearl culturing industry was initi- ago, blaclz pearls were a mere curiosity appreciated by a ated. Today, cultured black pearls play a handful of people. Today, cultured blaclz pearls, often called prominent role throughout the interna- Tahitian pearls or Tahitian cultured pearls, can be found in tional jewelry community. This article re- views the history of Polynesian blaclz fine jewelry stores throughout the world. pearls, the development of culturing and The large black-lipped oyster that produces blaclz the techniques involved, grading, treat- pearls, Pinctada marguritifera, is found in the coastal ments and identification, and the factors waters of Peru, Baja California, Panama, Indonesia, Micro- responsible for their growing popularity in nesia, the Red Sea, the Philippines, and Olzinawa (a the 1980s. prefecture of Japan), as well as French Polynesia. Yet natural blaclz pearls are extremely rare compared to their white counterparts. In the 1960s, however, with the aid of Japanese technicians, pearl farmers in French Polynesia mastered the culturing of blaclz pearls. Like the natural black pearls, the Polynesian cultured pearls are large and often noted for their superb luster and orient, as well as for the unusual gray-to-black range of color (figure 1).To this day, the vast majority of black-pearl culturing is in Polynesia. -
Jewelers' Equipment & Tools
PAGE 109 Jewelers’ Equipment & Tools Saw Blades Anchor brand jeweler’s saw blades. Sizes: #4, #3, #2, 1/0, #2/0, #3/0, #4/0, #5/0, #6/0 - from largest (#4) to finest (#6/0) $3.75/144 10% discount assortable/12 gross Deluxe Saw Frame Throat and front mounted screw to adjust blade ten- Hardwood sion precisely. 3” throat. Sawblade $10.75 each Holder Rotates for easy selection. $13.50 each Adjustable Sawframe With 2.75” throat. $ 5.95 each WIRE DRAWING PLATES 8.5” specially hardened steel for shaping and reduc- ing jewelry wire. Round Hole Draw Plate, 82 holes (pictured above) $10.80 each, $116.64/12 Chromed Steel Sawframes Half-Round Hole Draw Plate, 30 holes Top Quality; great value! $12.50 each, $135.00/12 Hexagon Hole Draw Plate, 30 holes Adjustable sawframe with a 3” throat $12.50 each, $135.00/12 $ 8.50 each Marquise Hole Draw Plate, 30 holes $12.50 each, $135.00/12 Pear-shape Hole Draw Plate, 30 holes $12.50 each, $135.00/12 6” Adjustable Rectangle Hole Draw Plate, 30 holes Saw Frame $12.50 each, $135.00/12 $11.95 each Square Hole Draw Plate, 30 holes $ 12.50 each, $135.00/12 Triangle Hole Draw Plate, 30 holes $12.50 each, $135.00/12 PAGE 110 Tungsten Soldering Pick Draw Tongs Perfect for platinum’s higher temperatures. Non- Heavy duty, hand-forged. stick. Will not discolor or contaminate gold, silver 8” Draw Tongs ............$14.85 each or platinum. 10” Draw Tongs ..........$18.95 each $ 5.50 each Best Quality Titanium Solder Pick With anodized, non-roll hexagonal handles for non- stick use with gold & silver. -
November Annex Auction
November Annex Auction Michaan's Auctions Monday, November 16, 2020, 10am 2701 Monarch Street (lots 1- 751) Alameda, CA 94501 Phone: (800)380-9822 or Tuesday, November 17, 2020, 10am (510) 740-0220 (lots 752 - 1503) Fax: (510) 749-7517 www.michaans.com Wednesday, November 18, 2020, 10am [email protected] (lots 1504 - 2255) Previews November 1510am - 5pm** Days of sale from 9am to end of auction Bid Increments Minimum Value Maximum Value Expected Bid Increment from US $ 0 to US $ 49 US $ 5 from US $ 50 to US $ 199 US $ 10 from US $ 200 to US $ 499 US $ 25 from US $ 500 to US $ 999 US $ 50 from US $ 1,000 to US $ 1,999 US $ 100 from US $ 2,000 to US $ 4,999 US $ 250 from US $ 5,000 to US $ 9,999 US $ 500 from US $ 10,000 to US $ 19,999 US $ 1,000 from US $ 20,000 and above US $ 2,500 Michaan’s Auctions - Terms and Conditions of Sale STANDARD CONDITIONS OF SALE DEFINITIONS These Conditions of Sale are binding on all purchasers at Auction. Please Hammer price: The highest bid received for a lot upon the fall of the read carefully. auctioneer’s hammer. By registering to bid at auction, in person, or through an agent, by absentee Buyer’s premium: The amount paid by the buyer as a percentage of the bid, or telephone or any other means including the Internet and e-mail, hammer price and in addition thereto. you agree to be bound by these Conditions of Sale (and changes made as Purchase price: The aggregate of the hammer, buyer’s premium and ap- noted below.) plicable taxes or other fees, if any, as may be required by law. -
Basic Metal Toolkit
Intro to Metalsmithing Basic Metal Toolkit Jeweler’s Saw $20.00 Saw Blades 4.75 Vernier Caliper 10.50 Steel Metric Ruler 7.95 Hardwood Ring Mandrel 16.00 Scribe 8.95 Plier & Cutter Kit 29.00 Needle File Kit 14.95 Dividers 11.00 Bur Life 5.50 A Pin Vise 9.95 Bench Pin with Anvil 16.95 Twist Drills 6.45 Center Punch 8.95 B Hammer Kit 59.00 C Sand Paper Assortment 17.60 D Pocket Wire Gauge 14.95 Steel Square 4.55 Optivisor 6.45 Metalsmith Essentials - Tim McCreight 15.00 Estimated Total $288.45 ! A. Can substitute beeswax for Bur Life! B. Can make your own from an old nail.! C. You can pick up hammers from home improvement stores and alter them.! !D. You can buy sandpaper at home improvement stores for less and in bulk.! ! "1 of "7 Intro to Metalsmithing Measurement Resources Conversion Website www.convert-me.com Will convert units of distance and length instantly. Metric Conversions www.metric-conversions.org Excellent free resource to convert from Imperial to Metric ! ! Formulas! ! "2 of "7 Intro to Metalsmithing ! Terminology (Small List)! ! Alloy Mixture of metals; sterling silver is an allow of fine silver and copper. Annealing The process of heating and then cooling metal to make it softer and thus easier to work with. Base Metal Nonprecious metal, such as aluminum, copper, iron and nickel. Bezel The rim of metal that is used to secure a stone in a rub-over setting. Blank A flat shape cut from sheet metal. -
Jewellery Making and Essential Skills
Literacy and Essential Skills in Industrial Arts JEWELLERY MAKING COURSE Student Notes A project of Literacy Ontario Central South This project is funded by the Government of Canada’s Office of Literacy and Essential Skills ACKNOWLEDGEMENTS LOCS would like to gratefully acknowledge the Office of Literacy and Essential Skills, Human Resources Development Canada for funding this project. The Literacy and Essential Skills Project Team Lesley Hamilton – Project Manager David Haw – Project Coordinator Shelley McCarrell – Project Assistant Elise Noriega – Project Assistant Carrie Wakeford – Project Writer Brigid Hayes – Project Evaluator Advisory Committee Andrew Rothfischer – Ministry of Natural Resources Doug Noyes – Literacy Link Eastern Ontario Kathy Neill – John Howard Society of Peterborough Sheila Cowan – LOCS Board of Directors Walter Johnstone – Youth Emergency Shelter LOCS would like to extend a heartfelt thanks to David Haw the Project Coordinator without whom this project would not have been successful. The vision that David brought to this project was the driver that made everything happen. LOCS would like to thank Valerie Davidson of Valerie Davidson Jewellery who worked with us to create course material. Not only did she work with the writer but she delivered a pilot course of the material created. © 2010 Literacy Ontario Central South Literacy and Essential Skills in Industrial Arts – Jewellery Making The following participants took part in the piloting of the material. Dennis Laroche Murdock McNeil Shane Edwards Janet Marfleet Don Lester Afson Tahery Their participation in the pilot was extremely helpful. Their feedback helped us create the final version of this course. These students all deserve a big thank you for the time and effort they put into assisting us with this project. -
Spool Knit Jewelry: Make Beautiful Bracelets, Anklets and Rings Free
FREE SPOOL KNIT JEWELRY: MAKE BEAUTIFUL BRACELETS, ANKLETS AND RINGS PDF Anne Akers Johnson | 50 pages | 01 Mar 2004 | Scholastic US | 9781570548048 | English | New York, United States Spool Knit Jewelry: Make Beautiful Bracelets, Anklets and Rings - Anne Akers Johnson - Google книги I love knitting spools. I had one as a child and made knitted projects with yarn. Knitting spools are a fantastic way to teach children how to knit and be creative. This can be life changing for a little one. The will to create and make beautiful things can be a life long pursuit. I believe that's because I first learned to knit on a spool using flexible Spool Knit Jewelry: Make Beautiful Bracelets wire, Anklets and Rings has give to it. Craft Wire is of course, rigid by nature. Spool Knit Jewelry: Make Beautiful Bracelets struggled a few times and finally decided I would make it work. Thank you for Anklets and Rings gem of a saying, Tim Gunn. It helped me see that with craft wire you pull the wire out to the edge of your spool with your stylus, then flip the wire up and over your pin with your fingers. The tension is carried from one pin to the next - not through pulling on the tail as it is with flexible beading wire. String the wire down through the center of the knitting spool leaving about a 2" tail. Wrap the wire around your pins in the same manner as this Beaducation video minus the addition of beads. Step 2: Once you have completed your desired length of wire knitting, cut off about 2" extra wire from the spool and Spool Knit Jewelry: Make Beautiful Bracelets remove your knitted wire tube from the spool. -
Celebrating the Celtic Imagination Midsummer 2008
Celebrating the Celtic Imagination Midsummer 2008 52 NEW Items! welcome to gaelsong Midsummer 2008 Midsummer night has always been a night for love magic…as the heat of the sun gives way to the cool of the evening, lovers meet in the enchanted air and make merry in song and dance all the night long. It is a time to envision the future and revel in the present. A walk through the dew on midsummer morn brings Colleen Connell, magical rewards, as we delight in the beauty of Founder the new day. At GaelSong, we hope to add beauty and magic to your life. We present beautiful gifts in the Celtic style, made all over the world. Many items we offer are hand-crafted by artisans devoted actual size to keeping traditional Celtic handiwork and design alive. Whether you seek wisdom by reflecting on the past or seek beauty and inspiration in the present, we hope our products will warm and enchant you. NEW! TRINITY KN O T BLOSSOM FAIRY HOUSES … A trinity knot and sparkling gem form an ever-flowering EV E RY W H ERE ! silver blossom on a delicate tendril of silver vine. Discover a world of Framed in sunny 14k gold or moonlight Sterling silver. whimsical habitats constructed from J1037 Trinity Knot Blossom Earrings, sterling $48 natural materials. J2055 Trinity Knot Blossom Pendant, sterling $48 Building diminutive J1042 Trinity Knot Blossom Earrings, houses from found 14k gold and sterling $248 materials (twigs, J2056 Trinity Knot Blossom Pendant, shells, pinecones and 14k gold and sterling $248 such) is a delightful pastime—and a sweet way to invite FLOWER FAIRIES the fairies. -
Shell Crafts
Shell Crafts around shells. There's free-form wrapping, where no pattern is involved. Most wire wrapped jewelry, however, involves patterned techniques. Surface looping is a knitting-based technique featured in the Mexican flat scallop shell pendant, and basket-weaving in the round is featured in the lantern-caged true harp shell pendant. No matter which technique you choose, Tools used for making jewelry. Top to it's important to first bottom: chain nose pliers, flush cutter, round nose pliers Wire wrapped shell jewelry acquire a general understanding of the properties and characteristics of wire DIY Shell Jewelry: so that you know which ones to choose for your wire shell capture project. Wire Shell Capture Most of us are familiar with round wire, but wire comes by Lily Rose in other shapes: half-round, square, flat and twisted, all of which lie differently against your shell and provide distinct ire shell capture is the process of design elements. Most beginner projects use basic round setting shells into a caged frame W wire which is what I used for all the designs featured in using wire-wrapping techniques. Wire this article. provides one of the most beautiful When purchasing wire, check for its gauge, hardness, ways to "capture" the beauty of a shell malleability and rigidity. Gauge refers to the thickness because it can be bent, shaped and of the wire. Thin wire in 28 and 24 gauge is mostly used textured in numerous ways, allowing for wrapping. The thicker gauges- 22, 20, 18 and 16- are you to showcase as much of your shell generally used to create wire frames around which to wrap as possible within a frame.