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The Jewelry Department
I)1:PARTMEM STORE MERCll'Vs'DlSE TWA-NUALS i-,:i!.iiililliliiil!i:i: Courtesy of International Studio Coml) in Gold and Horn ( Frcncli Design) DEPARTMENT STORE MERCHANDISE MANUALS THE JEWELRY DEPARTMENT BEULAH ELFRETH KENNARD, M.A. Editor of Series; Director of Department Store Courses, New York University; Chairman of Committee on Merchan- dise Courses for New York City Public Schools; Former Educational Director of the Department Store Education Association. ASSISTED BY E. LILLIAN HUTCHINSON, B. A. Secretary Department Store Education Association CONSULTING EDITOR LEE GALLOWAY, Ph.D. Associate Professor Commerce and Industry, New York University; Secretary of National Association of Corpora- tion Schools; Director Educational Courses, National Commercial Gas Association. NEW YORK THE RONALD PRESS COMPANY 1917 40fX>G Copyright, 1917, by The Ronald Press Company ^^ \"\ X Sljia ^tv\SB tfl Sfbtrat^b to Mrs. Henry Ollesheimer, Miss Virginia Potter, Miss Anne Mor- gan, and other organizers of the Department Store Education As- sociation, who desiring to give greater opportunity for advance- ment to commercial employees and believing that all business efficiency must rest upon a solid foundation of training and education gave years of enthusiastic service to the testing of this belief. EDITOR'S PREFACE This series of department store manuals has been pre- pared for the purpose of imparting definite and authen- tic information to that growing army of salespeople who are not satisfied to be mere counter servers — to those who realize that their vocation is one of dignity and opportunity, and that to give satisfactory service to the customer they must possess a thorough knowledge of the goods they sell, as well as a knowledge of how best to P^ f\ sell them. -
Erma Bombeck Bibliography of Adult Writings
Books by Erma Bombeck All I Know About Animal Behavior I Learned in Loehmann's Dressing Room. New York: HarperCollins Publishers, 1995. At Wit's End. Greenwich, Conn: Fawcett, 1967. Aunt Erma's Cope Book: How to Get from Monday to Friday- in 12 days. New York: McGraw-Hill, 1979. The Best of Bombeck. New York: Galahad Books, 1991. (Contents: At wits end--Just Wait Till You Have Children of Your Own--I Lost Everything in the Post- natal Depression. ) Best of Erma Bombeck: Best-Loved Writing From America's Favorite Humorist. Kansas City: Andrews McMeel Publishing, 1997. Erma Bombeck, Her Funniest Moments From “At Wit’s End”. Kansas City: MO. Hallmark Editions, 1977. Erma Bombeck: Giant Economy Size. Garden City, NY: Doubleday, 1980. Book Club edition. (Contents: At wit's end - Just wait till you have children of your own. - I lost everything in the post-natal depression). Family: the Ties That Bind-and Gag! New York: McGraw-Hill, 1987. Forever, Erma: Best-loved Writing from America's Favorite Humorist. Kansas City: Andrews and McMeel, 1996. Four of a kind: a Suburban Field Guide: a Treasury of Works by America's Best-loved Humorist. New York: Budget Book Service, 1996. [reprint of the following work] Four of a kind: a Treasury of Favorite Works by America's Best-loved Humorist. New York: McGraw-Hill, 1985. The Grass is Always Greener Over the Septic Tank. New York: McGraw-Hill, 1976. “How to Punctuate.” In How to Use the Power of the Printed Word : Thirteen Articles Packed With Facts and Practical Information, Designed to Help You Read Better, Write Better, Communicate Better. -
THE JEWELRY of POTTERY MOUND with a Comparison To
THE JEWELRY OF POTTERY MOUND With a Comparison to Tijeras Pueblo By Lucy C. Schuyler Maxwell Museum Technical Series No. 26 Maxwell Museum of Anthropology University of New Mexico 2016 TABLE OF CONTENTS Page LIST OF FIGURES......................................................................................................................... v LIST OF TABLES......................................................................................................................... vii ACKNOWLEDGMENTS.............................................................................................................. xi 1. INTRODUCTION....................................................................................................................... 1 Excavations at Pottery Mound............................................................................................. 2 Methods................................................................................................................................3 Overview of the Artifacts.....................................................................................................4 2. JEWELRY AND RELATED ARTIFACTS IN THE COLLECTIONS..................................... 5 Beads.................................................................................................................................... 6 Bone......................................................................................................................... 6 Shell........................................................................................................................ -
Pottery Mound, and a Comparison of Jewelry Found at the Two Sites
THE JEWELRY OF TIJERAS PUEBLO By Lucy C. Schuyler Maxwell Museum Technical Series No. 15 Maxwell Museum of Anthropology MSC01, 1050, 1 University of New Mexico Albuquerque, New Mexico 87131-0001 www.unm.edu/~maxwell 2010 (Revised 2011) Note added November 2011 In November, 2011, five turquoise pieces that had been on display at the Albuquerque Museum of Art and History (Figure A.1) were returned to the Maxwell Museum. These pieces were not available for close examination during my study, so the exact identity of certain artifacts was uncertain (see Page 84). Once the five pieces were returned to the Maxwell Museum, the pendant listed in the report as Catalogue No. 78.67.397 was found to correspond to Catalogue No. 78.67.111, listed as “unavailable for examination.” Likewise, the pendant listed as Catalogue No. 78.67.141B was found to correspond to Catalogue No. 78.67.397. The Tijeras jewelry Excel spreadsheet and master artifact spreadsheet have been updated to reflect the new information. As a result of these revisions, the number of artifacts originally reported is overstated by one. The total collection includes 450 specimens, 390 jewelry artifacts, and 92 pendants. L.C.S. ii TABLE OF CONTENTS Page List of Figures.................................................................................................................................. v List of Tables...................................................................................................................................vi Foreword...................................................................................................................................... -
POLYNESIAN BLACK PEARLS by Marisa Goebel and Dona Mary Dirlam
POLYNESIAN BLACK PEARLS By Marisa Goebel and Dona Mary Dirlam Historically, natural black pearls have he 1980s have seen an explosion of interest in the been one of the rarest and most exotic of Tcultured blaclz pearls of French Polynesia, five groups gem materials. In the 1960s, however, a of island archipelagos in the South Pacific. Twenty years black-pearl culturing industry was initi- ago, blaclz pearls were a mere curiosity appreciated by a ated. Today, cultured black pearls play a handful of people. Today, cultured blaclz pearls, often called prominent role throughout the interna- Tahitian pearls or Tahitian cultured pearls, can be found in tional jewelry community. This article re- views the history of Polynesian blaclz fine jewelry stores throughout the world. pearls, the development of culturing and The large black-lipped oyster that produces blaclz the techniques involved, grading, treat- pearls, Pinctada marguritifera, is found in the coastal ments and identification, and the factors waters of Peru, Baja California, Panama, Indonesia, Micro- responsible for their growing popularity in nesia, the Red Sea, the Philippines, and Olzinawa (a the 1980s. prefecture of Japan), as well as French Polynesia. Yet natural blaclz pearls are extremely rare compared to their white counterparts. In the 1960s, however, with the aid of Japanese technicians, pearl farmers in French Polynesia mastered the culturing of blaclz pearls. Like the natural black pearls, the Polynesian cultured pearls are large and often noted for their superb luster and orient, as well as for the unusual gray-to-black range of color (figure 1).To this day, the vast majority of black-pearl culturing is in Polynesia. -
She Said What? Interviews with Women Newspaper Columnists
University of Kentucky UKnowledge Women's Studies Gender and Sexuality Studies 4-7-1993 She Said What? Interviews with Women Newspaper Columnists Maria Braden University of Kentucky Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Braden, Maria, "She Said What? Interviews with Women Newspaper Columnists" (1993). Women's Studies. 2. https://uknowledge.uky.edu/upk_womens_studies/2 SHE SAID WHAT? This page intentionally left blank SHE SAID WHAT? Interviews with Women Newspaper Columnists MARIA BRADEN THE UNIVERSITY PRESS OF KENTUCKY Copyright © 1993 by Maria Braden Published by The University Press of Kentucky Paperback edition 2009 The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine University, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved. Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 www.kentuckypress.com Cataloging-in-Publication Data is available from the Library of Congress. ISBN 978-0-8131-9332-8 (pbk: acid-free paper) This book is printed on acid-free recycled paper meeting the requirements of the American National Standard for Permanence in Paper for Printed Library Materials. -
November Annex Auction
November Annex Auction Michaan's Auctions Monday, November 16, 2020, 10am 2701 Monarch Street (lots 1- 751) Alameda, CA 94501 Phone: (800)380-9822 or Tuesday, November 17, 2020, 10am (510) 740-0220 (lots 752 - 1503) Fax: (510) 749-7517 www.michaans.com Wednesday, November 18, 2020, 10am [email protected] (lots 1504 - 2255) Previews November 1510am - 5pm** Days of sale from 9am to end of auction Bid Increments Minimum Value Maximum Value Expected Bid Increment from US $ 0 to US $ 49 US $ 5 from US $ 50 to US $ 199 US $ 10 from US $ 200 to US $ 499 US $ 25 from US $ 500 to US $ 999 US $ 50 from US $ 1,000 to US $ 1,999 US $ 100 from US $ 2,000 to US $ 4,999 US $ 250 from US $ 5,000 to US $ 9,999 US $ 500 from US $ 10,000 to US $ 19,999 US $ 1,000 from US $ 20,000 and above US $ 2,500 Michaan’s Auctions - Terms and Conditions of Sale STANDARD CONDITIONS OF SALE DEFINITIONS These Conditions of Sale are binding on all purchasers at Auction. Please Hammer price: The highest bid received for a lot upon the fall of the read carefully. auctioneer’s hammer. By registering to bid at auction, in person, or through an agent, by absentee Buyer’s premium: The amount paid by the buyer as a percentage of the bid, or telephone or any other means including the Internet and e-mail, hammer price and in addition thereto. you agree to be bound by these Conditions of Sale (and changes made as Purchase price: The aggregate of the hammer, buyer’s premium and ap- noted below.) plicable taxes or other fees, if any, as may be required by law. -
2015/16 Season Akeelah and the Bee Adapted for the Stage by Cheryl L
ERMA BOMBECK: AT WIT’S END 2015/16 SEASON AKEELAH AND THE BEE ADAPTED FOR THE STAGE BY CHERYL L. WEST BASED ON THE ORIGINAL SCREENPLAY BY DOUG ATCHISON DIRECTED BY CHARLES RANDOLPH-WRIGHT ERMA BOMBECK: AT WIT’S END TABLE OF CONTENTS 4 Artistically Speaking 5 From the Executive Producer 7 Dramaturg’s Notebook 9 Title Page 11 Time and Place, Cast List, For this Production 12 Who’s Who - Cast ARENA STAGE 1101 Sixth Street SW 12 Who’s Who - Creative Team Washington, DC 20024-2461 ADMINISTRATION 202-554-9066 SALES OFFICE 202-488-3300 15 Arena Stage Leadership TTY 202-484-0247 www.arenastage.org 17 Board of Trustees © 2015 Arena Stage. All editorial and advertising material is fully protected and 17 Thank You – Next Stage Campaign must not be reproduced in any manner without written permission. 18 Thank You – The Annual Fund Erma Bombeck: At Wit’s End Program Book 21 Thank You – Institutional Donors Published October 9, 2015. Cover Photo Illustration by 22 Theater Staff Ed Fotheringham Program Book Staff Anna Russell, Associate Director of Marketing and Publications David Sunshine, Graphic Designer 2015/16 SEASON 3 ARTISTICALLY SPEAKING We are pleased to welcome back Allison Engel and Margaret Engel to Arena Stage with their director David Esbjornson. These dynamic twin sisters wrote Red Hot Patriot: The Kick-Ass Wit of Molly Ivins, their one-woman show which brought back the late political humorist Molly Ivins, with Kathleen Turner, and rocked the Cradle three years ago. Erma was a journalist, mother and housewife who wrote over 9,000 newspaper columns and 12 books in her lifetime, describing ordinary, suburban life with insightful comments like: “Motherhood is the second oldest profession, but unlike the first, there’s no money in it.” Through her commentary on motherhood, a woman’s place in the workforce, marriage, child rearing and political equality, Erma Bombeck reached 30 million people three times a week. -
Celebrating the Celtic Imagination Midsummer 2008
Celebrating the Celtic Imagination Midsummer 2008 52 NEW Items! welcome to gaelsong Midsummer 2008 Midsummer night has always been a night for love magic…as the heat of the sun gives way to the cool of the evening, lovers meet in the enchanted air and make merry in song and dance all the night long. It is a time to envision the future and revel in the present. A walk through the dew on midsummer morn brings Colleen Connell, magical rewards, as we delight in the beauty of Founder the new day. At GaelSong, we hope to add beauty and magic to your life. We present beautiful gifts in the Celtic style, made all over the world. Many items we offer are hand-crafted by artisans devoted actual size to keeping traditional Celtic handiwork and design alive. Whether you seek wisdom by reflecting on the past or seek beauty and inspiration in the present, we hope our products will warm and enchant you. NEW! TRINITY KN O T BLOSSOM FAIRY HOUSES … A trinity knot and sparkling gem form an ever-flowering EV E RY W H ERE ! silver blossom on a delicate tendril of silver vine. Discover a world of Framed in sunny 14k gold or moonlight Sterling silver. whimsical habitats constructed from J1037 Trinity Knot Blossom Earrings, sterling $48 natural materials. J2055 Trinity Knot Blossom Pendant, sterling $48 Building diminutive J1042 Trinity Knot Blossom Earrings, houses from found 14k gold and sterling $248 materials (twigs, J2056 Trinity Knot Blossom Pendant, shells, pinecones and 14k gold and sterling $248 such) is a delightful pastime—and a sweet way to invite FLOWER FAIRIES the fairies. -
Erma Bombeck Returns to Campus, Bicentennial Historical Marker to Be Dedicated on June 20
University of Dayton eCommons News Releases Marketing and Communications 6-12-2003 Erma Bombeck Returns to Campus, Bicentennial Historical Marker to be Dedicated on June 20 Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "Erma Bombeck Returns to Campus, Bicentennial Historical Marker to be Dedicated on June 20" (2003). News Releases. 9899. https://ecommons.udayton.edu/news_rls/9899 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. UNIVERSITY o June 12, 2003 Contact: Teri Rizvi or Tim Bete [email protected] [email protected] DAYTON NEWS RELEASE (EDITOR'S NOTE: The Erma Bombeck historical marker will be dedicated on Friday, june 20, at 1 p.m along the path from parking lot B to St. Mary's Hall.) ERMA BOMBECK RETURNS TO CAMPUS, BICENTENNIAL HISTORICAL MARKER TO BE DEDIC<\ TED ON JUNE 20 DAYTON, Ohio- Erma Bombeck's smiling face will soon be back on the University of Dayton campus thanks to a new historical marker from the Ohio Bicentennial Commission and Ohio Historical Society. The marker, located outside St. Mary's Hall, is part of a program to highlight significant Ohio people and places for the state's 200th birthday. It will be dedicated at 1 p.m. on Friday, June 20, as part of Reunion Weekend festivities at the University of Dayton. Bombeck, a 1949 alumna, is one of UD's most famous graduates. -
Shell Crafts
Shell Crafts around shells. There's free-form wrapping, where no pattern is involved. Most wire wrapped jewelry, however, involves patterned techniques. Surface looping is a knitting-based technique featured in the Mexican flat scallop shell pendant, and basket-weaving in the round is featured in the lantern-caged true harp shell pendant. No matter which technique you choose, Tools used for making jewelry. Top to it's important to first bottom: chain nose pliers, flush cutter, round nose pliers Wire wrapped shell jewelry acquire a general understanding of the properties and characteristics of wire DIY Shell Jewelry: so that you know which ones to choose for your wire shell capture project. Wire Shell Capture Most of us are familiar with round wire, but wire comes by Lily Rose in other shapes: half-round, square, flat and twisted, all of which lie differently against your shell and provide distinct ire shell capture is the process of design elements. Most beginner projects use basic round setting shells into a caged frame W wire which is what I used for all the designs featured in using wire-wrapping techniques. Wire this article. provides one of the most beautiful When purchasing wire, check for its gauge, hardness, ways to "capture" the beauty of a shell malleability and rigidity. Gauge refers to the thickness because it can be bent, shaped and of the wire. Thin wire in 28 and 24 gauge is mostly used textured in numerous ways, allowing for wrapping. The thicker gauges- 22, 20, 18 and 16- are you to showcase as much of your shell generally used to create wire frames around which to wrap as possible within a frame. -
RETIREMENT/AGING Copy.Pages
QUOTES ON RETIREMENT AND AGING Sometimes memories sneak out of my eyes and roll down my cheeks. —Ged Backland ‘Old times’ never come back—and I suppose it’s just as well. What comes back is a new morning every day in the year, and that’s better. —George E. Woodberry The best place to be when you’re sad is Grandpa’s lap —seniorresource.com As I grew older I thought the best part of my life was over. Then I was handed my first grandchild and realized…the best part of my life had just begun. —T-Shirt Slogan The years between 50 and 70 are the hardest. You are always being asked to do things and yet are not decrepit enough to turn them down. —T. S. Eliot My first grandchild, Jordan, was born on January 30, 2011. I was jolted, blindsided by a wallop of loving more intense than anything I could remember or had ever imagined….This is what I didn’t expect. I was at a time in my life where I’d assumed I had already had my best day, my tallest high. But now I was overwhelmed with euphoria. Why was she hitting with such a force? What explains this joy, this grandmother elation that is a new kind of love? —Lesley Stahl You take all the experience and judgement of men over 50 out of the world and there wouldn’t be enough left to run it. —Henry Ford Don’t cry over the past, it’s gone. Don’t stress about the future, it hasn’t arrived.