Celebrating the Celtic Imagination Midsummer 2008
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The Jewelry Department
I)1:PARTMEM STORE MERCll'Vs'DlSE TWA-NUALS i-,:i!.iiililliliiil!i:i: Courtesy of International Studio Coml) in Gold and Horn ( Frcncli Design) DEPARTMENT STORE MERCHANDISE MANUALS THE JEWELRY DEPARTMENT BEULAH ELFRETH KENNARD, M.A. Editor of Series; Director of Department Store Courses, New York University; Chairman of Committee on Merchan- dise Courses for New York City Public Schools; Former Educational Director of the Department Store Education Association. ASSISTED BY E. LILLIAN HUTCHINSON, B. A. Secretary Department Store Education Association CONSULTING EDITOR LEE GALLOWAY, Ph.D. Associate Professor Commerce and Industry, New York University; Secretary of National Association of Corpora- tion Schools; Director Educational Courses, National Commercial Gas Association. NEW YORK THE RONALD PRESS COMPANY 1917 40fX>G Copyright, 1917, by The Ronald Press Company ^^ \"\ X Sljia ^tv\SB tfl Sfbtrat^b to Mrs. Henry Ollesheimer, Miss Virginia Potter, Miss Anne Mor- gan, and other organizers of the Department Store Education As- sociation, who desiring to give greater opportunity for advance- ment to commercial employees and believing that all business efficiency must rest upon a solid foundation of training and education gave years of enthusiastic service to the testing of this belief. EDITOR'S PREFACE This series of department store manuals has been pre- pared for the purpose of imparting definite and authen- tic information to that growing army of salespeople who are not satisfied to be mere counter servers — to those who realize that their vocation is one of dignity and opportunity, and that to give satisfactory service to the customer they must possess a thorough knowledge of the goods they sell, as well as a knowledge of how best to P^ f\ sell them. -
The Caledonii Grande Tradition Greetings from the Editorial Staff
amildanachamildanach Journal of Celtic Studies ◊ Caledonii Grande Tradition SS http://www.angelfire.com/sc/Caledonii/ Premiere Edition ◊ Five dollars Greetings from the Editorial Staff It has been several years since the We are striving to present articles Sabbats, Gods and Goddesses of publication of the original Samildanach of worth to those of you who wish the Celts and customs relating to was released. Now, with new to be enriched in your study of them. We invite you to submit your computers and a full Staff comprised Celtic life ways. We’ll also carry articles to our Editorial Staff at least of hard working Caledonii members, sections announcing upcoming six weeks before the release date we hope to bring you this magazine Gatherings around the South East, for each issue. Issues of the zine will of Celtic Studies. You’ll find a lot in and notable Gathers throughout number four a year to correspond this issue which we hope will be of the States; as well as, articles on the to the great Fire Festivals. interest to you. – Continued on page 2 The Caledonii Grande Tradition A Little Background Grande Tradition known as the Wiccans and Mystic Christians can Fellowship of Caledon. In its come together and affirm their By Lord Ariel Morgan meetings, the Druidh, the Elders interconnectedness as Creators Ard Druidh Chosen Chief of the Order and Third Degree, and the Episcopacy, children and as brothers and sisters Wisdom Keeper of the Tradition sit together and create the policies of the Caledonii family. Within the which govern the Caledonii. -
THE JEWELRY of POTTERY MOUND with a Comparison To
THE JEWELRY OF POTTERY MOUND With a Comparison to Tijeras Pueblo By Lucy C. Schuyler Maxwell Museum Technical Series No. 26 Maxwell Museum of Anthropology University of New Mexico 2016 TABLE OF CONTENTS Page LIST OF FIGURES......................................................................................................................... v LIST OF TABLES......................................................................................................................... vii ACKNOWLEDGMENTS.............................................................................................................. xi 1. INTRODUCTION....................................................................................................................... 1 Excavations at Pottery Mound............................................................................................. 2 Methods................................................................................................................................3 Overview of the Artifacts.....................................................................................................4 2. JEWELRY AND RELATED ARTIFACTS IN THE COLLECTIONS..................................... 5 Beads.................................................................................................................................... 6 Bone......................................................................................................................... 6 Shell........................................................................................................................ -
On the Topology of Celtic Knot Designs
On the Topology of Celtic Knot Designs Gwen Fisher Mathematics Department California Polytechnic State University San Luis Obispo, CA 93407 [email protected] Blake Mellor Mathematics Department Loyola Marymount University Los Angeles, CA 90045-2659 [email protected] Abstract We derive formulas for counting the number of strands in a variety of knotwork designs inspired by traditional Celtic designs, including rectangular panels, circular borders, rectangular borders, and half frames. We include graphic examples for each of these types of designs. 1. Introduction There is a long tradition of abstract geometric designs in the art of the Celtic peoples of ancient Britain, Scotland and Ireland, including spirals, key patterns and, in the Christian era, knots and interlacings [1]. Complex knotwork patterns were used profusely in the Celtic illuminated manuscripts, such as in the Books of Durrow (early 5th to early 6th century), Kells (middle 6th to early 8th century), Lindesfarne (late 7th century), and Grimbald of St. Bertin (early 11th century). In these manuscripts, interlacing designs (both purely geometric, as in Figure 1, and incorporating animal figures) fill areas and are used as borders for text and illustrations. Françoise Henry called these designs a “sacred riddle” [7], and their symbolic meaning is a fascinating and unresolved issue in Celtic art history. James Trilling [10] has theorized that knotwork designs were, like the crosses that they commonly accompanied, protections against evil: the complex designs would trap and confuse the “evil eye”. Figure 1: A knotwork design, from [5] Whatever their meaning, the complexity of Celtic knotwork designs is evidence of substantial mathematical sophistication [4], and their design and analysis lead to many mathematical questions. -
Pottery Mound, and a Comparison of Jewelry Found at the Two Sites
THE JEWELRY OF TIJERAS PUEBLO By Lucy C. Schuyler Maxwell Museum Technical Series No. 15 Maxwell Museum of Anthropology MSC01, 1050, 1 University of New Mexico Albuquerque, New Mexico 87131-0001 www.unm.edu/~maxwell 2010 (Revised 2011) Note added November 2011 In November, 2011, five turquoise pieces that had been on display at the Albuquerque Museum of Art and History (Figure A.1) were returned to the Maxwell Museum. These pieces were not available for close examination during my study, so the exact identity of certain artifacts was uncertain (see Page 84). Once the five pieces were returned to the Maxwell Museum, the pendant listed in the report as Catalogue No. 78.67.397 was found to correspond to Catalogue No. 78.67.111, listed as “unavailable for examination.” Likewise, the pendant listed as Catalogue No. 78.67.141B was found to correspond to Catalogue No. 78.67.397. The Tijeras jewelry Excel spreadsheet and master artifact spreadsheet have been updated to reflect the new information. As a result of these revisions, the number of artifacts originally reported is overstated by one. The total collection includes 450 specimens, 390 jewelry artifacts, and 92 pendants. L.C.S. ii TABLE OF CONTENTS Page List of Figures.................................................................................................................................. v List of Tables...................................................................................................................................vi Foreword...................................................................................................................................... -
POLYNESIAN BLACK PEARLS by Marisa Goebel and Dona Mary Dirlam
POLYNESIAN BLACK PEARLS By Marisa Goebel and Dona Mary Dirlam Historically, natural black pearls have he 1980s have seen an explosion of interest in the been one of the rarest and most exotic of Tcultured blaclz pearls of French Polynesia, five groups gem materials. In the 1960s, however, a of island archipelagos in the South Pacific. Twenty years black-pearl culturing industry was initi- ago, blaclz pearls were a mere curiosity appreciated by a ated. Today, cultured black pearls play a handful of people. Today, cultured blaclz pearls, often called prominent role throughout the interna- Tahitian pearls or Tahitian cultured pearls, can be found in tional jewelry community. This article re- views the history of Polynesian blaclz fine jewelry stores throughout the world. pearls, the development of culturing and The large black-lipped oyster that produces blaclz the techniques involved, grading, treat- pearls, Pinctada marguritifera, is found in the coastal ments and identification, and the factors waters of Peru, Baja California, Panama, Indonesia, Micro- responsible for their growing popularity in nesia, the Red Sea, the Philippines, and Olzinawa (a the 1980s. prefecture of Japan), as well as French Polynesia. Yet natural blaclz pearls are extremely rare compared to their white counterparts. In the 1960s, however, with the aid of Japanese technicians, pearl farmers in French Polynesia mastered the culturing of blaclz pearls. Like the natural black pearls, the Polynesian cultured pearls are large and often noted for their superb luster and orient, as well as for the unusual gray-to-black range of color (figure 1).To this day, the vast majority of black-pearl culturing is in Polynesia. -
An Ancient Muse, the Mask and Mirror, Parallel Dreams VÖ: 28
Veröffentlicht drei weitere Meilensteine auf Vinyl An Ancient Muse, The Mask and Mirror, Parallel Dreams VÖ: 28. Oktober 2016 Quinlan Road / Edel Die starke Nachfrage auf dem Vinyl Sektor mit dem starken, einmaligen Sound, den nur Vinyl bieten kann, hat die unabhängige kanadische Künstlerin Loreena McKennitt dazu veranlasst, drei weitere Vinyl aus ihrem Backkatalog durch ihr eigenes Label, Quinlan Road, zu veröffentlichen. Es handelt sich hierbei um limitierte Auflagen, die numeriert sind und auf 180 Gramm, höchster Qualität veröffentlicht werden. Gepresst werden diese Vinyl bei Record Industry in den Niederlanden und sind auf 5000 Stück pro Titel limitiert. Parallel Dreams, Mckennitts drittes veröffentlichtes Album, wird die achte Ausgabe in Vinyl sein. Mit ihrer eigenen Lyrik hat sich dieses Werk 1989 weit über den Bereich keltisch- traditioneller Musik hinausgeschoben. Es markiert den Beginn ihrer eigenen Reisen und Entdeckungen zu der Vielseitigkeit der keltischen Musik, die ihre Fans seit nunmehr über 25 Jahren begeistert. The Mask and Mirror hat 1995 den Juno Award für das beste traditionelle Album gewonnen und wird hiermit Loreenas neunte Vinyl Veröffentlichung. Die exotische Palette bietet spanische, marokkanische und natürlich keltische Einflüsse. Dies Album erreichte 4-fach Platin in Kanada und steht kurz vor Platin in den USA als auch in Deutschland. Die zehnte Vinyl Veröffentlichung , An Ancient Muse, hat bis jetzt weit mehr als 1 Million CDs verkauft, wurde 2007 für den Grammy für das beste zeitgenössische World Music Album nominiert. Für dieses Album hat Loreena die Mongolei, Nordwest China, die Türkei und Griechenland besucht und hat alle Einflüsse auf diesem freiheitlichen und spirituellen Album verbunden. Loreena McKennitts eklektisch keltischer Musikstil, der Folk, Pop und Weltmusik vermischt hat mehr als 14 Millionen Alben verkauft. -
November Annex Auction
November Annex Auction Michaan's Auctions Monday, November 16, 2020, 10am 2701 Monarch Street (lots 1- 751) Alameda, CA 94501 Phone: (800)380-9822 or Tuesday, November 17, 2020, 10am (510) 740-0220 (lots 752 - 1503) Fax: (510) 749-7517 www.michaans.com Wednesday, November 18, 2020, 10am [email protected] (lots 1504 - 2255) Previews November 1510am - 5pm** Days of sale from 9am to end of auction Bid Increments Minimum Value Maximum Value Expected Bid Increment from US $ 0 to US $ 49 US $ 5 from US $ 50 to US $ 199 US $ 10 from US $ 200 to US $ 499 US $ 25 from US $ 500 to US $ 999 US $ 50 from US $ 1,000 to US $ 1,999 US $ 100 from US $ 2,000 to US $ 4,999 US $ 250 from US $ 5,000 to US $ 9,999 US $ 500 from US $ 10,000 to US $ 19,999 US $ 1,000 from US $ 20,000 and above US $ 2,500 Michaan’s Auctions - Terms and Conditions of Sale STANDARD CONDITIONS OF SALE DEFINITIONS These Conditions of Sale are binding on all purchasers at Auction. Please Hammer price: The highest bid received for a lot upon the fall of the read carefully. auctioneer’s hammer. By registering to bid at auction, in person, or through an agent, by absentee Buyer’s premium: The amount paid by the buyer as a percentage of the bid, or telephone or any other means including the Internet and e-mail, hammer price and in addition thereto. you agree to be bound by these Conditions of Sale (and changes made as Purchase price: The aggregate of the hammer, buyer’s premium and ap- noted below.) plicable taxes or other fees, if any, as may be required by law. -
General Introduction the Evergreen: a Northern Seasonal (1895- 1896/97)
GENERAL INTRODUCTION THE EVERGREEN: A NORTHERN SEASONAL (1895- 1896/97) “Four seasons fill the measure of the year; There are four seasons in the mind of man.” Epigraph to The Evergreen, from John Keats’s “The Human Seasons” Evergreen flyleaf ornament. Published as a semi-annual by Patrick Geddes & Colleagues in the Lawnmarket of Edinburgh and by T. Fisher Unwin in London, The Evergreen: A Northern Seasonal was produced out of interlacing connections as complex as those of the Celtic knot work it showcased. These include arts and crafts, Scottish Renascence, Pan-Celticism, and an urban renewal enhanced with what we would today call an ecological concern with nature and green space in the modern world. With local roots and international aspirations, The Evergreen sought to express a message of social regeneration by uniting art and science in the architecture of the page and the built environment. Expressed in Geddes’s triad of “sympathy, synergy, and synthesis,” this vision was embodied in the emblem of three flying black birds, each carrying a leaf in its beak, which decorated the openings of The Evergreen’s four volumes (Burbridge 73). As Regina Hewitt observes, Geddes conceptualized The Evergreen “as a resource for—and 1 perhaps even a manifesto of—cultural evolution” (“Patrick Geddes”). Although The Evergreen’s print run lasted less than two years, this innovative, interdisciplinary magazine had far-reaching impact. In his review for Pall Mall Magazine, Israel Zangwill highlighted the importance of the local and the social to this illustrated periodical. “’Till I went to Edinburgh,” he wrote, “I did not know what the ‘Evergreen’ was. -
Celtic Patterns to Colour Pdf, Epub, Ebook
CELTIC PATTERNS TO COLOUR PDF, EPUB, EBOOK Struan Reid,David Thelwell | 32 pages | 01 Jul 2014 | Usborne Publishing Ltd | 9781409574651 | English | London, United Kingdom Celtic Patterns to Colour PDF Book You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. There were Celts through most of Europe and even Asia, so these coloring sheets are Celtic favorites all over! Celtic Dogs Design. Knotted Celtic Art Design. Celtic Dublin. Triquetra Knot. Celtic Art Coloring Pages to Print. Cross Shape. Print all of our Celtic Coloring pages for free. Follow the lines. Patrick Celtic Coloring. Coloring pages. It can seem like a tangled maze, so some pre-thinking is in order for many of these coloring pages! Quad Celtic Knot. Copyright Disclaimer Disclosure Privacy Terms. Christmas Patterns to Colour Emily Bone. Also, get your favorite crayons, coloring pencils, and watercolors ready for my relaxing adult coloring pages! Trinity Celtic Triangle. Round Pattern. Accept all Manage Cookies. Celtic Heraldry. That's why there were so many intertwined animals, knots, vines, leaves and other decorations behind the main artwork. Celtic Knot Pattern. Swan Celtic Animals. Easy Celtic Bird. Designs are taken from stone carvings, pottery and jewellery and include the intricate knotwork patterns for which the Celts were famous. Vine Motif. Celtic Style Shamrock. Abigail Wheatley. Printable Celtic Symbol Coloring Pages. Beautiful Celtic Coloring Pages. Celtic Owl Design. Small Celtic Knots. They shared common languages, religious beliefs, traditions and of course artwork. Celtic Leaves. Celtic Triquetra Circle Interlaced. Dispatched from the UK in 1 business day When will my order arrive? Celtic Design. -
2 CD (1 CD 29.01 Perc ; 2
C 20 The Christmas Sing-a-long Collection . — [s.l.] : Play 24-7 Limited, cop. 2008 . — 2 CD (1 CD_ 29.01 perc ; 2. CD: 29.33 perc) Komolyzene, könnyűzene, tradicionális, karácsony 5051503901429 : 990,- Ft komolyzene, könnyűzene, tradicionális, karácsony Példány adatok: CD6153.1 C 20 Fz (KÜLFÖLDI KÖNNYŰ) 19 CD6153.2 C 20 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- E 35 Electro Jazz Crooners Vol. 1. — [s.l.] : Wagram Music, 2006 . — 1 CD (75.51 perc) Könnyűzene, Elektronikus, Nujazz, Headz, Groove 3113632 : 4649,- Ft Könnyűzene, Elektronikus, Nujazz, Headz, Groove Példány adatok: CD4062 E 35 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- I 52 In bed with nova : Deuxiéme nuit . — Paris : Nova Records, 2006 . — 1 CD (71.58 perc) Könnyűzene, Elektronikus 3112262/WAG 331 : 3799,- Ft Könnyűzene, Elektronikus Példány adatok: CD4055 I 52 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- J 63 Jive : Ouvrir Nos Coeurs : Crazy Love : Just For You . — [s.l.] : Azzura Music Srl, [cop. 2007] . — 1 CD (32.39 perc) . — (Ballroom Music Series ; CD 10) Könnyűzene, Pop, Táncoktatás TBPB1009 . 1005 : 624,- Ft Könnyűzene, Pop, Táncoktatás Példány adatok: CD4904 J 63 Fz (KÜLFÖLDI KÖNNYŰ) 11 ------------------------------------------------- L 71 Listening Pearls Vol. 3. — [s.l.] : InterGroove, 2001 . — 1 CD (62.46 perc) Könnyűzene, Elektronikus Mole cd 042-2 : 3488,- Ft Könnyűzene, Elektronikus Példány adatok: CD4054 L 71 Fz (KÜLFÖLDI KÖNNYŰ) 19 ------------------------------------------------- P 39 Paso Doble : Spetacular : El Beso : Pasolindo . — [s.l.] : Azzura Music Srl, cop. 2007 . — 1 CD (38.14 perc) . — (Ballroom Music Series ; CD 7) Könnyűzene, Pop, Táncoktatás TBPB1006 : 624,- Ft Könnyűzene, Pop, Táncoktatás Példány adatok: CD4912 P 39 Fz (KÜLFÖLDI KÖNNYŰ) 11 ------------------------------------------------- Q 50 Quick Step - Fox Trot : This Can't Be Love : Lullaby of Broadway : Mrs Robinson . -
Thesis&Preparation&Appr
THESIS&PREPARATION&APPROVAL&FORM& & Title&of&Thesis:& Scottish&Fiddling&in&the&United&States:&Reviving&a&Tradition&and&Maintaining&a&Community& & & I. To&be&completed&by&the&Student:& & I&certify&that&this&document&meets&the&preparation&guidelines&as&presented&in&the& Style&Guide&and&Instructions&for&Preparing&Theses&and&Dissertations.&& & & _________________________________& &_______________& (Signature&of&Student)&& & (Date)& & & II. To&be&completed&by&thesis&advisor:& & I&certify&that&this&document&is&suitable&for&submission.& & & _________________________________&& _______________& (Signature&of&Advisor)&& & (Date)& & III. To&be&completed&by&School&Director:& & I&certify,&to&the&best&of&my&knowledge,&that&the&required&procedures&have&been& followed&and&the&preparation&criteria&have&been&met&for&this&thesis/dissertation.&& & & _________________________________& &_______________& (Signature&of&Director)&& & (Date)& & & xc:&Graduate&Coordinator& SCOTTISH FIDDLING IN THE UNITED STATES: REVIVING A TRADITION AND MAINTAINING A COMMUNITY A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts By Deanna T. Nebel May, 2015 Thesis written by Deanna T. Nebel B.M., Westminster College, 2013 M.A., Kent State University, 2015 Approved by ____________________________________________________ Jennifer Johnstone, Ph.D., Advisor ____________________________________________________ Ralph Lorenz, Ph.D., Acting Director, School of Music ____________________________________________________